Interview Summary Sheet Project: Memories of Fiction: an Oral History of Readers’ Lives

Total Page:16

File Type:pdf, Size:1020Kb

Interview Summary Sheet Project: Memories of Fiction: an Oral History of Readers’ Lives Interview Summary Sheet Project: Memories of Fiction: An Oral History of Readers’ Lives Reference No. Interviewee name and title: Joanna Crooks Interviewee DOB and place of birth: Reading, year unknown. Interviewee Occupation: Teacher Book group(s) attended: Putney Date(s) of recording: Thursday 21 May, 2015 Location of recording: Interviewee’s home, Putney. Interviewer: Dr. Amy Tooth Murphy Duration(s): 1:35:07 Summariser: Haley Moyse Fenning Copyright/Clearance: Interviewer/Summariser comments: Key themes: Reading, book groups, libraries, All books and authors mentioned (those discussed for >20 seconds in bold): Enid Blyton Noel Streatfeild Richmal Crompton, Just William series Anthony Trollope John Updike Naguib Mahfouz Old Lob series Jane Austen Charles Dickens, David Copperfield Robert Louis Stevenson, Kidnapped William Makepeace Thackeray, Vanity Fair Thomas Hardy, Far from the Madding Crowd George Eliot William Shakespeare Thomas Hardy, Under the Greenwood Tree Thomas Hardy, Tess Thomas Hardy, Jude Thomas Hardy, Mayor of Casterbridge Charles Dickens, Bleak House Charles Dickens, Great Expectations Howard Spring Monica Dickens Daphne Du Maurier, Rebecca John Buchan, The 39 Steps E.M Forster James Joyce, Ulysees Laurence Sterne, Tristram Shandy Jane Austen, Pride and Prejudice Harper Lee, To Kill a Mockingbird William Golding, Lord of the Flies Alan Johnston, This Boy Philip Larkin Andrew Motion Evelyn Waugh John Le Carre, A Most Wanted Man Nicholas Monserrat, The Cruel Sea Noel Streatfield, The Ballet Shoes Lucy Maud Montgomery, Anne of Green Gables Just William series D.H Lawrence, Lady Chatterley’s Lover Frances Hodgson Burnett, The Secret Garden Emily Brontë, Wuthering Heights Charlotte Brontë, Jane Eyre Charlotte Brontë , Villette Ian McEwan, Amsterdam Ian McEwan, Enduring Love Ian McEwan, Atonement Rose Tremain Kazuo Ishiguro Emma Healey, Elizabeth is Missing John Updike Malcom Bradbury David Lodge, Small World W.B Yeats Agatha Christie, Miss Marple Agatha Christie, Poirot J.G Farrell, The Seige of Krishnapur J.G Farrell, Troubles J.G Farrell, The Singapore Grip E.M Forster, Passage to India E.M Forster, Howard’s End E.M Forster, A Room with a View Paul Scott, Jewel in the Crown George Orwell, Burmese Days George Orwell, Coming up for Air George Orwell, Clergyman’s Daughter George Orwell, 1984 George Orwell , Aldous Huxley, Brave New World Kate Saunders, 5 Children on the Western Front E.Nesbit, The Treasure Seekers Arthur Ransome Pat Barker Julian Barnes, Flaubert’s Parrot C.S Lewis J.R.R Tolkein Margaret Atwood Kazuo Ishiguro, A Pale View of Hills Kazuo Ishiguro, Artist Floating World Kazuo Ishiguro, Remains of the Day Beatrix Potter, Peter Rabbit Beatrix Potter, Tom Kitten Richard Adams, Watership Down Kenneth Grahame, Wind in the Willows Muriel Spark, The Girls of Slender Means Irène Némirovsky, Suite Francaise Margaret Atwood, The Handmaid’s Tale Fyodor Dostoyevsky, Crime and Punishment Patricia Highsmith Tove Jansson Jeanette Winterson Sarah Walters Andrea Levy, Small Island Andrea Levy, The Long Song Jeanette Winterson, Oranges Are Not the Only Fruit Hilary Mantel, Wolf Hall Hilary Mantel, Bring out the Bodies Hilary Mantel, Eight Months on Ghazzah Street Iris Murdoch, The Sea The Sea Salley Vickers Alan Titchmarsh Kathryn Stockett, The Help Ruth Rendell Iris Murdoch, The Sea The Sea Kingsley Amis, The Folks that Live on the Hill J.K Rowling, Harry Potter Thomas Mann Gabriel García Márquez Orhan Pamuk Robert Harris, Enigma Robert Harris, Fatherland. Elizabeth Gaskell, Wives and Daughters Stella Gibbons, Cold Comfort Farm Robert Graves, Goodbye to All That Sebastian Faulks, Birdsong Michael Frayn, Headlong Edmund De Waal, The Hare with the Amber Eyes Margaret Drabble, The Millstone Margaret Drabble, The Summer Bird Cage A.S Byatt, Possession Tom Stoppard, Arcadia Helen Dunmore Colm Tóibín Michael Frayn, Spies Rosamond Lehmann, Weather in the Streets [1:35:07] [Session One: 21 May 2015] 00:00:00 Joanna Crooks [JC] comments that the demands of teaching meant it was difficult to read but that she has read much more since retiring. Comments that she began reading very early. Mentions Enid Blyton. Mentions Noel Streatfield. Mentions Richmal Crompton, Just William series. Anecdote about telling her sister not to read Enid Blyton. Discussion about reading habits in retirement. Mentions Anthony Trollope. Comments that the reading group have encouraged her to read authors she otherwise would not have. Mentions John Updike. Mentions Naguib Mahfouz. Mentions Thomas Mann. Comments that the reading group reminds her of reading books with a class as a teacher. 00:02:58 Discussion about reading habits in childhood. Anecdote about the Old Lob series. Remarks that she read books obvious to the time. Comments that she did not enjoy novels given at school. Mentions Charles Dickens, David Copperfield. Mentions Robert Louis Stevenson, Kidnapped. Comments on not liking the obligation to read books at school, but feeling different about the reading group. Remarks on attending the reading group even if she did not finished the book. Mentions William Makepeace Thackeray, Vanity Fair. Comments that she was not widely wide when beginning her English degree at University. Comments that the Oxford University English course reading list only had novels written before the 1830s. Mentions Jane Austen, Charles Dickens, Thomas Hardy, George Eliot. Mentions Thomas Hardy, Far from the Madding Crowd. Comments on enjoying reading and teaching drama and preferring teaching plays to novels. Mentions William Shakespeare. Remarks on going to all- girls school in Oxford. Mentions Thomas Hardy, Under the Greenwood Tree, Tess, Jude and The Mayor of Casterbridge. Mentions Charles Dickens, Bleak House and Great Expectations. Mentions Anthony Trollope. 0:07:31 Discussion about reading during leisure time in childhood. Mentions Howard Spring and Monica Dickens. Comments on Daphne Du Maurier, Rebecca: read later as a teacher and did not like it. Mentions Elizabeth Jane Howard. Mentions Agatha Christie. Comments on John Buchan being unreadable for modern peoples. Anecdote about landlady in Oxford winning literature prize. Further discussion about John Buchan an detective stories: atmosphere, politics. Mentions The 39 Steps. Mentions E.M Forrester. Remarks on importance of plot. 00:11:01 Further discussion about importance of plot. Comments on books where a plot has not been engaging. Mentions James Joyce, Ulysees, Mentions Laurence Sterne, Tristram Shandy. Brief discussion about Jane Austen: comments that all of her male/female relationships are family or fantasy. Discussion about GCSE texts Mentions Pride and Prejudice. Mentions Harper Lee, To Kill a Mockingbird and William Golding, Lord of the Flies. Mentions L.P Hartley, The Go-Between. Comments on enjoying biographies: interested in early struggles rather than stories of success. Mentions Alan Johnston, This Boy. 00:15:18 Further discussion about biographies. Mentions Evelyn Waugh: comments on reading the biography alongside a novel for the Putney reading group. Mentions Alan Turing biography. Comments on enjoying history focusing on people. Remarks on skipping some sections of biographies. Comments that they are enjoyable even when you know what is going to be happening. Anecdote about reading a Jackie Onassis biography. Discussion about influence of author’s biography on enjoying their novels. Mentions Philip Larkin. Mentions Andrew Motion: comments that he has no sense of rhythm. Mentions Evelyn Waugh. Remarks that the greatest writing is often based on personal experience and so a troubled past can be important. 00:21:47 Discussion about family reading habits. Anecdote about father reading Thomas Hardy at the time Thomas Hardy died. Comments that her mother studied History at University, and preferred biographies to fiction. Mentions Evelyn Waugh. Mentions Graham Greene. Anecdote about giving her father A Burnt-Out Case as a gift when he was in hospital. Mentions John Le Carre. Comments that it was the Putney reading group who got her back into reading John Le Carre. Mentions A Most Wanted Man. Comments that her grandmother’s bookcase was full of green Penguin novels, which were the detective series. Story about Nicholas Monserrat, The Cruel Sea. Comments on visiting the library as a child: remarks on not being able to take a book back within the same day, though she would often have read one. Mentions the autobiographical nature of Noel Streatfield, The Ballet Shoes. 00:26:07 Discussion about re-reading books. Mentions re-reading and teaching The Go- Between. Mentions Lord of the Flies. Comments on the last page of L.P Hartley, The Go-Between still making her cry upon re-reading. Mentions the Just William series. Comments that her children were great readers. Remarks on the importance of reading books at the right age. Story about Lucy Maud Montgomery, Anne of Green Gables. Brief plot description and discussion of Anne of Green Gables. Mentions Frances Hodgson Burnett, The Secret Garden: draws parallels with a prequel of D.H Lawrence, Lady Chatterley’s Lover and other novels. Mentions Emily Brontë, Wuthering Heights. Mentions Charlotte Brontë, Jane Eyre and Villette. 00:31:33 Discussion about contemporary authors. Mentions Ian McEwan: remarks that he is artificial. Mentions Amsterdam, Enduring Love, Atonement and A Child in Time. Mentions creative writing course at UEA and not liking a number of authors who attended: Rose Tremain, Kazuo Ishiguro, who attended. Mentions Emma Healey, Elizabeth is Missing. Mentions Still Alice film. Mentions Graham Greene. Mentions Evelyn Waugh. Mentions John Updike. Mentions Malcom Bradbury and David Lodge. Comments on enjoying satire. Mentions David Lodge, Small World: An Academic Romance. Anecdote about pilgrimage to W.B Yeats’ grave. 00:38:09 Discussion about detective fiction. Comments on not liking violent crime. Mentions Ian Rankin. Mentions Simon Brett. Brief discussion about Agatha Christie, Miss Marple and Poirot. Discussion about Simon Brett’s characters. 00:39:55 Discussion about choosing what to read next, moods for reading. Comments that if a reading group book has been particularly heavy, she will look for something lighter to read next.
Recommended publications
  • Muriel Spark's Stylish Spinsters: Miss Jean Brodie Past Her Prime
    Muriel Spark’s Stylish Spinsters: Miss Jean Brodie Past Her Prime Hope Howell Hodgkins Maggie Smith in The Prime of Miss Jean Brodie (1969) Fashion succeeds by promising to annul the fragmented conditions of modernity with the imposition of a coherent subjectivity. Leslie Rabine / Joanne Finkelstein Baudelairean dédoublement: The wise man is “one who had acquired by habit a power of rapid self-division (dédoublement) and thus of assisting as a disinterested spectator at the phenomena of his own ego.” -D’Essence de la Rire Alexander Moffat, 1984 (Scottish National Portrait Gallery) “. head up, like Sybil Thorndike, her nose arched and proud.” She left the web, she left the loom, She made three paces thro’ the room, She saw the water-lily bloom, She saw the helmet and the plume, She look’d down to Camelot. Alfred, Lord Tennyson “The Lady of Shalott” The Lady of Shalott, William Holman Hunt, 1889-92 (Wadsworth Museum of Art) The Girls of Slender Means Edinburgh Festival 2009 Edwardian blue silk damask dress: “Bluebell” Bluebell the cat Schiaparelli Pink Schiaparelli hat, 1948 Schiaparelli dress, 1938 The Driver’s Seat, 1970 The Driver’s Seat (European title: Identikit), 1974 Mona Washbourne & Elizabeth Taylor Her own work of art: Spark in Rome, 1970 (Jerry Bauer, NLS) “Plump, motherly”: Spark with her son, early 1940s Stylish into old age. [A]n artist is only an artist on condition that he is a double man and that there is not one single phenomenon of his double nature of which he is ignorant. Charles Baudelaire, “D’Essence de la rire”.
    [Show full text]
  • The Best According To
    Books | The best according to... http://books.guardian.co.uk/print/0,,329724792­99819,00.html The best according to... Interviews by Stephen Moss Friday February 23, 2007 Guardian Andrew Motion Poet laureate Choosing the greatest living writer is a harmless parlour game, but it might prove more than that if it provokes people into reading whoever gets the call. What makes a great writer? Philosophical depth, quality of writing, range, ability to move between registers, and the power to influence other writers and the age in which we live. Amis is a wonderful writer and incredibly influential. Whatever people feel about his work, they must surely be impressed by its ambition and concentration. But in terms of calling him a "great" writer, let's look again in 20 years. It would be invidious for me to choose one name, but Harold Pinter, VS Naipaul, Doris Lessing, Michael Longley, John Berger and Tom Stoppard would all be in the frame. AS Byatt Novelist Greatness lies in either (or both) saying something that nobody has said before, or saying it in a way that no one has said it. You need to be able to do something with the English language that no one else does. A great writer tells you something that appears to you to be new, but then you realise that you always knew it. Great writing should make you rethink the world, not reflect current reality. Amis writes wonderful sentences, but he writes too many wonderful sentences one after another. I met a taxi driver the other day who thought that.
    [Show full text]
  • Something to Declare Julian Barnes
    Something To Declare Julian Barnes Awestricken Donovan dwelled exquisitely. Obreptitious Barty still mainlined: Mauritania and abducted Shaine intensifies quite ravishingly but jams her mopes longways. Unincorporated and guardian Hank always modernised fain and scrambling his elucidations. Sign up for great extra content as free extracts. Reading julian barnes does not but the rapidly changing the france. Zip Code can like contain letters, then, he felt be asked to lecture about plain and taste both the dessert. Do not as you about something to declare julian barnes points yet. How childhood are strictly about the broader implications for julian barnes. Something to Declare Essays on France Barnes Amazonit. Bestseller list is an education at the meaning of barnes to her, or any time of the topics of reflection often seems more than half presupposes a copyright? Please enter into something to declare julian barnes. Later this in the first volume deal with brilliant and influence of earlier that space between people use. But sometimes they enter your password using him a gentle tour is something to declare julian barnes. Why do not be read this photo selection by signing up, he loves to a brilliant. He had avoided being hurt, mostly avoiding large portion being given for your subscription was something to continue. Julian Barnes is famous even his Francophilia. Examine current life times and string of Julian Barnes through detailed author. Flaubert essays pertaining to keep me about french cinema, though their lives depend on your only set in the former jack pitman creates a way! Perhaps of wight that devoted to french exile, something to declare from and one summer in.
    [Show full text]
  • World Literature Reading List
    WEST BLOOMFIELD HIGH SCHOOL ENGLISH DEPARTMENT Eleventh Grade Honors World Literature: Summer Reading Assignment 2019 Please complete the assignment during the summer. Assignment #1 Step A: Read Homegoing by Yaa Gyasi Winner of the PEN/ Hemingway Award Winner of the NBCC's John Leonard Award Shortlisted for the British Book Award - Debut of the Year A New York Times Notable Book A Washington Post Notable Book One of the Best Books of the Year: NPR, Time, Oprah.com, Harper’s Bazaar, San Francisco Chronicle, Mother Jones, Esquire, Elle, Paste, Entertainment Weekly, the Skimm, PopSugar, Minneapolis Star Tribune, BuzzFeed, The Guardian, Financial Times Ghana, eighteenth century: two half-sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed— and shows how the memory of captivity has been inscribed on the soul of our nation. Assignment #2 Independent reading choice!!! This summer, I want you to choose a book (or more if you’d like to!) to read from which you will both find enjoyment and learn about another part of the world.
    [Show full text]
  • Peter Childs's Expertise in Contemporary British And
    JULIAN BARNES Peter Childs Manchester: Manchester U.P., Contemporary British Novelists, 2011. (by Vanessa Guignery. Ecole Normale Supérieure de Lyon) [email protected] 113 Peter Childs’s expertise in contemporary British and postcolonial literature is extensive and admirable, as demonstrated by the numerous books he has written or edited since 1996. He is the author of monographs on Paul Scott, Ian McEwan and E.M. Forster, and has written on modernism, contemporary British culture and literature, as well as postcolonial theory. His engaging and insightful book on Contemporary Novelists: British Fiction 1970-2003 (2004) explored the work of twelve major British writers, including Martin Amis, Kazuo Ishiguro, Hanif Kureishi, Ian McEwan, Salman Rushdie, Zadie Smith, Graham Swift, Jeanette Winterson, and Julian Barnes. In 2009, he contributed to the special issue on Julian Barnes for the journal American, British and Canadian Studies with a paper on Barnes’s complex relation to belief, mortality and religion. In 2011, Childs co-edited with Sebastian Groes a collection of essays entitled Julian Barnes: Contemporary Critical Perspectives, and authored this monograph in the series on Contemporary British Novelists of Manchester University Press. In the acknowledgements, Childs kindly thanks previous critics of Barnes’s work for pointing directions for discussions in his study, among whom Merritt Moseley, author of Understanding Julian Barnes (1997), Vanessa Guignery, author of The Fiction of Julian Barnes (2006) and co-editor with Ryan Roberts of Conversations with Julian Barnes (2009), as well as Mathew Pateman for his monograph entitled Julian Barnes (2002) and Frederick M. Holmes for his own Julian Barnes (2009).
    [Show full text]
  • The Four-Gated City, the Shift Is Also Generic, but Far Less Ambiguous, As Her Hitherto Determinedly Realistic Bildungsroman Explodes Into a Post- Holocaust Future
    BOOK REVIEWS 125 The Four-Gated City, the shift is also generic, but far less ambiguous, as her hitherto determinedly realistic Bildungsroman explodes into a post- holocaust future. Once again, Scanlan perceptively relates history's real and figurative dimensions by interpreting the nuclear accident that turns England into a glowing wasteland as a symbolic figure for "the anger of women who have been excluded from participation in public history and ignored by history texts" (17-18). Although Scanlan is often suggestive rather than definitive, and although she errs occasionally on the side of critical and rhetorical excess, her enthusiastic and intelligent study presents a new and valoriz• ing approach to the complex, ambiguous, often dangerous interrela• tionship between history and its narratives. Far from following contemporary critical trends which dismiss Britain's postwar historical fiction as a tired, anachronistic remnant of its former "colonial" self, Scanlan uncovers more than enough evidence to support her closing assertion that the British novel "still responds to the living world of social experience" (196). As for the critic herself, she leaves the reader not only reaching for the original texts with renewed appreciation, but also eagerly anticipating her next provocatively synthesizing thesis. JILL ANDREWS Ralph J. Crane. Inventing India: A History of India in English-Language Fiction. London: Macmillan, 1992. pp. 212. $35.00. Sneja Gunew and Kateryna O. Longley, eds. Striking Chords: Multicultural Literary Interpretations. Sydney: Allen & Unwin, 1992. pp. xxiv, 256. $22.95 pb. Although at first consideration these two books appear to lack much common ground, they do share the idea of invention and immigration.
    [Show full text]
  • Literature Culture Linguistics Muriel Spark
    2018.NEXUS 02 edita: Cristina Alsina Rísquez FREDERICK DOUGLASS &MARTIN LUTHER LITERATURE KING & CULTURE MURIEL SPARK WILLFRED OWEN LINGUISTICS MATTI RISSANEN DEBORAH SCHIFFRIN M.A.K. HALLIDAY Presidente ALBERTO LÁZARO LAFUENTE Universidad de Alcalá Secretario ANTONIO BALLESTEROS GONZÁLEZ 2018.NEXUS 02 UNED Vocal 1a CRISTINA ALSINA RÍSQUEZ Copyright De los textos, sus autores. Universitat de Barcelona Editor CRISTINA ALSINA RÍSQUEZ Vocal 2a ROSARIO ARIAS DOBLAS Universidad de Málaga Graphic TONI CAMPS design useixantaquatre.com Tesorera CRISTINA SUÁREZ GÓMEZ Universitat de les Illes Balears ISSN 1697-4646 http://www.aedean.org nexus 2018-02 ÍNDICE LITERATURE AND CULTURE AND LITERATURE TRIBUTES MAR GALLEGO Universidad de Huelva 7 Frederick Douglass & Martin Luther King Commemorating Frederick Douglass and Martin Luther King: African American Rhetoric and Black Masculinity BERTA CANO ECHEVARRÍA Universidad de Valladolid 19 Wilfred Owen Wilfred Owen’s Search for Words TOMÁS MONTERREY Universidad de La Laguna FRANCISCO GARCÍA LORENZANA Y PEPA LINARES 25 Traductores de Muriel Spark Esplendida´ Spark In Memoriam. 1918-2006 LINGUISTICS TRIBUTES MARÍA JOSÉ LÓPEZ-COUSO & BELÉN MÉNDEZ-NAYA University of Santiago de Compostela 32 Matti Rissanen In Memoriam: Matti Rissanen, the linguist, the friend BEGOÑA BELLÉS FORTUÑO Universitat Jaume I 38 Deborah Schiffrin In Memoriam 3 nexus 2018-02 ÍNDICE LINGUISTICS TRIBUTES DANIEL GARCÍA VELASCO Universidad de Oviedo M.A.K. Halliday 41 El lenguaje segun M.A.K. Halliday ´ LITERATURE AND CULTURE AND LITERATURE RESEARCH PAPERS RESEARCH CLARA ESCODA Universitat de Barcelona 45 “Much Deeper than That”: Hegemonic Emotional Experiences and Affective Dissidences in Martin Crimp’s In the Republic of Happiness (2012) Research Project: British Theatre in the Twenty-First Century: Crisis, Affect, Community LINGUISTICS RESEARCH PAPERS RESEARCH MARÍA F.
    [Show full text]
  • Women's Desires and Identity in Stella Gibbons's Gothic London By
    Studies in Gothic Fiction • Volume 6 Issue 1 • 2018 © 4 “A Pleasure of that Too Intense Kind”: Women’s Desires and Identity in Stella Gibbons’s Gothic London by Rebecca Mills Article DOI: https://doi.org/10.18573/sgf.32 Copyright Rebecca Mills 2020 ISSN: 2156-2407 This work is licensed under the Creative Commons Attribution 4.0 International Licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ Studies in Gothic Fiction • Volume 6 Issue 2 • 2020 © 5 Articles “A Pleasure of that Too Intense Kind”: Women’s Desires and Identity in Stella Gibbons’s Gothic London Article DOI: https://doi.org/10.18573/sgf.32 Rebecca Mills Abstract Stella Gibbons (1902-1989) is best known for the rural novel Cold Comfort Farm (1932), which Avril Horner and Sue Zlosnik discuss as “comic Gothic.” In contrast, Gibbons’s little-studied Hampstead novels Westwood (1946) and Here Be Dragons (1956) map a mel- ancholic Gothic fragmented city, marked by the Second World War, in which romantic attachment and marriage threaten young women’s comfort, self-sufficiency, and subjectivity. Excessive emotion and eroticism imperil women’s independence and identity, while the men they desire embody the temptation and corruption of the city. Gibbons employs Gothic language of spells, illusion, and entrapment to heighten anxieties around stifling domesticity and sacrificing the self for love. The London Gothic geogra- phies, atmosphere, and doubling of characters and spaces reinforce cautionary tales of the ill-effects of submission to love, while dedication to a career and community are offered as a means to resist Gothic desires and control Gothic spaces.
    [Show full text]
  • Illusion and Reality in the Fiction of Iris Murdoch: a Study of the Black Prince, the Sea, the Sea and the Good Apprentice
    ILLUSION AND REALITY IN THE FICTION OF IRIS MURDOCH: A STUDY OF THE BLACK PRINCE, THE SEA, THE SEA AND THE GOOD APPRENTICE by REBECCA MODEN A thesis submitted to the University of Birmingham for the degree of MASTER OF PHILOSOPHY (Mode B) Department of English School of English, Drama and American and Canadian Studies University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers how Iris Murdoch radically reconceptualises the possibilities of realism through her interrogation of the relationship between life and art. Her awareness of the unreality of realist conventions leads her to seek new forms of expression, resulting in daring experimentation with form and language, exploration of the relationship between author and character, and foregrounding of the artificiality of the text. She exposes the limitations of language, thereby involving herself with issues associated with the postmodern aesthetic. The Black Prince is an artistic manifesto in which Murdoch repeatedly destroys the illusion of the reality of the text in her attempts to make language communicate truth. Whereas The Black Prince sees Murdoch contemplating Hamlet, The Sea, The Sea meditates on The Tempest, as Murdoch returns to Shakespeare in order to examine the relationship between life and art.
    [Show full text]
  • John Guest Collection MS 4624 a Collection of Around 500 Personal
    University Museums and Special Collections Service John Guest Collection MS 4624 A collection of around 500 personal and business letters from over 100 literary figures. They include 52 letters from Sir John Betjeman 1949-1979; 33 letters from Christopher Fry 1949-1989; 25 letters from Mary Renault 1960-1983, with further letters from her partner Julie Mullard and obituaries; 25 letters from Harold Nicolson 1949-1962; 17 letters from David Storey 1963-1994; 26 letters from Francis King 1950-1957, mainly concerning his British Council service in Greece; 12 letters from L.P. Hartley 1966-1970; 18 letters from William Plomer 1966-1972, mostly concerning the judging of the Cholmondeley Award for Poetry; 12 letters from Joan Hassall c.1954-1987; 12 letters from Laurence Whistler 1955-1986; 14 letters from A.N. Wilson 1979-1988, and 14 letters from Mary Wilson 1969-1986. Other correspondents include Rupert Hart-Davis, Christopher Hibbert, Mollie Hamilton (M.M. Kaye), Irene Handl, Stevie Smith, Stephen Spender and Muriel Spark. The Collection covers the year’s c. 1949-1991. The physical extent of the collection is c. 500 items. Introduction John Guest was born in 1911 in Warrington, Cheshire, and was educated at Fettes, Edinburgh, and Pembroke College, Cambridge. He was first employed in the publishing industry as a proofreader and subsequently junior editor for Collins, before serving in an artillery regiment during the war. In 1949 he was appointed literary advisor to the publishing firm Longmans, with a brief to rebuild their general trade list, at which he was very successful. He subsequently held the same position at Penguin Books, after the merger with Longmans in 1972, where he remained until his retirement.
    [Show full text]
  • The 'Insider Outsider, in Iris Murdoch,S Bruno's Dream And
    にはなぜ目をつぶったのか。ケインズやムーア を正確に認識できないというペシミズムが、ヨー 物それぞれが主役となり、描出される図式に注目 タファーによって「連続性」を象徴した。またク の‘ Sincerity’ をロマンティシズムのあやまちだ ロッパの思想史に長く一貫して継承されてきた重 すると、人間関係の渦巻の連鎖が螺旋、組紐など リモンドをヒンドゥー教のナタラージャ(踊るシ と否定するけれども、彼女が敬意をもって肯定す 要な主題であるのを考えると、彼女の‘ Good’ や 聖書写本『ケルズの書』の抽象文様の世界をス ヴァ神)で象徴しようとしたものは、ヒンドゥー るシモ̶ヌ・ヴェイユの‘ Attention’ とどこがど ‘Perfection’ の理念はその系譜のうちのどこにど トーリーの運びによって描出しようとする、マー 教の重要な特徴である「宗教的寛容の精神」であ う違うと言えるのか。プラトンの洞窟の比喩や、 う位置づけられるものなのか。 ドックの技法が読み取れる。 ろう。ティマーがダンカンとの偶発的な愛の衝動 ピュロンの判断中止の懐疑主義以来、人間は現実 かつてジョイスは『フィネガンズ・ウェイク』 の結果、被った精神的打撃により、「古い神」へ で実験的言語を駆使して『ケルズの書』の宇宙の の信仰の喪失を体験したが、キルケゴールや、サ イメージを表現しようと試みた。ジョイスとはた ン・ファン・デラ・クルスを読み、次第に救われ がいに、きわめて異質の作家であるマードック てゆくプロセスを描いて、マードックは他者認識 研究発表要約 は、渦巻状をなす抽象的な形象の絡まり合いが、 を可能にする「寛容」の精神が小説論の基本にあ 次第に中心を移動させつつ連続してゆく世界の秩 ることを表明している。この作品中に『ケルズの The‘ Insider Outsider’ in Iris Murdoch’s Bruno’s Dream 序をストーリーによって表現することを試みたと 書』の intertextuality は随所に散見できるが、『ケ and Kazuo Ishiguro’s The Remains of the Day 考察される。 ルズの書復刻版』の序文で U. エーコが、「未完 マードックは「連続性」の概念を次のように表 の書であるが今後も連続して書き続けることが期 Wendy Jones Nakanishi 現している。ローズはジェラードへの「憧憬と 待される哲学的大作の典型」であると述べたよう 愛」において善意の人であり、連続性の世界の住 に、本作品でもジェラードとクリモンドが「現代 This article compares two novels whose theme is the reflections and regrets of a 人であると述べ、一方ジィーンは、クリモンドと の善と魂」に関する思索の書を、今後も連続して lonely male protagonist. In Bruno’s Dream( 1969), it is Bruno, a sick old man nearing 共に連続性の世界の外側の偶発性をはらんだ実世 書き続けるだろうとの予感を提示して、小説はこ death. In The Remains of the Day( 1990), it is the butler Stevens who, preoccupied with 界に生きているという。 こで閉じている。 his work, has always kept to himself and now discovers a longing to establish human かねてマードックは絵画など芸術作品を援用 本作品は、同性婚や宗教的寛容の精神など、時 contact with others. Both are depicted as essentially alone. In the drama of life they are して作品のメッセージを提示するのだが、本作 代の抱えている問題を先取りしながら、それを超 spectators rather than actors. They are‘ insider outsiders’. 品ではマチスの絵画『ダンス』(Succession)のメ える普遍的な世界観を提示している。 The sense of alienation Bruno and Stevens experience is so acutely described because they are the creation of authors who were‘ insider outsiders’ themselves: inhabiting England but not native to it.
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]