583 Jane's Minstrels
Page 1 My Own Country Soprano JANE MANNING JANE'S MINSTRELS conductor ROGER MONTGOMERY Songs and Music by Roger Quilter, Peter Warlock Frank Bridge, Ethel Smyth Page 2 Page 3 best, his style is finely balanced between light ballad more surprising for being the work of a woman in the My Own Country and art song, and Warlock, notably, acknowledged his male-dominated musical scene of her time, it has been debt to this kind of utterance, as did a number of Smyth's misfortune that her larger than life English song composers of the time, laced as it is with personality, splendidly represented in her extensive a French harmonic poise. Unlike Bridge, however, autobiographical writings, and her leading role in the Jane Manning ~ soprano Quilter hardly developed in manner or substance suffragette movement, have continued to divert throughout his long composing life, although , with his attention from the music. Susanne Stanzeleit ~ violin I Three Pastoral Songs of 1920, he proved still capable Marina Gillam ~ violin II of investing the well-tried style with a fresh impulse. To the unprejudiced ear, this undervaluing of Dorothea Vogel ~ viola Smyth's music may well seem incomprehensible, Adrian Bradbury ~ cello Ethel Smyth (1858-1944) belonged to a rather especially when becoming acquainted with her Four different musical world. Although still productive Songs for Voice, Flute, Harp, String Trio and Dominic Saunders ~ piano during the 1920s, she reached her seventieth year Percussion, composed in 1907. By this time, a certain Robert Manasse ~ flute before the end of the decade, at which point increasing Gallic grace had been incorporated into Smyth's Emily Pailthorpe ~ oboe/cor anglais deafness brought her composing to an end.
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