Why Podcasts?
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Looking for Podcast Suggestions? We’Ve Got You Covered
Looking for podcast suggestions? We’ve got you covered. We asked Loomis faculty members to share their podcast playlists with us, and they offered a variety of suggestions as wide-ranging as their areas of personal interest and professional expertise. Here’s a collection of 85 of these free, downloadable audio shows for you to try, listed alphabetically with their “recommenders” listed below each entry: 30 for 30 You may be familiar with ESPN’s 30 for 30 series of award-winning sports documentaries on television. The podcasts of the same name are audio documentaries on similarly compelling subjects. Recent podcasts have looked at the man behind the Bikram Yoga fitness craze, racial activism by professional athletes, the origins of the hugely profitable Ultimate Fighting Championship, and the lasting legacy of the John Madden Football video game. Recommended by Elliott: “I love how it involves the culture of sports. You get an inner look on a sports story or event that you never really knew about. Brings real life and sports together in a fantastic way.” 99% Invisible From the podcast website: “Ever wonder how inflatable men came to be regular fixtures at used car lots? Curious about the origin of the fortune cookie? Want to know why Sigmund Freud opted for a couch over an armchair? 99% Invisible is about all the thought that goes into the things we don’t think about — the unnoticed architecture and design that shape our world.” Recommended by Scott ABCA Calls from the Clubhouse Interviews with coaches in the American Baseball Coaches Association Recommended by Donnie, who is head coach of varsity baseball and says the podcast covers “all aspects of baseball, culture, techniques, practices, strategy, etc. -
Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
9Th Grade Ela
9TH GRADE ELA Week of: MAY 11TH WICHITA PUBLIC SCHOOLS 9th, 10th, 11th and 12th Grades Your child should spend up to 90 minutes over the course of each day on this packet. Consider other family-friendly activities during the day such as: Learn how to do laundry. Create a cartoon image Make a bucket list of Look up riddles to Wash the laundry, of your family. things to do after the solve with someone fold and put the quarantine is over with in your family. laundry away. your family. Mindful Minute: Write Do a random act of Teach someone in your Put together a puzzle down what a typical day kindness for someone in family to play one of your with your family. was like pre-quarantine your house. video games. and during quarantine. How have things changed? *All activities are optional. Parents/Guardians please practice responsibility, safety, and supervision. For students with an Individualized Education Program (IEP) who need additional support, Parents/Guardians can refer to the Specialized Instruction and Supports webpage, contact their child’s IEP manager, and/or speak to the special education provider when you are contacted by them. Contact the IEP manager by emailing them directly or by contacting the school. The Specialized Instruction and Supports webpage can be accessed by clicking HERE or by navigating in a web browser to https://www.usd259.org/Page/17540 WICHITA PUBLIC SCHOOLS CONTINUOUS LEARNING HOTLINE AVAILABLE 316-973-4443 MARCH 30 – MAY 21, 2020 MONDAY – FRIDAY 11:00 AM – 1:00 PM ONLY For Multilingual Education Services (MES) support, please call (316) 866-8000 (Spanish and Proprio) or (316) 866-8003 (Vietnamese). -
S.Tramp Et Al. / an Architecture of a Distributed Semantic Social Network
Semantic Web 1 (2012) 1–16 1 IOS Press An Architecture of a Distributed Semantic Social Network Sebastian Tramp a;∗, Philipp Frischmuth a, Timofey Ermilov a, Saeedeh Shekarpour a and Sören Auer a a Universität Leipzig, Institut für Informatik, AKSW, Postfach 100920, D-04009 Leipzig, Germany E-mail: {lastname}@informatik.uni-leipzig.de Abstract. Online social networking has become one of the most popular services on the Web. However, current social networks are like walled gardens in which users do not have full control over their data, are bound to specific usage terms of the social network operator and suffer from a lock-in effect due to the lack of interoperability and standards compliance between social networks. In this paper we propose an architecture for an open, distributed social network, which is built solely on Semantic Web standards and emerging best practices. Our architecture combines vocabularies and protocols such as WebID, FOAF, Se- mantic Pingback and PubSubHubbub into a coherent distributed semantic social network, which is capable to provide all crucial functionalities known from centralized social networks. We present our reference implementation, which utilizes the OntoWiki application framework and take this framework as the basis for an extensive evaluation. Our results show that a distributed social network is feasible, while it also avoids the limitations of centralized solutions. Keywords: Semantic Social Web, Architecture, Evaluation, Distributed Social Networks, WebID, Semantic Pingback 1. Introduction platform or information will diverge. Since there are only a few large social networking players, the Web Online social networking has become one of the also loses its distributed nature. -
Read Ebook {PDF EPUB} the NPR Curious Listener's Guide to Celtic Music by Fiona Ritchie the NPR Curious Listener's Guide to Celtic Music by Fiona Ritchie
Read Ebook {PDF EPUB} The NPR Curious Listener's Guide to Celtic Music by Fiona Ritchie The NPR Curious Listener's Guide to Celtic Music by Fiona Ritchie. Sinead O'Connor performs at August Hall in San Francisco, Calif., in February 2020. Tim Mosenfelder/Getty Images hide caption. Sinéad O'Connor Has A New Memoir . And No Regrets. News & Stories. the latest from npr music. The Best Music Of May: NPR Staff Picks 2 hours ago. Fat Joe: Tiny Desk (Home) Concert 2 hours ago. Bakosó: Cuban Grooves Meet Afrobeats 1 day ago. Crate Digging With Christian McBride: The Works Of Cedar Walton 3 days ago. More NPR content after sponsor message. Listen Live. public radio music streams. Playlists. Hand-picked songs curated by the NPR Music staff. Press Pause. A regularly updated playlist that keeps track of new songs deemed absolutely essential by the NPR Music staff. Composer Vivian Fung. Geneviève Caron/Courtesy of the artist hide caption. NPR Classical. Six composers of Asian heritage you should know dominate this week's playlist, with expressive music by Arooj Aftab, Dai Fujikura, Vivian Fung, Du Yun, Bright Sheng and Chen Yi. Bob Boilen's Playlist. What the creator of NPR Music's All Songs Considered and Tiny Desk Concerts is listening to right now. Comic book artist Daniel Warren Johnson ( Murder Falcon , Extremity ) illustrates the music of Viking's Choice. Horns up! Daniel Warren Johnson hide caption. Viking's Choice. This week: Tyrann's capital-H Heavy Metal, Sharkula x Mukqs' warped rap, Six Organs of Admittance's starlit shred, Rey Sapienz's mutant banger. -
Audience Use of New Media Technologies on NPR.Org: An
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Audience Use of New Media Applications on npr.org: An Exploratory Study Kristine Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION AUDIENCE USE OF NEW MEDIA APPLICATIONS ON NPR.ORG: AN EXPLORATORY STUDY By KRISTINE JOHNSON A Dissertation submitted to the School of Communication in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2011 The members of the committee approve the dissertation of Kristine Johnson defended on November 12, 2010. _______________________________________ Dr. Steven McClung Professor Co-Directing Dissertation _______________________________________ Dr. Jennifer Proffitt Professor Co-Directing Dissertation _______________________________________ Dr. Jeanine Turner University Representative _______________________________________ Dr. Jay Rayburn Committee Member Approved: _____________________________________ Stephen McDowell, Chair, School of Communication _____________________________________ Larry Dennis, Dean, College of Communication and Information The Graduate School has verified and approved the above-named committee members. ii This dissertation is dedicated to my loving parents, Dale and Monica. ACKNOWLEDGEMENTS I am grateful to Dr. Steven McClung for being such a dedicated, insightful, and practical mentor. He helped me in ways that I can only describe as being well above and beyond any expectations. Dr. McClung continued to work with me after pursuing an opportunity at another university, and he always made sure I was on track to ultimately ―find a job.‖ Plus, I also enjoyed our meetings at the ―lunchbox‖ office during the summer months. Thank you, Dr. -
Public Broadcasting Atlanta (PBA) Atlanta, GA
LEADERSHIP PROFILE President and Chief Executive Officer Public Broadcasting Atlanta (PBA) Atlanta, GA We inspire a community of life-long learners. --PBA Mission THE OPPORTUNITY Public Broadcasting Atlanta (PBA) is a trusted epicenter of news, culture and storytelling in Atlanta, the 10th largest U.S. media market. PBA reaches 1.4 million viewers and listeners a month via WABE, the dominant NPR station, ATL PBA TV, a full-service PBS station, and award-winning podcasts and other compelling digital and educational offerings. PBA is integral to the metro Atlanta community. Most of its $14.7 million budget is funded by local donors and underwriters. In the past five years, WABE has doubled its news team, resulting in near-daily story pickup by NPR. PBA has exponentially grown its younger and more diverse audiences. This is a time of promise at PBA. The organization has transformed itself with world-class talent and storytelling that is platform-agnostic. It has a culture of boldness and innovation. At a moment of epic global challenges and intense media competition, PBA is poised to leverage reporting and storytelling, deepen relationships with current and emerging audiences, focus on increasing donor support and revenues, and capitalize on its local and national profile. The new CEO will have the exciting mandate to lead PBA into its next era. PBA has built a world-class team that collaborates across platforms and has amplified and diversified its audiences and offerings. The organization has an elevated profile. PBA’s mission, vision and plan are a clarion call to ongoing transformation, extraordinary content and financial growth. -
Annual Report 2012
Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector. -
Telling Public Radio's Story
Cincinnati Public Radio Local Services Report- FY 2018 1. Describe your overall goals and approach to address identified community issues, needs, and interests through your station’s vital local services, such as multiplatform long and short- form content, digital and in-person engagement, education services, community information, partnership support, and other activities, and audiences you reached or new audiences you engaged. Cincinnati Public Radio believes that to stay relevant and vital to listeners’ lives, as well as to grow audience, WGUC and WVXU must move from a mass media broadcast mentality to a pro-active engagement model that sets it apart and focuses on building community and providing meaningful content, especially local content, whenever and wherever listeners are seeking it. As such, local programming includes the programs Cincinnati Edition, Around Cincinnati, and Cincinnati Spotlight, as well as local podcasts Start Hear and Looking Up. Content from these programs addressed issues of importance to the community - such as the 2017 local, state and national elections, racial disparities in health care, Aging issues and living solutions, children and gun violence, sexual assault, immigration policy and refugee placement, organ donation, Ohio’s In-Demand Jobs Week, neighborhood activities and arts performances – and was available via on-air broadcasts, as well as online and mobile platforms. The station apps and website made the live broadcast streams easily accessible and offered links to individual content segments. Educational programs introducing children to classical music (Classics for Kids®) and voting and the political process (Democracy and Me) provided expanded outreach to students and teachers. Station personnel are active and visible in the community, interacting with listeners and community leaders to learn their needs and concerns - and representing the station across the region. -
Cdi 8/1/2021
- CDI AMENDED PRICING FOR 8/1/2021 Amended Prices for the Month of August 2021 Name of Licensee: Date:07/15/2021 Initial Filing Amending To Notes1 Item # Item Bottle Case Resale Bott PO Case PO Amending To Bottle Case Resale Bott PO Case PO 9024256 ABSOLUT VDK 80 24B 200ML 7.21 331.68 9.29 18.24 18.24 HARTLEY & PARKER 6.99 331.68 9.29 28.80 18.24 9024273 ABSOLUT VDK CITRON 24B 200ML 7.21 331.68 9.29 18.24 18.24 HARTLEY & PARKER 6.99 331.68 9.29 28.80 18.24 9365820 ABSOLUT VDK JUICE APL 70 6B 750ML 15.99 190.80 25.99 60.00 60.00 HARTLEY & PARKER 15.98 190.80 26.69 60.00 60.00 9417204 ABSOLUT VDK JUICE PEAR ELD 70 6B 750ML 15.99 190.80 25.99 60.00 60.00 HARTLEY & PARKER 15.98 190.80 26.99 60.00 60.00 9024282 ABSOLUT VDK MANDRIN 24B 200ML 7.21 331.68 9.29 18.24 18.24 HARTLEY & PARKER 6.99 331.68 9.29 28.80 18.24 9006515 ANTIOQUEN O AGUARDIEN TE 375ML 9.49 225.84 11.99 BARTON BRESCOME 7.59 179.34 9.89 9.60 9.60 9006514 ANTIOQUEN O AGUARDIEN TE 750ML 17.49 166.92 22.99 HARTLEY & PARKER 15.99 190.92 22.99 24.00 24.00 9006513 ANTIOQUENO AGUARDIENTE 1L Ammended manually HARTLEY & PARKER 17.99 190.92 26.99 42.00 66.00 keep our case 9448162 BACARDI RUM GLD 24B 200ML 4.10 176.77 5.99 23.66 23.66 BARTON BRESCOME 4.09 176.77 5.99 23.66 23.66 40261 BACARDI RUM GLD 375ML 6.09 138.06 7.99 25.10 25.10 EDER BROTHERS 6.06 138.06 7.99 25.10 25.10 41178 BACARDI RUM LIMON 24B 200ML 4.10 176.77 6.49 23.66 23.66 BARTON BRESCOME 4.09 176.77 5.99 23.66 23.66 9448163 BACARDI RUM SUPERIOR 24B 200ML 4.10 176.77 5.99 23.66 23.66 BARTON BRESCOME 4.09 176.77 5.99 23.66 23.66 40162 BACARDI RUM SUPERIOR FLK 375ML 6.09 138.06 7.99 25.10 25.10 EDER BROTHERS 6.06 138.06 7.99 25.10 25.10 153445 BALLANTINE S SCOTCH FINEST 750ML 19.30 229.15 24.39 ALLAN S. -
Usenet News HOWTO
Usenet News HOWTO Shuvam Misra (usenet at starcomsoftware dot com) Revision History Revision 2.1 2002−08−20 Revised by: sm New sections on Security and Software History, lots of other small additions and cleanup Revision 2.0 2002−07−30 Revised by: sm Rewritten by new authors at Starcom Software Revision 1.4 1995−11−29 Revised by: vs Original document; authored by Vince Skahan. Usenet News HOWTO Table of Contents 1. What is the Usenet?........................................................................................................................................1 1.1. Discussion groups.............................................................................................................................1 1.2. How it works, loosely speaking........................................................................................................1 1.3. About sizes, volumes, and so on.......................................................................................................2 2. Principles of Operation...................................................................................................................................4 2.1. Newsgroups and articles...................................................................................................................4 2.2. Of readers and servers.......................................................................................................................6 2.3. Newsfeeds.........................................................................................................................................6 -
Chenjerai-Kumanyika-Review.Pdf
The Transom Review Volume 15/Issue 2 Chenjerai Kumanika March 2015 (Edited by Sydney Lewis) Chenjerai Kumanyika The Transom Review – Vol.15/ Issue 2 Intro from Jay Allison Chenjerai took our Transom Traveling Workshop on Catalina and suddenly had to reckon with his own voice, his own identity, in the role of a public radio reporter. In his manifesto, Chenjerai confronts this question of how we sound, how we want ourselves to sound, and what’s permitted. I remember Tavis Smiley once saying, “Public radio wants me to be black, but not TOO black.” Chenjerai tackles that issue straight on — reading copy in various versions of his “self”— and examining the sound of public media, on the air and in the podcast world. These are key questions for public radio and it’s good to have them right out on the table. Vocal Color In Public Radio This summer during the Transom Catalina workshop, I produced my first public radio piece. While writing my script, I was suddenly gripped with a deep fear about my ability to narrate my piece. As I read the script back to myself while editing, I realized that as I was speaking aloud I was also imagining someone else’s voice saying my piece. The voice I was hearing and gradually beginning to imitate was something in between the voice of Roman Mars and Sarah Koenig. Those two very different voices have many complex and wonderful qualities. They also sound like white people. My natural voice –– the voice that I most use when I am most comfortable –– doesn’t sound like that.