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Beginning Again: on Aristotle's Use of a Fable in the Meteorologica
Beginning Again: On Aristotle’s Use of a Fable in the Meteorologica Doron Narkiss Foremost of false philosophies, The sea harangues the daft, The possessed logicians of romance. — Laura Riding Book Two, Chapter Three of Aristotle’s Meteorologica opens as follows: The sea’s saltiness is our next subject. This we must discuss, and also the question whether the sea remains the same all the time, or whether there was a time when it did not exist, or will be a time when it will cease to exist and disappear as some people think. It is, then, generally agreed that the sea had a beginning if the universe as a whole had, for the two are supposed to have come into being at the same time. So, clearly, if the universe is eternal we must suppose that the sea is too. The belief held by Democritus that the sea is decreasing and that it will in the end disappear is like something out of Aesop’s fables [mythos]. For Aesop has a fable about Charybdis in which he says that she took one gulp of the sea and brought the mountains into view, and a second one and the islands appeared, and that her last one will dry the sea up altogether. Α fable like this was a suitable retort for Aesop to make when the ferryman annoyed him, but is hardly suitable for those who are seeking the truth [aletheia].' (Met. II.iii.356b) I want to focus on Aristotle’s apparently casual use of “Aesop” here — Ae sop as a representative of a certain way of knowing, and of the knowledge thus implied. -
Aesop's Fables
AESOP’S FABLES ILLUSTRATED BY HAROLD YATES THE OLDEG N GALLEY SERIES OF JUNIOR CLASSICS AESOP’S FABLES Retold, by ARTHUR B. ALLEN Illustrated by Harold Yates LONDON GOLDEN GALLEY PRESS LIMITED First Published in this Edition 1948 R.8022 PRINTED IN GREAT BRITAIN Text by Adelphi Associated Press, London, 17.1. Colour Plates by Perry Colourprint Ltd., London, S.17.15. CONTENTS Introduction I. The Cock and the Jewel II. The Wolf and the Lamb III. The Frogs who wanted a King IV. The Vain Jackdaw V. The Dog and the Shadow VI. The Lion and the Other Beasts VII. The Wolf and the Crane VIII. The Stag and the Water IX. The Fox and the Crow X. The Two Bitches XL The Proud Frog XII. The Fox and the Stork XIII. The Eagle and the Fox XIV. The Boar and the Ass XV. The Frogs and the Fighting Bulls XVI. The Kite and the Pigeons XVII. The Lark and Her Young Ones XVIII. The Stag in the Ox-stall XIX. The Dog and the Wolf XX. The Lamb brought up by a Goat XXL The Peacock’s Complaint XXII. The Fox and the Grapes XXIII. The Viper and the File XXIV. The Fox and the Goat XXV. The Countryman and the Snake XXVI. The Mountains in Labour XXVII. The Ant and the Fly XXVIII. The Old Hound XXIX. The Sick Kite XXX. The Hares and the Frogs XXXI. The Lion and the Mouse XXXII. The Fatal Marriage XXXIII. The Wood and the Clown XXXIV. The Horse and the Stag XXXV. -
Aesop's Fables, However, Includes a Microsoft Word Template File for New Question Pages and for Glos- Sary Pages
1 æsop’s fables Click here to jump to the Table of Contents 2 Copyright 1993 by Adobe Press, Adobe Systems Incorporated. All rights reserved. The text of Aesop’s Fables is public domain. Other text sections of this book are copyrighted. Any reproduction of this electronic work beyond a personal use level, or the display of this work for public or profit consumption or view- ing, requires prior permission from the publisher. This work is furnished for informational use only and should not be construed as a commitment of any kind by Adobe Systems Incorporated. The moral or ethical opinions of this work do not necessarily reflect those of Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibilities for any errors or inaccuracies that may appear in this work. The software and typefaces mentioned on this page are furnished under license and may only be used in accordance with the terms of such license. This work was electronically mastered using Adobe Acrobat software. The original composition of this work was created using FrameMaker. Illustrations were manipulated using Adobe Photoshop. The display text is Herculanum. Adobe, the Adobe Press logo, Adobe Acrobat, and Adobe Photoshop are trade- marks of Adobe Systems Incorporated which may be registered in certain juris- dictions. 3 Contents • Copyright • How to use this book • Introduction • List of fables by title • Aesop’s Fables • Index of titles • Index of morals • How to create your own glossary and question pages • How to print and make your own book • Fable questions Click any line to jump to that section 4 How to use this book This book contains several sections. -
Favorite Aesop's Fables and More
Favorite Aesop’s Fables and More Storytelling Show Presented by Katie Adams’ Make Believe Theater Welcome to the show! Perseverance… honesty… helping others, Aesop’s Fables show us how to make good choices in life. Storyteller Katie Adams will exercise your imagination with her energetic performance and drawings of The Race of the Tortoise and the Hare, The Lion and the Mouse, The Boy who Cried Wolf, and more fables in this fun, storytelling show. This 45-minute show includes live illustrations, and audience participation. Before the Show Synopsis of the Stories There are five fables in today’s show. Here is a summary of each one. The Race of the Tortoise and the Hare Katie will invite the audience to participate by cheering for the Tortoise and the Hare. This is Aesop’s fable about a fast Hare (rabbit) who liked to make fun of a slow Tortoise. Set in Florida, down at the beach, all the animals are Florida wildlife including Gopher Tortoise. Tired of being teased about his slow pace, Tortoise challenges Hare to a race, with all the nearby animals to cheer them on. Once the race begins, Hare is so sure he will win the race, he stops for a snack, and then for a nap. Meanwhile Tortoise keeps going, keeping his eye on the finish line and letting nothing distract him. Just before Tortoise is about to finish the race, Hare wakes up and with a burst of speed tries to beat Tortoise. But he is too late! Tortoise wins the race. The moral of the story is: Slow and steady wins the race. -
Meet the Philosophers of Ancient Greece
Meet the Philosophers of Ancient Greece Everything You Always Wanted to Know About Ancient Greek Philosophy but didn’t Know Who to Ask Edited by Patricia F. O’Grady MEET THE PHILOSOPHERS OF ANCIENT GREECE Dedicated to the memory of Panagiotis, a humble man, who found pleasure when reading about the philosophers of Ancient Greece Meet the Philosophers of Ancient Greece Everything you always wanted to know about Ancient Greek philosophy but didn’t know who to ask Edited by PATRICIA F. O’GRADY Flinders University of South Australia © Patricia F. O’Grady 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Patricia F. O’Grady has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identi.ed as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask 1. Philosophy, Ancient 2. Philosophers – Greece 3. Greece – Intellectual life – To 146 B.C. I. O’Grady, Patricia F. 180 Library of Congress Cataloging-in-Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask / Patricia F. -
Aesop's and Other Fables
Aesop’s and other Fables Æsop’ s and other Fables AN ANTHOLOGY INTRODUCTION BY ERNEST RHYS POSTSCRIPT BY ROGER LANCELYN GREEN Dent London Melbourne Toronto EVERYMAN’S LIBRARY Dutton New York © Postscript, J. M. Dent & Sons Ltd, 1971 AU rights reserved Printed in Great Britain by Biddles Ltd, Guildford, Surrey for J. M. DENT & SONS LTD Aldine House, 33 Welbeck Street, London This edition was first published in Every matt’s Library in 19 13 Last reprinted 1980 Published in the USA by arrangement with J. M. Dent & Sons Ltd No 657 Hardback isbn o 460 00657 6 No 1657 Paperback isbn o 460 01657 1 CONTENTS PAGE A vision o f Æ sop Robert Henryson , . * I L FABLES FROM CAXTON’S ÆSOP The Fox and the Grapes. • • 5 The Rat and the Frog 0 0 5 The W olf and the Skull . • 0 0 5 The Lion and the Cow, the Goat and the Sheep • 0 0 6 The Pilgrim and the Sword • • 0 6 The Oak and the Reed . 0 6 The Fox and the Cock . , . 0 7 The Fisher ..... 0 7 The He-Goat and the W olf . • •• 0 8 The Bald Man and the Fly . • 0 0 8 The Fox and the Thom Bush .... • t • 9 II. FABLES FROM JAMES’S ÆSOP The Bowman and the Lion . 0 0 9 The W olf and the Crane . , 0 0 IO The Boy and the Scorpion . 0 0 IO The Fox and the Goat . • 0 0 IO The Widow and the Hen . 0 0 0 0 II The Vain Jackdaw ... -
A • HUNDRED • FABLES* of L ÙMX V M a ' JOHN LANE the JODJLEY HEAD .ONDOJ and NEW YORK — —
A • HUNDRED • FABLES* OF FABLES* • HUNDRED A• — ............. ' • " - f i t 'a M vÙMXl JOHN LANE THE JODJLEY HEAD .ONDOJ AND NEW YORK — — A HUNDRED FABLES OF Æ S O P A«HUNDRED»FABLES«*OF & ÆSOP & FROMTHE ■ ENGLISH • VERSION • OF SIR*ROGER‘LESTRANGE WITH-PICTURES-BY PERCY^BILLINGHURST A N D AN ■ INTRODUCTION ■ BY KENNETH* GRAMME JOHN-LANE THEBODLEYHEAD i m\inr»M. a wn ■ M F W .v n D i' # 189?« a Printed by B a l la n t y n e , H anson, Çjf Cc. At the Ballantyne Press CONTENTS Fable P ag' Fable P age I. 7 ^ Coc/f and the Jew el. 2 27. The Horse and the Ass . 54 2. The Cat and the Cock 4 28. The Birds, the Beasts, and the 3* The Wolf and the Lamb 6 Bat ..... 56 4-The Kite, the Frog, and the 29. The Fox and the WolJ . 58 Mouse .... 8 30. The Stag looking into the Water 60 5*The Lion, the Bear, and the 31. The Snake and the File . 62 Fox .... 10 32. The Wolves and the Sheep 64 6.77>e ZJof and the Shadow 12 33. The Ape and the Fox 66 7- The Wolf and the Crane 14 34. The Lark and her Toung Ones 68 8. The Boar and the Ass . 16 35. The Stag in the Ox-Stall 70 9 - The Country Mouse and the 36. The Fox and the Sick Lion 7 2 City Mouse 18 37. The Stag and the Horse 74 IO. The Crow and the Mussel 20 38. -
Diachrony and the Case of Aesop
Diachrony and the Case of Aesop The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2011. Diachrony and the Case of Aesop. Classics@ 9. Published Version http://chs.harvard.edu/CHS/article/display/4024 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:15549946 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Diachrony and the Case of Aesop Gregory Nagy Published online 2011 at chs.harvard.edu in Classics@ Issue 9 (Defense Mechanisms in Interdisciplinary Approaches to Classical Studies and Beyond) Introduction §1. In this project, which is a radical rewriting of a keynote address I gave at a conference held at Duke University in 2010 on the topic of diachrony, I speak about a methodology and about the application of this methodology in analyzing a tradition. The methodology is diachronic analysis, and I apply this methodology here to an ancient tradition that combines the fables of Aesop with a set of stories that tell about his life and times, conventionally known as the Life of Aesop narratives or even Lives of Aesop. §2. When I speak about the fables and the Lives, I will talk like a classicist. When I apply a diachronic perspective in analyzing the fables and the Lives, I will talk more like a linguist. -
Medical Language in the Speeches of Demosthenes Allison Das a Dissertation Submitted in Partial Fulfillment of the Requirement
Medical Language in the Speeches of Demosthenes Allison Das A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Ruby Blondell, Chair Deborah Kamen Alexander Hollmann Program Authorized to Offer Degree: Classics Department Allison Das ii ©Copyright 2015 Allison E. Das Allison Das iii University of Washington Abstract Medical Language in the Speeches of Demosthenes Allison E. Das Chair of Supervisory Committee Dr. Ruby Blondell Classics Department Introduction This project is intended as an examination of medical language and imagery in the speeches of Demosthenes, with special attention given to his speeches against his political opponent Aeschines, Against the False Embassy (19) and On the Crown (18). In Chapter 1, I contextualize his use of such language and imagery by exploring the influence of Hippocratic medicine on fourth- and fifth-century non-medical literature. I argue that the shared anxieties of medicine and politics, namely that both arts demand quick action and foresight on the part of the good practitioner, and the rich new vocabulary of suffering and disease, made Hippocratic medicine an enticing model for the political writer, that is, the historian, philosopher, and orator. Demosthenes' medical language and imagery should thus be seen as part of a tradition of analogizing the two arts, which began during the circulation of the first Hippocratic treatises and continued well into and past his own day. Allison Das iv In Chapter 2, I look at medical language and imagery in Demosthenes' prosecution of Aeschines for political misconduct during the Second Embassy to Philip II of Macedon, On the False Embassy. -
Aesop's Trumpeter, Aristotle's Orator, and the Technical Communicator
Channels: Where Disciplines Meet Volume 1 Number 1 Fall 2016 Article 6 November 2016 Aesop’s Trumpeter, Aristotle’s Orator, and the Technical Communicator Ruth E. Towne Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/channels DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Towne, Ruth E. (2016) "Aesop’s Trumpeter, Aristotle’s Orator, and the Technical Communicator," Channels: Where Disciplines Meet: Vol. 1 : No. 1 , Article 6. DOI: 10.15385/jch.2016.1.1.6 Available at: https://digitalcommons.cedarville.edu/channels/vol1/iss1/6 Aesop’s Trumpeter, Aristotle’s Orator, and the Technical Communicator Abstract This paper discusses the orator and the audience's roles in both Aristotle's rhetoric and contemporary rhetoric. Moreover, it argues that technical communicators should revive Aristotle's rhetoric because it allows them to take ownership of their work. Keywords Classical rhetoric, technical communication, ethics, politics, rhetoric -
Myth Matters: Intelligent Imagination in Plato's Phaedo and Phaedrus
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2018-01-10 Myth Matters: Intelligent Imagination in Plato's Phaedo and Phaedrus Kotow, Emily Claire Kotow, E. C. (2018). Myth Matters: Intelligent Imagination in Plato's Phaedo and Phaedrus. (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/5457 http://hdl.handle.net/1880/106376 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Myth Matters: Intelligent Imagination in Plato's Phaedo and Phaedrus by Emily Claire Kotow A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN RELIGIOUS STUDIES CALGARY, ALBERTA JANUARY, 2018 ©Emily Claire Kotow 2018 Abstract This thesis examines the function of myth in Plato’s Phaedo and Phaedrus. Focusing on the afterlife of Phaedo, and the palinode of Phaedrus, I assert that Plato emphasizes the limits of understanding, and as a consequence, the need for intelligent imagination. Ultimately, myth serves to underscore the essential philosophical project of cultivating self-knowledge and therefore is an integral part of Plato’s philosophical project. ii Acknowledgments I would like to thank the Department of Religious Studies for all of the support it has given me over the many years that I have been studying at the University of Calgary. -
Socrates and Aesop: a Few Notes on Plato's Portrait
GRAECO-LATINA BRUNENSIA 16, 2011, 2 CHRISTOS A. ZAFIROPOULOS (UNIVERSITY OF IOANNINA) SOCRATES AND AESOP: A FEW NOTES ON PLATO’S PORTRAIT OF THE ARCH-PHILOSOPHER The description in the Phaedo of the last day of Socrates opens with the philosopher recount- ing a fable on pain and pleasure which is soon followed by the surprising reference to an ob- scure literary heritage, of which nothing is heard in the rest of the platonic corpus. Socrates composed the night before a hymn to Apollo and versified some Aesopic fables as a response to a dream that he had. The paper discusses the similarities and the suggestive differences between the literary portraits of these two unconventional wise men. This is a necessary first methodological step in the attempt to decipher the platonic assimilation of the fabulist Aesop into his portrayal of Socrates. Key words: Aesop; Life of Aesop; Phaedo; pharmakos; Plato; Socrates. My contribution follows a recent flow in Platonic studies, namely Plato’s interweaving of various traditions in order to form the literary portrait of his Socrates. Since Andrea Nightingale’s groundbreaking Genres in Dialogue we are familiar with Plato’s handling of traditional genres in order to define and introduce in their place his own field of discourse, his philosophia. Recently, however, a number of works, such as those by Todd Compton and Emily Wilson, try in different ways to inscribe Socrates’ platonic portrayal in a framework of narratives regarding the cultural category of the poet, the ποιητής, as a heroic figure which often brought together the seemingly inconsistent attributes of the defender of the community and the pharma- kos, the human scapegoat.