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32Nd Annual California Preservation Design Awards
32ND ANNUAL CALIFORNIA PRESERVATION DESIGN AWARDS OCTOBER 2, 2015 JULIA MORGAN BALLROOM, MERCHANTS EXCHANGE BUILDING SAN FRANCISCO The Board of Trustees of the California Preservation Foundation welcomes you to the Preservation Design Awards Ceremony Friday, October 2, 2015 Julia Morgan Ballroom, Merchants Exchange Building, San Francisco 6:00 pm Cocktail Reception and Dinner 7:30 pm Welcome Kelly Sutherlin McLeod, FAIA President, Board of Trustees California Preservation Foundation Cindy L. Heitzman, Executive Director, California Preservation Foundation Awards Presentations Presentation of the President’s Award for Lifetime Acheivement John F. Merritt Presentation of the 32nd Annual Preservation Design Awards Kurt Schindler, FAIA, Jury Chair Amy Crain Jeff Greene Leo Marmol, FAIA Chuck Palley Jay Reiser, S.E. Annual Sponsors Cornerstone Spectra Company Cornice Architectural Resources Group IS Architecture Cody Anderson Wasney Architects, Inc. Kelly Sutherlin McLeod Architecture, Inc. EverGreene Architectural Arts Kitson Contracting, Inc. Garavaglia Architecture Page & Turnbull GPA Consulting Simpson Gumpertz & Heger, Inc. Historic Resources Group Wiss, Janney, Elstner Associates, Inc. Holmes Culley/Holmes Fire 2 Preservation Design Awards 2015 Preservation Design Awards Sponsors Pillar Kelly Sutherlin McLeod Architecture, Inc. Plant Construction Marmol Radziner Plath and Company, Inc. Supporting AC Martin MATT Construction Corporation Cody | Brock Commercial Builders Rinne & Peterson Structural Engineers Cody Anderson Wasney Architects, Inc. Vallier Design Associates Leddy Maytum Stacy Architects Wiss, Janney, Elstner Associates, Inc. Nonprofit Fort Mason Center 3 Preservation Design Awards 2015 2015 Awards Jury Kurt Schindler, FAIA, LEED AP Principal, ELS Architecture and Urban Design | Awards Chair and PDA Jury Chair Kurt Schindler is a principal at ELS and directs the firm’s historic and seismic renovation projects. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
TOR Eco Dev Fashion.05
Toronto Fashion/Apparel “ For years I have been attending the collections in Milan and New York, and this year Toronto Fashion Week is what I am most looking forward to.” SUZANNE BOYD, EDITOR, FLARE MAGAZINE NEXT STEPS Our expert team is ready to answer all your questions about business and investment Buyers worldwide recognize the opportunities in the dynamic Toronto-based quality and value of Toronto-based fashion/apparel cluster. We offer an in-depth designer labels, while global apparel cluster profile, brochures on the city’s other key economic clusters and helpful liaison with companies count on the city’s many industry and government organizations. For acclaimed manufacturers for superb more information, please contact the Toronto craftsmanship, quick turn-around Economic Development Office: times, flexibility and reliable service. 416 392 3375 With this international recognition, www.toronto.ca/business the fashion/apparel cluster remains one of Toronto’s largest industrial employers. Since the introduction of the 1994 North America Free Trade Agreement, Canada’s apparel exports to the U.S. have increased by 550%. Toronto’s dynamic fashion industry is turning more heads than ever. FAP 010 FASHION FACTS WHY TORONTO? Fashion-conscious consumers buy > The fashion/apparel cluster in Toronto > Global model agencies such as Elite, Ford > The Toronto Economic Development Office > With one-quarter of Canadians in a 150 km and Giovanni have offices in Toronto, while coordinates the Fashion Industry Liaison designs by Lida Baday, Sunny Choi employs nearly 50,000 people, more than radius and half of all U.S. businesses within half of them in manufacturing. -
Marmol Radziner Aia
GLENDALE CHILDCARE CENTER PRE-K PLAY YARD 1 GREEN DOT AWARDS SUBMISSION BUILD CATEGORY MARMOL RADZINER AIA architecture 12210 Nebraska Avenue 310 826 6222 phone construction Los Angeles California 90025 310 826 6226 fax interiors landscape [email protected] www.marmol-radziner.com GLENDALE CHILDCARE CENTER The Glendale Childcare Center serves 200 infants, toddlers, and pre-Kindergarten children. One of the goals of the center is to expose both children and adults to the benefits of sustainable green design and architecture, and to raise awareness about energy conservation. The building is a teaching tool, where green building strategies are expressed clearly and energy efficient systems are left exposed as educational opportunities. MATERIALS The design incorporates recycled and green materials throughout. Its striated rammed earth walls are comprised of cement, earth from local mountains, and crushed brick recycled from site demolition. Rammed earth construction results in durable walls that slow the transmission of heat and sound. The 18-inch thick walls absorb heat during the day and release heat as ambient temperatures cool. Each classroom’s nap area is lined with rammed earth, reducing echo and naturally regulating temperature where the children are most sensitive to noise and thermal fluctuations. Lowering the embodied energy of the materials was a priority. In addition to the rammed earth walls, the Center utilizes a palette of sustainable materials throughout, RAMMED EARTH WALL 2 including composite wood fencing, low VOC paints and adhesives, particle board and recycled paper countertops ABOUT MARMOL RADZINER with no added urea-formaldehyde, and CRI Green Label To limit its carbon footprint, the Center encourages alternative Since its inception in 1989, the Los Angeles-based firm Plus Certified Carpet Tiles. -
The Role and Value of Design Working Paper: Measuring and Defining Design
economic research & business intelligence The role and value of design Working paper: Measuring and defining design Prepared by TBR’s Creative and Cultural Team 05 August 2015 Introduction 1. Introduction Currently celebrating its 70th anniversary, Design Council is at the forefront of championing the role and importance of design. Following the launch of the Design Economy series, Design Council asks: “In an age of austerity, rising inequality, urbanisation and ageing populations, climate change, the redefinition of the role of the state, big data and ubiquitous surveillance, how are we, as a society, to assess the risks and opportunities found in design’s ascendency?” Design Council News 27th April 20151 Research is a key aspect of this. In the context of recent updates to the Department for Culture, Media and Sport’s (DCMS) Creative Industries Economic Estimates2 and detailed sub-sector reports on economic impact across other aspects of the creative industries, Design Council has identified the need to update, and expand upon, its 2005, 2008 and 2010 industry research in order articulate a robust and complete picture of the value of design. To this end, TBR has been commissioned to undertake research to measure the economic impact of design in the UK economy. 1.1 Aim and core research questions The aim of this research is to articulate the value of and investment in design in the UK. This will be done by assessing the contribution of design to the UK economy, including gross value added (GVA), productivity, turnover, employment and exports of goods and services. Further specific aims include focussing on the contribution of micro-businesses, the value of design across sectors, and a regional breakdown of the design sector. -
Design Review Principles and Practice
Design Review Principles and Practice Landscape Institute Inspiring great places Published in 2013 by the Design Council. Cover photo: Granary Square at King’s Cross, © John Sturrock All photos by Design Council unless otherwise stated. Although every care has been taken in preparing this report, no responsibility or liability will be accepted by Design Council, its employees, agents or advisors for its accuracy or completeness. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, copied or transmitted without the prior written consent of the publisher except that the material may be photocopied for non-commercial purposes without permission from the publisher. Contents Foreword 3 The purpose of this guidance document 4 Part One: Principles of Design Review Chapter 1: The essentials of Design Review 6 What is Design Review? 6 Ten principles of Design Review 7 Chapter 2: The role of Design Review in the planning system 8 Design Review and national planning policy 8 How Design Review adds value 9 Chapter 3: Who benefits from Design Review? 10 Local authorities 10 Developers 10 Project design teams 11 Community groups 11 Chapter 4: Local and National Design Review 12 Local Design Review arrangements 12 National Design Review 12 Who reviews what? 12 Part Two: Design Review in practice Chapter 5: Delivering the principles 14 Chapter 6: A robust Design Review process 23 Preparation 23 Review 25 Observers 26 Advice 27 Other practical matters 28 Useful contacts 29 Contents 1 William Gates Building, University of Cambridge, © RMJM Foreword Our standards of design can be so much higher. -
Rector's Corner
ST. MICHAEL’S/LA GRACIA APRIL 6, 2014 As you may know, Iglesia Episcopal de la Gracia (formerly St. RAYER ONCERNS P C Michael’s) in Huffman is closing its doors this summer. The Parish For all who suffer in mind, body, or spirit, and especially for: Life and Evangelism committee of the diocese has been charged with making a recommendation regarding what to do with this Virginia Cottrell Isaac Okoro ~ Parishioner property. At our last meeting we agreed that selling the property Friend of Gloria Smith should be our last resort. Mimi Arrington Gina, Shelby, & Savannah Friend of Anne Henderson I want to get a group of people together to help investigate Friends of Dn. Steve alternate ways to use this space. Please let me know if you, or Tom Walachy a fellow parishioner, are a strong candidate to investigate with me. Regina Lewis ~ Parishioner Father of Carol Gallien Also, if you know someone with strong ties to the Huffman community, that would be helpful to know, too. I appreciate your Greg Wynn ~ Parishioner Raye Newton giving this some thought. Mother of Camille Turner Angela Smith Faithfully, Niece of Gloria Smith Mike Caraway ~ Parishioner The Rev. Jack Alvey All Saints’ Episcopal Church Donica Creasy ~ Parishioner Dave Perry ~ Parishioner Associate Rector Leslie Imp Faye Kelley 205.769.3180 Friend of Stef Underwood Friend of Anne Henderson John Talmadge ~ Parishioner David Meadows ~ Parishioner RECTOR’S CORNER Jean Barron ~ Parishioner Janet Park Daughter of Betty Thompson Sylvia Nicodemus ~ Parishioner Did You Know...? Some famous Episcopalians: Bryce Lewis ~ Parishioner Robin Mathias Friend of Anne Mayo Robin Williams Judy Garland Karen Bain ~ Parishioner Comedian & actor Actress & singer Bette Wing Michael Roche Sister of Jeanne Sandford Judy Collins Rosanne Cash Nephew of Inga Strickland Singer Country music artist Jezzy Roesler Stoney Dawe & Cathy Watkins Step-granddaughter Cecil B. -
The Power to Transform the Power to Transform 2
The impact of design Economy, people, environment The power to transform The power to transform 2 The power of design Good design can deliver growth, sustainability, “The role of design is to improve quality of life innovation and stronger communities. and, in challenging economic times, it can Our role here at the Design Council is to enable show people another people to use design in practical ways to transform way. Through innovation and creativity we can find communities, business and the environment for tangible new solutions the better. to everyday problems.” Martin Temple CBE, Chairman We achieve this by working collaboratively with of the Design Council our clients and partners – bringing the right people together to boost creativity, shift ways of thinking and translate ideas into real products, services and solutions that benefit everyone. We make sure every pound invested in design thinking pays back even more in supporting economic growth and social and environmental progress. Here, we demonstrate how the transformative power of design makes a real impact, now and in the future. We show that good design creates things that are both beautiful and useful, and how design enriches our lives as well as meeting the challenges of the future. The power to transform 3-4 Unlocking market advantage Design impact: Our team worked with Stimulating Halifax-based business, James Heal, has James Heal, leading them through a tried a worldwide reputation for manufacturing and tested process to discover how applying testing instruments and materials for the principles of quality design thinking growth the textile industry. Exports account for to their product and their brand could give 95% of turnover. -
Design Delivers for Business a Summary of Evidence from the Design Council’S Design Leadership Programme September 2012
Design delivers for business A summary of evidence from the Design Council’s Design Leadership Programme September 2012 A boost to business growth Improved capability and confidence Lasting impact The difference is design. www.designcouncil.org.uk/leadership Design delivers for business 2 Design boosts Design improves business growth business capabilities Business results The programme aims to make British businesses (in particular SMEs with potential ─ Design increases turnover: For every £1 for growth) more aware of the strategic value invested in design, businesses can expect of design and how to manage it for effective over £20 in increased revenues long term results. Businesses overwhelmingly ─ Design is linked to profit: For every £1 (over 96%) stated that the Design Leadership invested in design, businesses can expect Programme was strategically important in over £4 increase in net operating profit tackling issues not previously dealt with. ─ Design boosts exports: For every £1 In addition to the tangible business impacts, invested in design, businesses can expect the programme has been changing the way a return of over £5 in increased exports businesses work, which in turn has improved The Design Leadership Programme has organisational culture and performance. helped businesses to identify their biggest 72% of businesses surveyed felt the Design strategic challenges and create new Leadership Programme had changed the opportunities to overcome them by using culture of their organisation into one that was “During the process, design effectively. By identifying design more design-focused. we re-energised opportunities to drive innovation and our staff, leading growth, businesses have then invested in to an increase in and commissioned design projects with ongoing coaching support to ensure they are turnover of around implemented successfully. -
Chapter 6: Design and Design Frameworks: Investing in KBC and Economic Performance
323 | DESIGN AND DESIGN FRAMEWORKS: INVESTMENT IN KBC AND ECONOMIC PERFORMANCE CHAPTER 6. DESIGN AND DESIGN FRAMEWORKS: INVESTMENT IN KBC AND ECONOMIC PERFORMANCE This chapter addresses the nature and the economic impact of design by looking at design-related intellectual property and how businesses protect their knowledge based capital. The chapter reviews the nature and various definitions of design and how design-related IP, specifically registered designs, relates to other formal IP mechanisms such as patents, trademarks, and copyright. It looks at the primary areas of design activity in a subset of OECD countries and investigates the similarities and differences of the constituent design IP regimes as well as the various treaties governing international design IP regulation. The review continues with an examination of how design-related IP functions in comparison to and in conjunction with other formal and informal IP protection mechanisms and what factors motivate firms to choose and appropriate combinations of protection mechanisms. By examining historical patterns of design registrations in a variety of ways, this chapter identifies trends, at the national level, of how firms perceive the importance of design-related IP. Analysis of national origins of registrations in both the European Community and the United States provides an indicator of the activity of those countries’ businesses relative to their proximities to the markets. It explores the existence of possible alternative indicators for design activity and of industry-specific variations across the sample set. The chapter concludes with a review of input and output measures as stated in the limited set of studies that have endeavoured to establish or quantify the value and/or benefit of design and design-related IP. -
Inclusion by Design Equality, Diversity and the Built Environment 5642 A4:Layout 1 21/11/08 09:30 Page 2
5642_A4:Layout 1 20/11/08 10:43 Page 1 Inclusion by design Equality, diversity and the built environment 5642_A4:Layout 1 21/11/08 09:30 Page 2 Published in 2008 by the Commission for Architecture and the Built Environment. CABE is the government’s advisor on architecture, urban design and public space. As a public body, we encourage policymakers to create places that work for people. We help local planners apply national design policy and advise developers and architects, persuading them to put people’s needs first. We show public sector clients how to commission projects that meet the needs of their users. And we seek to inspire the public to demand more from their buildings and spaces. Advising, influencing and inspiring, we work to create well-designed, welcoming places. Cover photo: Barking Town Centre, © Tim Soar Printed by Seacourt Ltd on Revive recycled paper, using the waterless offset printing process (0 per cent water and 0 per cent isopropyl alcohol or harmful substitutes), 100 per cent renewable energy and vegetable oil-based inks. Seacourt Ltd holds EMAS and ISO 14001 environmental accreditations. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, copied or transmitted without the prior written consent of the publisher except that the material may be photocopied for non-commercial purposes without permission from the publisher. This document is available in alternative formats on request from the publisher. 5642_A4:Layout 1 20/11/08 10:43 Page 3 Inclusion by design The quality of buildings and spaces has a strong influence on the quality of people’s lives . -
BLANKET Statement HITTING the BOOKS in THEFRAME
DESIGN UMÉ STUDIO’s Erode soaps, $48 HITTING each, come in a range of scents and patterns, and THE BOOKS are intended to be paired with the NEWLY PRINTED PAGES OF CALIFORNIA brand’s hand-cast DESIGN INSPIRATION concrete Bouton dishes, $35 each. PERSONAL SPACE Courteney Cox and Laura Dern go to designer Trip Haenisch for low-key elegance with an Bold as Brass edge; now you can take cues from the If Emeryville-based artist Beth Naumann’s brass wall hangings remind you of the Bay Curves Ahead talent yourself. Area’s evocative art deco structures, it’s no coincidence: She studied interior architecture For the sweeping slopes of their Erode soap collection, Rizzoli New York, $50. and product design at Kansas State University, and worked at an architectural firm, before the Oakland-based duo behind Umé Studio drew upon moving to California in 2009 and launching her art career and jewelry brand, Hellbent, their shared architectural prowess—founders Mei-Lan two years later. (She devoted herself full time to those pursuits in 2014.) Naumann, who’s Tan and Victor Lefebvre met at Swiss firm Herzog never had formal metalwork training, says she is “always looking at buildings to see how NOTES ON DECOR, ETC. & de Meuron in 2014. Made from garden botanicals, different shapes interact with each other.” For her mesmerizing creations, she molds every Paul Fortune offers mineral-rich clays and essential oils, the art-meets-utility piece of brass by hand, having developed her own looping technique to hold the strands colorful anecdotes from forms are an ode to landscapes worn away by water and wind.