VENEZUELA 70 Cosmic Visions of a Latin American Earth Venezuelan Experimental Rock in the 1970S

Total Page:16

File Type:pdf, Size:1020Kb

VENEZUELA 70 Cosmic Visions of a Latin American Earth Venezuelan Experimental Rock in the 1970S Soul Jazz Records Presents VENEZUELA 70 Cosmic Visions Of A Latin American Earth Venezuelan Experimental Rock In The 1970s 8th July 2016 No shipments outside of North America Soul Jazz Records’ new Venezuela 70 is the first-ever album of its kind to take a look at the groundbreaking experimental rock music made in Venezuela and created in the 1970s – during a Tracklist time when the country was both a modern cultural and economic powerhouse in Latin America on 1. Vytas Brenner - Araguaney account of wealth from its vast oil supplies. Venezuela lies at the northern part of South America, with 2. Pablo Schneider - Amor En Llamas neighbouring Colombia to its west and Brazil to its south. The north coast borders the Caribbean. 3. Un Dos Tres y Fuera - Machu Whilst much of 1960s Venezuelan rock music emulated British and USA styles, the 1970s saw the Picchu evolution of a new generation of creative artists such as Vytas Brenner, Angel Rada, Pablo 4. Miguel Angel Fuster - Polvo Lunar Schneider and Miguel Angel Fuster, who all explored the possibilities of mixing together rock with 5. Angel Rada - Basheeba elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with 6. Fernando Yvosky - Barcos De Venezuelan roots music, creating a new sound which blended a multitude of new and old world Papel influences, uniquely Venezuelan. 7. Un Dos Tres y Fuera - Son De Tambor y San Juan These Venezuelan artists looked to the future while exploring their country’s own musical heritage to 8. Vytas Brenner - Bang-Going-Gone create a new cultural identity. Similarities can be drawn with then contemporary movements around 9. Aldemaro Romero y Su Onda the world such as the Trópicalia and post-Trópicalia 1970s scene in Brazil of Os Mutantes, Novos Nueva - Irene Baianos, Secos e Molhados (all of which feature on Soul Jazz Records’ earlier Brazil 70). 10. Miguel Angel Fuster - Dame De Comer A similar parallel can be made in Europe with the experimental German groups of the 1970s (Can, 11. Un Dos Tres y Fuera - San Juan, Amon Duul, Harmonia, Neu all featured on Soul Jazz Records’ Deutsche Elektronische Musik) who Tambor Y Fuera deconstructed and reconstructed the links between rock music and electronics to define a new German 12. Ofrenda Vytas Brenner - Caracas cultural identity. Para Locos Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s 13. Grupo C.I.M. - Joropo No. 1 borders and yet their progressive forward-thinking music is some of the most sophisticated in the 14. Angel Rada - Panico a Las 5am world – a stunning ‘melting pot’ mix of underground rock, synthetic electronics, funk, jazz and Latin 15. Apocalipsis - Ayudame a Encontrar American rhythms all of which explored new sounds and broke down musical boundaries to create a Mi Camino distinct and unique Venezuelan music and cultural identity. 16. Miguel Angel Fuster - La Quema De Judas 1. Release Date: 8th July 2016 Artist: Soul Jazz Records Presents SOUL JAZZ RECORDS Title: VENEZUELA 70 7 Broadwick Street Soho Subtitle: Cosmic Visions Of A Latin American Earth – London W1F 0DA England Venezuelan Experimental Rock in the 1970s Tel: +44 (0)20 7734 3341 Label: Soul Jazz Records Format 1: Cat. No: SJRCD335, List Price $22.99 [email protected] UPC: 5026328103358 www.souljazzrecords.co.uk Format 2: Cat. No: SJRLP335, List Price $29.99 twitter: @souljazzrecords UPC: 5026328003351 .
Recommended publications
  • Music and Spiritual Feminism: Religious Concepts and Aesthetics
    Music and spiritual feminism: Religious concepts and aesthe� cs in recent musical proposals by women ar� sts. MERCEDES LISKA PhD in Social Sciences at University of Buenos Aires. Researcher at CONICET (National Council of Scientifi c and Technical Research). Also works at Gino Germani´s Institute (UBA) and teaches at the Communication Sciences Volume 38 Graduation Program at UBA, and at the Manuel de Falla Conservatory as well. issue 1 / 2019 Email: [email protected] ORCID: https://orcid.org/0000-0001-9692-6446 Contracampo e-ISSN 2238-2577 Niterói (RJ), 38 (1) abr/2019-jul/2019 Contracampo – Brazilian Journal of Communication is a quarterly publication of the Graduate Programme in Communication Studies (PPGCOM) at Fluminense Federal University (UFF). It aims to contribute to critical refl ection within the fi eld of Media Studies, being a space for dissemination of research and scientifi c thought. TO REFERENCE THIS ARTICLE, PLEASE USE THE FOLLOWING CITATION: Liska, M. (2019). Music and spiritual feminism. Religious concepts and aesthetics in recent musical proposals by women artists. Contracampo – Brazilian Journal of Communication, 38 (1). Submitted on: 03/11/2019 / Accepted on: 04/23/2019 DOI – http://dx.doi.org/10.22409/contracampo.v38i1.28214 Abstract The spiritual feminism appears in the proposal of diverse women artists of Latin American popular music created recently. References linked to personal and social growth and well-being, to energy balance and the ancestral feminine powers, that are manifested in the poetic and thematic language of songs, in the visual, audiovisual and performative composition of the recitals. A set of multi religious representations present in diff erent musical aesthetics contribute to visualize female powers silenced by the patriarchal system.
    [Show full text]
  • C:\Users\Usuario\Desktop\TFE
    Título Superior de Música. Especialidad Interpretación (Violonchelo) Trabajo Fin de Estudios PROPUESTA INTERPRETATIVA DE LA OBRA SUITE FOR CELLO AND PIANO DE ALDEMARO ROMERO ALUMNO: MARIO HIDALGO BERROCAL MODALIDAD A: Trabajo teórico-práctico de carácter profesional TUTORA: Mª NATIVIDAD ÁLVAREZ-OSSORIO TORRES CURSO 2017-2018 Jaén, Junio 2018 Título Superior de Música. Especialidad Interpretación (Violonchelo) Trabajo Fin de Estudios PROPUESTA INTERPRETATIVA DE LA OBRA SUITE FOR CELLO AND PIANO DE ALDEMARO ROMERO ALUMNO: MARIO HIDALGO BERROCAL MODALIDAD A: Trabajo teórico-práctico de carácter profesional TUTORA: Mª NATIVIDAD ÁLVAREZ-OSSORIO TORRES CURSO 2017-2018 Jaén, Junio 2018 Conservatorio Superior de Música de Jaén. Trabajo Fin de Estudios MARIO HIDALGO BERROCAL ÍNDICE GENERAL ÍNDICE DE TABLAS ................................................................................................ II ÍNDICE DE IMÁGENES ........................................................................................... II RESUMEN Y PALABRAS CLAVE .............................................................................. 1 ABSTRACT AND KEYWORDS ................................................................................. 2 1. INTRODUCCIÓN .......................................................................................... 3 2. ESTADO DE LA CUESTIÓN ............................................................................ 4 2.1. Objetivos .........................................................................................................
    [Show full text]
  • Aldemaro Romero Archive (ASM0038)
    University of Miami Special Collections Finding Aid - Aldemaro Romero Archive (ASM0038) Generated by Access to Memory (AtoM) 2.4.0 Printed: May 21, 2018 Language of description: English University of Miami Special Collections 1300 Memorial Drive Coral Gables FL United States 33146 Telephone: (305) 284-3247 Fax: (305) 284-4027 Email: [email protected] https://library.miami.edu/specialcollections/ https://atom.library.miami.edu/index.php/asm0038 Aldemaro Romero Archive Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Arrangement .................................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 5 Series descriptions ..........................................................................................................................................
    [Show full text]
  • Confluence Saxophone Quartet
    IN CONCERT Classical Music in the Valley Sunday, April 27, 2014 Jones Theater, Westcliffe, Colorado Confluence Saxophone Quartet Jeremy Wendelin - soprano saxophone Christin Garcia - alto saxophone Tyson Haynes - tenor saxophone William Graves - baritone saxophone Quartet for Saxophones Aldemaro Romero (1928–2007) 1. Fandango 2. Serenata 3. Choro y Tango Revolution Marc Mellits (b. 1966) I. Groove Canon arr. Jonathan Nichol II. Mara’s Toys III. December, 1989 IV. Groove Machine Introduction et Variations sur une Ronde Populaire Gabriel Pierné (1863–1937) – INTERMISSION – Mountain Roads David Maslanka (b. 1943) I. Overture II. Chorale: Wo soll ich fliehen III. Aria (in the style of a chorale prelude) IV. Chorale V. Aria VI. Finale Three Preludes George Gershwin (1898–1937) Prelude No. 1 - Moderately arr. Bill Holcombe Prelude No. 2 - Andante con moto e poco rubato Prelude No. 3 - Allegro ben ritmico e deciso Enjoy an exhibit by the Westcliffe Contemporary Quilters and Fiber Artists in Studio 2. You are invited to a reception to meet the performers after the concert. PROGRAM NOTES by David Niemeyer You may not be familiar with the name Aldemaro Romero, but you have probably heard his work many times over several decades. He worked with non-classical musicians including Dean Martin, Jerry Lee Lewis, Stan Kenton, and Tito Puente. In addition, Romero was a classical musician who was a guest conductor for the London Symphony Orchestra, the English Chamber Orchestra, and the Royal Phil- harmonic Orchestra, and he founded the Caracas Philharmonic Orchestra. As a composer, Romero stuck to his Venezuelan roots, as evidenced by the Quartet for Saxophones.
    [Show full text]
  • Weissman Was My Destination
    City University of New York (CUNY) CUNY Academic Works Publications and Research Baruch College 2018 Weissman Was My Destination Aldemaro Romero Jr. CUNY Bernard M Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_pubs/226 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Weissman Was My Destination Aldemaro Romero Jr. “The moments of happiness we enjoy take us by surprise. It is not that we seize them, but that they seize us.” Ashley Montagu, British-American anthropologist The date was Monday, August 8, 2016. The coeditor of this book, Gary Hentzi, and I visited Baruch College’s archives to get an idea of the kind of photographic resources we would have available to use as illustrations. We were impressed by how much material the archives contained and by how well organized they were. The director of the archives, Sandra Roff, and her staff walked us through the collection and occasionally showed us a particular picture that they thought could be of interest. “Here’s one you might find curious,” she said. “This is the building that used to be where the Vertical Campus is today.” And when she mentioned the name of the original owner of the building I got goosebumps. “Too good to be true!” I said to myself. I My father and I in Riverside Park in 1953 felt I needed to check the facts.
    [Show full text]
  • Los Talibanes Del Tropipop Andrés Ramírez Pinilla Comunicador Social Con Énfasis En
    LOS TALIBANES DEL TROPIPOP ANDRÉS RAMÍREZ PINILLA TRABAJO DE GRADO PARA OPTAR POR EL TÍTULO DE: COMUNICADOR SOCIAL CON ÉNFASIS EN: PERIODISMO. DIRIGIDO POR: JUAN CARLOS PIEDRAHÍTA BETANCOURT PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE COMUNICACIÓN Y LENGUAJE COMUNICACIÓN SOCIAL Y PERIODISMO BOGOTÁ, 2016 Bogotá, 23 de Mayo de 2016 Señora: Marisol Cano Busquets Decana Académica Facultad de Comunicación y Lenguaje Pontificia Universidad Javeriana Respetada Decana: De la manera más atenta me permito presentar mi proyecto de grado que se titula “LOS TALIBANES DEL TROPIPOP”, para optar por el título de Comunicador Social con énfasis en periodismo. De antemano gracias por su atención prestada. Cordialmente, ARTÍCULO 23 DE LA RESOLUCIÓN No. 13 DE JUNIO DE 1946 “La Universidad no se hace responsable por los conceptos emitidos por los alumnos en sus trabajos de grado, solo velará porque no se publique nada contrario al dogma y la moral católicos y porque el trabajo no contenga ataques y polémicas puramente personales, antes bien, se vean en ellas el anhelo de buscar la verdad y la justicia”. Reglamento de la Pontificia Univiversidad Javeriana Agradecimientos No hay una sala vacía, ni una máquina de escribir con millones de flores amarillas rondando por Macondo. Tan solo está el humo del autista mezclado con el humo del artista. Es entonces el resultado de la neblina entre las colillas muertas del cigarrillo con las del humo concebido en la tarima de un artista a la espera de sus fans o los fans a la espera del artista. Un cuadro de Bob Marley mirando fijamente la seducción entre el computador y yo el escritor, un Palo de Agua sonando a Caribe, un sombrero vueltiao sin dueño, un café caliente Bogotano y un objetivo claro: La verdad acerca del tropipop.
    [Show full text]
  • Complete Christmas Songbook
    NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 43563-1053-3 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105337 CD$ 12.00 2-Nov-18 NOQ059 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105313 LP$ 16.00 2-Nov-18 JAG330CS UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233055 CS 8.00$ 26-Oct-18 56605-2330-2 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233024 CDEP$ 12.00 26-Oct-18 JAG330 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233017 12" EP $ 14.00 26-Oct-18 87828-0432-2 HOW TO DRESS WELLThe Anteroom Domino Rock-Pop 887828043224 CD$ 12.80 19-Oct-18 WIG432 HOW TO DRESS WELLThe Anteroom (180g LPx2) Domino Rock-Pop 887828043217 LPx2$ 25.60 19-Oct-18 87828-0817-2 HOLTER, JULIA Aviary Domino Rock-Pop 887828041725 CDx2$ 13.67 26-Oct-18 WIG417 HOLTER, JULIA Aviary Domino Rock-Pop 887828041718 LPx2$ 25.60 26-Oct-18 WIG417X HOLTER, JULIA Aviary (Indie Only - clear viny Domino Rock-Pop 887828041732 LPx2$ 25.60 26-Oct-18 66561-0138-2 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013820 CD$ 10.00 26-Oct-18 CST138 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013813 LP$ 14.25 26-Oct-18 28070-6355-2 SPECTRES Last Days Artoffact Records Punk 628070635528 CD$ 10.00 19-Oct-18 28070-6356-2 SPECTRES Nothing to Nowhere Artoffact Records Punk 628070635627 CD$ 10.00 19-Oct-18 28070-6357-2 SPECTRES Utopia
    [Show full text]
  • A Glimpse Into Quiroga's Musical Roots
    City University of New York (CUNY) CUNY Academic Works Publications and Research Baruch College 2017 A Glimpse into Quiroga’s Musical Roots Aldemaro Romero Jr. CUNY Bernard M Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_pubs/208 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A Glimpse into Quiroga’s Musical Roots sometimes it’s painting. It’s pretty demanding, and Dr. Aldemaro Romero Jr. composition is something that you really have to devote to.” College Talk Selene also knows that that demands on a performer can be pretty daunting when compared “At the music conservatory, I was told that with those of a composer. “I probably feel more popular music is not music, and that’s one of the pressure as a classical pianist than as a composer. things that connected me with your dad, Aldemaro As a composer, I always feel very free, so thank Romero. He could do classical, Bolero, so I God, I don’t have that fear and that anxiety over felt connected because I felt ‘there’s someone my shoulders. I fear more when it comes to being a who had the same problem that I did.’ I felt like classical pianist, but not with composing. Probably classical music is, of course, beautiful, but I needed because I haven’t been composing with very something else.” classical structures. But the academic work I’ve That is how Selene Quiroga, an artist recently composed, I haven’t been putting that pressure invited to Baruch College, explains why she crosses on myself.
    [Show full text]
  • Rock Art of Latin America & the Caribbean
    World Heritage Convention ROCK ART OF LATIN AMERICA & THE CARIBBEAN Thematic study June 2006 49-51 rue de la Fédération – 75015 Paris Tel +33 (0)1 45 67 67 70 – Fax +33 (0)1 45 66 06 22 www.icomos.org – [email protected] THEMATIC STUDY OF ROCK ART: LATIN AMERICA & THE CARIBBEAN ÉTUDE THÉMATIQUE DE L’ART RUPESTRE : AMÉRIQUE LATINE ET LES CARAÏBES Foreword Avant-propos ICOMOS Regional Thematic Studies on Études thématiques régionales de l’art Rock Art rupestre par l’ICOMOS ICOMOS is preparing a series of Regional L’ICOMOS prépare une série d’études Thematic Studies on Rock Art of which Latin thématiques régionales de l’art rupestre, dont America and the Caribbean is the first. These la première porte sur la région Amérique latine will amass data on regional characteristics in et Caraïbes. Ces études accumuleront des order to begin to link more strongly rock art données sur les caractéristiques régionales de images to social and economic circumstances, manière à préciser les liens qui existent entre and strong regional or local traits, particularly les images de l’art rupestre, les conditions religious or cultural traditions and beliefs. sociales et économiques et les caractéristiques régionales ou locales marquées, en particulier Rock art needs to be anchored as far as les croyances et les traditions religieuses et possible in a geo-cultural context. Its images culturelles. may be outstanding from an aesthetic point of view: more often their full significance is L’art rupestre doit être replacé autant que related to their links with the societies that possible dans son contexte géoculturel.
    [Show full text]
  • NOAA Tech Rep
    NOAA Technical Report NMFS 151 A Technical Report of the Fishery Bulletin Cetaceans of Venezuela: Their Distribution and Conservation Status Aldemaro Romero A. Ignacio Agudo Steven M. Green Giuseppe Notarbartolo di Sciara January 2001 U.S. Department of Commerce Seattle, Washington 1 Abstract.–Sighting, stranding, and cap­ Cetaceans of Venezuela: Their Distribution and ture records of whales and dolphins for Venezuela were assembled and analyzed Conservation Status to document the Venezuelan cetacean fauna and its distribution in the eastern Caribbean. An attempt was made to con­ Aldemaro Romero firm species identification for each of the Macalester College records, yielding 443 that encompass 21 Environmental Studies Program and Department of Biology species of cetaceans now confirmed to 1600 Grand Ave. occur in Venezuelan marine, estuarine, Saint Paul, Minnesota 55105-1899 and freshwater habitats. For each species, E-mail address: [email protected] we report its global and local distribu­ tion, conservation status and threats, and the common names used, along with our A. Ignacio Agudo proposal for a Spanish common name. Fundacetacea, Fundación Sudamericana Bryde’s whale (Balaenoptera edeni) is the “Saida Josefina Blondell de Agudo” most commonly reported mysticete. The para la Conservación de Mamíferos Acuáticos long-beaked common dolphin (Delphinus P. O. Box 010, 88010-970 capensis) is the most frequent of the odon­ Florianópolis, Santa Catarina-SC, Brazil tocetes in marine waters. The boto or tonina (Inia geoffrensis) was found to be ubiquitous in the Orinoco watershed. The Steven M. Green distribution of marine records is consis­ Department of Biology tent with the pattern of productivity of University of Miami Venezuelan marine waters, i.e., a concen­ P.O.
    [Show full text]
  • Helix Concert Programme
    Innovative Concerts Inspiring Directors Exceptional Musicians Musical Director Clare Bhabra Saturday 15th July 2017 Clare Bhabra studied Music at Birmingham University and then at the Royal Northern College of Music under the guidance of Lydia Mordkovitch. Whilst still studying there she joined Opera North where she enjoyed ten very happy years wallowing in the beautiful music of Opera! She also found time within a busy schedule to become a founder member of the Mirage String Quartet and the Janacek Piano Trio. Now living in Nottingham, Clare continues to perform as both an orchestral and chamber musician including Sinfonia Viva with whom, as well as giving concerts, she is a regular contributor to their outreach education team. In 2010 she was appointed leader of the Nottingham Philharmonic Orchestra and recently performed the Lark ascending with them at the Royal Concert Hall. In 2012 she was invited to join the Tedesca string quartet. As well as performing all over the country they have recently been invited to become quartet in residence for the Midland Sinfonia and directors of regular courses at Benslow Music School. In her spare time you will find her watching cricket or waiting for her bread to rise! Wagner: Siegfried Idyll Finzi: Romance Raff: Sinfonietta in F major Op. 188 ########## Clive Pollard: Southwell Suite Romero: Fuga con Pajarillo Malcolm Arnold: Sinfonietta No 1. Op 48 Siegfried Idyll Richard Wagner (1830-1883) In most books about chamber music, Wagner appears, in some cases somewhat dismissively, as a reference point and influence on others, rather than a subject of study. Siegfried Idyll was written to be played on Christmas day 1870 in the most domestic of situations, to give his waking wife a joint 33rd birthday and Christmas present in gratitude for their baby who shared the opera hero’s name and it was performed on the stairs of their home.
    [Show full text]
  • Aldemaro Romero Jr
    Aldemaro Romero Jr. Curriculum Vitae Effective: June 2013 Areas of Expertise Higher Education and Not-for-Profit Administration. Promotion of Higher Education. Innovation and Creativity in Higher Education. Fundraising. Public Outreach. Strategic Planning. Internationalization and Diversification. Teaching and Research. Academic Fields Integrative Biology. Environmental Studies. Marine Mammalogy. Biospeleology. History and Philosophy of Science. Science Communication. Academic Address Dr. Aldemaro Romero Jr., Dean College of Arts and Sciences Southern Illinois University Edwardsville Edwardsville, Illinois 62026-1608, USA [email protected] Telephone: 618 650-5044 Facsimile: 618 650-5050 Personal Address Aldemaro Romero Jr. 2509 Gecko Dr. Maryville, IL 62062 [email protected] Cell phone: 870 761-9465 Current Position Dean and Professor of Biological Sciences Universities Attended University Location, Dates Degree Universidad de Oriente Cumaná, Venezuela 1/70-6/70 Universitat de Barcelona Barcelona, Spain Licenciado Biología 9/70-6/77 University of Miami Coral Gables, FL Ph.D. Biology 1/81-8/84 Pennsylvania State University University Park, PA Certificate, 11/87-12/87 Management for Managers in Natural Resources 2 University and Administrative Experience 2009–Present: Dean of the College of Arts and Sciences, Southern Illinois University Edwardsville (SIUE) and Professor of Biological Sciences Responsibilities and Accomplishments: • Responsible for 19 departments and 85 areas of study, which include more than 330 full-time faculty/instructors
    [Show full text]