Synchrony and the Semi-material Object Michael Punt This essay has previously been published in: Ascott/Bast/Fiel/Jahrmann/Schnell (eds.) (2009) New Realities: Being Syncretic. Wien & New York: Springer, pp. 224-227. Transtechnology Research • Reader 2011 Plymouth University Portland Square, Drake Circus Plymouth PL4 8AA United Kingdom © 2012 Transtechnology Research ISBN 978-0-9538332-2-1 Punt • Synchrony and the Semi-material Object | 1 Synchrony and the Semi-material Object Michael Punt
[email protected] Alexandrina Victoria von Wettin, née Hanover, died on the 22nd of January, 1901. She was better known during her life as Princess Victoria of Kent and later as Victoria Queen of Great Britain and Ireland and Empress of India. For the next hundred years she became the insti- tutional icon of individual personal restraint and repression in a period in British history that was characterised by scientific, technological, political and economic change on a scale that is difficult to comprehend today. In the past few decades, Victoria’s iconic significance has been revisited in the light of a contemporary interest in - even obsession with - private eroticism as an adjunct to celebrity status. An obsession exemplified by the coverage of Diana Princess of Wales. [1] Victoria, the grieving widow of some forty years, now appears to have led a full and colourful romantic life before during and after her beloved Albert’s brief entry into her nar- rative. This particular historical revision tells us nothing more or less than that all history is a provisional account of arbitrary events told from the vantage of the present.