The Ivoryton Playhouse, 103 Main Street, Ivoryton, CT 2017 Subscription Series Dates

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The Ivoryton Playhouse, 103 Main Street, Ivoryton, CT 2017 Subscription Series Dates Series Day of Week Time 1st 2nd 3rd 4th 5th 6th 7th Number Show Show Show Show Show Show Show My Way: Biloxi Million West Saturday I Hate The Game’s Musical Blues Dollar Side Night Fever: Musicals: Afoot! Tribute to By Neil Quartet Story The Musical The Musical Comedy thriller set in Frank Simon Dec 1956 Book Arthur Featuring the World premiere William Gillette’s Rock ‘n’ Roll Laurents, songs of the by Simpsons’ CT castle Sinatra jam session w/ Music Bee Gees writer, Mike Reiss Elvis Presley, Leonard Johnny Cash , Bernstein, Jerry Lee Lewis , Lyrics & Carl Perkins Stephen Sondheim Series 1 1st Wed mat 2:00pm Mar 22 Apr 26 May 31 July 5 Aug 9 Sept 27 Nov 1 Series 2 1st Wed eve 7:30pm Mar 22 Apr 26 May 31 July 5 Aug 9 Sept 27 Nov 1 Series 3 1st Thurs eve 7:30pm Mar 23 Apr 27 June 1 July 6 Aug 10 Sept 28 Nov 2 Series 4 1st Fri eve 8:00pm Mar 24 Apr 28 June 2 July 7 Aug 11 Sept 29 Nov 3 Opening Night Series 5 1st Sat eve 8:00pm Mar 25 Apr 29 June 3 July 8 Aug 12 Sept 30 Nov 4 Series 6 1st Sun mat 2:00pm Mar 26 Apr 30 June 4 July 9 Aug 13 Oct 1 Nov 5 Series 7 2nd Wed mat 2:00pm Mar 29 May 3 June 7 July 12 Aug 16 Oct 4 Nov 8 Series 8 2nd Wed eve 7:30pm Mar 29 May 3 June 7 July 12 Aug 16 Oct 4 Nov 8 Series 9 2nd Thurs eve 7:30pm Mar 30 May 4 June 8 July 13 Aug 17 Oct 5 Nov 9 Series 10 2nd Fri eve 8:00pm Mar 31 May 5 June 9 July 14 Aug 18 Oct 6 Nov 10 Series 11 2nd Sat eve 8:00pm Apr 1 May 6 June 10 July 15 Aug 19 Oct 7 Nov 11 Series 12 2nd Sun mat 2:00pm Apr 2 May 7 June 11 July 16 Aug 20 Oct 8 Nov 12 Series 13 3rd Wed mat 2:00pm Apr 5 May 10 June 14 July 19 Aug 23 Oct 11 Nov 15 Series 14 3rd Wed eve 7:30pm Apr 5 May 10 June 14 July 19 Aug 23 Oct 11 Nov 15 Series 15 3rd Thurs eve 7:30pm Apr 6 May 11 June 15 July 20 Aug 24 Oct 12 Nov 16 Series 16 3rd Fri eve 8:00pm Apr 7 May 12 June 16 July 21 Aug 25 Oct 13 Nov 17 Series 17 3rd Sat eve 8:00pm Apr 8 May 13 June 17 July 22 Aug 26 Oct 14 Nov 18 Series 18 3rd Sun mat 2:00pm Apr 9 May 14 June 18 July 23 Aug 27 Oct 15 Nov 19 .

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SCHOOL BOARD MEETING May 20, 2014 5:00 P.M. School
Lynchburg City Schools 915 Court Street Lynchburg, Virginia 24504 Lynchburg City School Board SCHOOL BOARD MEETING May 20, 2014 5:00 p.m. Regina T. Dolan-Sewell School Administration Building School Board District 1 Board Room Mary Ann Hoss School Board District 1 A. CLOSED MEETING Michael J. Nilles School Board District 3 1. Notice of Closed Meeting Jennifer R. Poore Scott S. Brabrand. Page 1 School Board District 2 Discussion/Action Katie Snyder School Board District 3 2. Certification of Closed Meetng Scott S. Brabrand. Page 2 Treney L. Tweedy School Board District 3 Discussion/Action J. Marie Waller School Board District 2 B. PUBLIC COMMENTS Thomas H. Webb 1. Public Comments School Board District 2 Scott S. Brabrand. Page 3 Charles B. White Discussion/Action (30 Minutes) School Board District 1 C. SPECIAL PRESENTATION School Administration Scott S. Brabrand 1. Student Recognitions Superintendent Scott S. Brabrand. Page 4 Discussion William A. Coleman, Jr. Assistant Superintendent of Curriculum and Instruction 2. LCS: Why We Stand Out Ben W. Copeland Scott S. Brabrand. Page 5 Assistant Superintendent of Discussion Operations and Administration Anthony E. Beckles, Sr. D. FINANCE REPORT Chief Financial Officer Wendie L. Sullivan 1. Finance Report Clerk Anthony E. Beckles, Sr. .Page 6 Discussion E. CONSENT AGENDA 1. School Board Meeting Minutes: May 6, 2014 (Regular Meeting) F. STUDENT REPRESENTATIVE COMMENTS G. UNFINISHED BUSINESS 1. Carl Perkins Funds: 2014-15 William A. Coleman, Jr. Page 11 Discussion/Action 2. School Board Retreat Scott S. Brabrand. Page 14 Discussion/Action 3. Update Extra-Curricular Supplements and Stipends Ben W.
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Million Dollar Quartet” by Colin Escott & Floyd Mutrux at the Hippodrome Theatre Through December 2
“Million Dollar Quartet” By Colin Escott & Floyd Mutrux At the Hippodrome Theatre through December 2 By James Cooper MEMORIES ARE MADE OF THIS … PRODUCTION Flashing lights, shimmering jackets and long musical solos radiate through the production of “Million Dollar Quartet,” now at the Hippodrome Theatre. Though the special effects and costumes are beneficial in some instances, the show lacks emphasis in the one area it should stress the most: the music. The whole story focuses on the decisions of four major musicians from the 1950s: Carl Perkins, Johnny Cash, Jerry Lee Lewis and Elvis Presley. Music is the main concept within the script, but it certainly isn’t the main concept within the performance. The show focuses on a single event: the night that all four musicians of the “Million Dollar Quartet” were present in the same space at the same time, the Sun Records Studio in Memphis on December 4, 1956. Elvis (Cody Slaughter) used to be a member of the Sun Records family but then he switched to RCA, a bigger label. Since this change, Elvis has lost contact with his former producer, Sam Phillips (Vince Nappo). As Elvis returns with his girlfriend Dyanne (Kelly Lamont) he makes it clear to Sam that he wishes he had stayed at Sun. Sam too wishes that Elvis had stayed, but his main focus is now on producing Johnny (David Elkins) and the up-and-coming Jerry Lee (Martin Kaye). All the while Carl (Robert Britton Lyons) has to decide whether or not he wants to leave Sun Records or move on to Columbia.
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�� pop/rock Jerry Lee Lewis Gordon Haskell Hionides The Black Crowes Mean Old Man One Day Soon Croweology Verve 2010 Gordon Haskell Hionides 2010 Silver Arrow Records 2010 Dystrybucja: Universal Music Polska Muzyka: §§§§¨ Muzyka: §§§§§ Muzyka: §§§§§§ Realizacja: §§§§¨ Realizacja: §§§§¨ Realizacja: §§§§¨ Już cztery lata temu Jerry Lee Lewis Na początek trzy mocne punkty. Utwór Album kolejnego wykonawcy sięga- doczekał się dowodu uznania od kolegów otwierający płytę jest godnym następ- jącego w przeszłość, chociaż nie aż tak z branży w postaci albumu „Last Man cą „Harry’s Bar” – hitu, który kilka lat odległą jak ta, do której ostatnio wracają Standing”. Towarzyszyli mu na nim m.in. temu odnowił zainteresowanie słucha- Phil Collins czy Eric Clapton. Grupa ( e Jimmy Page, B.B. King, Bruce Spring- czy angielskim wykonawcą, szczycą- Black Crowes, znana przede wszystkim steen i Neil Young. Płyta okazała się suk- cym się krótką współpracą z zespołem z „Shake Your Money Maker” (1990), cesem, więc Lewis powrócił do koncepcji King Crimson. Piosenki „( e Fools of z okazji 20-lecia ukazania się ich debiu- nagrań z udziałem sław. Yesterday” nie powstydziliby się najlepsi tanckiej płyty, nagrała jeszcze raz swoje Może lista gości na „Mean Old Man” rockmani. Choć należy dodać, że solowe najpopularniejsze piosenki – tym razem jest mniej spektakularna, ale i tak robi dokonania autora „One Day Soon” nie w wersjach akustycznych – i wydała je na wrażenie. Jak na poprzednim krążku mają prawie nic wspólnego z nagraniami podwójnym albumie „Croweology”. usłyszymy tu trzech Stonesów, Erica grupy kierowanej przez Roberta Frippa. Co mamy w efekcie? Kolejny zbiór nie- Claptona i Ringo Starra. Nowi goście to: Gordon Haskell słynie bowiem z melo- co inaczej brzmiących hitów? Ależ skąd! Sheryl Crow, Slash czy John Mayer.
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Jay Richardson Brushes Away Snow That's Drifted Around
When popular Beaumont deejay J.P. Richardson died on Feb. 3, 1959, with Buddy Holly and Ritchie Valens, he left behind more than ‘Chantilly Lace’ … he left a briefcase of songs never sung, a widow, a daughter and unborn son, and a vision of a brave new rock world By RON FRANSCELL Feb. 3, 2005 CLEAR LAKE, IOWA –Jay Richardson brushes away snow that’s drifted around the corpse-cold granite monument outside the Surf ballroom, the last place his dead father ever sang a song. Four words are uncovered: Their music lives on. But it’s just a headstone homily in this place where they say the music died. A sharp wind slices off the lake under a steel-gray sky. It’s the dead of winter and almost nothing looks alive here. The ballroom – a rock ‘n’ roll shrine that might not even exist today except for three tragic deaths – is locked up for the weekend. Skeletal trees reach their bony fingers toward a low and frozen quilt of clouds. A tattered flag’s halyard thunks against its cold, hollow pole like a broken church bell. And not a word is spoken. Richardson bows his head, as if to pray. This is a holy place to him. “I wish I hadn’t done that,” he says after a moment. Is he still haunted by the plane crash that killed a father he never knew? Can a memory be a memory if it’s only a dream? Why does it hurt him to touch this stone? “Cuz now my damn hand is cold,” Richardson says, smiling against the wind.
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20Questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker
20questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker If Benny Goodman was the “King of Swing” periodically to continue his studies over the B-Town and Edward Kennedy Ellington was “the Duke,” next decade, leading a renowned IU-based then David Baker could be called “the Dean big band while expanding his artistic and Hero and Jazz of Jazz.” Distinguished Professor of Music at compositional horizons with musical scholars Indiana University and conductor of the Smithso- such as George Russell and Gunther Schuller. nian Jazz Masterworks Orchestra, he is at home In 1966 he settled in the city for good and Legend performing in concert halls, traveling around the began what is now a world-renowned jazz world, or playing in late-night jazz bars. studies program at IU’s Jacobs School of Music. Born in Indianapolis in 1931, he grew up A pioneer of jazz education, a superlative in a thriving mid-20th-century local jazz scene trombonist forced in his early 30s to switch that begat greats such as J.J. Johnson and Wes to cello, a prolific composer, Pulitzer and Montgomery. Baker first came to Bloomington Grammy nominee and Emmy winner whose as a student in the fall of 1949, returning numerous other honors include the Kennedy 56 Bloom | August/September 2007 Toddler David in Indianapolis, circa 1933. Photo courtesy of the Baker family Center for the Performing Arts “Living Jazz Legend Award,” he performs periodically in Bloomington with his wife Lida and is unstintingly generous with the precious commodity of his time.
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An Historical Policy Analysis of the Carl D. Perkins Legislation: Examining the History, Creation, Implementation and Reauthorization of the Law
AN HISTORICAL POLICY ANALYSIS OF THE CARL D. PERKINS LEGISLATION: EXAMINING THE HISTORY, CREATION, IMPLEMENTATION AND REAUTHORIZATION OF THE LAW BY AIMEE MICHELLE LAFOLLETTE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Policy Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Associate Professor Yoon Pak, Chair Professor James D. Anderson Professor Debra Bragg Associate Professor Christopher Span ABSTRACT This dissertation explores the historical development of the Carl D. Perkins Vocational Education Act of 1984, with the incorporation of ―special populations‖ as a provision in the law from 1963. From 1917 through 1963, vocational funding primarily supported teacher training, research, program improvement, and expansion of vocational programs, in 1963 acknowledging the social climate of the time Congress included provisions to support services for disadvantaged students. In 1984, Congress established prescriptive provisions attaching funds to serve and address the needs of underserved students described as special populations. Vocational education‘s focus expanded from 1963 -1984 to included provisions to create programs eliminating sexual bias and stereotyping. This dissertation traces the foundations by which Congress was led to focus on access to vocational education programs and prescribe funding to serve handicapped, single parents, displaced homemakers, economically disadvantaged, academically disadvantaged, students with limited English proficiency, and gender equity. ii To my children James and Jacob iii ACKNOWLEDGEMENTS I believe Malcolm Gladwell, author of Tipping Point, said it best when he stated that, ―…the people we surround ourselves with have a profound effect on who we are.‖ Personal success can never be attributed to a single individual.
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HOUSE of REPRESENTATIVES-Friday, May 6, 1977 the House Met at 11 O'clock A.M
13884 CONGRESSIONAL RECORD-HOUSE May 6, 1977 It is admirable in both its ambition and its exemplary news and public affairs pro careers for themselves within New execution, quietly and effectively going be graming geared to the special needs of York's garment industry. yond stereotypes to tap the fascinating re women in the tri-State area. Channel 2 Weekday mornings, WCB~TV's pro sources of real people ... the closeups prove "Eye On," which this year won a New vocative interview program with Jeanne fascinating. and the subsequent talk is in York area Emmy award for "outstand Parr sparks lively discussions on topics formative. ing documentary series," each week of particular interest to women. Ms. Kay Gardella of the New York Daily focuses on a critical issue or newsmaking Parr, who was one of this country's first News found Ms. Myerson- personality affecting residents of New women news correspondents, has tackled A splendid on-camera performer, and the York, New Jersey, and Connecticut. such controversial themes as the right of women she chooses as subjects are articulate Whether it be an investigative report on women to enter the priesthood, alco and capable of pinpointing their needs, emo women ex-offenders caught in the re holism among women, menopause, and tions and problems-it is an excellent series. volving door of criminal justice or a pro women in sports and journalism. Writing in the New York Post, Bob file of my colleague Congresswoman Liz This kind of enlightened broadcasting Williams praised Ms. Myerson's approach HOLTZMAN, "Eye On" maintains the high philosophy is a reflection of WCBS-TV's to the women on the evening and daily standards of · electronic journalism continuing commitment and responsi broadcasts of "A Woman Is .
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LECTURE 4 from Whence Came 1950S Rock and Roll? (And Where Did It Go?) What Was the First Rock and Roll Song? “Rocket 88” 1951
LECTURE 4 From Whence Came 1950s Rock and Roll? (and where did it go?) What was the first Rock and Roll song? “Rocket 88” 1951 • Jackie Brenston and His Delta Cats (Ike Turner and his Rhythm Kings) • Ike Turner – boogie woogie piano • Jackie Brenston – vocals/sax • heavily distorted electric guitar • R&B hit about partying in a Oldsmobile Rocket 88 • recorded by Sam Phillips at Memphis Recording Services 1950s COVER SONGS released on R&B charts cross-over into pop charts re-recorded by white artists re- marketed by major labels often the biggest money makers “Shake, Rattle, and Roll” 1954 • Big Joe Turner • KC Blues Shouter • R&B jump band • boogie-woogie bass • piano • riffing • growling sax solo • strong backbeat • chauvinist and objectivist lyrics • strong sexual innuendo • weakly coded metaphor “Shake, Rattle, and Roll” - Turner Get outta that bed I said shake, rattle and roll Wash your face and hands Shake, rattle and roll Get outta that bed Shake, rattle and roll Wash your face and hands Shake, rattle and roll Well, you get in that kitchen Well, you won't do right Make some noise with the pots and pans To save your doggone soul Way you wear those dresses I'm like a one-eyed cat The sun comes shinin' through Peepin' in a seafood store Way you wear those dresses I'm like a one-eyed cat The sun comes shinin' through Peepin' in a seafood store I can't believe my eyes Well, I can look at you All that mess belongs to you Till you ain't no child no more I believe to the soul I get over the hill You're the devil and now I know And way down
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Washington's Perkins V Plan
January 29, 2020 WASHINGTON’S Update – FOR RELEASE TO PUBLIC PERKINS V PLAN COMMENT Strengthening Career and Technical Education for the 21st Century Act Washington State Perkins Plan U. S. Department of Education Office of Career, Technical, and Adult Education Strengthening Career and Technical Education for the 21st Century Act (Perkins V) State Plan I. COVER PAGE A. State Name: WASHINGTON STATE B. Eligible Agency (State Board)4 submitting plan on behalf of the State: WORKFORCE TRAINING AND EDUCATION COORDINATING BOARD C. State Agency delegated responsibilities by Eligible Agency under section 131(b) for the administration, operation, or supervision of activities of the State plan (if applicable): WORKFORCE TRAINING AND EDUCATION COORDINATING BOARD OFFICE OF SUPERINTENDENT OF PUBLIC INSTRUCTION STATE BOARD FOR COMMUNITY AND TECHNICAL COLLEGES D. Individual serving as the State Director for Career and Technical Education: 1. Name: ELENI PAPADAKIS 2. Official Position Title: EXECUTIVE DIRECTOR 3. Agency: WORKFORCE TRAINING AND EDUCATION COORDINATING BOARD 4. Telephone: (360) 709-4600 5. Email: [email protected] E. Type of Perkins V State Plan Submission - FY 2019 (Check one): 1-Year Transition Plan (FY2019 only) – if an eligible agency selects this option, it will then complete Items G and J State Plan (FY 2019-23) – if an eligible agency selects this option, it will then complete Items G, I, and J 5 F. Type of Perkins V State Plan Submission - Subsequent Years (Check one): X State Plan (FY 2020-23) - if an eligible agency selects this option, it will then complete Items H, I, and J State Plan Revisions (Please indicate year of submission: if an eligible agency selects this option, it will then complete Items H and J Washington’s 2020 Perkins V Plan - 1 Washington State Perkins Plan G.
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JERRY LEE LEWIS September 29Th, 1935 Ferriday, Louisiana
JERRY LEE LEW IS September 29th, 1935 Ferriday, Louisiana Thé mere titles of his tunes confirmed that Jerry Show in the summer of 1957, it swept the nation. The Lee Lewis had the stuff of rock & roB legend. “Whole song peaked at Number Three on the pop chart and Lotta Shaldn’ Coin’ On,” “Great Balls of Fire” and hit Number One on both the C&W and R&B charts. “Breathless” succinctly describe the man and his mu Although overwhelming notoriety chased him off sic. Audacious and arrogant, rollicking and rowdy, the pop charts within a year of his initial break Jerry Lee Lewis took spontaneity to the brink of dan through, Lewis made an impressive comeback ten ger. He was an unrepentent, wild example for the years later as a country artist on Smash/Mercury, top naysayers to use when they spoke out against what ping the charts in 1968 with “To Make Love Sweeter even Lewis himself called “the Devil’s music.” for You.” Lewis had been raised on country, along In 1956, after cutting country-oriented demos at with the gospel and blues he’d heard as a youth in Sun Records in Memphis with owner Sam Phillips’ as Texas, and he’d cite Jimmie Rodgers as a major early sistant, Jack Clement, Lewis was instructed to “go influence. But “the Killer” courted controversy even learn some rock and roll.” Upon his return to Sun, he in the world of country. In 1973, before his first ap recorded his debut single, the regionally successful pearance on the Grand Ole Opry, Lewis was advised “Crazy Arms,” and, at the end of a session to record a to stick to country and avoid obscenities.
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2014/15 SEASON Thecolonial.Org Dear Members, Donors, and Patrons
September 19 AARON NEVILLE From New Orleans first family of music March 7 RHAW Rennie Harris reinvents hip-hop dance March 28 Colin MOCHRIE & Brad SHERWOOD TWO MAN GROUP April 19 CIRQUE MECHANICS PEDAL PUNK A rowdy steampunk circus 2014/15 SEASON TheColonial.org Dear Members, Donors, and Patrons, It is with great pride that I present you with The Colonial’s 2014/15 season. Our aim as always is to provide our region with a diverse array of performers from around the world. From astonishing spectacles to the intimate charms of spoken word, all our offerings serve as reminders of why the performing arts are a vital part of the human experience. You will probably recognize many of the names in this year’s lineup: legendary New Orleans vocalist Aaron Neville, comedy improv stars of Who’s Line is it Anyway? Tickets TheColonial.org or 603/352-2033 Colin Mochrie and Brad Sherwood, and witty wordsmith David Sedaris. Others may be new to you, like the all ages friendly Cirque Mechanics: Pedal Punk and leading creator of hip hop dance theatre Rennie Harris’ RHAW. I encourage you to embrace the familiar and seek out the rewarding experience that comes with discovering something new. In our endeavor to bring the world’s greatest artists to central New England, you should expect to see us adding other performers throughout the season. The best way to stay on top of everything Colonial is to become a member of the theatre. By joining or renewing today you are ensured of immediate notification of new events and first access to the best seats.
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Artifacts of Hollywood & Music
09/25/21 04:03:32 Artifacts of Hollywood & Music Auction Opens: Mon, Aug 9 12:00am PT Auction Closes: Sat, Sep 4 10:00am PT Lot Title Lot Title 1 Elvis Presley and Johnny Cash Signed $1 Bill 115 Marilyn Monroe 1959 A New Wrinkle Pin-Up 10 Jimi Hendrix Personally Owned Red Silk Scarf Calendar 100 Star Trek Memorabilia From Gene 116 Marilyn Monroe 1955 Golden Dreams Pin-Up Roddenberry's Estate Calendar 101 Adam Driver Autographed "Star Wars" Kylo 117 Debbie Reynolds Autographed Black and White Ren Helmet Photo 102 Adam Driver Autographed "Star Wars" Kylo 118 Priscilla Presley's Personally Owned Plush Ren Poster Sweater 103 "Back to the Future" Double Signed Photo 119 Elvis and Priscilla Presley Photo Signed by W/COA Priscilla 103A Back to the Future "OUTATIME" DeLorean 12 Jimi Hendrix Personally Owned Red Crystal License Plate Bottle 103B Harry Potter Prop Gringotts Wizarding Bank 120 Elvis Presley Honeymoon Home Exhibit White Slips Jumpsuit 104 "Harry Potter" Cast Signed 11"x14" Photograph 121 Elvis Presley Honeymoon Home Exhibit W/COA Framed Photos 105 Gene Wilder Signed Golden Ticket in Matted 122 Elvis Presley "Guitar Man" Promo Belt Buckle Display and LP 106 Johnny Depp Autographed "Willie Wonka" 123 Elvis Presley Beverly Hills Estate Leaf Pendant 11"x14" Photo 123A Elvis Presley Solid 14K Yellow Gold TCB 107 Bud Blake Signed Original "Tiger" Sketch Necklace W/COA 123B Khloe Kardashian's Custom Cognac Diamond 108 Al Pacino "The Godfather" Autographed Scala Bracelet Fedora 123C Khloe Kardashian's Custom Black Diamond 109 Al Pacino and
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