The Magic Lantern Gazette Volume 21, Number 4 Winter 2009
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hudson Rising on View March 1 – August 4, 2019
Hudson Rising On view March 1 – August 4, 2019 Selected PR Images The New-York Historical Society explores 200 years of ecological change, artistic inspiration, and environmental activism along the Hudson River in Hudson Rising. The exhibition features celebrated Hudson River School paintings, artifacts, and stories that evoke a journey through Hudson River landscapes and weave together 200 years of history from the industrial era to today. Much more than a body of water, the Hudson River and its environs have provided habitat for humans and hundreds of species of fish, birds, and plants; offered an escape for city-dwellers; and became a battleground between industrialists and environmental activists. Writers and artists have captured the river in paintings, drawings, literature, and photographs, and surveyors and scientists have mapped and measured every aspect of it. Thomas Cole, The Course of Empire: Desolation, 1833-1836, New-York Historical Society, Gift of the New-York Gallery of the Fine Arts, 1858.5 Course of Empire is a panoramic series of five paintings intended to inspire reflection on the meaning of “progress.” Shown in a prelude to the exhibition, the first three paintings depict the transformation of a pristine landscape into a new and thriving city. The final two— including — Desolation chart its dramatic decline, leading to the fall of an entire civilization. Model of the Mary Powell, 1947. New-York Historical Society, Gift of Mr. Edward Hungerford Wood- and coal-fired steamboats made Hudson journeys easy, cheap, and reliable, carrying upriver New York City’s burgeoning population and manufactured goods. They brought back ice, bricks, iron, coal, and lumber. -
Part 2 Markings Colonial -1865, Which, While Not Comprehen- Sive, Has the Advantage of Including Postal Markings As by Len Mcmaster Well As Early Postmasters6
38 Whole Number 242 Hampshire County West Virginia Post Offices Part 2 Markings Colonial -1865, which, while not comprehen- sive, has the advantage of including postal markings as By Len McMaster well as early postmasters6. Previously I discussed a little of the history of Hamp- Thus I have attempted to identify the approximate shire County, described the source of the data and the location and dates of operation of the post offices es- conventions used in the listings, and began the listing of tablished in Hampshire County, explaining, where pos- the post offices from Augusta through Green Valley sible, the discrepancies or possible confusion that ex- Depot. The introduction is repeated here. ists in the other listings. Because of the length of the material, it has been broken up into three parts. This Introduction part will include the balance of the Hampshire county Several people have previously cataloged the Hamp- post office descriptions starting with Hainesville, and shire County West Virginia post offices, generally as the third part will include descriptions of the post of- part of a larger effort to list all the post offices of West fices in Mineral County today that were established in Virginia. Examples include Helbock’s United States Post Hampshire County before Mineral County was split off, Offices1 and Small’s The Post Offices of West Vir- and tables of all the post offices established in Hamp- ginia, 1792-19772. Confusing this study is that Hamp- shire County. shire County was initially split off from Virginia with Individual Post Office Location the establishment of many early post offices appearing in studies of Virginia post offices such as Abelson’s and History of Name Changes 3 Virginia Postmasters and Post Offices, 1789-1832 Hainesville (Haines Store) and Hall’s “Virginia Post Offices, 1798-1859”4; and that Hampshire County was itself eventually split into all or Hainesville was located near the crossroads of Old parts of five West Virginia counties, including its present Martinsburg Road (County Route 45/9) and Kedron day boundaries. -
Hudson Rising on View March 1 – August 4, 2019
Hudson Rising On view March 1 – August 4, 2019 Selected PR Images The New-York Historical Society explores 200 years of ecological change, artistic inspiration, and environmental activism along the Hudson River in Hudson Rising. The exhibition features celebrated Hudson River School paintings, artifacts, and stories that evoke a journey through Hudson River landscapes and weave together 200 years of history from the industrial era to today. Much more than a body of water, the Hudson River and its environs have provided habitat for humans and hundreds of species of fish, birds, and plants; offered an escape for city-dwellers; and became a battleground between industrialists and environmental activists. Writers and artists have captured the river in paintings, drawings, literature, and photographs, and surveyors and scientists have mapped and measured every aspect of it. Thomas Cole, The Course of Empire: Desolation, 1833-1836, New-York Historical Society, Gift of the New-York Gallery of the Fine Arts, 1858.5 Course of Empire is a panoramic series of five paintings intended to inspire reflection on the meaning of “progress.” Shown in a prelude to the exhibition, the first three paintings depict the transformation of a pristine landscape into a new and thriving city. The final two— including Desolation— chart its dramatic decline, leading to the fall of an entire civilization. Model of the Mary Powell, 1947. New-York Historical Society, Gift of Mr. Edward Hungerford Wood- and coal-fired steamboats made Hudson journeys easy, cheap, and reliable, carrying upriver New York City’s burgeoning population and manufactured goods. They brought back ice, bricks, iron, coal, and lumber. -
SPANISH FORK PAGES 1-20.Indd
November 14 - 20, 2008 SPANISH FORK CABLE GUIDE 9 Friday Prime Time, November 14 4 P.M. 4:30 5 P.M. 5:30 6 P.M. 6:30 7 P.M. 7:30 8 P.M. 8:30 9 P.M. 9:30 10 P.M. 10:30 11 P.M. 11:30 BASIC CABLE Oprah Winfrey b News (N) b CBS Evening News (N) b Entertainment Ghost Whisperer “Threshold” The Price Is Right Salutes the NUMB3RS “Charlie Don’t Surf” News (N) b (10:35) Late Show With David Late Late Show KUTV 2 News-Couric Tonight (N) b Troops (N) b (N) b Letterman (N) KJZZ 3 High School Football The Insider Frasier Friends Friends Fortune Jeopardy! Dr. Phil b News (N) Sports News Scrubs Scrubs Entertain The Insider The Ellen DeGeneres Show Ac- News (N) World News- News (N) Access Holly- Supernanny “Howat Family” (N) Super-Manny (N) b 20/20 b News (N) (10:35) Night- Access Holly- (11:36) Extra KTVX 4 tor Nathan Lane. (N) Gibson wood (N) b line (N) wood (N) (N) b News (N) b News (N) b News (N) b NBC Nightly News (N) b News (N) b Deal or No Deal A teacher returns Crusoe “Hour 6 -- Long Pig” (N) Lipstick Jungle (N) b News (N) b (10:35) The Tonight Show With Late Night KSL 5 News (N) to finish her game. b Jay Leno (N) b TBS 6 Raymond Friends Seinfeld Seinfeld ‘The Wizard of Oz’ (G, ’39) Judy Garland. (8:10) ‘Shrek’ (’01) Voices of Mike Myers. -
The Magazine of 3-Dimensional Imaging, Past & Present
THE MAGAZINE OF 3-DIMENSIONAL IMAGING, PAST & PRESENT May/)une 1996 Volume 23, Number 2 A PuMk.tion d NATIONAL STEREOScoPlC ASSOCIATION, INC. An Invitati09 to Share Your Best Stereo Images ASSIGNMENT~=D with the World! New Assignment: "Stereo Impact" hile we select the final entries in the "Weather" Wassignment for the next couple of issues, we hope people will start going through their files (or drawers of yet-to-be-mounted slides or prints) with the new "Stereo Impact" assignment in mind. This one's wide open for ANY subject that truly required stereographic imaging to be under- stood or appreciated by those who didn't see it in person. In other words, those things or places that inspire comments along the lines of "Wow! This was just made for stereo!" The best of these are shots "Ice Chamber" by Michael McKinney of Hawthorne, CA may look like it was taken in an which are not just greatly ice cave but it's actually the back side of a waterfall, frozen solid in the winter of 1994 enhanced by stereo, but which lit- near Teluride, CO. When Michael and his wife hiked up the canyon to the falls, they dis- erally depend on stereo to make covered two ice climbers on it. visual sense or to reveal more than a confusing clutter of elements. (Views of complex machinery or dense, tangled forests are often among these sorts of images.) Nearly everybody who's shot even a few rolls of stereos has at least one view that could qualify here. -
Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013). -
“A People Who Have Not the Pride to Record Their History Will Not Long
STATE HISTORIC PRESERVATION OFFICE i “A people who have not the pride to record their History will not long have virtues to make History worth recording; and Introduction no people who At the rear of Old Main at Bethany College, the sun shines through are indifferent an arcade. This passageway is filled with students today, just as it was more than a hundred years ago, as shown in a c.1885 photograph. to their past During my several visits to this college, I have lingered here enjoying the light and the student activity. It reminds me that we are part of the past need hope to as well as today. People can connect to historic resources through their make their character and setting as well as the stories they tell and the memories they make. future great.” The National Register of Historic Places recognizes historic re- sources such as Old Main. In 2000, the State Historic Preservation Office Virgil A. Lewis, first published Historic West Virginia which provided brief descriptions noted historian of our state’s National Register listings. This second edition adds approx- Mason County, imately 265 new listings, including the Huntington home of Civil Rights West Virginia activist Memphis Tennessee Garrison, the New River Gorge Bridge, Camp Caesar in Webster County, Fort Mill Ridge in Hampshire County, the Ananias Pitsenbarger Farm in Pendleton County and the Nuttallburg Coal Mining Complex in Fayette County. Each reveals the richness of our past and celebrates the stories and accomplishments of our citizens. I hope you enjoy and learn from Historic West Virginia. -
Memorials of a Half-Century: a Machine-Readable Transcription
Library of Congress Memorials of a half-century 2194 War Department RECEIVED July 25, 1887, LIBRARY. MEMORIALS OF A HALF-CENTURY BY BELA HUBBARD “I have been a great feast, and stolen the sraps.” Love's Labor Lost.— SHAKES. “...various, that the mind Of desultory man, studious of change, And pleased with novelty, might be indulg'd.” The Task.— COWPER. WITH ILLUSTRATIONS NEW YORK & LONDON G. P. PUTNAM'S SONS The Knickerbocker Press 1887 copy 2 F566 .-87 copy 2 COPYRIGHT BY G. P. PUTNAM'S SONS 1887 By transfer OCT 9 1915 Press of G. P. PUTNAM'S SONS New York “The notes of a single observer, even in a limited district, describing accurately its features, civil, natural and social, are of more interests, and often of more value, than the grander view and boarder generalizations of history. “In a country whose character and circumstances are constantly changing, the little facts and incidents, which are the life history, soon pass from the minds of the present generation.”— Anon v PREFACE. War Department LIBRARY. Memorials of a half-century http://www.loc.gov/resource/lhbum.21049 Library of Congress The writer came to Michigan, a youth, in the spring of 1835, and settled in the town of Springwells, two miles from the western limits of Detroit, then a city of less than 500 inhabitants. On or near the spot of his first abode, upon the banks of our noble river, he has dwelt for half a century, and until the spreading city has absorbed the intervening farms. Even a few years ago his present residence was so completely in the country, that the familiar rural sights and sounds were but little banished. -
Annual Dinner Set for October 23 Featuring Adirondack Singer, Songwriter and Storyteller Chris Shaw
JULY-SEPTEMBER 2009 No. 0904 chepontuc — “Hard place to cross”, Iroquois reference to Glens Falls hepontuc ootnotes C T H E N E W S L E tt E R O F T H E G L E N S F ALLS- S ARAFT O G A C H A P T E R O F T H E A DIRO N DA C K M O U nt AI N C L U B Annual Dinner set for October 23 Featuring Adirondack Singer, Songwriter and Storyteller Chris Shaw ark your calendars! Please Festival, and the Chautauqua join your fellow ADKers on Institute, as well as music halls, Friday, October 23, for our festivals, and coffee houses across Mannual Chapter Dinner. the US and Europe. He has pro- After years trekking to Glens Falls duced a number of TV soundtracks for dinner, our Saratoga County for Public Television. Chris wrote members will be closer to home this the soundtrack and was “the voice year. The newly redone Holiday of Seneca Ray” on the television Inn on South Broadway in Saratoga special “Seneca Ray Stoddard: An Springs has off-street parking, rea- American Original” seen coast to sonable prices and friendly, home- coast on PBS. Most recently, a live town service. concert special called “Chris Shaw: We are honored to welcome Live in Concert” is showing on PBS the wonderful, funny, charismatic stations across the country Christopher Shaw. Chris is the real Shaw has nine recordings deal. In a musical age where surface under his belt with another to be often replaces talent, and sincerity is released this spring. -
LOOK Utr.'«W Mis* Frank Who 1 As Haen Tn a to Have A9 It Passod V
~ 'w**' a m ■ ' Fhf.Imeluge^ckk W« tMtn from tb« last —-*-**-* -UU-I.V Piedmont Dr. Stone of Herald that the Qla-s N«v Yoik eitf, a re« 1 Commun icat ion. Factory ia re- turned I T*0 GENUINE FRIDAY, AUGI ST U, l*bl. al'? to be established ’here missionary ia aoendinff a f. m j HARVEST reduced rates to wil- and also In I a days our fiib The taxes EXCURSIONS liams’ GROVE via B. a O. T7’C‘r j Paper factory to be known as vicinity enjoying ng. j levied for roads and the »*•* * •• %• ,i • ^ " «'t death for the Will be ran from railroad. WANTED Again of our b*s Invaded our town schools Chiracs Milwaukee • i# » i*. UB P C IB rcc K. ; Virginia Paper Company. support public and 4 *.* and of Rev. L. removed from our roidat the fa- seem to bear on oar t*»e Chkaro, R. Mtikwood and heavily far- °a 2* Jl0*” For family miliar face **“' to the Granger a •' ••'"* Mr. end form of one of our old* mers. tf8* lUHwar, poists Eighteenth anca'I la- £.“•*"*•" %.* /; .**": *: John is in town p^s.e.1 Indeed are the ter«Ntate *• '“•»■ *••««> Sboupe through Romney Tuesday on eat and they only 1 ?v 0r^0,!‘ NVr,h—w" Iowa. Eabbitioo at VMiami' Grose. .*** »«? 'U> | WHEAT iheir way to visit his b*gb}y respected ci iaena, Mr. taxes of which Camberlnod cmets. P* Dr. t’utfleld is in town tbis mother in Min- they ever complain, Au«.«#t }4ih to *a*ii t. -
Artists' Perspectives: Envisioning the World
Evenings for Educators Artists’ Perspectives: Envisioning the World ALK THROUGH THE GALLERIES AT LACMA AND YOU’LL RECOGNIZE THE OBVIOUS: ARTISTS SEE the world in different ways. The lonG and colorful paintinG Mulholland Drive: The Road to the Studio (1980) is the work of Los Angeles–based artist David Hockney, Wwhose distinctive use of bright colors and bold patterns captures his view of a vibrant city. Step into another gallery and face portraits, now thousands of years old, of calm, stately people, their legs and faces in profile and their broad shoulders shown frontally. Here are the people of ancient Egypt, as represented by their artists. • What explains the distinctive ways artists see the world and its peoples? These curriculum materials consider how artists envision the world. Separate from the act of observing, envisioning calls attention to the mental act of forming an image with the mind’s eye, often after careful thought or engagement with the imagination. The definition of envision, which belongs in the group of words having to do with thought, holds nuances of meaning that reveal why artists envision the world, and the varying purposes their images serve. • What do these images communicate about an artist’s view of the world? • Can we, by example, look at our world in a new way, forming images that express a view of the world we inhabit? Envision: Form an Image of What Can’t Be Seen Over the centuries, artists have served the needs of both church and state, depicting unseen aspects of culture: values, the authority of rulers, and the stability of society. -
Adirondack Camps National Historic Landmarks Theme Study
NPS Form 10-900-b OMB No. 1024-0018 (June 1991) United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form This form is for use in documenting multiple property groups relating to one or several historic contexts. See instructions in How to Complete the Multiple Property Documentation Form (National Register Bulletin 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items. x New Submission Amended Submission A. Name of Multiple Property Listing ADIRONDACK CAMPS NATIONAL HISTORIC LANDMARKS THEME STUDY B. Associated Historic Contexts THE ADIRONDACK CAMP IN AMERICAN ARCHITECTURE C. Form Prepared by name/title Wesley Haynes, Historic Preservation Consultant; James Jacobs, Historian, National Historic Program, National Park Service date March 28, 2000; updated organization 2007 street and number 22 Brightside Drive telephone 917-848-0572 city or town Stamford state Connecticut zip code 06902 D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR Part 60 and the Secretary of the Interior’s Standards and Guidelines for Archaeology and Historic Preservation. (See continuation sheet for additional comments.) Signature and title of certifying official Date State or Federal agency and bureau I hereby certify that this multiple property documentation form has been approved by the National Register as a basis for evaluating related properties for listing in the National Register.