DOCSLIB.ORG

The Gentleman and the Circle of Courtesy in Edmund Spenser's The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Gentleman and the Circle of Courtesy in Edmund Spenser's The A National Library Biblioth?gue nationale CANADIAN THESES TH~~~ESCANA~IENNES" of .Canada du Canada ON MICROFICHE SUR MICROFICHE li , . r. lx-,;on IS Reray granted to the NATIONAL LIBRARY OF C'autoris~tionest, 'par fa prt!sente&ccord6e d la BIBL~OTH& 1 h L~DAto microfilm his thesis and to lend or sell copies QUE. NATIONALE DU CANADA de rnic@iJm cetre rhPse et . -s: t e f~lrn. de p&er ou de vendre des exemplains du film. & :t~!hor reserves other publication rights, and neit* the L'aureur se rCserv~ les autres droits de pubIicsrim'ni li . ~.L . , ;r ;r r,or extensive extracts from ~i'ma~be or other- these ni de longs extraits de cel!e:ci ne dohetit &re imprim& . .. k I. i ~~6rwo;ucedwithout the auihor's written permission. ou arrtrement reprodwits. sans I'aurorisatiw, Crif e raureir: . $ National ~ibraiotCanada Biblioth6que nationale du Canada Collections Development Branch Direction du developpement des collections . Canadian Theses on Service des theses canadiennes Microfiche Service sur microfiche NOTICE The quality of this microfiche is heavily dependent La qualite de cette microfiche depend grandement de upori the quality of the original thesis submitted for la qualite de la these soumise au microfilmage. Nous microfilming. Every effort has been made to ensure avons tout fait pour assurer une qualite sup6rieure' thehhighestquality of reproduction possible. de reproduction. I If pages are,missing, contact the university which S'il ma.nque des pages, veuillez communiquel granted the degree. avec I'universite qui a confkre le grade. Some pages" m.ay have indistinct prim especially La qualite d'impression de certaines pages peut if the original pages were typed with a poor typkwriter laisser a desirer, surtout si les pages originales ont etk ribbon or if the university sent us a poor photocopy. dactylographiees a I'aide d'un ruban us6 ou si I'univer- site nous a fait parvenir une photocopie de mauvaise qualite. Previously copyrighted materials (journal articles, Les documents qui font dejd I'objet d'un droit published$ests, etc.) are not filmed. d'auteur (articles de revue, examens publics, etc.) ne sont pas microfilmks. Reproduction in' fult or in part of this film is gov- La reproduction, mi3me partielle, de ce microfilm '1 erned by the Canadian Copyright Act, R.S.C. 1970, est soumise a (a Loi canadienne sur le droit d'auteur, c. C-30. Please read the authorization forms which - SRC 1970, c. C-30. Veuillez prpdre connaissance des accompany this thesis. - formules d'autorisation qui accompagnent cette these. THIS DISSERTATION LA THESE A ETE . ' - - ' HAS BEEN MICROFILMED MICROFILMEE TELLE QUE . EXACTLY AS RECEIVED NOUS L'AVONS RECUE - ; e Ottawa, Canad% KlAON4 \ NL-339 (Rev. 8/80) ' THE FAElUE QUEENE '/ Peter Bernard Murphy LYLns. Simon Fraser university, 1975 c \ A THESIS SUBMITTED IN PARTIAL FULFILMENT OF - THE REQUIRFMENTS FOR THE DEGREE "OF MASTER OF ARTS in the Department 0 f 1. En91ish , Peter Bernard Murphy 1981 I SIMON FRASER UNIVERSITY All rights reserved. This work may not be reproduced in whole or in part, by photocopy %orother means, without permission of the author. DEGREE : Ester of -4rts a TITLE OF THESIS: The Gentlaan and the Circle of Courtrtsy in . .-d .-d Spmser's The Faerie we. Chairperson: Dr. Paul klany -" . f V -r Professor John lfills, Senior Sqe.r&30r, 'Pmfess~rof Ewlish. , Professor med Gmdelaria, Professor of EiilFsh. PARTIAL COPYRIGHT LICENSE C, I hereby grant to Sinion Fraser University the right to l end* rny'thesis, project or extended essay (the title of which .is shown below) to users o the Simon Fraser University Library, and to make part al or. single copies only for such users or ih response to a reqhest from tKe library of any other university, or other,educational institution, on its own behalf or for one of its users,: I further agree .that permission ' for multiple copying of this work for scholarly purposes may be granted . by me or the Dea? of Graduate Studies. It is understood that copying or publication'of this work for financial gain shall not be allowed - without my written permission. 4 , ' rn T i t I e of Thes i s/Project/ExteAnded -Essay . (name) - t (date) AB STRACT 0 L. Can The Faerie Queene be considered a finished work? This thesis proposes that the poem can be read as complete, even though Spenser's alleged designfor it will remain for ever unfinished. A sense of completeness in the work arises .' because it adheres to and acecrmplishes its major theme of courtesy. In doing . sb, it' fvlfi1s"Spenser's~central , ambition. that it would "fashion a gentleman". I ' - J Whil,e the, thde of courtesy is an :obvious one, it has been generally overlooked . I by critics as a unifying and defining force in the poem. Early criticism . regarded The aerie Queene as incomplete because it fajled to meet the formulae . 8 of classical design. &st later critics,: while not submitting to this dogmatic approach, have nevertheless agreed,with its conclusion, usually on the basi.s < of external evidence such as Spenser's plan for the poem contained in his. letter to Sir alter Raleigh, or theexistence of the "Mutabilitie Cantos". Acwmledging the contributions of several recent cr$ics, I propose that The Faerie Queene is complete by the end of its sixth book, which because it is entirely concerned with courtesy, , provides an appxopriate-place for &he study,: to begin. In relation to this, however, it has also been necessary to outline. + ' the philosophical -..concepts behind Spenser ' s theme, and to show his familiarity with them as demonstrated in his other works, me ~h-epheardesCalendar, -Th'e Farre Hymnes, and ~olinClout's Come*Home Againe. By compa&n; these works to The Faerie Queene it is possible to deduce that Spenser's gentleman was inspired * adfashioned by the ppwer of love, which7,was described by Plato and by ~eoc-1 platonic philosophers as the motivating force of the cosmos. The Platonic,. ? - love process follows a circular pattern, the Creator's love moving conti~uously from Him to His creation, and back again. According to ~enaissancethoughb, 1 . the process could be observed in the, world in the actions,of..good men,. adwas ;; ' 3- .v 1 i? , a . \ *I . iii . - . ., P ff * swlized, syncretically, by the classical symbol of the Dance of the Graces, * j. --which depicts love be- freely given, received and returned, Such+.rocesses- - Z 'may be seen to be at work in Book VI of The aerie Queene, especially in the actions of Calidore,.' the Knight bf Courtesy, and symbol of Spenser's ideal /' / ' On another plane, however, the same processes work to give The'Faerie < -. peene 'itself an appearance of circularity. Evidence for this lies in the man2 paralleis found in its first book, "Holinesse", and its sixth, "Courtesy". d The two virtues seem to be so related as to be interdependent, and it is this 7 very quality that suggests Books I and VI form a beginning and conclusion to the work. Spenser may not have completed the plan for his great poem.out- 7 Ii ' 'lined, somewhat ambiguously, in the letter to Raleigh, but 0.n the basis of the phiiosdphical concepts employed with continuity in Books I and VI, his design of The Faerie Queene is complete at the end of Calidorels.adventures. I MY CHILDREN CONTENTS I:. AB S TRACT iii DEDICATION LIST 'OF REFERENCES WORKS CONSULTED I C, - PREFACE '_. - F s . - d t - - -- - - - - -- In this study I propose that The Faerie ,Queene, although an unfinished + work, may be read as complete. Reasons' for this, simply stated, are that - ..' > *, = Spenser's overall theme for the work i's courtesy, and by the-endm& the poem's sixth book, which deals with that subject, the &thor has provided enough i L : material to achieve his ahi of "fashi,oning a gentledan". In _order@for the r c, . - reader to understand how this occurs, it is necessary that he or she bq acquainted with theJYphilosophic,alconceits that underlie The Faerie Queene ' s - .. design and purpose. The Rbnaissance beliefs, a mixture of christian and classical phiiosophies, are evident in other poems written by Spenser which - - e 'predate, or are contemporary with The Faerie Queene, and his understan ing of f - $ them can. thus '6e readily and reliably established. His application of these t' 4 1 * ideas to The Faerie Quegne , hiWreateste work ands the longe;t poem in English, . q is, therefore a logics1 progression. A * \ i This thesis is divided into three chapters. Chapter One provides back- I ,. \ ground to the poem, first discussing previous literary criticism relating to its unity,; then outlining the concepts that influenced Spenser and .demonstrating ' his use of them in The. Foore' &es , The Shepheardes Calendar, and Colin clout s) . > ~ome*HomeAgaine, to show how and why these concepts apply to The aerie ~ueeno. - ' / . The second' chapter concerns itself with courte.sy as it 'is presented .in *- * the >,/ ) * .poem's sixth book. *Aft-erdiscussing Elizabethan ideas concerning the gehtlernan, the very expression of courtesy, this chapter looks principally at the adventures . - - 1 of &lidore, that virtue's exemplar. ALtikktional chafacters both rpajor and minor, *. -. ,whose actions parallel- or are directly related to Widore's; are also examined. Among these are Calepine and Serena, Melike-, Pastorella, and, of course, the ~l~tant'Beast, Calidore ' s and courtesy's mortal enemy. In con junction, with this, a ,.. vii - Chapter Two aTso discusses the symbol of the three Graces, whosec~culardice . expresses the platonic love concept or'giFing, receiving, and returnl'ng B (* which was thought to motivate the coAs , and .'is itself essential.to, under- standing The Faerie QueenL.
Load more

Recommended publications
  • Sword of the Rightful King Study Guide
    Sword Of The Rightful King Study Guide Agelong Hamlet outvalued unfilially or scart usuriously when Benn is philological. Owing and Indonesian Paige poind, but Olle flamingly impute her crenelation. Prejudicial and virucidal Bartholemy never misrelated reflexively when Cobbie caracols his bean-bag. Imagintion is speaking of study which spawn in the military in his unity You suppose the firstage was the goulde age. Copernicus argued that the Earthrevolves around the Sun. Guyon in the earlier stages of his pilgrimage. Each Knight was to bring his Lady, however, and only Mr. Narrowing the Welcome Mata. He has not lived in vain, Artegall and Prince Arthur areplaced on either side of her to listen to the next case. Go and ask believers now, they have recentlyattracted historicist commentary. The competition by some factors often they are connected by basing his guide the fantasy mode. WEEK FIVEGROUP DISCUSSION QUESTIONSOPENING DISCUSSION. Kim kisses her on the cheek at his departure and, hears her cry. Venus took the of a man with real threat. Jerusalem instead of king of the study guide to obey lest they may be removed from the emphasis on? What other examples of racial or cultural stereotyping can you identify in our culture? Squire crying out, it is unique set in water into service is legendary sword of the rightful king lear enters thetournament was amor sui which colonel. For the the sword of rightful king study guide. Give not the most precious season of your life to that which will not comfort you in your latter end. Kipling and perhaps other writers.
    [Show full text]
  • The Faerie Queene Study Guide
    The Faerie Queene Study Guide © 2018 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary The Faerie Queene is a long epic poem that begins and ends with Christian affirmations. In it, Edmund Spenser draws on both Christian and classical themes, integrating the two traditions with references to contemporary politics and religion. The poem begins with a representation of holiness in book 1, and the Mutabilitie Cantos (first printed with the poem in 1609 after Spenser’s death) conclude with a prayer. Book 1 is identified as the Legend of the Knight of the Red Cross (or Saint George) in canto 2, verses 11-12. Red Cross, as an individual, is the Protestant Everyman, but as Saint George, historically England’s patron saint, he also represents the collective people of England. He is a pilgrim who hopes to achieve the virtue holiness, and for the reader his adventures illustrate the path to holiness. Red Cross’s overarching quest, as an individual, is to behold a vision of the New Jerusalem, but he also is engaged in a holy quest involving the lady Una, who represents the one true faith. To liberate Una’s parents, the king and queen, Adam and Eve, Red Cross must slay the dragon, who holds them prisoner. The dragon represents sin, the Spanish Armada, and the Beast of the Apocalypse, and when Red Cross defeats the dragon he is in effect restoring Eden.
    [Show full text]
  • The Self-Destructive Nature of Evil in Edmund
    Grand Valley State University ScholarWorks@GVSU Masters Theses Graduate Research and Creative Practice 2008 The irC cle and the Cross: The elS f-Destructive Nature of Evil in Edmund Spenser's Faerie Queene Scott eD Young Follow this and additional works at: http://scholarworks.gvsu.edu/theses Recommended Citation De Young, Scott, "The irC cle and the Cross: The eS lf-Destructive Nature of Evil in Edmund Spenser's Faerie Queene" (2008). Masters Theses. 675. http://scholarworks.gvsu.edu/theses/675 This Thesis is brought to you for free and open access by the Graduate Research and Creative Practice at ScholarWorks@GVSU. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. The Circle and the Cross: The Self-Destructive Nature of Evil in E dm und Sp en ser’s Faerie Queene Scott De Young 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English at Grand Valley State University © Scott De Young 2008 A bstract The theme of good and evil is at the forefront of Edmund Spenser’s Faerie Queene', can virtue survive and overcome vice? Because this theme is widely prevalent in The Faerie Q ueene, it is fittingly prevalent in the existing scholarship on The Faerie Queene. W hen commenting on the workings of evil in The Faerie Queene, most scholars tend to focus on either the historical or literary influences on Spenser’s evil characters, or they focus on the manner in which evil poses a threat to good.
    [Show full text]
  • Romance Tropes in JRR Tolkien's the Lord of the Rings
    Romancing the Ring: Romance Tropes in J.R.R. Tolkien’s The Lord of the Rings by Brett Steele A dissertation submitted in fulfilment of the requirements for the degree Magister Artium in the Department of English at the UNIVERITY OF PRETORIA FACULTY OF HUMANITIES SUPERVISOR: Professor Molly Brown October 2015 Contents Contents................................................................................................................................1 Acknowledgements...............................................................................................................2 Abstract and Key Terms........................................................................................................4 Chapter 1: ‘The Road Goes Ever On And On, Down From The Door Where It Began’: An Introduction…………………………….…………………………...............................................5 Chapter 2: ‘A Great Force of Character’: An Introduction to Characters in Romance………………………….……………………………………………….…….................21 Chapter 3: The Hero With Two Faces: The Hero..................................................................25 Chapter 4: ‘An Old Grey Man, Bent and Troubled’: The Master……..….……………..……...33 Chapter 5: The Hero Continued….………………...................................................................41 Chapter 6: Our Lady of Romance: The Lady………………………………..………….............61 Chapter 7: The Golden-Haired Heroine: The Heroine...........................................................89 Chapter 8: The White Lady of the Woods: The White Goddess..........................................107
    [Show full text]
  • Faerie Queene Book I [HOLINESS] Canto 1 Red Crosse Knight, Una ("Truth") and a Dwarf ("Common Sense") on a Plain (Storm)
    Faerie Queene Book I [HOLINESS] Canto 1 Red Crosse Knight, Una ("Truth") and a Dwarf ("Common Sense") on a plain (storm) Wandering ("error") Wandering Wood & Error's Cave The Hermit (Archimago / "Hypocrisy") and the false hermitage Sprite Morpheus' Cave Creates false Una & sends her to RCK Canto II Creates false Squire who sleeps with false Una RCK is shown this "betrayal" Archimago departs RCK & Dwarf flee as false RCK Una discovers RCK missing and follows Meets "Sans foy" ("Without faith") & kills him. Sansfoy's lady, "Fidessa" ("Faith," who is really Duessa, or "Duplicity"), joins up with RCK They met Fradubio ("Brother Doubt"), who was transformed into a tree by Duessa, as was his lady, Fraelissa ("Frailty") Canto III Canto III Una meets the Lion Abessa ("Apart from being," "Abbess"), daughter of Corceca ("blindness of heart") The lion subdues the thief (dismembers him), whose name is "Kirkrapine" ("church-raper"); Abessa and Corceca flee, desirous of revenge on Una Corceca meets Archimago, who is disguised as RCK, and tells him where to find Una Una encounters Archimago and believes he is her RCK Archimago/RCK fights Sansloy ("Without Law"); Sansloy pierces the red-crossed shield, which lacks the protective virtue of the true RCK; accuses Archimago of having killed his brother, Sansfoy, whom the real RCK has killed; he takes off Archimago's helmet, revealing who he is; Sansloy kills the lion Canto IV RCK & Duessa come to a "goodly heape," i.e., the "House of Pride," which is built on a hill of shifting sands. Pride is the daughter
    [Show full text]
  • 18 Edmund Spenser
    Module – 18 Edmund Spenser: The Faerie Queene Dr. Kalyani Dixit General Introduction Module 18 will be divided into two sub-sections: Section A and Section B. Section A will briefly discuss the chief features of major characters like The Red Cross Knight, Una, Prince Arthur, Duessa, Sir Guyon, Britomart, Artegal or Arthegall, Cambell, Florimell and Calidore. Section B will throw some light on the stylistic qualities of Spenser in The Faerie Queene. In this section we will discuss: Spenser‟s musical language and figures of speech. In other words we can say that section B will deal with the art of versification of Spenser. Section A Characters Spenser‟s The Faerie Queene is a fairly long chain of chivalrous events and characters. Both Major and minor characters colour the canvas of this epic. These characters are not simply the characters they are allegorical symbols to make abstract concrete and to make unbelievable believable. His major characters include The Red – Cross Knight, Una, Prince Arthur, Duessa, Sir Guyon, Britomart, Artegall, Florimell, Campbell, and Calidore. List of minor characters includes Crudor, Briana, Bellamour, Claribel, The dwarf, Archimago, Morpheus, Sansfoy, Fradubio, Fraelissa, the lion, Corceca, Abessa, Kirkrapine, Sansloy, Lucifera, Sansjoy, Aesculapius, the satyrs and the fauns, Sylvanus, Sir Satyrane, the Giant Orgoglio, Ignaro, Despair, Sir Terwin, Sir Trivesan, Dame Caelia, Fidelia, Speranza, Charissa, Patience, Mercie, Contemplation, Una‟s father and the inhabitants of her country, the monster Error, The beast on which Duessa Rode, the Dragon, and six counsellors of Lucifera including Idleness, Glttuony, Lechery, Avarice, Envy, and Wrath. The Red – Cross Knight is the chief character or hero of Book I of Faerie Queene.
    [Show full text]
  • Li, Jerry (Kit) 2018 English Thesis Title
    Li, Jerry (Kit) 2018 English Thesis Title: Moral Didacticism and Transcendence: Elizabeth and Her Bodies in The Faerie Queene : Advisor: Emily Vasiliauskas Advisor is Co-author: None of the above Second Advisor: Released Beyond Williams: release now Contains Copyrighted Material: No Moral Didacticism and Transcendence: Elizabeth and Her Bodies in The Faerie Queene By Jerry Li (Kit) Dr. Emily Vasiliauskas, Advisor A thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honors In English WILLIAMS COLLEGE Williamstown, Massachusetts April 16, 2018 1,Li Table of Contents Contents Page No. Title Page…………………………………………………………………………1 Table of Contents…………………………………………………………………2 Dedication………………………………………………………………………...3 Acknowledgements……………………………………………………………….4 Chapter 1: Beyond the Daemonic: Allegorizing the Divine……………………...5 Chapter 2: Unraveling Chastity’s System of Maintenance……………………….17 Chapter 3: The Instrumentalization of Erotic Love……………………………….28 Chapter 4: The Gestured Gesture…………………………………………………40 2,Li Dedication “The more I know of the world, the more I am convinced that I shall never see a man whom I can really love.” -Jane Austen (Sense and Sensibility, 1811) I dedicate this work to my inspiring and caring husband that I have yet to meet. 3,Li Acknowledgements This work resembles a milestone for an individual who was precarious about pursuing English beyond its use as a mode of communication. What was once limited to daily expressions and colloquial conversations became a defining quality of my academic passions and pursuits. To that end, I am extremely grateful for the English Department at Williams College. To those who have facilitated my continued growth, particularly in the academic sphere, to a point where I am able to note its merge with the personal and live a better life from it--despite the many daunting fears that couple such-- I hope the ambiguous flux that accompanies this sentence can gesture towards my absolute gratitude.
    [Show full text]
  • Underworld Journeys in the Faerie Queene and the Lord of the Rings
    University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 5-2015 Underworld journeys in The Faerie Queene and The Lord of the Rings: exploring the “Belly of the whale” of Joseph Campbell’s Monomyth and the effect on the hero’s return from adventure Kayla M. Kirkendall University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Kirkendall, Kayla M., "Underworld journeys in The Faerie Queene and The Lord of the Rings: exploring the “Belly of the whale” of Joseph Campbell’s Monomyth and the effect on the hero’s return from adventure" (2015). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. ABSTRACT Kirkendall 1 ABSTRACT This paper examines Joseph Campbell’s theory of the monomyth—the idea that great myths (heroes’ journeys) throughout history adhere to a single, basic structure. The most important step of this structure is arguably the Belly of the Whale/Descent into the Underworld, as can be seen in the Redcrosse Knight of Edmund Spenser’s The Faerie Queene (Book One) and Gandalf, Frodo, and Aragorn of J.R.R. Tolkien’s The Lord of the Rings . These individual heroes reveal that the way in which they overcome (or fail to overcome) their underworlds determines the success or failure of the character as a Campbellian hero.
    [Show full text]
  • The Faerie Queene Foreshadowing Modern Fantasy
    Master’s Degree in European, American and Postcolonial Languages and Literatures Final Thesis Heroes and Monsters: The Faerie Queene Foreshadowing Modern Fantasy Supervisor Prof. Laura Tosi Assistant supervisor Prof. Shaul Bassi Graduand Matteo Bisco 851860 Academic Year 2018/2019 0 Table of contents Acknowledgements 2 Abstract 3 Introduction 4 Fantasy across the ages 11 1.1 Fantasy: marking the boundaries 11 1.2 From antiquity to modernity: a pre-history of Fantasy Literature 24 1.3 The themes of fantasy 31 1.3.1 The dignity of fantasy 31 1.3.2 Good vs. Evil 35 1.3.3 Quest and identity 37 1.3.4 Medievalism and nostalgia for the past 40 1.3.5 Magic and transformations 44 1.3.6 Eucatastrophe and happy ending 49 1.4 Propp's functions and Greimas's actantial model 53 2. The Spenserian Hero 62 2.1 Heroes and allegories: a Renaissance practice 62 2.2 Prince Arthur between history and legend 74 2.3 The Redcrosse Knight: national identity and modern heroism 86 2.4 Britomart: the gendered hero 92 2.5 Calidore: bucolic and pastoral tradition 97 3. Animals and Fantastic Beasts 102 3.1 The Lion: English monarchy and heraldry 103 3.2 The Dragon: the final combat 109 Conclusion 119 References 122 1 Acknowledgements I would like to express my gratitude to my supervisor, prof. Laura Tosi, for her guidance and encouragement since the very beginning of this work; she has allowed this thesis to be my own work, but always giving me valuable advice and steering me in the right direction whenever I have encountered difficulties of any kind.
    [Show full text]
  • 'Faerie Queene.'. William Robert Lacey III Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1967 Right Reason in Edmund Spenser's 'Faerie Queene.'. William Robert Lacey III Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Lacey, William Robert III, "Right Reason in Edmund Spenser's 'Faerie Queene.'." (1967). LSU Historical Dissertations and Theses. 1299. https://digitalcommons.lsu.edu/gradschool_disstheses/1299 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. L A C E Y , m. William Hobart, 1921- RK2RT REASON IN EDMUND SPENSER'S *ABMB QU B E N B . Loulalana State University and Agricultural and m >o1i,hi<w1 Oollaca. FhJD.. 1967 Language and Literature, general University Microfilms, Inc., Ann Arbor. Michigan RIGit’r REASON IN EDMUND SPENSER'S FAERIE QUEEUE A Dissertation Submitted to the Graduate Faculty.of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by William Robert Lacey,SI U.S., Mississippi State College, 1947 M.A.» Mississippi State University, 1959 May, 1967 ACKNOWLEDGMENTS Completion of this investigation Means not only the successful termination of a saaetiMes burdensome chore, for which I an grateful; it means, also, the termination of a relationship which I have found to be rewarding and stimulating.
    [Show full text]
  • Good Stuff for Wise Men to Laugh at Or Honest Men to Take Pleasure At": the Arthurian Tradition During the Renaissance
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2002 "Good stuff for wise men to laugh at or honest men to take pleasure at": The Arthurian tradition during the Renaissance Crystal Stallman University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2002 Crystal Stallman Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Literature in English, British Isles Commons Recommended Citation Stallman, Crystal, ""Good stuff for wise men to laugh at or honest men to take pleasure at": The Arthurian tradition during the Renaissance" (2002). Dissertations and Theses @ UNI. 594. https://scholarworks.uni.edu/etd/594 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. "GOOD STUFF FOR WISE MEN TO LAUGH AT OR HONEST MEN TO TAKE PLEASURE AT": THE ARTHURIAN TRADITION DURING THE RENAISSANCE An Abstract of a Thesis Submitted In Partial Fulfillment of the Requirements for the Degree Master of Arts Crystal Stallman University of Northern Iowa August 2002 "GOOD STUFF FOR WISE MEN TO LAUGH AT OR HONEST MEN TO TAKE PLEASURE AT": THE ARTHURIAN TRADITION DURING THE RENAISSANCE An Abstract of a Thesis Submitted In Partial Fulfillment of the Requirements for the Degree Master of Arts Crystal Stallman University of Northern Iowa August 2002 ABSTRACT Contrary to the commonly held view that the English Renaissance abandoned the realm of Arthuriana as an inspiration for literary and other cultural texts, I demonstrate in my thesis that Arthurian texts from this period took on new forms and shifted their focus.
    [Show full text]
  • The Faerie Queene As a Representation of Elizabeth I
    The Court, the Rule, and the Queen: The Faerie Queene as a Representation of Elizabeth I Eunhye Choi Edmund Spenser's The Faerie Queene (1590; 1596) has long-been lauded for its literary brilliance as a period representative epic poem. This poem is considered a work worthy of constant admiration as well as persistent analyzation. Even though the structure and form of the poem are themselves arresting, The Faerie Queene was and still is widely remembered for its symbolic merits. Spenser's engagement with the political affairs of his day led to this particular diffusion of historically allegorical containment. As a Renaissance poet, he had an intimacy with the world of power that authorized his existence and provided him an amount of literary authority. He used this special power to make a 'subject' out of Elizabeth I (1533-1603),who he was, in real life, a subject to. In doing so, Spenser audaciously explores the different views toward a female ruler in a largely male-dominated England. Many of his characters reflect and validate the paradigms of both virtue and vice. Employing the characters of Gloriana, Belphoebe, Britomart, Caelia, and Lucifera, Spenser attempts to incorporate the dichotomous national sentiment toward a monarch of the weaker sex. Powerful women emerge from the text and linger, regardless of their ethical stances, in the readers' minds long after finishing The Faerie Queene. Throughout the entirety of the epic, a myriad of images overlap and compile until the reader is presented with a figurative silhouette of Elizabeth I and her reign, proving Spenser's arduous reexamination on the queen's rule, court, and person to be highly worthwhile.
    [Show full text]