Natural History with David Attenborough Transcript
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The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale. -
Information to Users
INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8717659 Art openings as celebratory tribal rituals Kelm, Bonnie G., Ph.D. The Ohio State University, 1987 Copyright ©1987 by Kelm, Bonnie G. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
Life on Air: Memoirs of a Broadcaster PDF Book
LIFE ON AIR: MEMOIRS OF A BROADCASTER PDF, EPUB, EBOOK Sir David Attenborough | 448 pages | 01 Jul 2011 | Ebury Publishing | 9781849900010 | English | London, United Kingdom Life on Air: Memoirs of a Broadcaster PDF Book And not all of us can do that, even given the chance; I, for one, most certainly could not, given my insects phobia. Featuring 60 superb color plates, this is an easy-to-use photographic identification guide to the You'll like it if you like Sir. In his compelling autobiography, Michael McIntyre reveals all. I will defiantly listen to another of his marvellous books. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees. Why on earth you would think they are quartz crystals? Attenborough's storytelling powers are legendary, and they don't fail him as he recounts how he came to stand in rat-infested caves in Venezuela, confront wrestling crocodiles, abseil down a rainforest tree in his late sixties, and wake with the lioness Elsa sitting on his chest. This is a big old book, or at least it felt it to me. He was knighted in and now lives near London. As a student of film it is a veritable history of broadcast television and practical film making. If you are not happy then neither are we. Rediscover the thrills, grandeur, and unabashed fun of the Greek myths. David Attenborough is a giant of natural history and this book charting his many TV series brought home to me just what a contribution he's made to our understanding of the natural world. -
Aggression and Symbols of Power
Rochester Institute of Technology RIT Scholar Works Theses 10-14-1990 Aggression and symbols of power Karen Kuhn Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Kuhn, Karen, "Aggression and symbols of power" (1990). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology A Thesis Submitted to the Faculty of the College of Fine and Applied Arts in Candidacy for the Degree of MASTER OF FINE ARTS Aggression and Symbols of Power by Karen Kuhn 10.14.90 Approvals Advisor: Mark Stanitz Date: /.¥yl1l. Associate Advisor: Leonard Urso Date: /:.~/(?/?~ . Associate Advisor: David Dickenson Date: I.~/~.f/..~(J. Special Assistant to the Dean for Graduate Affairs: Philip Bornarth Date: !~E(!1.9. Peter Grofeeler I, Karen V. Kuhn, prefer to be contacted each time a request for reproduction is made. I can be reached at the following address: 10 Valdepenas Lane Clifton Park. NY 12065 Date: 90.10.14 Aggression and Symbols of Power Abstract: Weapons are one of the oldest and most significant forms of artifacts, occurring in virtually all human cultures. Weapons and their technology often determine power structures, not only by brute force of arms, but by long standing respect to ritual aggression. In many cultures, weapons have become abstracted and formalized to become symbols of power and authority, as in a ruler 's scepter, which is a glorified war club. -
Bafta Rocliffe New Writing Showcase – Tv Comedy 2016
In addition to our top three finalists, theF ORUM LIST includes BAFTA Rocliffe patrons include: three additional projects. To contact any of the writers, simply Jenni Konner, Christine Langan, Julian Fellowes, John Madden, Mike Newell, BAFta ROCLIFFE NEW WrITING email [email protected] with your details and we will connect Richard Eyre, David Parfitt, Cameron you with them. McCracken, Peter Kosminsky, David Yates, SHOWcaSE Ð TV COMEDY 2016 Finola Dwyer, Michael Kuhn, Nik Powell, FRENEMIES by Paul Wilson Duncan Kenworthy, Rebecca OÕBrien, TUESDAY 21 JUNE 2016 No break-up is easy. But if two people can make each other Simon Relph, Sue Perkins, John Bishop and Dave Spikey. BAFTA 195 PIccaDILLY, LONDON W1J 9LN unhappy when they’re together, imagine the pain they can inflict when they’re apart. Rocliffe Producer and Moderator GALGOROTH by Alex Harvey FaraH ABUSHWESHA Parodic animated comedy series, spoofing ‘80s sci-fi/fantasy cartoons, [email protected] coupling puerile humour with epic storylines and satire: South Park BAFTA Producers meets He-man. JULIA CarrUTHERS [email protected] HELP by Sally Tatum & David Brain KAM KANDOLA FLYNN HELP is the story of what happens when your best friend becomes [email protected] your nanny. Rocliffe Producer JADE GrEEN [email protected] KEVIN CECIL is a writer and After becoming neither FaraH ABUSHWESHA runs A huge thank you to our script selection panelists and jurors. Casting script editor. He won an Emmy, an electrical engineer nor Rocliffe and is the Director FaYE TIMBY a Writer’s Guild of America an actor, multi-BAFTA of Content for the comedy The Jury [email protected] award and a Writer’s Guild of nominated ADAM TANDY platform PYPO. -
Gonzo Weekly #137
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Princess Diana intensely, and encouraged the (probably apocryphal) story that a friend of mine queued for eleven hours in order to write surreal stoned drivel in the book of condolences in Exeter Cathedral. I also got sacked from my position at the BBC for claiming (on air) that her death had been the result of a conspiracy by Interflora, who seemed to have been the only people to benefit. Five years later when it all happened again I was less cynical, but refused to join in the grief for a lady of 101 to whom I was not related, despite the fact that she had lived an extraordinary life and achieved some extraordinary things. Over the lifespan (so far) of this magazine we have seen the deaths of many luminaries, and tried to celebrate their lives in these pages. Dear Friends, Two in particular Welcome to another issue of the best magazine in spring to the world put together for free by a bunch of social mind: Daevid outcasts, and edited by a fat bloke and his small Allen (earlier kitten. However, I think that last sentence qualifies this year) and it all a bit. Mick Farren (in 2013). I In 1999, and again in 2002, when much loved knew both public figures died, there was a great outpouring personally, of public grief, here in the UK at least, amongst and whilst large sectors of the population. -
Santander UK Plc 2019 Form 20-F Filed with The
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 20-F (Mark One) ☐ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to OR ☐ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of event requiring this shell company report to Commission file number 001-14928 Santander UK plc (Exact name of Registrant as specified in its charter) England (Jurisdiction of incorporation or organization) 2 Triton Square, Regent’s Place, London NW1 3AN, England (Address of principal executive offices) Julian Curtis 2 Triton Square, Regent’s Place, London NW1 3AN, England Tel: +44 (0) 20 7756 4272 E-mail: [email protected] (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act. Trading Name of each exchange Title of each class Symbol(s) on which registered 2.375% Notes due March 16, 2020, issued by SAN/20A New York Stock Exchange Abbey National Treasury Services plc * 2.125% Notes due November 3, 2020, issued by SAN/20C New York Stock Exchange Santander UK plc Floating Rate Notes due November 3, 2020, SAN/20D New York Stock Exchange issued by Santander UK plc 2.500% -
Films and Videos on Tibet
FILMS AND VIDEOS ON TIBET Last updated: 15 July 2012 This list is maintained by A. Tom Grunfeld ( [email protected] ). It was begun many years ago (in the early 1990s?) by Sonam Dargyay and others have contributed since. I welcome - and encourage - any contributions of ideas, suggestions for changes, corrections and, of course, additions. All the information I have available to me is on this list so please do not ask if I have any additional information because I don't. I have seen only a few of the films on this list and, therefore, cannot vouch for everything that is said about them. Whenever possible I have listed the source of the information. I will update this list as I receive additional information so checking it periodically would be prudent. This list has no copyright; I gladly share it with whomever wants to use it. I would appreciate, however, an acknowledgment when the list, or any part, of it is used. The following represents a resource list of films and videos on Tibet. For more information about acquiring these films, contact the distributors directly. Office of Tibet, 241 E. 32nd Street, New York, NY 10016 (212-213-5010) Wisdom Films (Wisdom Publications no longer sells these films. If anyone knows the address of the company that now sells these films, or how to get in touch with them, I would appreciate it if you could let me know. Many, but not all, of their films are sold by Meridian Trust.) Meridian Trust, 330 Harrow Road, London W9 2HP (01-289-5443)http://www.meridian-trust/.org Mystic Fire Videos, P.O. -
A Prophetic Voice: Thomas Berry
A PROPHETIC VOICE: THOMAS BERRY By Marjorie Hope and James Young Introduction Whenever Thomas Berry looks out over the Hudson River from his home at the Riverdale Center for Religious Research, he experiences anew “the gorgeousness of the natural world.” The Earth brings forth a display of beauty in such unending profusion, a display so overwhelming to human consciousness, he says, that “we might very well speak of it as being dreamed into existence.” But this Passionist priest and cultural historian—who calls himself a geologian—also reflects on the disastrous damage humans have wrought on the Earth. What is happening today is unprecedented, it is not just another change, he says. We are changing the very structure of the planet. We are even extinguishing many of the major life systems that have emerged in the 65 million years of this, the Cenozoic era—an era that has witnessed a spectrum of wonders, including the development of flowers, birds, and insects, the spreading of grasses and forests across the land, and the emergence of humans. The Earth is changing, and we ourselves, integral aspects of the Earth, are being changed, he says. Religion must now function within this context, at this order of magnitude. But Western religion has been assuming little or no responsibility for the state or fate of the planet. Theology has become dysfunctional. As a member of a Roman Catholic order, Berry directs much of his criticism at the tradition he knows best, Christianity. But his intention is to address people of any belief, and his searching mind and wide acquaintance with Chinese, Indian, Southeast Asian, Native American, and other cultures ‐ indeed, the entire pageant of cultural history ‐ make him catholic in the, non‐ sectarian sense of the term. -
World Hau Books
WORLD Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Throop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WORLD AN ANthrOPOLOgical EXAMINatION João de Pina-Cabral The Malinowski Monographs Series Hau Books Chicago © 2017 Hau Books and João de Pina-Cabral The Malinowski Monographs Series (Volume 1) The Malinowski Monographs showcase groundbreaking monographs that contribute to the emergence of new ethnographically-inspired theories. In tribute to the foundational, yet productively contentious, nature of the ethnographic imagination in anthropology, this series honors Bronislaw Malinowski, the coiner of the term “ethnographic theory.” The series publishes short monographs that develop and critique key concepts in ethnographic theory (e.g., money, magic, belief, imagination, world, humor, love, etc.), and standard anthropological monographs—based on original research—that emphasize the analytical move from ethnography to theory. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-1-912808-24-3 LCCN: 2016961546 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Preface vii Acknowledgments xi chapter one World 1 chapter two Transcendence 31 -
Ash Atalla, Probably the Single-Most Successful Comedy Writer-Producer in Britain Right Now
Issue #6 January 2017 The magazine celebrating television’s golden era of scripted programming Gaumont Television presents A new TV Series Visit us during NATPE SEASON 1 : 6 x 52’ at The Fontainebleau Hotel - Chateau #1516 Scripted OFC Jan17.indd 2 19/12/2016 10:56 A TANGLED WORLD BUILT ON BITTER RIVALRIES An ITV & Hulu co-production pIFC-01 ITV Harlots Scripted Jan17.indd 2 19/12/2016 15:54 ITV0030_HarlotsPress_TBIDPS_AW.indd 1 19/12/2016 13:26 A TANGLED WORLD BUILT ON BITTER RIVALRIES An ITV & Hulu co-production pIFC-01 ITV Harlots Scripted Jan17.indd 3 19/12/2016 15:54 ITV0030_HarlotsPress_TBIDPS_AW.indd 1 19/12/2016 13:26 Where Drama Makes It Big. Dial up the drama in a big way with MIPDrama Screenings and MIPTV market 3-6 April 2017 Drama@MIPTV. With more than 2,000 buyers in attendance, the best in World Premiere TV Screenings, and conferences MIPDoc and MIPFormats 1-2 April 2017 exploring the evolution of storytelling, at MIPTV, drama is MIPDrama Screenings 2 April 2017 a big deal. Cannes, FRANCE Registration miptv.com Driving the content economy TBIScriptedp02 drama.indd MIPTV 1 Jan17.indd 1 19/12/201620/12/2016 17:1511:10 In this issue Editor’s Note Often, drama industry journalists follow the money. It’s how we know who’s making what, what’s not going into production and where we think the next hit is coming from. No scripted programme, however, has ever been successful without spending that money on the right creative talent. That’s why in this issue of TBI Scripted, we’re focusing on those creative X 64 types – the writers, creative producers and actors who actually make the programming that audiences love.