Progress and Entropy
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Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale. -
Gonzo Weekly #137
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Princess Diana intensely, and encouraged the (probably apocryphal) story that a friend of mine queued for eleven hours in order to write surreal stoned drivel in the book of condolences in Exeter Cathedral. I also got sacked from my position at the BBC for claiming (on air) that her death had been the result of a conspiracy by Interflora, who seemed to have been the only people to benefit. Five years later when it all happened again I was less cynical, but refused to join in the grief for a lady of 101 to whom I was not related, despite the fact that she had lived an extraordinary life and achieved some extraordinary things. Over the lifespan (so far) of this magazine we have seen the deaths of many luminaries, and tried to celebrate their lives in these pages. Dear Friends, Two in particular Welcome to another issue of the best magazine in spring to the world put together for free by a bunch of social mind: Daevid outcasts, and edited by a fat bloke and his small Allen (earlier kitten. However, I think that last sentence qualifies this year) and it all a bit. Mick Farren (in 2013). I In 1999, and again in 2002, when much loved knew both public figures died, there was a great outpouring personally, of public grief, here in the UK at least, amongst and whilst large sectors of the population. -
Films and Videos on Tibet
FILMS AND VIDEOS ON TIBET Last updated: 15 July 2012 This list is maintained by A. Tom Grunfeld ( [email protected] ). It was begun many years ago (in the early 1990s?) by Sonam Dargyay and others have contributed since. I welcome - and encourage - any contributions of ideas, suggestions for changes, corrections and, of course, additions. All the information I have available to me is on this list so please do not ask if I have any additional information because I don't. I have seen only a few of the films on this list and, therefore, cannot vouch for everything that is said about them. Whenever possible I have listed the source of the information. I will update this list as I receive additional information so checking it periodically would be prudent. This list has no copyright; I gladly share it with whomever wants to use it. I would appreciate, however, an acknowledgment when the list, or any part, of it is used. The following represents a resource list of films and videos on Tibet. For more information about acquiring these films, contact the distributors directly. Office of Tibet, 241 E. 32nd Street, New York, NY 10016 (212-213-5010) Wisdom Films (Wisdom Publications no longer sells these films. If anyone knows the address of the company that now sells these films, or how to get in touch with them, I would appreciate it if you could let me know. Many, but not all, of their films are sold by Meridian Trust.) Meridian Trust, 330 Harrow Road, London W9 2HP (01-289-5443)http://www.meridian-trust/.org Mystic Fire Videos, P.O. -
A Prophetic Voice: Thomas Berry
A PROPHETIC VOICE: THOMAS BERRY By Marjorie Hope and James Young Introduction Whenever Thomas Berry looks out over the Hudson River from his home at the Riverdale Center for Religious Research, he experiences anew “the gorgeousness of the natural world.” The Earth brings forth a display of beauty in such unending profusion, a display so overwhelming to human consciousness, he says, that “we might very well speak of it as being dreamed into existence.” But this Passionist priest and cultural historian—who calls himself a geologian—also reflects on the disastrous damage humans have wrought on the Earth. What is happening today is unprecedented, it is not just another change, he says. We are changing the very structure of the planet. We are even extinguishing many of the major life systems that have emerged in the 65 million years of this, the Cenozoic era—an era that has witnessed a spectrum of wonders, including the development of flowers, birds, and insects, the spreading of grasses and forests across the land, and the emergence of humans. The Earth is changing, and we ourselves, integral aspects of the Earth, are being changed, he says. Religion must now function within this context, at this order of magnitude. But Western religion has been assuming little or no responsibility for the state or fate of the planet. Theology has become dysfunctional. As a member of a Roman Catholic order, Berry directs much of his criticism at the tradition he knows best, Christianity. But his intention is to address people of any belief, and his searching mind and wide acquaintance with Chinese, Indian, Southeast Asian, Native American, and other cultures ‐ indeed, the entire pageant of cultural history ‐ make him catholic in the, non‐ sectarian sense of the term. -
World Hau Books
WORLD Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Throop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WORLD AN ANthrOPOLOgical EXAMINatION João de Pina-Cabral The Malinowski Monographs Series Hau Books Chicago © 2017 Hau Books and João de Pina-Cabral The Malinowski Monographs Series (Volume 1) The Malinowski Monographs showcase groundbreaking monographs that contribute to the emergence of new ethnographically-inspired theories. In tribute to the foundational, yet productively contentious, nature of the ethnographic imagination in anthropology, this series honors Bronislaw Malinowski, the coiner of the term “ethnographic theory.” The series publishes short monographs that develop and critique key concepts in ethnographic theory (e.g., money, magic, belief, imagination, world, humor, love, etc.), and standard anthropological monographs—based on original research—that emphasize the analytical move from ethnography to theory. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-1-912808-24-3 LCCN: 2016961546 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Preface vii Acknowledgments xi chapter one World 1 chapter two Transcendence 31 -
Tolkien's Mythic Meaning
TOLKIEN’S MYTHIC MEANING: THE READER’S ONTOLOGICAL ENCOUNTERS IN THE LORD OF THE RINGS A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2020 Quinn A J Gervel School of Arts, Languages and Cultures Research carried out at Nazarene Theological College, Manchester, UK 2 Table of Contents Table of Contents .............................................................................................................. 2 Abbreviations of Tolkien Works ........................................................................................ 4 Abstract ............................................................................................................................. 5 Declaration ........................................................................................................................ 6 Copyright Statement .......................................................................................................... 7 Dedication ......................................................................................................................... 8 Acknowledgements............................................................................................................ 9 Introduction ..................................................................................................................... 10 Chapter 1: Sub-Creativity and Ontological Experience .................................................... 27 Introduction......................................................................................................... -
Zen Comes West Christmas Humphreys ; Eorge Allen & Unwin KANSAS CITY, MO PUBLIC LIBRARY
Zen Buddhism, which aims at breaking through the thought-barrier to direct enkghtenment, is coming West. In the last fifteen centuries Zen train- has ing produced some of the greatest minds and the finest art and culture of China and Japan. Now, the more intui- tive Western thinkers, frustrated by ^- limitations of the intellect, are ^:x::^ for a means of developing tlie mind towards this direct experience of reality. Dr. D. T. Suzuki has brought to the West a knowledge of Zen Buddhism, but can books alone enable the Western student to achieve the Zen experience ? Mr. Christmas Humphreys, founder of the Buddhist Society and author of Zen Buddhism,, is attempting to solve this problem. Here is a method of approach as practised by a gr wp in London, with a record of their fa i ire and success. It involves removing a host of fixed ideas, developing a trairud will with a new singleness of aim, md an intuitive aware- ness of the onertss wLidi lies beyond thought. It is c : aracter-buildiiig with deliberate purpoti; A:d all this in the course of tie day s M t)rk, in a blend of fierce determim; : 0.1 anc enormous *; i, . Zen Comes West Christmas Humphreys ; eorge Allen & Unwin KANSAS CITY, MO PUBLIC LIBRARY D DDD1 OBlOfln 7 294 H927z 66-21560 Humphreys Zen comes west 66-21560 H927z 294 **"* Humphreys Zen comes west f ZEN COMES WEST by the same author ZEN BUDDHISM STUDIES IN THE MIDDLE WAY THE WAY OF ACTION etc., etc. o a "d * a > cd *> .S |~J g^ w tti cJ u JS O <J w w 8J I 8 a IBG co Ocj >- q oo co to Zen Comes \Vest THE PRESENT AND FUTURE OF ZEN BUDDHISM IN BRITAIN CHRISTMAS HUMPHREYS Ruskin House GEORGE ALLEN & UNWIN LTD MUSEUM STREET LONDON FIRST PUBLISHED IN 1960 This book is copyright under the Berne Convention. -
Camus, Qohelet, and the Confrontation with the Absurd
Morgan 1 Living in the Tensions: Camus, Qohelet, and the Confrontation with the Absurd A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Justin Keith Morgan 15 April 2011 Morgan 2 Liberty University School of Communication Master of Arts in English ___________________________________________________________________________ Dr. Mark Schmidt, Thesis Chair Date ___________________________________________________________________________ Dr. Karen Prior, First Reader Date ___________________________________________________________________________ Dr. Alan Fuhr, Second Reader Date Morgan 3 This thesis is dedicated to my best friend, Alicia Valere. Morgan 4 Acknowledgements I wish to express my deepest gratitude to: my professors and fellow classmates—for inspiring me to be a pursuer of God and His Truth; Dr. Mark Schmidt, Dr. Karen Prior, and Dr. Alan Fuhr—for your guidance and wisdom; my siblings—Ashley, Dallas, and Tahlia—for your friendship; my father and mother—for raising me in a God-fearing home; Alicia, my love—for the encouragement and distractions; Jesus Christ, author of my life—for redemption. Morgan 5 Table of Contents Signatures…………………………………………………………………………………….2 Dedication…………………………………………………………………………………….3 Acknowledgements………………………………………………………………………..…4 Table of Contents………………………………………………………………......………...5 Abstract…………………………………………………………………………………...…..6 Introduction: Connecting Camus and Qohelet………………………………..…………...…7 Chapter One: The Burden of Knowing: -
Basingstoke Local Group Annual General Meeting
BBAASSIINNGGSSTTOOKKEE LLOOCCAALL GGRROOUUPP APRIL 2017 NEWSLETTER http://www.rspb.org.uk/groups/basingstoke Contents: From The Group Leader Notices Annual General Meeting Big Garden Birdwatch What’s Happening? April’s Outdoor Meeting Evening Walks Programme May’s Outdoor Meeting March’s Outdoor Meeting Mad March ….. Moths! Sri Lanka: Kirinda Beach Resort & Yala NP Local Wildlife News Quiz ‘Page’ And Finally! Charity registered in England and Wales no. 207076 From The Group Leader Welcome to April, the Newsletter and, we can but hope, the real spring! With the lengthening days, further clement weather and multitude of Bank Holidays etc. in the offing you can but expect that there will be a great many birds and other wildlife reported, both locally and further afield, in the Newsletter – seemingly this having commenced already if this Newsletter is anything to go by! As always, this monthly hint at what’s happening in the world about us is entirely due to the contributions of those such as you, so, thank you and do please keep the sightings coming. They’re much appreciated and, I can but hope, I’m sure encourage others out in the field to make the most of that which we’re blessed with locally. With regard to sightings this Newsletter carries further news from the 2017 Big Garden Birdwatch, which I hope that you enjoyed participating in. The highlighted results, both national and local, I’m sure will give you food for thought. Once again, if you’ve any views on these inclusions or the Birdwatch please do let us know. -
Lothar Wolff Collection, 1926-1987
Lothar Wolff collection, 1926-1987 Finding aid prepared by Stacey Doyle and Ken Fox, Project Archivists George Eastman Museum, Moving Image Department August 2014 Descriptive Summary Creator: Wolff, Lothar, 1909-1988 Title: Lothar Wolff collection Dates: 1926-1987 Physical Extent: 25.4 cubic feet Repository: Moving Image Department George Eastman Museum 900 East Avenue Rochester, NY 14607 Phone: 585-271-3361 Email: [email protected] URL: www.eastman.org Content Abstract: The Lothar Wolff collection consists of correspondence (both business and personal), photographs, publications and clippings, research materials, awards and citations, artwork, and film and video dating from 1926 to 1987. The bulk of the collection represents Wolff’s professional career, including materials related to completed and proposed film and television projects and other business endeavors; very little is of a personal nature. The collection includes material documenting Wolff’s involvement with many notable figures involved in motion pictures, including Louis de Rochemont, Louise Brooks, G. W. Pabst, and Paul Fejos. Language: Collection materials are primarily in English, German, and French. Location: Collection materials are located onsite. Access Restrictions: This collection is open to research upon request. 1 Copyright: George Eastman Museum holds the rights to the physical materials but not intellectual property rights. Acquisition Information: The Lothar Wolff Collection was received by George Eastman Museum as a gift from Mr. Wolff's widow, Violet Wolff. Custodial History: Materials were created, collected, and maintained by Mr. Wolff during his lifetime. Following his death these materials were donated to George Eastman Museum by his widow, Violet M. Wolff. Funding for this finding aid was provided by a grant from the Council on Library and Information Resources’ Hidden Collections Program. -
The Routledge Companion to British Media History
40 The origins and practice of science on British television Timothy Boon and Jean-Baptiste Gouyon Both science and television have been extraordinarily powerful forces for economic, social and cultural change in the period since 1945. It follows that the television representation of scientific and technological subjects should be an exceptionally potent subject for revealing core elements of our culture. And yet science television has until recently been the province of a very small coterie of scholars. As a result, what we know about the story of the history of science on television is uneven. However, especially in a volume of this breadth, where it is possible to draw comparison with other fields, it is important to ask what it has meant, over the substantive period of British television history, to present science, specifically on television. But we must work with what we have, and this essay follows the weight of the literature in covering the period before 1980 in significantly more depth than the last few decades. What has it meant to viewers to experience science television programs? The fundamental point about the history, institutions and influence of television is that it was the growth of viewers that drove its development. Television license holders increased 300-fold in the key years of expansion between 1947 and 1955, by which date 4.5 million homes had sets; there were 13 million by 1964 when BBC2 started; in 2009–10, 25 million licenses were in force. All the same, it is difficult to make direct links between these bald figures and the experience of viewers of science television programs. -
Go West! Bristol’S Film and Television Industries
Go West! Bristol’s Film and Television Industries Andrew Spicer and Steve Presence Acknowledgements This project benefited from the knowledge, support and hard work of many people and organisations. In particular we would like to thank the following individuals: Dr Lisa Harrison, Associate Dean Learning and Teaching in the Faculty of Arts, Creative Industries and Education (ACE) at the University of the West of England (UWE Bristol), who supported our proposal to use the Higher Education Innovation Fund to carry out the research on which the report is based. Eleni Christopoulou, the researcher attached to the project during its six-month data gathering phase, was a vital member of the team and conducted much of the groundwork during that period. Lynn Barlow, Director of Creative Industries in ACE and perhaps the best-connected media person in the city, was invaluable in brokering introductions and providing the kinds of insights into Bristol’s film and television cluster that cannot be learned. Professor Felix Ritchie and Dr Ian Smith at UWE Bristol’s Faculty of Business and Law, and Dr Stephen Usmar, Economic Intelligence Officer at Bristol City Council, provided extremely valuable feedback about the statistical challenges involved in the project, for which we are very grateful. We have also received considerable support from UWE Bristol’s Research and Business Innovation team – thanks to Jane Askew and Claire Furlong. The company location map is based on an original illustration by Katherine Shotliff, a second-year UWE Bristol Graphic Design student. Harry Pitts, a PhD student at the University of Bath, carried out several follow-up interviews with many of the companies in the study.