Introduction

Total Page:16

File Type:pdf, Size:1020Kb

Introduction Notes Introduction 1. Sandberg, Sheryl. Lean In: Women, Work, and the Will to Lead. NYC: Knopf, 2013. 2. Rosin, Hanna. The End of Men: And the Rise of Women. NYC: Riverhead, 2012. 3. ‘The 2012 Census Bureau Report on Income, Poverty and Health Insurance’. US Census Bureau. 2012. Web. 20 Feb. 2014. 4. See Needleman, Sarah E. ‘Pay Gap Between Men and Women Remains a Reality in Work Force’. Career Journal.com. 24 April 2007. For additional stud- ies on the pay gap among women, see Chang, Mariko Lin. Shortchanged: Why Women Have Less Wealth and What Can Be Done About It. Oxford: Oxford UP, 2010. 5. Mroz, Jacqueline. ‘Female Police Chiefs, a Novelty No More’. The New York Times Online. 6 April 2008. Web. 20 Feb. 2014. 6. ‘Women CEOs and Heads of the Financial Post 500’. Catalyst.org. March 2011. Web. 10 Feb. 2014. 7. O’Brien, Timothy L. ‘Why Do So Few Women Reach the Top of Big Law Firms?’ The New York Times. 19 March 2006. Web. 5 March 2014. 8. ‘2012 Representation of United States State Court Women Judges’. National Association of Women Judges. 24 March 2013. Web. 11 Feb. 2014. 9. Douglas, Susan J. Enlightened Sexism: The Seductive Message that Feminism’s Work is Done. NYC: Times Books, 2010, p. 279. 10. A 2012 study by the Organisation for Economic Co-operation and Develop- ment reports that across the developed world, women do far more of the unpaid domestic work that keeps households running. In The United States specifically, women spend an average of 4 hours per day on childcare and household tasks compared to men’s 2.7 hours. [See: ‘Will I Get My Dues … Before I Die?’ Human Rights Watch. 2015. Web. 28 July 2015. 11. The National Eating Disorder Association reports that 20 million women suffer from eating disorders throughout their lifetime. A 2008 report by the University of North Carolina at Chapel Hill reports that 65% of American Women admit to having disordered eating practices [See: ‘Eating Disorders Statistics’. National Association of Anorexia Nervosa and Associated Disorders. 2015. Web. 28 July 2015; ‘Disordered Eating is Widespread Among US Women. ABC News. 26 April 2008. Web. 28 July 2015.] 12. According to The 2010 National Intimate Partner and Sexual Violence Survey released by the Center for Disease Control and Prevention, approximately 35.6% of women report having experienced rape, physical violence, and/ or stalking by an intimate partner in their lifetime. [See: ‘National Intimate Partner and Sexual Violence Survey – 2010 Summary Report’. Centers for Disease Control and Prevention. 2010. Web. 28 July 2015.] 13. Orenstein, Peggy. Cinderella Ate My Daughter: Dispatches From the Lines of the New Girlie-Girl Culture. NYC: Harper Collins, 2011, pp. 6, 18. 232 Notes 233 14. Rivers, Caryl, and Rosalind C. Barnett. The New Soft War on Women: How the Myth of Female Ascendance is Hurting Women, Men – and Our Economy. NYC: Penguin, 2013. 15. Lisa Belkin’s 2003 article in The New York Times began the launch of articles related to the status of stay-at-home mothers. The wave continues a decade later with articles like Judith Warner’s 2013 ‘The Opt-Out Generation Wants Back In’. [See: Belkin, Lisa. ‘The Opt-Out Revolution’. The New York Times. 7 August 2013. Web. 28 July 2015; Warner, Judith. ‘The Opt-Out Generation Wants Back In’. The New York Times. 7 Aug. 2013. Web. 28 July 2015.] 16. Douglas, Susan. Enlightened Sexism: The Seductive Message that Feminism’s Work is Done. NYC: Times Books, 2010, p. 4. 17. Gibbs, Nancy Gibbs. ‘What Women Want Now’. Time (26 Oct. 2009), p. 31. 18. McRobbie, Angela. The Aftermath of Feminism: Gender, Culture, and Social Change. London: Sage, 2009. 19. Gill, Rosalind. Gender and the Media. Malden, MA: Polity, 2007. 20. Faludi, Susan. Stiffed: The Betrayal of American Men. NYC: Harper Collins, 2011. 21. ‘The Distorted Idea that the So-Called “Masculinity Crisis” is Caused by Successful Women’. Alternet. 2011. Web. 30 July 2015. 22. Gay, Roxane. Bad Feminist. NYC: Harper Perennial, 2014, pp. ix–x. 23. Susan Faludi (NYC: Metropolitan, 2007) discusses how the events of 9/11 helped to revitalize these stereotypical gendered depictions through the media’s frenzied attention to heroic (male) first responders and emotional (female) widows. [See Faludi, Susan. The Terror Dream: Fear and Fantasy in Post-9/11 America. NYC: Metropolitan, 2007.] 24. Todd Gitlin first established the metaphor of media working as funhouse mirrors in his text, The Whole World is Watching: Mass Media in the Making & Unmasking of the New Left (Berkley: University of California Press, 1980). 25. Although at points throughout this book we do use specific examples of texts marketed primarily to women of color to show the ways in which they vary from other mainstream texts aiming to portray the same ‘stage’ of life, we do not have the space to fully critique the impact these homogenous por- trayals of women’s experience have for women whose identity constructs do not align with those of the fictional portrayals thrust upon them. Whenever possible, however, we do direct readers to research that more fully delves into these issues. 26. Two of the most widely debated parenting books of the 21st century include Dara-Lynn Weiss’s The Heavy: A Mother, a Daughter, a Diet – A Memoir. NYC: Ballantine Books, 2013 and Amy Chua’s Battle Hymn of a Tiger Mother. NYC: Random House, 2011. 1 Becoming a Girl: Pop Culture’s First Stage of Gender Training 1. Colman, Dani. ‘The Problem with False Feminism (or Why ‘Frozen’ Left Me Cold)’. Medium. 7 February 2014. Web. 20 Feb. 2014. 2. While Andersen’s ‘Snow Queen’ features empowered women and a narrative that can easily be classified as feminist, this is not common to his oeuvre. 234 Notes In fact, Andersen is notorious for punishing female protagonists for any act that showcases agency. He is, of course, the author of the story behind Disney’s The Little Mermaid, where the main character is literally silenced. For more on this subject, see: Feminist Fan Girl. ‘Reasons I’m not Supporting Frozen’. Tumblr. 14 August 2013. Web. 20 Feb. 2015. 3. Colman, Dani. ‘The Problem with False Feminism (or Why “Frozen” Left Me Cold)’. 4. Although, when the list is narrowed down to only include those that could feature such romantic partnerships, and the concept of wedding is expanded to include betrothals and engagements, it becomes a bit more even, with half of the films including such an element. See: Colman, Dani. ‘The Problem with False Feminism’. 5. Colman, Dani. ‘The Problem with False Feminism’. 6. Colman, Dani. ‘The Problem with False Feminism’. 7. Stevens, Dana. ‘I Can’t “Let It Go”’. 8. Antonia, KJ. ‘Disney’s Tangled: Fun, But Not Feminist’. Slate. 23 Nov. 2010. Web. 20 April 2014. 9. Wilson, Natalie. ‘Disney’s Gender Roles Remain Un-Tangled’. Ms. Magazine. 29 Nov. 2010. Web. 20 April 2014. 10. Shows like Charles in Charge (1984–1990), Who’s the Boss (1984–1992), My Two Dads (1987–1990), and Full House (1987–1997) featured caring, compas- sionate Mr. Mom figures, assuming the motherhood role with unwavering success. 11. Durham, M. Gigi. The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About it. NYC: The Overlook Press, 2008, p. 129. 12. Pozner, Jennifer L. Reality Bites Back: The Troubling Truth about Guilty Pleasure TV. Berkley: Seal Press, 2010, p. 53. 13. Lamb, Sharon, and Lyn Mikel Brown. Packaging Girlhood: Rescuing Our Daughters from Marketers’ Schemes. NYC: St. Martin’s Press, 2006, p. 1. 14. For more information on this, see: Mendes, Kaitlynn. ‘The Lady is a Closet Feminist!: Discourses of Backlash and Postfeminism in British and American Newspapers’. International Journal of Cultural Studies 14.6 (2011): 1–17; Mendes, Kaitlynn. ‘“Feminism rules! Now, where’s my swimsuit?” Re-Evaluating Feminist Discourse in Print Media 1968–2008’. Media, Culture & Society 34.5 (2012): 554–70. 15. In this argument we are aligned with various other feminist scholars such as Yvonne Tasker, Diane Negra, and Susan Douglas. 16. Mendes, Kaitlynn. ‘The Lady is a Closet Feminist!: Discourses of Backlash and Postfeminism in British and American Newspapers’. International Journal of Cultural Studies 14.6 (2011): 1–17. 17. Mendes, Kaitlynn. ‘The Lady is a Closet Feminist’, p. 2. 18. Tasker, Yvonne and Diane Negra, eds. Interrogating Postfeminism: Gender and the Politics of Popular Culture. Durham: Duke UP, 2007, p. 1. 19. Tasker, Yvonne and Diane Negra, eds. Interrogating Postfeminism, p. 2. 20. Adriaens, Fien. ‘Post Feminism in Popular Culture: A Potential for Critical Resistance’. Politics and Culture. 9 November 2009. Web. 2 April 2014. 21. Tasker, Yvonne, and Diane Negra, eds. Interrogating Postfeminism, p. 5. 22. Douglas, Susan J. Enlightened Sexism: The Seductive Message that Feminism’s Work is Done. NYC: Times Books, 2010, p. 9. Notes 235 23. Douglas, Susan J. Enlightened Sexism, p. 11. 24. Orenstein, Peggy. Cinderella Ate My Daughter: Dispatches From the Lines of the New Girlie-Girl Culture. NYC: Harper Collins, 2011, p. 135. 25. ‘The Supergirl Dilemma: Girls Grapple with the Mounting Pressure of Expectations’. Girls Inc.org. 2006. Web. 10 March 2014. 26. The National Center on Addiction and Substance Abuse. Women Under the Influence. Baltimore: The John Hopkins UP, 2006, p. 36. 27. Neumark-Sztainer, Dianne. ‘I’m, Like, SO Fat!’: Helping Your Teen Make Healthy Choices about Eating and Exercise in a Weight-Obsessed World. NYC: The Guilford Press, 2005, p. 5. 28. Pipher, Mary. Reviving Ophelia: Saving the Selves of Adolescent Girls. NYC: Grosset/Putnam, 1994, p. 170. 29. Orenstein, Peggy. Cinderella Ate My Daughter, p.
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Santa Fe Bite Takes Nob Hill by Storm Page 12 Music:A River
    VOLUME 28 | ISSUE 31 | AUGUST 1-7, 2019 | FREE 2019 1-7, AUGUST | 31 ISSUE | 28 VOLUME PHOTOGRAPHY BY NICK TAURO JR JR TAURO NICK BY PHOTOGRAPHY NONSTOP CLEANUP A RIVER, A BAND SANTA FE BITE TAKES POWERPACK AND THE GUITAR NOB HILL BY STORM NEWS: PAGES 6 AND 7 MUSIC:PAGE 27 FOOD: PAGE 12 IN A VAN DOWN BY THE RIVER SINCE 1992 SINCE RIVER THE BY DOWN VAN A IN [ 2] WEEKLY ALIBI AUGUST 1-7, 2019 AUGUST 1-7, 2019 WEEKLY ALIBI [3] alibi VOLUME 28 | ISSUE 31 | AUGUST 1-7, 2019 Email letters, including author’s name, mailing address and daytime phone number to [email protected]. Letters can also be mailed to P.O. Box 81, Albuquerque, N.M., 87103. Letters—including comments posted on alibi.com—may be EDITORIAL published in any medium and edited for length and clarity; owing to the volume of correspondence, we regrettably can’t MANAGING EDITOR/ FILM EDITOR: respond to every letter. Devin D. O’Leary (ext. 230) [email protected] MUSIC EDITOR/NEWS EDITOR: August March (ext. 245) [email protected] Municipal Wells Ethylene dibromide is not a potent carcinogen FOOD EDITOR: unless you are a certain strain of rat or mouse. It’s Dan Pennington (Ext. 255) [email protected] Uncontaminated ARTS AND LIT.EDITOR: probably not a carcinogen in humans. After all, Clarke Condé (Ext. 239) [email protected] Dear Alibi, even the EPA acknowledges that it has COPY EDITOR: “inadequate evidence” from human studies to Samantha Carrillo (ext. 223) [email protected] The July 25 Kirtland fuel spill article by August CALENDARS EDITOR: March [v28 i30] quotes a representative of the show that EDB is carcinogenic in humans.
    [Show full text]
  • Smith and Choueiti Gender Inequality in '08 Films
    1 Gender Inequality in Cinematic Content? A Look at Females On Screen & Behind-the-Camera in Top-Grossing 2008 Films Stacy L. Smith, PhD. & Marc Choueiti Annenberg School for Communication & Journalism University of Southern California 3502 Watt Way, Suite 222 Los Angeles, CA 90089 [email protected] Summary This study examined the gender of all speaking characters and behind-the-scenes employees on the 100 top-grossing fictional films in 2008. A total of 4,370 speaking characters were evaluated and 1,227 above-the-line personnel. In addition to prevalence, we assessed the hypersexualization of on screen characters across the 100 movies. Below are the study’s main findings. 32.8 percent of speaking characters were female. Put differently, a ratio of roughly 2 males to every one female was observed across the 100 top-grossing films. Though still grossly imbalanced given that females represent over half of the U.S. population, this is the highest percentage of females in film we have witnessed across multiple studies. The presence of women working behind-the-camera is still abysmal. Only, 8% of directors, 13.6% of writers, and 19.1% of producers are female. This calculates to a ratio of 4.90 males to every one female. Films with female directors, writers, and producers were associated with a higher number of girls and women on screen than were films with only males in these gate-keeping positions. To illustrate, the percentage of female characters jumps 14.3% when one or more female screenwriters were involved in penning the script.
    [Show full text]
  • A NATIONAL CONFERENCE Define Justice
    RY SA VER ANNI C’S 30th AR FACING RACE A NATIONAL CONFERENCE Define Justice. Make Change. November 15-17, 2012 BALTIMORE HILTON BALTIMORE, MD 30/.3/2%$ "9 4(% !00,)%$ 2%3%!2#( #%.4%2 s !2#/2' THE APPLIED RESEARCH CENTER’S (ARC) MISSION IS TO BUILD AWARENESS, SOLUTIONS, AND LEADERSHIP FOR RACIAL JUSTICE BY GENERATING TRANSFORMATIVE IDEAS, INFORMATION AND EXPERIENCES. ABOUT ARC The Applied Research Center (ARC) is a thirty-year-old, national racial justice organization. ARC envisions a vibrant world in which people of all races create, share and enjoy resources and relationships equitably, unleashing individual potential, embracing collective responsibility and generating global prosperity. We strive to be a leading values-driven social justice enterprise where the culture and commitment created by our multi-racial and diverse staff supports individual and organizational excellence and sustainability. ARC’s mission is to build awareness, solutions and leadership for racial justice by generating transformative ideas, information and experiences. We define racial justice as the systematic fair treatment of people of all races, resulting in equal opportunities and outcomes for all and we work to advance racial justice through media, research, and leadership development. s MEDIA: ARC is the publisher of Colorlines.com, an award-winning, daily news site where race matters. Colorlines brings a critical racial lens and analysis to breaking news stories, as well as in-depth investigations. In 2012, Colorlines’ Shattered Families investigation was awarded the Hillman Prize in Web Journalism and Colorlines partnered with The Nation on the Voting Rights Watch series. In addition to promoting racial justice through our own media, ARC staff is sought after as experts on current race issues, with regular media appearances on MSNBC, NPR, and other national and local broadcast, print, and online outlets.
    [Show full text]
  • Informed Consent and Secondary Data Pre Print
    Nadia von Benzon: [email protected] Lancaster Environment Centre, University of Lancaster Informed consent and secondary data: reflections on the use of mothers' blogs in social media research Abstract This paper seeks to extend debate on the use of blogs as qualitative data, specifically focusing on the issue of consent in research that uses publicly-available but personal content. Typically the argument has been made for the need to protect individual writers and engage with these documents in a considered manner that recognises the inherent vulnerability of amateur authors. This paper will argue that a framing of these writers that foregrounds their potential vulnerability, naivety and even ignorance, is in fact highly paternalistic, and therefore counter to an ethical approach to research. In seeking to protect authors from harm we deny their agency and diminish the act of online publication. Further, this approach, prevalent in academia, is at odds with the legal position, and arguably, the weight of social understanding. A reframing of amateur online authors as informed agents not only increases the accessibility of this data to researchers and subsequently policy makers, but also alludes to a need to credit the contribution of authors without the need to seek permission. Ultimately, this paper argues for a presumption of accountability, unless otherwise proven, and an approach to the use of self-published online material that mirrors the use of other sorts of secondary data with perceived 'professional' authors, such as magazine articles, newspaper columns or organizational literature. Keywords Ethics, informed consent, social media, blogs, vulnerability Introduction This paper seeks to contribute to social science discourse concerning blogs as data, as part of a far broader engagement with digital media, now well embedded in geographical discourse (Kitchin, 1998; Madge and O'Connor, 2006; Valentine, 2006; Thomson and Cupples, 2008; Davidson, 2008; Kinsley, 2014; Longhurst, 2016;).
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • Zach Woodlee Director / Choreographer Selected Credits Contact: 818 509-0121
    zach woodlee director / choreographer selected credits contact: 818 509-0121 < FILM > Drive She Said *to be released Dir. Joey Syracruse Annie Dir. Will Gluck/Sony Pictures Hot Pursuit Dir. Anne Fletcher/MGM Glee: The 3D Concert Movie Dir. Kevin Tancharoen / 20th Century Fox Real Steel Dir. Shawn Levy / Walt Disney Pictures Life As We Know It Dir. Greg Berlanti / Josephson Entertainment Eat Pray Love Dir. Ryan Murphy / Columbia Pictures Starstruck Dir. Michael Grossman / Disney The Back- Up Plan Dir. Alan Poul / CBS Films Bedtime Stories Dir. Adam Shankman / Gunn Films The Proposal (Assistant Choreographer) Dir. Anne Fletcher / Touchstone Pictures Fired Up Dir. Will Gluck / Screen Gems 17 Again (Assistant Choreographer ) Dir. Burr Steers / New Line Cinema 27 Dresses Dir. Anne Fletcher / Spy Glass Get Smart Dir. Pete Segal / Warner Bros. Marc Pease Experience Dir. Todd Louiso / Paramount Vantage Hairspray (Assistant Choreographer) Dir. Adam Shankman / New Line Step Up (Assistant Choreographer) Dir. Anne Fletcher / Buena Vista 40 Year Old Virgin (Assistant Choreographer) Dir. Judd Apatow / Disney Stuck On You (Assistant Choreographer) Dir. Farrelly Bros. /20th Century Fox < TELEVISION > Grease: Live (Co-Producer / Choreographer) FOX / Paramount Television Glee, Season 6 (Co-Producer / Choreographer) FOX / Ryan Murphy Productions Bones Dir. Rob Hardy/FOX Macy’s Thanksgiving Day Parade, Annie Dir. Will Gluck / Sony Pictures X-Factor w/the cast of Glee Fremantle Media Glee, Seasons 1-4 (Co-Producer / Choreographer) Fox / Ryan Murphy Productions Oprah w/ the cast of Glee Harpo Productions How I Met Your Mother 100th Episode CBS/ 20th Century Fox 2008 MTV Movie Awards (w/Adam Sandler) MTV Swing Town Dir.
    [Show full text]
  • MOMMYBLOGS AS a FEMINIST ENDEAVOUR? by SUZETTE
    MOMMYBLOGS AS A FEMINIST ENDEAVOUR? By SUZETTE BONDY-MEHRMANN Integrated Studies Project submitted to Dr. Cathy Bray in partial fulfillment of the requirements for the degree of Master of Arts – Integrated Studies Athabasca, Alberta October, 2011 Table of Contents Abstract ………………………………………………………………….3 Introduction………………………………………………………………4 Defining my variables and situating myself in the research……………...4 What does it mean to espouse feminist principles online?.........................6 Method for studying mommyblogs……………………………………....7 Background and review of the literature………………………………....7 Analysis and discussion…………………………………………………14 Future directions………………………………………………………...17 Conclusion………………………………………………………………18 Works cited……………………………………………………………..20 Appendix 1: Study of Breastfeeding blogs by Suzette Bondy-Mehrmann ……………………………………………………...22 Appendix 2: Examples of Mommyblogs ………………………………35 Abstract It is important for feminist researchers to pay attention to new venues where women are creating and sharing knowledge. In the case of this paper we are looking at mothers online and the venue is the mamasphere, the virtual space where mothers are exchanging information through blogs. In interacting in this manner, however, are women engaging in a feminist endeavour? I approached this question through an interdisciplinary review of the research and writing available on mommyblogs against a backdrop of feminist theory of motherhood and by adding the findings from my own research on mommyblogs about breastfeeding. My findings indicate that
    [Show full text]
  • The Representation of Women in Romantic Comedies Jordan A
    Ursinus College Digital Commons @ Ursinus College Media and Communication Studies Honors Papers Student Research 4-24-2017 Female Moments / Male Structures: The Representation of Women in Romantic Comedies Jordan A. Scharaga Ursinus College, [email protected] Adviser: Jennifer Fleeger Follow this and additional works at: https://digitalcommons.ursinus.edu/media_com_hon Part of the Communication Commons, Film and Media Studies Commons, and the Gender and Sexuality Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Scharaga, Jordan A., "Female Moments / Male Structures: The Representation of Women in Romantic Comedies" (2017). Media and Communication Studies Honors Papers. 6. https://digitalcommons.ursinus.edu/media_com_hon/6 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Media and Communication Studies Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Female Moments/Male Structures: The Representation of Women in Romantic Comedies Jordan Scharaga April 24, 2017 Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Distinguished Honors in the Media and Communication Studies Department. Abstract: Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit.
    [Show full text]
  • 2012 Annual Report
    2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M.
    [Show full text]
  • 2010 Annual Report
    2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.
    [Show full text]
  • The Representation of Exhaustion and Excessive Demands in Motherhood a Comparison of ‘Mommyblogs’ and Parenting Magazines
    The Representation of Exhaustion and Excessive Demands in Motherhood A Comparison of ‘Mommyblogs’ and Parenting Magazines Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mag. (FH) Angelika PRATL am Institut für Amerikanistik Begutachter: Ao. Univ.-Prof. Mag. Dr.phil. Klaus Rieser Graz, 2021 Eidesstattliche Erklärung Ich erkläre eidesstattlich, dass ich die Arbeit selbständig angefertigt habe. Es wurden keine anderen als die angegebenen Hilfsmittel benutzt. Die aus fremden Quellen direkt oder indirekt übernommenen Formulierungen und Gedanken sind als solche kenntlich gemacht. Diese schriftliche Arbeit wurde keiner anderen Prüfungsstelle vorgelegt und auch nicht veröffentlicht. ________________________________________ MAG. (FH) ANGELIKA PRATL Graz, 30. Mai 2021 Declaration of Authorship I declare that I have authored this thesis independently. I have not used other than the declared sources. Sources were explicitly marked and cited either literally or by content. This thesis has not been previously handed in or published. ________________________________________ MAG. (FH) ANGELIKA PRATL Graz, 30th May 2021 I Danksagung Als vor vier Jahren mein Sohn geboren wurde, stellte sich meine ganze Welt auf den Kopf und nichts blieb, wie es war. Dies beeinflusste auch den Abschluss meines Studiums. Was ich mir als schnelles Fertigmachen vorgestellt hatte, entwickelte sich zu einer Herkulesaufgabe. Die Tatsache, dass ich diese Arbeit doch abschließen konnte, habe ich vor allem meiner Familie zu verdanken. An erster Stelle gilt deshalb mein Dank meinem Ehemann Martin und meinem Sohn Paul Ludwig. Paul nicht nur, weil er die Inspiration für dieses Thema war, sondern auch weil er nach zahllosen durchgearbeiteten Nächten, dann sein kleines Händchen in meine Hand legte, mir sein Näschen entgegenstreckte und damit doch alles wieder möglich machte.
    [Show full text]