Beyond the Frame Intermedia And
BEYOND THE FRAME INTERMEDIA AND EXPANDED CINEMA IN 1960-1970S JAPAN Julian Ross Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Modern Languages and Cultures Centre for World Cinemas January 2014 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 3 To my father, mother and sister, with love and gratitude. 4 Acknowledgements First and foremost, I want to express my deepest gratitude to the principal supervisor of this thesis, Lúcia Nagib, whose academic breadth and intellectual rigour has been a source of inspiration and her friendship and enthusiasm a constant support. My thanks extend to staff and research students at the Centre for World Cinemas, University of Leeds, whose consortium I had the privilege to join in 2009. The workshops, seminars and conferences that I participated in or had the honour of organising set the foundations for my academic experience. The devotion to interdisciplinary research and passion for intellectual exchange I found in the Mixed Cinema Network, whose White Rose Research Studentship fully supported my doctorate, also greatly assisted in shaping my research. During my stay in Japan, I encountered a community of academics, archivists and artists whose commitment and passion for the arts I have modeled in my approach to research. I thank Shigeru Matsui, Jelena Stojkovic, Yuriko Furuhata, Michael Raine, Steve Ridgley, Ann Adachi, Mika Ko, Hiroko Tasaka, Yasuko Imura, Hirofumi Sakamoto, Kenjin Miwa and Sen Uesaki, Yu Homma and Takashi Morishita at the Keio University Art Center.
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