Music As a Global Resource: Solutions for Social and Economic Issues Compendium - Third Edition

Total Page:16

File Type:pdf, Size:1020Kb

Music As a Global Resource: Solutions for Social and Economic Issues Compendium - Third Edition Music as a Global Resource: Solutions for Social and Economic Issues Compendium - Third Edition Age of Connectivity: Cities, Magnets of Hope A Contribution in Support of the Millennium Development Goals, Habitat Agenda and the United Nations Sixth World Urban Forum, “The Urban Future” Fall 2011 United Nations Headquarters United Nations ICCC MUSIC AS A GLOBAL RESOURCE: Solutions for Social and Economic Issues Compendium, Third Edition EDITORS Professor Barbara Hesser New York University Dr. Harry N. Heinemann International Council for Caring Communities ASSOCIATE EDITORS Dr. Cathy Benedict Florida International University Dr. Peter Jampel New York University Dr. Patrick Schmidt Westminster College of the Arts-Princeton University Professor Roslyn Snow St. Johns University, Retired UNITED NATIONS HEADQUARTERS NEW YORK, FALL 2011 World Survey of Music Projects EUROPE Bosnia and Herzegovina Finland Germany Greece ASIA Ireland Afghanistan Italy THE AMERICAS China Kosovo Argentina India Norway Brazil Indonesia Spain Canada Japan United Kingdom Chile MIDDLE EAST Nepal Colombia Iraq Pakistan Costa Rica Israel Singapore Haiti Jordan Thailand Ecuador Lebanon Jamaica Occupied Palestinian Territory Mexico St. Lucia AFRICA United States of America Botswana Non-Autonomous Territory Ghana Puerto Rico Guinea Rwanda OCEANIA Sierra Leone Australia South Africa New Zealand Uganda TABLE OF CONTENTS Dedication…………………………………………………………………………………………. I Acknowledgements……………………………………………………………………………… III Introductory Statements H.E. Josephine Ojiambo……………………………………………………………………….. IV Cecilia Martinez……………………………………………………………………………….... V Haiyan Qian……………………………………………………………………………………. VI Ambassador Francis Lorenzo…………………………………………………………………. VII Sandy Schneiderman…………………………………………………………………………. VIII John Storyk…………………………………………………………………………………….. IX Jim Luce……………………………………………………………………………………….... X Introduction to the Compendium………………………………………………………………… XI Strategic Roadmap……………………………………………………………………………… XII Research and Project Evaluation………………………………………………………………. XIII Millennium Development Goals………………………………………………………………. XIV PROJECTS SECTION I - MUSIC FOR SUSTAINABLE COMMUNITY DEVELOPMENT AFRICA Botswana Empowering At-Risk Youth Using Wosana Traditional Music…………………….……….... 2 Ghana Developing the Creative Musical Talent of Youth: Bless the Mic………………………….… 3 South Africa Developing Life Skills in Youth Through Music for Eradicating Poverty and Promoting Development: Field Band Foundation…………………………………………………….… 4 Mangaung String Program for Disadvantaged Youth……………………………………….... 6 Music for Rural Disadvantaged Children: The Keiskamma Music Academy………………... 8 Music Investment Project for At-Risk Youth: Eastern Cape Philharmonic Orchestra……... 10 Music with Disadvantaged Children Suffering Traumatic Effects of Their Environment: Music for Life Project of the Music Therapy Community Clinic…………………………. 12 Ntonga Music School: Playing for Change………………………………………………….. 13 Preserving Indigenous Instrumental Music and Dance Practices of Africa ………………… 15 THE AMERICAS Brazil Bringing Music to Children and Adolescents in Situations of Social Vulnerability: Intermusic………………………………………………………………………………….. 17 The Human Body as an Instrument: Project Batucadeiros…………………………………... 18 Colombia Let the Music Touch You: Fundación Nacional Batuta........................................................... 20 Ecuador Empowering At-Risk Youth to Access Their Creativity and Build Self-Esteem Through Music and the Arts: Project Creo………………………………………………... 23 Mexico Providing Music Education to Students in Diverse Settings and Institutions: Music and Culture at CEDROS……………….……………………………………………………… 25 United States of America Music for Economically Disenfranchised Youth and Their Families: Youth Orchestra of Los Angeles……………………………………………………………………………….. 26 Promoting Connections Between Inmates and the Community: Choral Singing and Songwriting…………………………………………………………………………........... 28 Promoting Resiliency and Positive Youth Development with At-Risk Students: Mariachi Program……………………………………………………………………………………. 30 Reaching Underserved Youth Through After School Music Clubhouse Programs………… 32 Songwriting with At-Risk Youth: Hear Our Voices………………………………………… 33 Transforming Lives and Communities Through Music: The Center for Music National Service……………………………………………………………………………………... 35 Non-Autonomous Territory: Puerto Rico Music for Cultural Preservation: TACUAFAN....................................................................... 37 Music To Promote Environmental Awareness: EcoMusiclaje……………………………… 39 Promoting Cultural Integration: arteSanturce: De Barrio Obrero a la 15…………………… 41 ASIA Afghanistan Preserving and Returning the Musical Heritage of Afghanistan: Afghan Children’s Songbook Project………………………………………………………………………….. 43 Rebuilding Music Education for Afghan Youth and Establishing the Afghanistan National Institute of Music………………………………………………………………………….. 45 China Children’s Choir for Preserving the Cultural Heritage of Ethnic Minorities: Quintessenso Cultural Work (QCW)…………………………………………………………………….. 47 Making Music with a Traditional Chinese Folk Instrument in School and Universities: The Ocarina Project: …………………………………………………………………………… 49 India Musical Instrument Design and Construction in a Creative Community Enterprise for At- Risk Youth: Svaram……………………………………………………………………….. 50 The Community Music Therapy Program: The Music Therapy Trust……………………… 52 Japan Big Band for People with and without Disabilities: Commuon……………………………... 53 To Enhance Cross-Cultural Communication Through Music: Yokohama Community Music Project…………………………………………………………………………….… 55 Nepal Music Therapy for Autistic Children: The Music Therapy Trust Nepal…………………… 56 Philippines A National Movement Towards Building Orchestras of Philippine Folkloric Instruments: Orchestra Sin Arco………………………………………………………………………… 57 EUROPE Finland Music for Students with Special Educational Needs: Resonaari Music School...................... 59 Ireland Honoring the Music Cultures of the Traveller Community: The Nomad Project…………... 60 Italy Music for Well-Being with Disadvantaged Children and Their Families: Bambini Al Centro……………………………………………………………………………………… 62 Spain Promoting Social Inclusion for Visually Impaired Children Through Choral Singing: The Allegro Choir……………………………………………………………………………… 63 United Kingdom Bridging the Transition Between the Psychiatric and the Community: The Chelsea Community Music Therapy Project……………………………………………………….. 64 OCEANIA Australia Intergenerational Involvement and Learning Through Music and The Arts: ArtStories………………………………………………………………………………….. 65 MULTI-NATIONAL Bosnia and Herzegovina, Kosovo, Occupied Palestinian Territories, Rwanda, Uganda, UK Using Music to Connect Communities, Bridge Divides and Heal the Wounds of War: Musicians Without Borders………………………………………………………………... 66 Canada, Switzerland, United States of America Empowering Individuals and Communities Through Group Improvisation: Music for People……………………………………………………………………………………… 68 Guinea, United States of America Supporting and Enhancing the Quality of Life of Homeless Children and Children with Disabilities: Group Laiengee Project…………………………………………………….… 70 Haiti, Jamaica, St. Lucia Music for Social Change: Oasis-Caribbean…………………………………………………. 71 Indonesia, Iraq, United States of America Recapturing Cultural Identity Through Drumming and Drum Making: Drums of Humanity.………………………………………………………………………………….. 73 South Africa, United States of America Diversion from Crime into Music Education: Empowering Juvenile Offenders Through Music Education Programs………………………………………………………………………... 76 SECTION II - MUSIC FOR MENTAL AND PHYSICAL HEALTH AFRICA South Africa Music with Disadvantaged Children Suffering Traumatic Effects of Their Environment: Music for Life Project of the Music Therapy Community Clinic…………………………. 78 THE AMERICAS Argentina Music Therapy for Children and Adults in Neurorehabilitation: The Institute of Cognitive Neurology…………………………………………………………………………….......... 80 Brazil Songs to Help Say Good-Bye: Music Therapy in Palliative Care………………………….. 82 Chile Music Therapy with Women in a Community Mental Health Center………………………. 84 Colombia Music Therapy for Children with Neurologic Disorders………………………………......... 85 Costa Rica A Latin Percussion Ensemble for Special Needs Children: Ensamble de Percusión Inclusión…………………………………………………………………………………… 87 United States of America Mental Stimulation and Socialization Through Drumming for People with Early Stage Alzheimer’s Disease: Memory Drummers………………………………………………… 88 Music and Wellness with an Emphasis on Stress Reduction and Pain Management: Pittsburgh Symphony Orchestra………………………………………………………………………. 89 Music Therapy for At-Risk Parenting: Lullaby 101………………………………………… 91 Music Therapy for Individuals in Recovery: Learning in Layers …………………………... 93 Music Therapy in a Large Urban Medical Center: The Louis Armstrong Center for Music and Medicine………………………………………………………………………………. 94 Music Therapy in Cancer Care: Memorial Sloan-Kettering Cancer Center………………… 96 Music Therapy Services for Children and Adults with Special Needs: The Nordoff- Robbins Center for Music Therapy at New York University……………........................... 98 Music Therapy Services for Mentally Ill Adults: The Baltic Street Music Therapy Program at South Beach Psychiatric Center……………………………………………… 100 Providing Community-Based Music and Creative Arts Therapy Services for Special Needs Children and Adults: Arts for Healing…………………………………………………… 102 Providing Songs for Children
Recommended publications
  • Toom-Bah-Ee-Lero”
    ESO WORLD TOUR Grades 1 through 8 Tuesday, April 2, 2019 (Middle School Day) Wednesday, April 3, 2019 Thursday, April 4, 2019 Friday, April 5, 2019 1 ESO WORLD TOUR Spring Festival Overture Li Huanzhi Shepherd’s Hey Percy Grainger Polonaise brillante No. 2 Henryk Wieniawski Claire Arias-Kim, violin African Drumming Demo Michael Folker Beneath Alex Shapiro Suite from “Frozen” Arr. Krogstad Mambo from West Side Story Leonard Bernstein 2 Many thanks to the Elgin Symphony’s education committee for the idea to take this concert on a world tour! It was a unanimous choice: let’s sample orchestral music from the world’s seven continents. Choosing the repertoire for the concert was not as easy as we thought it might be during the conception of this program. How can we narrow down the large quantity of orchestral music from Europe, where the symphony orchestra originated? Bach, Mozart, Brahms, Beethoven would all be obvious choices. In a surprising twist we chose a composer from Poland, the home of the brilliant violinist and composer Henryk Wieniawski. We are thrilled to have young violinist Claire Arias-Kim as our soloist for Wieniawski’s Polonaise brilliante No. 2. What repertoire can we choose from the continents with musical traditions that don’t necessarily include traditional western orchestral instruments? What do we do about Antarctica? (We always try to program something that’s just pure fun.) For Africa, we felt it was important to demonstrate the drumming traditions and to highlight the expertise of one of our members, percussionist Michael Folker. It became a concert of interesting connections.
    [Show full text]
  • An Online Cultural Mobility Funding Guide for AFRICA
    An online cultural mobility funding guide for AFRICA — by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination Third Edition — Suggestions for reading this guide: We recommend that you download the guide and open it using Acrobat Reader. You can then click on the web links and consult the funding schemes and resources. Alterna- tively, you can also copy and paste the web links of the schemes /resources that interest you in your browser’s URL field. This guide being long, we advise you not to print it, especially since all resources are web-based. Thank you! Guide to funding opportunities for the international mobility of artists and culture professionals: AFRICA — An online cultural mobility funding guide for Africa by ART MOVES AFRICA – Research INSTITUT FRANÇAIS – Support ON THE MOVE – Coordination design by Eps51 December 2019 — GUIDE TO FUNDING OPPORTUNITIES FOR THE INTERNATIONAL MOBILITY OF ARTISTS AND CULTURE PROFESSIONALS – AFRICA Guide to funding opportunities for the international This Cultural Mobility Funding Guide presents a mapping of mobility of funding opportunities for interna- tional cultural mobility, focused artists and culture on the African continent. professionals The main objective of this cul- tural mobility funding guide is to AFRICA provide an overview of the fund- ing bodies and programmes that support the international mobility of artists and cultural operators from Africa and travelling to Africa. It also aims to provide input for funders and policy makers on how to fill the existing
    [Show full text]
  • On a Tropical Island, in the Caribbean Strategic Location in the Middle of the Americas San Juan, Condado, & Isla Verde
    On a Tropical Island, in the Caribbean Strategic Location in the Middle of the Americas San Juan, Condado, & Isla Verde Old San Juan Condado Isla Verde PR Convention Center Luis Muñoz Marín International Airport (SJU) The travel distance/time from Luis Muñoz Marín International Airport (SJU) to Old San Juan is approximately 10 miles/15 minute drive Room Inventory around the Island Important Facts History 1493: Christopher Columbus lands 1508: Juan Ponce de Leon arrives 1521: San Juan was founded, forts built 1898: Puerto Rico becomes US territory 1917: Jones Act grants US citizenship 1947: Puerto Ricans elect own governor 1952: Puerto Rico officially becomes a commonwealth of the United States Convenience Currency: US Dollar No passport needed for US citizens US Postal Service Same US Telecommunication System Same US Banking System General 3.4 million population 82°F (28ºC) average temperature year round Unique Caribbean destination with security and commodities of home On a Tropical Island, In the Caribbean Only in Puerto Rico – Old San Juan Only in Puerto Rico El Yunque Rainforest Puerto Rican Parrot El Coquí Adventure Camuy Caves Zip Lines Bioluminescent Bays Science Arecibo Observatory The William E. Gordon Telescope Gastronomy Culture Notable Puerto Ricans El Gran Combo: Musicians Ricky Martin: Entertainer Sonia Sotomayor: Supreme Court Justice Joseph Acaba: Astronaut Jennifer Lopez: Entertainer Marc Anthony: Entertainer Benicio Del Toro: Actor Doing Business on a Tropical Island Existing and New Hotel Developments World-Class Accommodations Puerto Rico provides a range of incredible venues for any special event and meeting Over 14,500 guest rooms and more than 1.2 million sq.
    [Show full text]
  • Abstract Since 2016, the Commonwealth of Puerto Rico Has Experienced a Period of Political Challenges Along with a Severe Economic Austerity
    Revista [IN]Genios, Vol. 7, Núm. 1, pp.1-16 (diciembre, 2020) ISSN#: 2374-2747 Universidad de Puerto Rico, Río Piedras © 2020, Copyright. Todos los derechos están reservados. ISLAND ARTSCAPE OF BANKRUPTCY: A NARRATIVE PHOTO-ESSAY OF SAN JUAN’S POLITICAL STREET ART OF RESISTANCE Medio: Fotografía Andrea D. Rivera Martínez Departamento de Psicología Facultad de Ciencias Sociales, UPR RP Recibido: 15/09/2020; Revisado: 16/11/2020; Aceptado: 29/11/2020 Abstract Since 2016, the Commonwealth of Puerto Rico has experienced a period of political challenges along with a severe economic austerity. Given the unpromising projections, voices of resistance, anger, frustration, uncertainty, and hope are becoming increasingly visible on the island’s cities’ walls and spaces. Thus, based on the current situation of fiscal crisis, this visual essay narrates and documents the continuum of interpretations and opinions regarding the Puerto Rico Oversight, Management, and Economic Stability Act (PROMESA) inscribed in the urban fabric over the past five years from now. Keywords: street art, bankruptcy, fiscal crisis, austerity, Puerto Rico Resumen Desde el 2016, el Estado Libre Asociado de Puerto Rico experimenta un período de desafíos políticos junto con una severa austeridad económica. Dadas las proyecciones, las voces de resistencia, ira, frustración, incertidumbre y esperanza son cada vez más visibles en las paredes y espacios de las ciudades de la isla. Por tanto, dada la situación actual de crisis fiscal, este ensayo visual narra y documenta el continuo de interpretaciones y opiniones sobre la Ley de Supervisión, Gestión y Estabilidad Económica de Puerto Rico (PROMESA) inscritas en el tejido urbano durante los últimos cinco años.
    [Show full text]
  • Rock Nacional” and Revolutionary Politics: the Making of a Youth Culture of Contestation in Argentina, 1966–1976
    “Rock Nacional” and Revolutionary Politics: The Making of a Youth Culture of Contestation in Argentina, 1966–1976 Valeria Manzano The Americas, Volume 70, Number 3, January 2014, pp. 393-427 (Article) Published by The Academy of American Franciscan History DOI: 10.1353/tam.2014.0030 For additional information about this article http://muse.jhu.edu/journals/tam/summary/v070/70.3.manzano.html Access provided by Chicago Library (10 Feb 2014 08:01 GMT) T HE A MERICAS 70:3/January 2014/393–427 COPYRIGHT BY THE ACADEMY OF AMERICAN FRANCISCAN HISTORY “ROCK NACIONAL” AND REVOLUTIONARY POLITICS: The Making of a Youth Culture of Contestation in Argentina, 1966–1976 n March 30, 1973, three weeks after Héctor Cámpora won the first presidential elections in which candidates on a Peronist ticket could Orun since 1955, rock producer Jorge Álvarez, himself a sympathizer of left-wing Peronism, carried out a peculiar celebration. Convinced that Cám- pora’s triumph had been propelled by young people’s zeal—as expressed in their increasing affiliation with the Juventud Peronista (Peronist Youth, or JP), an organization linked to the Montoneros—he convened a rock festival, at which the most prominent bands and singers of what journalists had begun to dub rock nacional went onstage. Among them were La Pesada del Rock- ’n’Roll, the duo Sui Géneris, and Luis Alberto Spinetta with Pescado Rabioso. In spite of the rain, 20,000 people attended the “Festival of Liberation,” mostly “muchachos from every working- and middle-class corner of Buenos Aires,” as one journalist depicted them, also noting that while the JP tried to raise chants from the audience, the “boys” acted as if they were “untouched by the political overtones of the festival.”1 Rather atypical, this event was nonetheless significant.
    [Show full text]
  • Army Acquisition Workforce Dependency on E-Mail for Formal
    ARMY ACQUISITION WORKFORCE DEPENDENCY ON E-MAIL FOR FORMAL WORK COORDINATION: FINDINGS AND OPPORTUNITIES FOR WORKFORCE PERFORMANCE IMPROVEMENT THROUGH E-MAIL-BASED SOCIAL NETWORK ANALYSIS KENNETH A. LORENTZEN May 2013 PUBLISHED BY THE DEFENSE ACQUISITION UNIVERSITY PRESS PROJECT ADVISOR: BOB SKERTIC CAPITAL AND NORTHEAST REGION, DAU THE SENIOR SERVICE COLLEGE FELLOWSHIP PROGRAM ABERDEEN PROVING GROUND, MD PAGE LEFT BLANK INTENTIONALLY .ARMY ACQUISITION WORKFORCE DEPENDENCY ON E-MAIL FOR FORMAL WORK COORDINATION: FINDINGS AND OPPORTUNITIES FOR WORKFORCE PERFORMANCE IMPROVEMENT THROUGH E-MAIL-BASED SOCIAL NETWORK ANALYSIS KENNETH A. LORENTZEN May 2013 PUBLISHED BY THE DEFENSE ACQUISITION UNIVERSITY PRESS PROJECT ADVISOR: BOB SKERTIC CAPITAL AND NORTHEAST REGION, DAU THE SENIOR SERVICE COLLEGE FELLOWSHIP PROGRAM ABERDEEN PROVING GROUND, MD PAGE LEFT BLANK INTENTIONALLY ii Table of Contents Table of Contents ............................................................................................................................ ii List of Figures ................................................................................................................................ vi Abstract ......................................................................................................................................... vii Chapter 1—Introduction ................................................................................................................. 1 Background and Motivation .................................................................................................
    [Show full text]
  • Music and Spiritual Feminism: Religious Concepts and Aesthetics
    Music and spiritual feminism: Religious concepts and aesthe� cs in recent musical proposals by women ar� sts. MERCEDES LISKA PhD in Social Sciences at University of Buenos Aires. Researcher at CONICET (National Council of Scientifi c and Technical Research). Also works at Gino Germani´s Institute (UBA) and teaches at the Communication Sciences Volume 38 Graduation Program at UBA, and at the Manuel de Falla Conservatory as well. issue 1 / 2019 Email: [email protected] ORCID: https://orcid.org/0000-0001-9692-6446 Contracampo e-ISSN 2238-2577 Niterói (RJ), 38 (1) abr/2019-jul/2019 Contracampo – Brazilian Journal of Communication is a quarterly publication of the Graduate Programme in Communication Studies (PPGCOM) at Fluminense Federal University (UFF). It aims to contribute to critical refl ection within the fi eld of Media Studies, being a space for dissemination of research and scientifi c thought. TO REFERENCE THIS ARTICLE, PLEASE USE THE FOLLOWING CITATION: Liska, M. (2019). Music and spiritual feminism. Religious concepts and aesthetics in recent musical proposals by women artists. Contracampo – Brazilian Journal of Communication, 38 (1). Submitted on: 03/11/2019 / Accepted on: 04/23/2019 DOI – http://dx.doi.org/10.22409/contracampo.v38i1.28214 Abstract The spiritual feminism appears in the proposal of diverse women artists of Latin American popular music created recently. References linked to personal and social growth and well-being, to energy balance and the ancestral feminine powers, that are manifested in the poetic and thematic language of songs, in the visual, audiovisual and performative composition of the recitals. A set of multi religious representations present in diff erent musical aesthetics contribute to visualize female powers silenced by the patriarchal system.
    [Show full text]
  • Philippine Music Instruments CORAZON CANAVE-DIOQUINO Music Instruments, Mechanisms That Produce Sounds, Have Been Used for Various Purposes
    Philippine Music Instruments CORAZON CANAVE-DIOQUINO Music instruments, mechanisms that produce sounds, have been used for various purposes. In earlier times they were also used as an adjunct to dance or to labor. In later civilizations, instrumental music was used for entertainment. Present day musicological studies, following the Hornbostel-Sachs classification, divide instruments into the following categories: idiophones, aerophones, chordophones, and membranophones. Idiophones Instruments that produce sound from the substance of the instrument itself (wood or metal) are classified as idiophones. They are further subdivided into those that are struck, scraped, plucked, shaken, or rubbed. In the Philippines there are metal and wooden (principally bamboo) idiophones. Metal idiophonse are of two categories: flat gongs and bossed gongs. Flat gongs made of bronze, brass, or iron, are found principally in the north among the Isneg, Tingguian, Kalinga, Bontok, Ibaloi, Kankanai, Gaddang, Ifugao, and Ilonggot. They are most commonly referred to as gangsa . The gongs vary in sized, the average are struck with wooden sticks, padded wooden sticks, or slapped with the palm of the hand. Gong playing among the Cordillera highlanders is an integral part of peace pact gatherings, marriages, prestige ceremonies, feasts, or rituals. In southern Philippines, gongs have a central profusion or knot, hence the term bossed gongs. They are three of types: (1) sets of graduated gongs laid in a row called the kulintang ; (2) larger, deep-rimmed gongs with sides that are turned in called agung , and (3) gongs with narrower rims and less prominent bosses called gandingan . These gongs may be played alone but are often combined with other instruments to form various types of ensembles.
    [Show full text]
  • 2013 New York Guitar Seminar at Mannes
    2013 NEW YORK GUITAR SEMINAR AT MANNES July 9, 2013 7:00 PM Americas Society 680 Park Avenue, New York, NY WELCOME Dear friends, Welcome to the conclusion of the 12-13 season of the MetLife Foundation Music of the Americas Concert Series, during which we presented 23 events featuring music ranging from the 15th to the 21st centuries at venues across Manhattan (including Central Park Lake!) Tonight’s concert marks the fifth collaboration with the New York Guitar Seminar at Mannes, and we are delighted to be able to present once again some of Latin America’s leading guitarists in a program of music that is as varied as the region itself. Tonight we are delighted to add Zaira Meneses, Francisco Roldán, Carlo Valte, and Rex Benincasa to our “guitar family” and to welcome back Carlos Barbosa-Lima. Our concerts will resume in September; we look forward to seeing you again then. Thank you for joining us! Sebastian Zubieta The MetLife Foundation Music of the Americas concert series is made possible by the generous support of Presenting Sponsor MetLife Foundation The Spring/Summer 2013 Music program is supported, in part, by an award from the National Endowment for the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council. Additional support is provided by the Consulate General of Brazil in New York, the Italian Cultural Institute of New York, and Clarion Society. In-kind support is graciously provided by the Mexican Cultural Institute of New York, the Bolivian-American Chamber of Commerce, and the Cheswatyr Foundation.
    [Show full text]
  • Antarctica: Music, Sounds and Cultural Connections
    Antarctica Music, sounds and cultural connections Antarctica Music, sounds and cultural connections Edited by Bernadette Hince, Rupert Summerson and Arnan Wiesel Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Antarctica - music, sounds and cultural connections / edited by Bernadette Hince, Rupert Summerson, Arnan Wiesel. ISBN: 9781925022285 (paperback) 9781925022292 (ebook) Subjects: Australasian Antarctic Expedition (1911-1914)--Centennial celebrations, etc. Music festivals--Australian Capital Territory--Canberra. Antarctica--Discovery and exploration--Australian--Congresses. Antarctica--Songs and music--Congresses. Other Creators/Contributors: Hince, B. (Bernadette), editor. Summerson, Rupert, editor. Wiesel, Arnan, editor. Australian National University School of Music. Antarctica - music, sounds and cultural connections (2011 : Australian National University). Dewey Number: 780.789471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press Cover photo: Moonrise over Fram Bank, Antarctica. Photographer: Steve Nicol © Printed by Griffin Press This edition © 2015 ANU Press Contents Preface: Music and Antarctica . ix Arnan Wiesel Introduction: Listening to Antarctica . 1 Tom Griffiths Mawson’s musings and Morse code: Antarctic silence at the end of the ‘Heroic Era’, and how it was lost . 15 Mark Pharaoh Thulia: a Tale of the Antarctic (1843): The earliest Antarctic poem and its musical setting . 23 Elizabeth Truswell Nankyoku no kyoku: The cultural life of the Shirase Antarctic Expedition 1910–12 .
    [Show full text]
  • Understanding Individuals' Attachment to Social Networking Sites
    Understanding Individuals’ Attachment to Social Networking Sites: An Empirical Investigation of Three Theories by Eric T. K. Lim M.Sc. (Information Systems), National University of Singapore, 2007 B.Comm. (Hons.), Nanyang Technological University, 2003 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Segal Graduate School Beedie School of Business Eric T. K. Lim 2013 SIMON FRASER UNIVERSITY Spring 2013 Approval Name: Eric T. K. Lim Degree: Doctor of Philosophy (Business Administration) Title of Thesis: Understanding Individuals’ Attachment to Social Networking Sites: An Empirical Investigation of Three Theories Examining Committee: Chair: Dr. Tom Lawrence Professor, Academic Director, PhD Program Dr. Dianne Cyr Senior Supervisor Professor Dr. Andrew Gemino Co-Supervisor Professor Dr. Leyland Pitt Internal Examiner Professor Dr. Matthew Lee External Examiner Chair Professor Department of Information Systems College of Business City University of Hong Kong Date Defended/Approved: March 27, 2013 ii Partial Copyright Licence iii Ethics Statement iv Abstract Social Networking Sites (SNSs) are a pervasive phenomenon in today’s society. With greater connectivity and interactivity enabled via web technologies, SNSs provide communication platforms for individuals to bridge geographical and temporal differences when making friends, sharing experiences, socializing with others and much more. This thesis therefore endeavors to shed light on this problem by decomposing members’ motives for participating within SNSs into identity-based, bond-based and comparison- based attachments. Each of these forms of attachment in turn affects members’ cooperative and competitive mentality towards participation within SNSs. In addition, it is further posited in this thesis that members’ identity-based, bond-based and comparison- based attachment within SNSs can be induced through the presence of deindividuation, personalization and tournament technologies respectively.
    [Show full text]
  • Cimf20201520program20lr.Pdf
    CONCERT CALENDAR See page 1 Beethoven I 1 pm Friday May 1 Fitters’ Workshop 6 2 Beethoven II 3.30 pm Friday May 1 Fitters’ Workshop 6 3 Bach’s Universe 8 pm Friday May 1 Fitters’ Workshop 16 4 Beethoven III 10 am Saturday May 2 Fitters’ Workshop 7 5 Beethoven IV 2 pm Saturday May 2 Fitters’ Workshop 7 6 Beethoven V 5.30 pm Saturday May 2 Fitters’ Workshop 8 7 Bach on Sunday 11 am Sunday May 3 Fitters’ Workshop 18 8 Beethoven VI 2 pm Sunday May 3 Fitters’ Workshop 9 9 Beethoven VII 5 pm Sunday May 3 Fitters’ Workshop 9 Sounds on Site I: 10 Midday Monday May 4 Turkish Embassy 20 Lamentations for a Soldier 11 Silver-Garburg Piano Duo 6 pm Monday May 4 Fitters’ Workshop 24 Sounds on Site II: 12 Midday Tuesday May 5 Mt Stromlo 26 Space Exploration 13 Russian Masters 6 pm Tuesday May 5 Fitters’ Workshop 28 Sounds on Site III: 14 Midday Wednesday May 6 Shine Dome 30 String Theory 15 Order of the Virtues 6 pm Wednesday May 6 Fitters’ Workshop 32 Sounds on Site IV: Australian National 16 Midday Thursday May 7 34 Forest Music Botanic Gardens 17 Brahms at Twilight 6 pm Thursday May 7 Fitters’ Workshop 36 Sounds on Site V: NLA – Reconciliation 18 Midday Friday May 8 38 From the Letter to the Law Place – High Court Barbara Blackman’s Festival National Gallery: 19 3.30 pm Friday May 8 40 Blessing: Being and Time Fairfax Theatre 20 Movers and Shakers 3 pm Saturday May 9 Fitters’ Workshop 44 21 Double Quartet 8 pm Saturday May 9 Fitters’ Workshop 46 Sebastian the Fox and Canberra Girls’ Grammar 22 11 am Sunday May 10 48 Other Animals Senior School Hall National Gallery: 23 A World of Glass 1 pm Sunday May 10 50 Gandel Hall 24 Festival Closure 7 pm Sunday May 10 Fitters’ Workshop 52 1 Chief Minister’s message Festival President’s Message Welcome to the 21st There is nothing quite like the Canberra International Music sense of anticipation, before Festival: 10 days, 24 concerts the first note is played, for the and some of the finest music delights and surprises that will Canberrans will hear this unfold over the 10 days of the Festival.
    [Show full text]