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T he M itre 2013 C a n a d a ’s l o n g e s t r u n n in g l it e r a r y jo u r n a l O ne h u n d r e d a n d t w e n t ie t h e d it io n T a b l e o f C o n t e n t s Acknowledgements...................................................................................................i An Editorial Interjection.........................................................................................iii Dedication................................. ........................... .........-............................. - .... iv iArt' is the biggest word I’ve ever heard. I Alison Petrovich....................................1 This Path / William Francois Tremblay.................................................................. 1 A Casual Cry / Asa Connor.............- ............................. ..................................... 2 Waiting Room / Frank Willdig..................................................................................3 Buddhist Temple / Cheylyne Eccles....................................................................... 3 Riddled with Gross Things / Jamie Boland............................................................. 4 Hands / Katherine Perrotta...................................................................................... 5 Peaceful Lake / Sonia Z Palik.................................................................................6 Caliban / Frank Willdig........................................................................................... 6 A Reason for Insomnia / Irina Sordiya................................................................... -
Informed Consent and Secondary Data Pre Print
Nadia von Benzon: [email protected] Lancaster Environment Centre, University of Lancaster Informed consent and secondary data: reflections on the use of mothers' blogs in social media research Abstract This paper seeks to extend debate on the use of blogs as qualitative data, specifically focusing on the issue of consent in research that uses publicly-available but personal content. Typically the argument has been made for the need to protect individual writers and engage with these documents in a considered manner that recognises the inherent vulnerability of amateur authors. This paper will argue that a framing of these writers that foregrounds their potential vulnerability, naivety and even ignorance, is in fact highly paternalistic, and therefore counter to an ethical approach to research. In seeking to protect authors from harm we deny their agency and diminish the act of online publication. Further, this approach, prevalent in academia, is at odds with the legal position, and arguably, the weight of social understanding. A reframing of amateur online authors as informed agents not only increases the accessibility of this data to researchers and subsequently policy makers, but also alludes to a need to credit the contribution of authors without the need to seek permission. Ultimately, this paper argues for a presumption of accountability, unless otherwise proven, and an approach to the use of self-published online material that mirrors the use of other sorts of secondary data with perceived 'professional' authors, such as magazine articles, newspaper columns or organizational literature. Keywords Ethics, informed consent, social media, blogs, vulnerability Introduction This paper seeks to contribute to social science discourse concerning blogs as data, as part of a far broader engagement with digital media, now well embedded in geographical discourse (Kitchin, 1998; Madge and O'Connor, 2006; Valentine, 2006; Thomson and Cupples, 2008; Davidson, 2008; Kinsley, 2014; Longhurst, 2016;). -
Making Company of Darkness Joshua Evan Borgmann Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1999 Making company of darkness Joshua Evan Borgmann Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Borgmann, Joshua Evan, "Making company of darkness " (1999). Retrospective Theses and Dissertations. 7097. https://lib.dr.iastate.edu/rtd/7097 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Making company of darkness by Joshua Evan Borgmann . A thesis submitted to the graduate faculty in partialfulfillment of the requirements for the degreeof MASTER OFARTS Major: English (Creative Writing) Major Professor: Neal Bowers Iowa State University Ames, Iowa 1999 11 Graduate College Iowa State University This is to certify that the Master's thesis of Joshua Evan Borgmann has met the requirements ofIowa State University Major Professor For the Major Program For the Graduate College m TABLE OF CONTENTS I. INSALUBRIOUS BIFURCATIONS 1 Family Portrait at 23 2 Family 3 Family Spirit 4 Insalubrious Bifurcation ofthe Post-Nuclear Family Schema 5 Christmas Eves 6 Holiday Edge 7 Food, Football, Family 9 Wal-Mart Christian 11 Devil's Advocate 13 Religion in Ice 14 Deicide 15 Suicide Poem # 23 16 Suicide Poem # 24 17 23 to 2 18 Sadistic Auto-Masochistic Persecution 19 Random SelfIndulgent Shit 20 High School High Via the Lost Highway 23 Forgetting '87 24 Thirteen 25 Absence ofLight 26 Windows 27 The House 28 Old Woman 29 In the Night 30 Goathoms 31 H. -
New Year's Weekend Continues with Breaking
For Immediate Release NEW YEAR’S WEEKEND CONTINUES WITH BREAKING BENJAMIN AT HARD ROCK HOTEL & CASINO ATLANTIC CITY DECEMBER 30 AT 8 PM Atlantic City, NJ (October 29, 2018) – New Year’s weekend at Hard Rock Hotel & Casino Atlantic City just got even bigger with the addition of hard rockers, Breaking Benjamin at Hard Rock Live at Etess Arena on Sunday, December 30 at 8 p.m. Tickets are on-sale this Friday, November 2 at 10 a.m. Multi-platinum band Breaking Benjamin has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their latest release, Dark Before Dawn certified GOLD and debuted #1 on Billboard’s Top 200 chart and spun off two #1 rock tracks, “Failure” and “Angels Fall.” “Failure” was also named the most played song at Active Rock for 2015. 2009’s Dear Agony, certified PLATINUM and debuted #4 on the Billboard Top 200 and #1 on the iTunes Rock Album Chart. Dear Agony also spun off the platinum selling and #1 Active Rock single “I Will Not Bow” where it stayed #1 for five weeks straight. Their discography also includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia. We Are Not Alone spawned a pair of #1 radio hits, “So Cold” and “Sooner or Later.” Phobia debuted at # 2 on Billboard’s Top 200, hit #1 on the Rock Album Chart and was one of the top 50 selling rock albums of 2006. It featured one #1 and two Top 5 rock radio hits “Breath,” “Diary of Jane” and “Until The End.” Tickets to see Breaking Benjamin, ranging from $39.00 to $59.00, go on sale this Friday, November 2 at 10 AM. -
Alan Hovhaness: Exile Symphony Armenian Rhapsodies No
ALAN HOVHANESS: EXILE SYMPHONY ARMENIAN RHAPSODIES NO. 1-3 | SONG OF THE SEA | CONCERTO FOR SOPRANO SaXOPHONE AND STRINGS [1] ARMENIAN RHAPSODY NO. 1, Op. 45 (1944) 5:35 SONG OF THE SEA (1933) ALAN HOVHANESS (1911–2000) John McDonald, piano ARMENIAN RHAPSODIES NO. 1-3 [2] I. Moderato espressivo 3:39 [3] II. Adagio espressivo 2:47 SONG OF THE SEA [4] ARMENIAN RHAPSODY NO. 2, Op. 51 (1944) 8:56 CONCERTO FOR SOPRANO SaXOPHONE CONCERTO FOR SOPRANO SaXOPHONE AND STRINGS, Op. 344 (1980) AND STRINGS Kenneth Radnofsky, soprano saxophone [5] I. Andante; Fuga 5:55 SYMPHONY NO. 1, EXILE [6] II. Adagio espressivo; Allegro 4:55 [7] III. Let the Living and the Celestial Sing 6:23 JOHN McDONALD piano [8] ARMENIAN RHAPSODY NO. 3, Op. 189 (1944) 6:40 KENNETH RADNOFSKY soprano saxophone SYMPHONY NO. 1, EXILE, Op. 17, No. 2 (1936) [9] I. Andante espressivo; Allegro 9:08 BOSTON MODERN ORCHESTRA PROJECT [10] II. Grazioso 3:31 GIL ROSE, CONDUCTOR [11] III. Finale: Andante; Presto 10:06 TOTAL 67:39 RETROSPECTIVE them. But I’ll print some music of my own as I get a little money and help out because I really don’t care; I’m very happy when a thing is performed and performed well. And I don’t know, I live very simply. I have certain very strong feelings which I think many people have Alan Hovhaness wrote music that was both unusual and communicative. In his work, the about what we’re doing and what we’re doing wrong. archaic and the avant-garde are merged, always with melody as the primary focus. -
Breaking Benjamin Album Dark Before Dawn Set for Release June 23
FOR IMMEDIATE RELEASE: BREAKING BENJAMIN ALBUM DARK BEFORE DAWN SET FOR RELEASE JUNE 23 NEW SINGLE “FAILURE” AND ALBUM PRE-ORDER AVAILABLE TODAY BAND HITS THE ROAD FOR FESTIVALS/U.S. TOUR DATES THROUGH JULY March 23, 2015 (Burbank, CA) - BREAKING BENJAMIN’s highly-anticipated fifth studio album, DARK BEFORE DAWN will be released June 23rd. Their first single, “Failure,” written and produced by BREAKING BENJAMIN founder Ben Burnley, was released today and is now available (along with the album pre-order) on iTunes. Within an hour of release, the album skyrocketed to iTunes #1 rock single and rock album positions, and is currently in the Top 5 Albums. The first original music from the platinum-selling band since the release of DEAR AGONY in 2009 (certified Gold), Dark Before Dawn marks a new era for the acclaimed band. Burnley is joined by guitarists Jasen Rauch (Red) and Keith Wallen (Adelitas Way), bassist Aaron Bruch, and drummer Shaun Foist (Picture Me Broken). After a string of sold-out club dates, BREAKING BENJAMIN, will hit the road again in April, headlining U.S. tour dates extending through July with performances at this year’s biggest rock festivals including Rock on The Range, Carolina Rebellion, Rocklahoma! and Welcome to Rockville. ABOUT BREAKING BENJAMIN: Over the past decade BREAKING BENJAMIN has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their discography includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia, and 2009’s Dear Agony. The second two—We Are Not Alone and Phobia—yielded spectacular results with each being certified Platinum. -
The Benevolence Post
PENUMBRA THEATRE COMPANY PRODUCTION Est. 1976 February 12 to March 10 Price 15¢ THE BENEVOLENCE POST Skeptics By IFA BEYZA I was a child of the civil rights movement…integrated when I was nine years old, but I didn't encounter Emmett Till's story until I was a teenager. The Till Trilogy [The Ballad of Emmett Till, benevolence, That Summer in Sumner] is inspired by the story of a 14-year-old youth from Chicago who journeys to Mississippi in August of 1955. This trip to visit family in Mississippi certainly changes his fate. He's murdered in that week, and his life-death-journey changes the course of the nation ... I wanted to look at this story from an advantage point of view. The Till saga was a highly documented case. It was like a national soap opera on race. It was played out in the newspapers in the North, in the South, the black press and the white press. There was a tremendous amount of information available to the public. You would think that, because there was so much information, the truth or facts of the actual story would be readily available. What I found was, even as I researched the archive of primary documentation, was a host of confusing and inaccurate information. There were a lot of holes in the accounting of details, that didn't quite seem to make sense to me. So, that was the first lesson which I will share with you: “even if it's in print, even if it's documented, even if it's supposed to be from an expert, you must approach that information with skepticism.” Because the only truth that you have is that it's printed and that it's representing the tone as truth, but that's not necessarily the case. -
MOMMYBLOGS AS a FEMINIST ENDEAVOUR? by SUZETTE
MOMMYBLOGS AS A FEMINIST ENDEAVOUR? By SUZETTE BONDY-MEHRMANN Integrated Studies Project submitted to Dr. Cathy Bray in partial fulfillment of the requirements for the degree of Master of Arts – Integrated Studies Athabasca, Alberta October, 2011 Table of Contents Abstract ………………………………………………………………….3 Introduction………………………………………………………………4 Defining my variables and situating myself in the research……………...4 What does it mean to espouse feminist principles online?.........................6 Method for studying mommyblogs……………………………………....7 Background and review of the literature………………………………....7 Analysis and discussion…………………………………………………14 Future directions………………………………………………………...17 Conclusion………………………………………………………………18 Works cited……………………………………………………………..20 Appendix 1: Study of Breastfeeding blogs by Suzette Bondy-Mehrmann ……………………………………………………...22 Appendix 2: Examples of Mommyblogs ………………………………35 Abstract It is important for feminist researchers to pay attention to new venues where women are creating and sharing knowledge. In the case of this paper we are looking at mothers online and the venue is the mamasphere, the virtual space where mothers are exchanging information through blogs. In interacting in this manner, however, are women engaging in a feminist endeavour? I approached this question through an interdisciplinary review of the research and writing available on mommyblogs against a backdrop of feminist theory of motherhood and by adding the findings from my own research on mommyblogs about breastfeeding. My findings indicate that -
The Representation of Exhaustion and Excessive Demands in Motherhood a Comparison of ‘Mommyblogs’ and Parenting Magazines
The Representation of Exhaustion and Excessive Demands in Motherhood A Comparison of ‘Mommyblogs’ and Parenting Magazines Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mag. (FH) Angelika PRATL am Institut für Amerikanistik Begutachter: Ao. Univ.-Prof. Mag. Dr.phil. Klaus Rieser Graz, 2021 Eidesstattliche Erklärung Ich erkläre eidesstattlich, dass ich die Arbeit selbständig angefertigt habe. Es wurden keine anderen als die angegebenen Hilfsmittel benutzt. Die aus fremden Quellen direkt oder indirekt übernommenen Formulierungen und Gedanken sind als solche kenntlich gemacht. Diese schriftliche Arbeit wurde keiner anderen Prüfungsstelle vorgelegt und auch nicht veröffentlicht. ________________________________________ MAG. (FH) ANGELIKA PRATL Graz, 30. Mai 2021 Declaration of Authorship I declare that I have authored this thesis independently. I have not used other than the declared sources. Sources were explicitly marked and cited either literally or by content. This thesis has not been previously handed in or published. ________________________________________ MAG. (FH) ANGELIKA PRATL Graz, 30th May 2021 I Danksagung Als vor vier Jahren mein Sohn geboren wurde, stellte sich meine ganze Welt auf den Kopf und nichts blieb, wie es war. Dies beeinflusste auch den Abschluss meines Studiums. Was ich mir als schnelles Fertigmachen vorgestellt hatte, entwickelte sich zu einer Herkulesaufgabe. Die Tatsache, dass ich diese Arbeit doch abschließen konnte, habe ich vor allem meiner Familie zu verdanken. An erster Stelle gilt deshalb mein Dank meinem Ehemann Martin und meinem Sohn Paul Ludwig. Paul nicht nur, weil er die Inspiration für dieses Thema war, sondern auch weil er nach zahllosen durchgearbeiteten Nächten, dann sein kleines Händchen in meine Hand legte, mir sein Näschen entgegenstreckte und damit doch alles wieder möglich machte. -
Six Years Have Passed Since BREAKING BENJAMIN Released
Six years have passed since BREAKING BENJAMIN released their last album—2009’s Dear Agony—but one listen to their new album, Dark Before Dawn, and it becomes clear that time away from the music world hasn’t caused them to lose a step. Upon release, Dark Before Dawn debuted #1 on Billboard’s Top 200 album chart, a first for the multi-platinum band, while their first single “Failure” spent 8 consecutive weeks at #1 at rock radio. The band’s sound is noticeably more invigorated, energetic, and purposeful than ever and marks a new era as founder/frontman, Ben Burnley, worked with guitarists Jasen Rauch (RED) and Keith Wallen (Adelitas Way), bassist Aaron Bruch and drummer Shaun Foist (Picture Me Broken.) The result is simultaneously vintage BREAKING BENJAMIN and yet decisively more cohesive. Over the past decade BREAKING BENJAMIN has achieved worldwide success through their chart-topping music, their electrifying live performances and in the process amassed a sizeable and diehard fan base (over 5.7 million likes on Facebook, 220,000+ followers on Twitter.) And, it’s the fans that ultimately fuels Burnley. “The band has always really been about the fans to me,” says Burnley. “That’s who comes first to me, and that’s what it’s all about. There’s nothing that matters any more than that to me, and so I’m just happy I’m able to give them the best they can possibly get.” BREAKING BENJAMIN’S discography includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia, and 2009’s Dear Agony. -
The Foundations of Civil Rights Movement
UNF Digital Commons UNF Graduate Theses and Dissertations Student Scholarship 2014 Before King Came: The oundF ations of Civil Rights Movement Resistance and St. Augustine, Florida, 1900-1960 James G. Smith University of North Florida Suggested Citation Smith, James G., "Before King Came: The oundF ations of Civil Rights Movement Resistance and St. Augustine, Florida, 1900-1960" (2014). UNF Graduate Theses and Dissertations. 504. https://digitalcommons.unf.edu/etd/504 This Master's Thesis is brought to you for free and open access by the Student Scholarship at UNF Digital Commons. It has been accepted for inclusion in UNF Graduate Theses and Dissertations by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2014 All Rights Reserved BEFORE KING CAME: THE FOUNDATIONS OF CIVIL RIGHTS MOVEMENT RESISTANCE AND SAINT AUGUSTINE, FLORIDA, 1900-1960 By James G. Smith A thesis submitted to the Department of History in partial fulfillment of the requirements for the degree of Master of Arts in History UNIVERSITY OF NORTH FLORIDA COLLEGE OF ARTS AND SCIENCES April, 2014 Unpublished work © James Gregory Smith Certificate of Approval The Thesis of James G. Smith is approved: _______________________________________ Date: __________________ Dr. James J. Broomall _______________________________________ Date: __________________ Dr. David T. Courtwright _______________________________________ Date: __________________ Dr. Denise I. Bossy Accepted for the History Department: _______________________________________ Date: __________________ Dr. Charles E. Closmann Chair Accepted for the College of Arts and Sciences: _______________________________________ Date: __________________ Dr. Barbara A. Hetrick Dean Accepted for the University: _______________________________________ Date: __________________ Dr. Len Roberson Dean of the Graduate School ii Acknowledgements I would like to thank Dr. -
Ohio River -1783 to October 1790: A) Indians Have: I
1790-1795 . (5 Years) ( The Northwestern Indian War· . Situation & Events Leading Up To 1. Along the Ohio River -1783 to October 1790: A) Indians have: I. Killed, wounded, or taken prisoner: (1)1,500 men, women, or children. II. Stolen over 2,000 horses. III. Stolen property valued at over $50 thousand. 2. Presi.dent Washington - Orders - Governor of . .. Northwest Territory, Maj. Gen. Arthur St. Clair: A) Punish the Indians! ( 3. 1,450 Volunteers assemble at Cincinnati, Ohio: A) Commanded by Brig. G·eneral Josiah Harmer. 1790 - September 1. September 30, 1790 - Harmer's force starts out: A) Follow a trail of burnt Indian villages. 2. Indians are leading them deeper and deeper into Indian country. 3. Indians are led by Chief Little Turtle. ( 1"790 - October 1. October 19, 1790 - Col . .John Hardin is leading 21 Oof Harmer's Scouts: A) Ambushed! B) Cut to pieces! C) Route! 2. October 21, 1790 - Harmer's force: "A) Ambushed! B) Harmer retreats: I. Loses 180 killed & 33 wounded. C) November 4, 1790 - Survivors make it back to Cincinnati: - " -- ".. • •• "' : •••••• " ,or"""' .~..' •• , .~ I. Year later... Harmer resigns . ... -.: .~- ,: .... ~ 1791 1. Major General Arthur St. Clair - Takes command: . A) Old. B) Fat •.. C) No wilderness experience. D) NO idea .of how many Indians oppose him. E) NO idea of where the Indians are. F) Will not listen to advice. G) Will not take advice. H) Plans: I. Establish a string of Forts for 135 miles northwest of Cincinnati. 1791 - October 1. October 3, 1791 - .St. Clair's . force leaves Cincinnati: A) 2,000 men. B) Slow march.