U H d V U J Peter O’Tbole in ‘My Favorite Year* also: Split Image George Thorogood 2A Thursday, October 14,1982 Diversity of Culture in Silk Route Program By KATHERINE D. ZIMBERT A wide diversity of culture revealed itself to the nearly full auditorium in Campbell Hall Friday night. UCSB Arts amd Lectures opened its season with Music and Dance of Contents the Silk Route, a presentation from the Peoples’ Republic of China. . The title is derived from the ancient caravan trade routes in China during the Tang dynasty about 2500 years ago. Accordimg to the tour and stage manager, Roberta Stalberg, the poetry upon which many of the pieces in the Music and Dance of the program are based was written by scholars who made up about 1 percent of the population during the Tang Dynasty. Silk Route...... 2 These poems were written as philosophical exercises, and it was not until later that well-educated women singers set My Favorite Year...... 3 these poems to music. The rest of the program was based on folk tunes from various small cultures throughout China Studio 19 ...... 4 which have existed since pre-literate times. The program was unique in that it featured performers S.B. Ballet’s Carmen . 4 from five different parts of China who had banded together especially for this presentation, and will probably never Rewatching Rocky work together again after their tour of the U.S. has ended; they have 16 more cities to go. The five regions of China that Horror...... 5 were represented were the Kergez, the Uighurs, the Xin­ jiang people, the Miao people, and the Inner Mongolians. Split Image...... 6 Five instruments which best represented each culture were played; the was the only one which has ever been George Thorogood ... 7 played in the United States before. There is something incredibly universal about folk music, Reviews...... 8 regardless of what country is originated in. Folk songs are an expression of the daily lives and emotions of peole all Jekyll and Hyde...... 9 over the world; they release tension and express celebration. The “Keng Dzaylo — The Vast Pastureland in Summer,” certainly illustrated this point. This is a traditional Kergez melody which was inspired by the image of the Kergez herdsmen living their peaceful lives amongs the cows and sheep. The music, however, was more reminiscent of what these peaceful shepards did during their not-so-quiet melodies. moments. The dances of the evening were often a combination of The soloist was Maimaiti Tulumaxi; the instrument was instrument playing and dancing by one performer. The a kumuzi, a three stringed instrumdht which is a little Miaon piece called “The Cock-Fighting Dance,” was one of smaller than a guitar. It was remarkable how he used this these. Jin Ou acted the parts of both cocks as they fought Editor: instrument to evoke many sounds one would not normally over some food in the grass, while he used the as an Barbara Postman associate with a string instrument. Maimaiti made use of extension of his body to aid him in creating the stance of a not just the strings, but the wood surrounding them as well. cock. The lusheng is a instrument about the size of a By using his fingertips, his knuckles, the back of his hand , and sounds like a small organ. Staff this issue: and the palm of his hand, he created percussion and string “llie Tajik Dance,” performed by Maliyamy Nasaier, Jonathan Alburger sounds simultaneously. The result was a fast, foot-stomping was an enactment of the joys of an Uighurian sheperdess as traditional folk tune. she goes about her daily chores. She glided across the stage Jay DeDapper Another example of the appeal of folk music was the while undulating her head and neck, smiling mischievously Julie Desnick Uigher Tune titled “Xiadiana”, meaning happiness. This at the audience. Greg Harris tune was similar to the “Keng Dzaylo” in its fast explosive In the “Mongolian Bowl and Wine Cup Dance,” dancer Ji tempo, but the instrument, the rewapu, was even more Ya balanced three bowls on her head while doing various Peter Lefevre versatile than the kumuzi. The rewapu is a long and narrow dancing feats. At one point she knelt on the floor, bent Jane Musser insturment consisting of about seven stringes, a hollowed backwards, and balanced the three bowls on her forehead. area about the size of a hand, and a long neck. Dawuti The “Lusheng and Mangtong Melody” finished off the Bill Shinbrot Awuti played the rewapu with both hands, holding it program of 23 pieces with a bounding leap from Jin Ou. He Katherine D. Zimbert parallel to the floor. His hands danced back and forth along hopped up and down, did partial splits, and skipped about the instrument, displaying great coordination. One of his the stage playing the lusheng, while Hu Zhihou and two hands treated it as a percussion instrument while his other other musicians played the horn-like instrument called the hand made the strings hum. The sounds that emerged were Mangtong. Hu Zhihou also played the guanzi, a reed pipe so diverse that they could have come from two different produced in China’s Xinjiang region. instruments. “ Music and Dance of the Silk Route” lived up to what it The most varied string instrument, however, was the had promised to be: a small taste of the many different pipa. In “Ambush on All Sides.” He Shufeng portrayed the ethnicities residing in China today. The difference between story of a battle. With this lute-like instrument, she created the Chinese and American song and dance rountine is the sounds of marching armies, bugles, war cries and the great, but the audience was not alone in its attempt to howling of the wind. She played almost violently at times, understand these startlingly different cultures, because the going from harsh grating sounds to beautiful mournful performers were sharing new things with each other as (Please turn to pg.llA , col.4) Democratic Process and the CIA: A Conflict of Interests? A.S. PROGRAM BOARD & KTYD Bring you

1

A - I C a m p a i

Thursday, October 28 The True History of the CIA 8 : 0 0 p .m . The Award Winning Documentary "Dialogue with the Producer" Extraordinary! Raises the most profound questions Howard Dratch. co-producer UCSB EVENTS CENTER ebout American conduct ebroed." On the problems o f making - BOSTON GLOBE an expose on the CIA "ft rids you with e Tickets $9.75 and $10.75 — plus — sense o f rege end shame. " Update on New CIA Powers A ll Seats Reserved ■ - NEW WEST Company with Business LINDA VALENTINO, Director o f Public Information (So. Calif.) TICKETS GO ON SALE TO UCSB STUDENTS - TW O SH OW INGS O N LY - American Civil Liberties Union W ITH REG. C A R D S Thursday Oct. 14 • 8:00 P M Friday Oct. 15 • 3:00 PM Friday Oct. 15 • 7:30 PM TOMORROW, OCT. 15 at 10 a.m U C S B 's Campbell Hall UCen Pavilion, UCSB Gcneal $2 50 Students 82.00 FREE FREE FREE At the ECen Box Office CASH ONLY!! Presented by Third World Coalition and A.S. Program Board V a J

^ Y ^ V â V >v*v•**v iv * v « v **************** ,,4,4 4 I.L L V I .I .L L 1 Daily Nexus Thursday, October 14,1982 3A My Favorite Year King’s Wrist Club | O'Toole Gives Inspired Performance By PETER LEFEVRE Forgotten relatives arrive in bridal gowns. The meal itself Awards Free Watch Bands to: I 1954 must have been a good year for quotations. In the is an endless chorus of “So when is Mr. Big Shot motile star Steve Sloan and recently released film My Favorite Year, hardly a second going to settle down and raise a family?” The scene defies passes when one isn’t wishing for a pen and paper to you to keep a straight face. Sean Kimbrough eagerly scribble down every one of the flood of epigrams, Mark Linn-Baker as Stone is a good foil for O ’Toole, Pick them up at: anticipating a chance to dazzle the cognescenti at the next although when the time comes to get serious he doesn’t D.P. kegger. And what better voice to utter these bon mot seem to have the emotional recall needed for the lines he W . A. King Co 9 E. Figueroa, S.B. than the commanding one belonging to Peter O’Toole, a must deliver. Traditional Clothing for Men & Women man who can give the word “schlong” a ring of biblical Jessica Harper as an assistant to the producer of the show and the love interest in Benjy’s life, is attractive without stealing the scenes she is in. She has the certain poise of someone who is entirely self-sufficient and sharp enough to see when the skit ends. Baker and Harper make a good couple. H E W L E T T J ip i PACKARD Joseph Bologna has the manic energy required, even Aa Equal f i j lu'ir inherent, in a television comic, though his face is a bit too good-looking and honest to do comedy. One of the best is grateful for the outstanding reception from the students at UCSB this recruiting year.

We continue to have openings Harper, Baker and O’Toole for career opportunities in importance. Computer Science, Accounting, My Favorite Year is a showpiece for O’Toole, giving him the opportunity to play a film star in the tradition of Errol Electrical, Mechanical, and Flynn, making his first appearance on American television. Chemical Engineering. Casting him as a film star is much like casting Fred Astaire as a dancer, or Muhammad Ali as a boxer, yet the temp­ tation to rest on laurels is avoided. O’Toole gives an in­ spired comic performance full of energy and focus. Thank you again for your in­ “ King Kaiser’s Comedy Cavalcade,” the television show terest and coming by to see us. that film star Alan Swann (O ’Toole) must appear on, is a thinly disguised version of Sid Caeser’s “Show of Shows.” We look forward to seeing you The most engaging aspect of this creation is the effect the again in January, 1983. comic style of the TV show has on the comic style of the movie. The movie itself is reality gone haywire, as if the world has turned into an endless skit replete with perfectly timed sight gags and killer punchlines. The nature of SEETHE reality in film was more fully developed in O’Toole’s last Benjy looks up to Alan Swann CAMPUS PLACEMENT CENTER film The Stunt Man, but this movie seems to be a com­ pletion for the actor, a chance to show what movies do to performances in the film was Tony DiBennetto’s portrayal FOR MORE INFORMATION one’s sense of reality and a chance for redemption from of Afred Bumbacelli, Swann’s chauffeur. His was the kind ignorance of truer values. of performance that shows exactly how a character with The film shows the discrepancy between the two in a only a few lines can be turned into a fascinating human beautiful scene in which a writer for the show, Benjy Stone, being by an adept actor. HEWLETT iho, PACKARD takes the star home to Brooklyn for a nice, wholesome, At times, the movie falls into predictability. Several of An Equal Opportunity Employer nourishing dinner with mother, Uncle Morty and the rest. the lines are so cliche that y°u can hear the audience talk (Please turn topg.HA, col. 1) a L The GREAT Woodstock’s Coupon Scam!! We will honor any pizza coupon for up to half its face value! Why not try the Best? 4A Thursday, October 14,1982 Daily Nexus ‘Studio 19’ Premieres Tonight ‘ Carmen’ In Need By ANDREA WOODWARD In the show that was the a hangnail on Nov. 4, 1961, to allow members of the If it is true, as one "brain child” of producer he’ll tell you. Of course, it’s public to use their equip­ promoter believes, that, “the Duffy Hecht and local more relevant stuff than ment, Hehct said. Of Refinement people of this town love their business owner Eric Kelley, that,” Hecht said. “They (Cox Cable) have By JULIE DESNICK music,” all eyes in the Santa rockabilly blues, rhythm and Hecht said that Studio 19 been so fantastic. They have The Santa Barbara Ballet premiered an ambitious and Barbara will be glued to blues, and 30s style jazz producers are already given tape, time, film, care lively production of “Carmen” last weekend. The young their televisions each groups will be featured this considering their next ef- and patience,” Hecht said. professional company, which prides itself on being the third Monday and Thursday night However, none of the largest company in California, showed itself to be highly beginning tonight. people who have worked on skilled, though in need of refinement. Santa Barbara is These are the days that the show are getting paid. lucky to have such an excellent and serious company. “ Studio 19,” a television “ Everyone holds another The two-act adaptation of the famous opera by Bizet was show featuring local music job. But it is innumerable o conceived and staged by Norbert Vesak and Robert-Glay de groups, will appear on the hours that they’ve put in La Rose for the Santa Barbara Ballet. Saturday night’s public access channel 19. working on this project,” performance began with an apology by Vesak for the fact The Rave, a local rockabilly STiU Eln Hecht said. that the sets and costumes were not finished in time for the group, will premiere tonight Hecht added that com­ performances. Only a couple of the Goya-like painted drops at 8 p.m. munity support for the were completed. The costumes ranged from colorful skirts Publicity Director for project had been to blue jeans. This did not detract from the performance, “Studio 19” Alma Hecht “amazing.” The local clubs though the perm hairdos on most of the women in the cast explained that the shows were amenable to letting did. have been produced locally, camera crews in and the The choreography was powerful and harmonious. The with some footage shot in the local media were willing to corps-de-ballet danced their street scenes with style, clubs where the groups promote the shows. though they lacked security in their movements. Here the perform. The most enthusiastic choreography incorporated much modern dance technique. “The show will fill a need response, however, was on The major dance roles were more balletic. The in Santa Barbara,” Hecht the night that the crew choreography was innovative enough to be interesting, said. She added, “You can brought a mobile van with a without losing the beauty of classical line and balance. The listen to music, but when you quarter of a million dollars men and women each dancing separately in grandiose see it like this, you ex­ worth of equipment to the synchronized movements was very effective. perience a whole different Eleven-29 Club to shoot the Good use was made of the small Lobero Theatre stage in thing. It’s exciting for people R&B Bombers, a very making it seem like a large town square filled with crowds. in the community because popular local rhythm and Tishia Hicks danced the difficult and challenging lead they can see themselves at blues band, Hecht said. role of Carmen, the seductive and rebellious gypsy woman. the clubs.” fall. In addition, Jerry forts, “ bands we haven’t “People went wild and had Her performance was comendable, though it did not match In addition, Hecht said DeWitt, a local disc jockey covered yet, new wave and the best time. I was in the the intrigue that Carmen, one of the most popular and that the show will expose a who hosts “A Night at experimental music.” ladies restroom and I fascinating characters of the opera, should portray. The number of people “who don’t Pepper’s,” is scheduled for a The music shows are overheard some woman acting of Ty Granoroli, who played Jose, her jealous lover, get out to the clubs” to the November show. possible due to public access saying that it was the was not convincing and his dancing was shaky. variety of music available in “ He’s an expert on the 60s. laws requiring the local highlight of her summer,” On the other hand, Susan Magno, who danced the part of the Santa Barbara area. If you want to know who had cable company, Cox Cable, Micaela, Jose’s fiance, shone in her pas de deux with Jose. (Please’turn to pg.llA, col.3) It was in this dance that the magic of ballet was most felt in the performance. Magno danced with lightness and agility. Thom Lake, as Escamillo, also excelled in his gymnastic and eloquent dancing in the part of the matador. He danced with apparent ease, and poise fitting to the part of a bullfighter. The ballet tells the story of the gypsy Carmen who seduces Jose, a soldier, and then betrays him for Escamillo, the matador. Carmen is hot-tempered and sensous. She is also working to help the revolutionaries. The gypsies predict Carmen’s death, and in the end Jose stabs her when she refuses to love him any longer. The dramatic The 1983 Pentastar Challenge Calendar. tragedy was danced in two hours, not a moment of it superfluous. Every moment held the audience’s attention 0.K.H A chance to win a scholarship, with the magnificent music of Bizet, the powerful dancing, Chrysler product arid more. and the colorful costumes. It is a delight to see a ballet If you thought The New Chrysler company attempt such a large and demanding production, Corporation was something making use of so many talents and resources. Bizet created different from other car makers,we’re the opera “Carmen” out of a novel by Prosper Merimee. Its out to prove that you’re right. We’ve initial reception in Paris in 1875 was negative, but it was not developed the “Pentastar Challenge” long before it received popular recognition. The marvelous SMART? music and simple dramatic story make it an excellent as a small, but deserving tribute to American ingenuity and intellegence. choice for a ballet. Vesak and De La Rose dedicated the ballet to the memory The challenge in the calendar is an intellectual of Princess Grace of Monaco, who in 1980 commissioned a one. Within the story and illustrations, we’ve bronze sculpture of Vesak’s gold medal-winning pas de woven an intricate pattern of clues in five deuz “Belong” from the sculptor Kees Verkade. PANTS different areas of academics; Music, Math, The Santa Barbara Ballet will perform “Carmen” again Computer Science, Chemistry and Literature. There’s nothing (Please turn topg.HA, col.4) physicallya hidden or buried. All you need to unravel the conundrums is a fairly sharp pencil and a very sharp mind. Bassman Productions, E Q O and A.S. The Reward Program Board Proudly Present If you are the first to have solved any one of the five riddles, you’ll be awarded a $5,000 scholarship, a $5,000 cash grant THISHto your school, your choice of a 1983 Turismo or Charger to drive for a year and a gold Pentastar Medallion. There are also 100 second place prizes of silver medallions. The official rules are on the back of the calendar. The Reason We think you’ll enjoy the Pentastar Challenge Calendar ONE'S because it’s functional, attractive and entertaining. Maybe you should also know that through special arrangement with your College Store, we’re helping to support the operation of this very important part of your 1983 P0TPJST4R CHÆ6TK36 campus. Is Chrysler getting out of the car business and into the calendar business? No. But at $4.98 maybe you’ll be former Eagle impressed with Chrysler enough to someday look at our I cars. RANDY MEISNER For us, that’s the challenge. with special guests THE PUPS © T H E The 1983 Pentastar NEWCHRYSLER Challenge Calendar. On sale now at your college book store. Saturday Oct. 16,7:30 p.m. CORPORATION Campbell Hall, U.C.S.B. STUDENTS $7.50 GENERAL $8.50 all seats reserved

Tickets available at: A.S. TICKET OFFICE, TICKET BUREAU OF S.B., M0RNINGL0RY, R0CKPILE, TURNING POINT. Daily Nexus Thursday, October 14,1982 5A Chamber Orchestra ‘Rocky’ a Horror In I.V. To Perform Here By JANE MUSSER audience directly responds to what’s happening on screen. Usually when I watch a movie, it doesn’t make much During the opening wedding scene, the screen and fellow The first Santa Barbara concert of the 1982-83 season by difference what the rest of the audience is like, gs long as viewers are showered in rice thrown by the handful; when the Los Angeles Chamber Orchestra will feature the world everyone keeps fairly quiet. Of course, you often get the song and dance “Time W arp” is performed on screen, premiere of a new work by Henri Lazarof commissioned loudmouths in a movie audience — high school kids who people do the same in the aisles and on the stage; a movie especially for the orchestra, Schubert’s Second Symphony, drink a couple of beers in the parking lot and then laugh rain storm means the emptying of spray bottles and squirt and Chopin’s Piano Concerto No.l with famed Russian loudly at the wrong places, repeat lines they find par­ guns, if the theater management allows it (the Magic pianist Shura Cherkassky as featured soloist. Presented by ticularly amusing, talk to the characters on screen. ( “Uh- Lantern doesn’t). UCSB Arts and Lectures, the performance is Sunday, Oct. oh, look out behind you! Oh my god, here he comes! ” as the The best part of the film, however, is not the physical but 17 at 8 p.m. in Campbell Hall and opens the Chamber Or­ the vocal participation. See Rocky Horror at, for instance, villian sneaks up on the hero.) chestra Series. Fortunately, living in a college town as we do, there the Tiffany in Hollywood, and it’s as entertaining to hear One of the finest such groups in the world, the Los usually isn’t a preponderance of high schoolers in movie what those around you are saying in reaction to what is Angeles Chamber Orchestra has built its reputation on the audiences. Magic Lantern audiences tend to be, like the happening as it is to just watch the movie. diverse and unusual programming of its music directorr/- town in which the theater sits, incredibly mellow. When the hero and heroine (Brad and Janet) are won­ conductor Gerard Schwarz, its impressive roster of However, The Rocfey Horror Picture Show, which dering outloud where they can go for help after their car soloists, and the extraordinary virtuoso ensemble. In challenges all preconceived notions of what movie gets a flat, the audience shouts “Go to the castle” just recent years, LACO has emerged as a leader in the audiences should and should not do, has come back to the before he says “Didn’t we pass a castle back there?” As programming of contemporary music commissioning and Magic Lantern, playing Fridays and Saturdays at mid­ Curry introduces himself to Janet, the audience yells “Say night. That’s part of the good news. The rest of the good something French.” “ Enchante,” Curry says. “What’s that news is that I.V. residents have managed to shed their too- mean,” the audience asks. “ Oh, how nice,” Curry says, mellow-to-respond attitude: everyone participates in the answering the question without ever knowing it was asked. film’s screening. The bad news is that audiences have gone There are countless other witticisms that anyone with good from one extreme to the other: from the mellow mentality, timing and a little practice can use during the film which is wrong for viewing Rocky Horror, to the obnoxious ( “ What’s your favorite high protein drink?” someone in the high schoolers with a buzz mentality, which is just as bad. audience asks, just before Curry directs Brad and Janet to The cult that has formed around Rocfey Horror is based “Come...”). on audience participation. The film itself is camp bordering It’s definitely a fine-tuned process, coming up with on just plain bad; plot is minimal bordering on non­ remarks of that caliber. Unfortunately, I.V. audiences have existent. Two things make the film entertaining: first, learned only two of the common Rocky Horror audience there are the outrageous characters portrayed with a responses: calling Brad Major, the straight-as-an-arrow, complete lack of self-consciousness, especially lead actor young all-American hero-type, “asshole,” and screaming Tim Curry, a man who oozes such overpowering, knee­ at the narrator, who appears on screen wearing an ascot, weakening sexuality that, playing a transvestite, he makes “ Where’s your neck?” With the right timing, and a little all the typical Hollywood glamour boys look like just that — discretion, even using those old lines can be funny, but the boys; second, and, even more important, is the way the Magic Lantern crowd seems to get some kind of titillation performing new works by (Please turn to pg.UA, col.3) American composers. Lazarof is a professor of music at UCLA. He began his musical studies in Bulgaria, and continued them at the New Con­ servatory of Music in Jerusalem , the Music Academy Santa Cecilia in Rome, and at Brandeis University in the U.S. He has received many com­ missions, awards and grants, and his works have been performed in musical centers around the world. “Sinfonietta,” which premieres Oct. 17, was written in 1981 and results from a joint commission, undertaken through a grant from the National En­ dowment for the Arts, by four orchestras: LACO, the Piedmont Chamber Or­ chestra (North Carolina), the Texas Little Symphony, and the Y Chamber Sym­ phony ( New York City). The concert will conclude with Chopin’s First Piano Concerto featuring Shura Cherkassky in his LACO debut. Now at the pinnacle of a remarkable career, Cherkassky has been ac­ claimed one of the great pianists in the grand romance tradition of Liszt, Rubinstein, Rachmanioff, and Hofmann. Born in Odessa, he immigrated to Baltimore, and studied in Philadelphia with Josef Hofman, a pupil of Anton Rubinstein. Since his debut concert tour in 1923, Cherkassky has enjoyed enormous popularity and has toured throughout the world. The New YorkTim es described Cherkassky as The O AK effect starts where broad band signals and Learn firsthand and in detail about how your talents bringing “a vanished age of encryption intersea. It spans the spearum of broadcast and interests can be utilized to their fullest extent in: piano playing back to life. In technology providing continuing challenge to OAK's his way he is unique. He technical staff. Computer Science Analog and RF plays as though nothing in We invite you to explore the personal and professional with emphasis on Circuit Design the last 50 years has touched rewards inherent in a career with Oak Industries in Signal Processing him, nothing at all. This is San Diego. Digital logic designs romanticism undiluted, and Interviews will be scheduled for BS graduates in Communications with microprocessor the next time Mr. Systems Theory emphasis Cherkassky comes around, Elearonics Engineering and with MS and PhD gradu­ don’t miss it.” ates in Elearonics Engineering or Computer Science Subscriptions to the If an interview is not possible on this date, write or Chamber Orchestra Series, October 28 call W.L. COUEY at (714) 485-9300 or contaa your as well as single tickets, are with Senior Managers of OAK's Technical staff. placement office. available at the Arts and Lectures Ticket Office (961- 3535). [RESEARCH PAPERS OAK Industries Inc. Improve your grade*! Rush $1.00 for the current , 306 page, research 16935 West Bernardo Dr., Rancho Bernardo, CA 92127 catalog 11.278 papers on file, all academic subjects. An Equal Opportunity Employer M/F/H Research Assistance 11322 Idaho Ave.. #206W Los Angeles. CA 90025 (2131477-8226 6A Thursday, October 14,1982 Daily Nexus ! $5.00 Off ~! Split Image Deeply Unsettling Any Haircut By JONATHAN ALBURGER Pratt. “ How’s that for a loving, God-inspired man?” Discount Price is Inspired in part by a powerful, if somewhat overlooked Perhaps Woods’ greatest asset is his own physicality, his television film, Guyana: Cult of the Damned, Wolfgang acne-scarred skin, hyper-thin body, and predatory eyes. I $9.00 Men * $11.50 Women Dobrowolny’s Ashram, R. L. Thomas’ Ticket to Heaven, His delivery of lines iN flashy, full of vocal thrust and and Ted Kotcheff’s Split Image are the latest corrosive scathingly sarcastic intonations. He is by no means the indictments of American cultism. These ambitious films slick dick, but the gritty and passionate half-crusader who ! 0 od d % I are noteworthy for their fearful cry to check the ad­ is equally appalled by the self-seeking upper class. When r Jiur Styling far SentsBerbera. vancement of religio-political groups lead by satanically confronted by Joshua as being just another blind, Promotional Offer 819 Garden St. charismatic leaders like Jones and Moon. bourgeois, greedy capitalist, Pratt retorts with vehemence I Good one time only 96^1232 I Deeply unsettling not only for its stunning, emotional laced with uncomfortable humor, “ I live in a trailer park attack on the rise of youth-attracting cults but also for its and I haven’t got laid for a month.” Pratt in part resents distrust of American bourgeois materialism, Split Image is enviously the hold Kirkland has over people, i.e., the ab­ a well-crafted, intelligent and imaginative motion picture solute value of Kirkland’s insidious charisma and the EYEWITNESS REPORT that is as controversial as it unthinking devotion given to is accessible by the general him by his young followers. Inside Israeli Prison Camps public. It is tight, structured Woods approaches overkill, Canadian Surgeon and disciplined; it is funny, but, fortunately, Woods’ Dr. Chris Giannou romantic and heroic; and it histrionics work for the actor takes chances, demanding and for the film. Dr. Giannou was taken prisoner by the Israelis on June thoughtful viewers. It can be Peter Fonda is memorable 13 In the city of Sldon, and was released In To! Aviv on faulted for its few excesses as Kirkland in comparison to June 30. He testified recently before the United States in m elodram atics and Fonda’s numerous past bad Congressional Sub-Committee on Europe end the cliches, but must be praised performances and bad films. Middle East concerning the Israeli treatment of for its artistic flourishes and He is built up to believable prisoners which he witnessed at two different locations. subject matter approach. apotheosis by Kotcheff and He told of the physical abuse suffered by medical Certain cult stereotypes are director of photography personnel, end the beatings. unavoidable because they’re Robert Jessup, who so close to the truth, which highlight his communicable FRIDAY, OCT. 15,12 Noon gives Split Image its un­ insanity by having him derlying prophesy-and-wa- appear poised, even stylized, UCen Pavilion Room rning tone. conveying a very sinister spons by CISP AL & 3rd W orld Coalition In what amounts to a omnipresence and some­ multilevel, excruciating time sticky amiableness that expose, Kotcheff’s Split traps the naive in Homeland Image, penned by Scott like flies to a web. Fonda Spencer, Robert Kaufman expresses one of the best and Robert Kamen, traces a buzzed, malevolent stares very American boy’s fall I’ve seen, largely due to his into a youth community lead unusual, drugged-looking by a dramatically self- eyes. There is the outward absorbed, marginally calm masking the internal psychotic man who brings rage which could explode his congregation to tears any minute, but never does A SAUSAGE CAFE with such twisted religious in the course of the film. utterances as, “ There are Kotcheff keeps his audience the pleasure seekers....we riveted with twitchy an­ SANDWICHES must rescue them from death in life.” ticipation whenever Fonda is on. Kirkland is a volatile Neal Kirkland (Peter Fonda) is a surrogate father to the substance, a kind of personified combustable poison. Banger • Bockwurst * Italian Sausage clan; he is part Christ, part devil and Hitler, and a whole lot Fonda as Kirkland is, moreover, the perfect antithesis to Kielbasa • The New York Frank of Jim Jones. Danny (Michael O’Keefe) is a bright, Woods’ Pratt: Fonda’s inward-turned, malevolent calm Olympic-hopeful gymnast who gets almost inadvertantly dramatically underscores Woods’ chainsmoking ner­ Louisiana Hot Link involved with the “cult” when he falls head over heals for vousness and vulgarity; most striking, however, is the Rebecca (Karen Allen), an open-faced and very pretty two’s physical resemblence, set off by the intelligent choice nymph who lures Danny to a meeting in which the group of keeping them polarized in narrative placement — they The Baby Banger learns about the “duality of human nature” from- the never share the samp frame. Herein a remarkable coun­ classic 1930s Spencer Tracy Jekyll & Hyde. Danny proves terpointing rhythm is created. Thus they become much for 69

TO N IG H T O N LY ! Chipmunks to Appear RCA recording group, The Chipmunks Go Hollywood. That I Want,” which in- As part of their busy MAGIC LANTERN THEATRE Chipmunks are scheduled Featured on the album are troduces Charlene Chip- media schedule, The 7 & 9 pm for several upcoming such movie theme favorites munk of “The Chipettes” Chipmunks will appear on Soundtrack album for Sale at Show television appearances in as “ Eye Of The Tiger,” singing the Olivia Newton- Two on the Town on Los Advance Discount Tickets at Surf n’ Wear conjunction with the release “E.T. and Me,” and from John part in the famed rock Angeles’ KNXT, Oct. 22 at of their new album The Grease, “You’re The One duet. 7:30 p.m. Daily Nexus Thursday, October 14,1962 7 A ORCHID Rockin’ with George BOWL By GREG HARRIS and the crowd didn’t seem to added some new songs, he reworded the classic, “ We’re out in California mind the inconvenience. including, “ Bad to the “ One Bourbon, One Scotch • Bowling • Open 24 Hours having nothing but fun... Some may criticize Bone,” “Nobody But Me” and One Beer,’’ .by.changing • Billiards - Video Games reelin’ and rockin’, till the Thorogood’s music as being and “New Boogie Chillun.” lines like “ Last call for break of dawn,” sang rehashed fifties music that In the year and a half since Geritol” (instead of •Coffee Shop George Thorogood to a all sounds alike, but there we last saw Thorogood he Alcohol). In the same song OPEN LANES ALL WEEKEND standing full house, Friday didn’t seem to be anyone has done a lot, including he spoke of many popular night at the Arlington there who could keep from playing with the Rolling beers and referred to them COUNTRY MUSIC Theatre. It did indeed seem breaking a smile, singing Stones on their recent as if doing a commercial D A N CIN G • Thurs-Sat Nite close to dawn when jingle. Most didn’t seem to Thorogood and the mind, but instead looked ORCHID BOWL - GALLEON ROOM Destroyers finally finished overwhelmed by the power, 5925 Calle Real • Goleta • 967-0128 their second encore two and energy, and high quality a half hours after they began performance. the concert. “ How sweet it is,” Thorogood’s brand of high Thorogood responded to the energy rock and roll in­ crowd’s cheers. Even when cluded the now famous the fans were pushed back Chuck Berry-style duckwalk because of the floor problem, and high-kick guitar playing. Thorogood made every He even picked people out of effort to get as close to the the crowd to “ knight” them audience as possible, by touching the end of his walking to the extremes of guitar to the top of their the stage. At the end of the head. The audience loved show he thanked the every minute; at times some audience and said the per­ of the 100 or so enthusiats formers can only be as good who rushed the stage as the crowd. seemed close to violence as When Thorogood left the they attempted to get as stage the audience seemed close to Thorogood as to be as worn out as the possible. band. He had played all of “Where is the dance floor his hits and though some of here?” Thorogood asked. the audience might have “ Is that what you call been ready to hear a few a dancing?” The energetic second time, most had dancers found the newly gotten a good All of music. constructed dance floor (a As the crowd poured out, wood .cover over the or­ some looked exhausted, chestra pit) breaking at some were still dancing, their feet. People grabbed along or dancing to American tour. In this time some were trying to get the the edge of the stage as one Thorogood’s many hits. he also signed with a new, ringing out of'their ears, but side of the cover started to Thorogood said, “We larger record company. all were humming away. fall into the pit. The haven’t been to Santa Thorogood, however, backstage crew poured out Barbara in a year and a half lacked any new variety in his on stage to pull people up and that’s a year and a half stage act. He played many of Photos by onto the stage and out of too long.” Since that time, the songs in the same order Greg Harris danger. Thorogood and the when they played at Camp­ and repeated most of his band never missed a beat bell Hall, the group has quick jokes. For exampble

6030 HOLLISTER MJE.. GOLETA • 964-3969

G ood thro O ct. 31. 1982

HERE'S THE TICKET] 10% OFF (With Student I.O.) Custom QualityPrlnts IN ONE HOUR W t develop 110,120.4 35mm color print Mm In ONE HOUR Custom quality at no extra cost Chinese Fan Paintings All photoflnlthing service* available humid weather, but had developed into an important art Santa Barbara Poetry on the Wind: Chinese Fan Paintings of the Ming 1229 Stata St. and Ch’ing Dynasties will be on view at the Santa Barbara form. At intimate celebrations and casual gatherings of friends among the artists, literati and connoisseurs, fans (In th# Victoria Court) Museum of Art Oct. 5 through Dec. 5. Organized by the Honolulu Academy of Arts, the exhibition presents 74 fan were inscribed with congratulatory greetings, poems and (BOS) 9*4-22*9 paintings spanning the 15th to the 19th centuries. The fans other exchanges and painted with depictions of landscapes, were selected by Tseng -ho Ecke, the Academy’s con­ figures, flowers and rocks. The shape of the folding fan, sultant for Chinese art, from two museum collections — roughly a quarter circle, presented artists with a unique challenge to thir sense of composition, brushwork and those of the Academy and the Metropolitan Museum of Art, m o m New York; and from two private collections — those of technique quite different from other traditional formats for John M. Crawford, Jr., New York, and Mitchell-Hut­ Chinese paintings and calligraphy. The small, arched chinson, Chicago — which rank among the finest assem­ shape encouraged a more informal or experimental ap­ blages of Chinese fans in the United States. Included in the proach and demanded a precise, succinct treatment of the exhibition are paintings and calligraphy by many of the subject which gives these works a remarkable intimacy. Over the last five centuries, collectors have shown a great J I I I I 11 I I I 111111i1111111111 I I I ! 11 major Ming and Ch’ing artists, such as Shen Chou (1427- 1500), Wen Cheng-ming (1470-1559), Tung Ch’i-ch’ang (1555- interest in fan paintings because of the unusual range of 1636), Ch’en Hung-shou (1598-1662), Wang Hui (1632-1717), artistic achievement the format inspires. 1 UCSB I A fully illustrated catalog of the exhibition, with an essay Chu Ta (ca. 1625-1705) and Tao Chi (1641-ca. 1708). In all, by Tseng Yu-ho Ecke tracing the history and development over 60 artists are represented. PH ONE I of the fan in China and placing the fan in its social and By the Ming dynasty (1368-1644) in China, the fan was no artistic context, will be available at the museum. longer merely a practical device to give relief from hot and HOME rmniiiiiiiiiiiiniiiiiiiiiiiHiir. 8A Thursday, October 14,1982 Daily Nexus Utopia Makes Fresh Start M onotonous By JAY DE DAPPER Since its formation in 1974, Utopia, led by master- producer , has with each album explored M a g a z in e different areas of rock. The first three records were serious By BILLSHINBROT attempts-at-establishng American — an When thinking of the type of music played on Los American Yes to an extent. The next two were Angeles’ most popular new-wave radio station, KROQ, one progressive-tinged pop, both very well received by the conjures an image of uninteresting, repititious, pop- press. Things began to change in 1981 though. First came oriented melodies. Wtih this in mind, one could conclude the release of , a tribute to , that Magazine will join the latest of L.A.’s new-wave/pop early in the year. This was followed by , dieties, bands such as Human League, Missing Persons and the “ protest” album, earlier this year. Not only was the Sparks. After the Fact, Magazine’s latest album, is a band exploring different sounds, they were also becoming regurgitation of that same type of monotonous wailing that dissatisfied with their long-time association with Bearsville has made so many English bands popular. Although catchy Records. Then bassist Kasim Sultan left the band to record at moments, the album comes across as a magic show solo. performed by a 12-year-old at a birthday party, in which the The point of all this is that Utopia’s new album Utopia magician is trying to hold the audience’s attention while appears to be a fresh start to put everything behind them. rabbits are climbing out of his hat. Sultan has returned, they have a new label, and this is the The first side of the album has a few moments of muscial best Utopia record in years. climax in which the melodies actually take the listener by Rundgren has produced some of the most successful suprise. The moments are short-lived, however, due to records of the last fifteen years and written several top interruption by either an overwhelmingly dull guitar or tunes but has done little with his own band in terms of keyboard solo, or by the vocalist’s lyrical pretentiousness. assuring sales. In the opening track, “Shot By Both Sides,” one is con­ The new record is different. Since Rundgren would put vinced that Fred Schneider of the B-52s is singing. Yet the only 15 minutes of music per side (better sound quality vocals are smothered by the spilling over of the guitar results), he chose to have three sides. There are two track; this type of shoddy production is present throughout records to accomodate this unusual arrangement. the album. “Touch and Go” has a very Ramones-ish sound The first side moves from one potential hit to another. and is somewhat appealing, until vocalist “ Libertine” opens it all up. This song sets the tone for the enters with a drawling Cockney accents that kills the whole album — tight and fun. This is an original good-time melody. rocker. “Feet Don’t Fail Me Now,” “Neck On Up,” and One noticeable aspect of the album is that the songs “ Say Yeah” all have that vitality and innocence of the early become progressively tolerable as the record continues. “ I Beatles. In fact, most of the songs on the record draw Love You, You Big Dummy” is quite interesting, but, once substantially from groups of the mid-sixties. But this isn’t again, the vocals are over emphasized. stealing from the past. Utopia has taken the fun of these The opening track on side two, “Upside Down,” is a early groups and written thoroughly contemporary songs catchy melody that is an example of one of the album’s around that ideal. The result is a muscular sound exem­ musical peaks, but the vocals possess a self-indulgent plified in “Burn Three Times” and “Call It What You Will.” quality that makes it difficult to listen to. There are several stand-out cuts as well. “Hammer in My One pleasent suprise is the energy in the track, “ My Mind Heart” is a great dance tune and is destined to become a Ain’t So Open,” which utilizes a punk guitar/drum frat favorite (remember Geils’ “Flamethrower?”). arrangement. “The Light Pours Out of Me” is another “Princess of the Universe” is another strong cut. Opening intriguing tune which is virtually strangled by Devoto’s (Please turntopg.llA, col.l) (Please turntopg.llA, col.l) ‘Love Over Gold’ Knofpler’s Best Work By JAY DE DAPPER played on , It’s been a long wait. Two the addition of Clark as a years to be exact. Two years permanent member of the ago, Dire Straits released band has given Knopfler Making Movies, making a more flexibility. The other big splash with the folks in thing is that there are only AOR radio. Love Over Gold, five songs on Love Over their new release, probably Gold. The first side opens won’t make too big of a with Dire Straits’ longest splash. The new album is song to date “Telegraph very difficult. It’s one of Road.” Knopfler uses all 14 those albums that grows on minutes well. This is the you. By the eighth or ninth most disturbing song of all. time you hear it, you’re Knopfler’s vision of a hooked. , frontier transformed by writer/vocalist/guitarist, industrialization is very has chosen to write about dark and morose. Not only some less-than-pleasant are his lyrics dark, his guitar subjects and therein gives interludes are sparse and this album a darkness that blue. After he winds through cannot be found in their the depressing scene, earlier records. though, he cranks out one of Several things should be his most melodic and hard- noted. The band has come up driving solos, backed by a to five members with the very strong rhythm track. tent. Although Knopfler’s Disease” is the single from addition of Hal Lindes on “ Telegraph Road” is long, spoken lyrics are trite, the the album. In England, this guitar and on but deserves the time it gets. musical accompaniment is has become Dire Straits’ keyboards. Although Roy Knopfler manages to end it excellent. Clark’s piano lines biggest hit to date and it’s Bittan of the E Street Band all in an upbeat style — perfectly compliment easy to hear why. Knopfler maybe it isn’t so depressing Knopfler’s and Lindes’ has combined some stan­ after all. strong guitar licks. The first dard riffs with a catchy Joe “” side is well-balanced and “King” Carrasco syn­ is the only other song on the very good. thesizer line and excellent Do-It-Yourself side. It is a great mix of The second side starts off lyrics. “ Industrial Disease,” atmosphere and lyric con­ very well too. “ Industrial PARKING LOT SALE! (Please turn to pg.UA, col.5) Sat. Oct. 16 (9-3) FREE Drawing 2:00 p.m. IMPORTED CAR Ww f W a i f W P f f f i ; & TRUCK PARTS v'v' ...... Plus Many Other Items! * Ä o Q V ...... ALL STUDENTS 25% ■ " i p a w ...... OFF ALL PARTS 8 port» MOST ACCESSORIES!

'iitiiiiiiiiiiiiiiiiiiiini BUGPACK V.W...... ACCESSORIES V'' 25% OFF IIMIIIIIIIIIIIMIIIIimil 909 De La Vina, S.B. 8 ^ 9 6 3 -3 3 6 1 Daily Nexus Thursday, October 14,1982 9A ‘Jekyll and Hyde’ One Long Drug Joke By PETER LEFEVRE becomes less important teeth clenched “ I can handle character, but amusing in A hardworking and dull when the two personalities it.” One sees where Jekyll the same sense that the surgeon gives up his scalpel mesh, but it takes the ef­ and Hyde came from. character of Jeff Spicoli was to dedicate himself to full­ fectiveness from other Bess Armstrong provides amusing in Fast Tim.es at time research on a drug scenes. Well, Barrymore a touch of style and grace Ridgemont High. Or in the designed to release the had problems too. amidst the random luncacy. sense that Cheech and Chong primal instinct of man. One I saw Mark Blankfield Unfortunately, the rest of the are amusing — it isn’t the night he nods off in the lab perform in a farcical play in supporting cast seem to be lines or the depth of content and as he sleeps, his Los Angeles called Bullshot graduates of the Moon Zappa that one remembers, but the breathing sucks a milkshake Crummond. He was School of Diction so the film utter lack of control. The straw into his nostrils while hysterically funny in that relies heavily on sight gags. movie is a drug joke that the other end of the straw also, and for that he won an Another problem with the lasts an hour and twenty goes into his white, powdery L.A. drama critics award. movie is the attractiveness minutes. If you have that formula. He inhales it, This led to a spot on the of Hyde’s addiction. The kind of patience and you wakes up, and a gruesome television show Fridays on ghost of John Belushi hangs don’t mind vapid sterotypes, transformaton occurs. His which he developed the over ever scene saying “ It’s see this movie. It has the hair stands on end a full foot character of a pharmacist not that funny.” And he’s nerve to make drug-induced on all sides; his pants grow who tastes his recipes and right. On the surface of the schizophrenia outrageously Mark Blankfield and Bess Armstrong tighter. His chest sprouts responds to questions with a film, Hyde is a wild funny. gold chains. Frantically, he grabs a coat and lurches out of the lab with a triumphant growl of “Let’s get down! ” Wait a minute...Is this Jekyll and Hyde? Where’s the fog? The hideous false teeth? The spinning bundle of newspapers bearing headlines of “London ■„óÁVurC’t ' í i* ______HeisO Terrorized by Mysterious gssss **•-»*•* * PRESENTING LIVE Cloak Figure” ? r A rlington a 2.50 ADMISSION! million light flipfj t Center c o n c e r t s a n d y e a rs from l i p You can look long and J iS.»«;: Î W ï s ^1317 S iM S lrM ^ f SPEC ALTY FILMS. Special Twi-Lite Prices h o m e . hard, but Jekyll and FOR FIRST PERFORMANCE OF THE DAY. He is afraid. í§yi Hyde...Together Again is to tf§ LIVE CONCERT INFO (except Riviera, Drlve-lne, & Magic Lantern) cHe is torolly The Strange Case of Dr. S i PLEASE CALL 965-5181 MONDAY & TUESDAY BARGAIN NITES .alone. Jekyll and Mr. Hyde as Life 0 M of Brian is to The Bible. A FOR FILM INFO iäsh'iil very, very loose adaptation. Traditionally, this story is for matinee idols to show that they are able to act, too. John Barrymore, Fredric March and Spencer Tracy have all played the shizophrenic doctor at one time, yet their remakes were all stories of evil, horror and cruelty. This Hyde isn’t malicious. He just doesn’t like people who stand in the way of his having a good time. Mark Blankfield’s Hyde carries the movie. He is an obnoxious, gyrating animal that feeds on chicken sushi and snorts the green mustard on the side. His Jekyll is too hip, though, and too easily betrays the Disco Dan that lurks within. It

[ c u t s , ETC.)

presents

“ The Package ”

Shampoo Conditioner 7 7 Hair Cut Blow Dry us Products

Shampoo & iäiissä Rie hare r L itj « e r-v re e v J A C K Haircut N IC H O LS O N Fa ir v iew '1) _ S H E L L E Y ''C i n e m a T ¡J-»», V 251 N. ra krvtow v tu r k i Jw SH iN iN G D U V A LL V «oso Homsi.r... y on trie sunset UPSTAIRS AT m “ Exciting,moving, Being the actontures Strip PICCADILLY SQUARE s if ! controversial.” KUBRICK 'S of a young man 965-1177 TST whose principal I l i interests ate Mesas?. Cl*ASS Of ultra-violence |jj ñ ñ m i i » L o n . ____ and Beethoven. ‘stem 'JÖS® A LL S E A T S S2.00 A LL TIMES!

ä&SSfö -, Michael _ 9 6 0 -3 3 5 6 -V THE ROAD V ,67 ,44? He is ofroid. .ÎÂWYS ' F a IRVIEW 2 «split Image f e & J i Z S Z * / ■ W A R R I O R CINEMA? Heisrorolly -itìSs 251 N . F a ir vie w r 9 D e l N o r te S . 5050 Hollister Ave. .f’ fere?«1 HARRISON '’»»«»«•wr" ' olone. H e is 3 FORD m illion light y e o rsfro m h o m e . THE EXTRA- ILT e r r e s t r i a l

T h e THINGS ARE TOUGH y j13» ALL OVER"

FRIDAY A SATURDAY MIDNIGHT MAGIC LANTERN 1 0 A Thursday, October 14,1982 Daily Nexus ~~...... Eventualities......

Music in Italy at the Time of Leonardo da Vinci will be Randy Meisner, formerly with the Eagles, will perform in all class members. For tickets and information on the discussed by Music Professor William Prizer today at 4 CampbelTHall on Saturday, Oct. 16 at 7:30 p.m. Opening the classes, call the theater at 963-0806. pm . The speech will be in Music 1145 and the admission is show will be The Pups. Tickets are on sale at the A.S. Ticket free. Office, Mominglory Music and all the usual outlets. The The Santa Barbara Symphony opens its 1982-83 season show is presented by Bassman Productions and the A.S. Saturday, Oct. 23 at 7:30 p.m. at the Arlington Theatre. The Elephant Man opens the Alhecama Productions’ Garvin Program Board. program will feature pieces by Elgar, Prokofiev and Series tonight at 8 p.m. in Santa Barbara City College’s Berlioz. For information, call 965-6596. Garvin Theatre. It will run through Oct. 30. For information Leonardo: Disciple of Experiment, a one-man performance and tickets, call 963-0761. by Steve Polinsky, will be presented by UCSB Arts & The W ar Game and Eight Minutes to Midnight: A Portrait Lectures Monday, Oct. 18 at 8 p.m. in the Main Theatre. of Dr. Helen Caldicott will show Sunday, Oct. 24 as part of Stormriders, a surfing adventure film, will be shown Admission is $2 for students. the Politics in Film series. Showtime is 7:30 p.m. in tonight at the Magic Lantern Theater in Isla Vista at 7 and 9 p.m. The show is sponsored by KTYD. The House by the Sea by May Sarton will be discussed at thè Women in Literature series at the Women’s Center Wed­ La Farce Du Maitre Pathelin, a French medieval farce, nesday, Oct. 20. For more information, call Eva Anda, 962- will be shown on videotape Friday, Oct. 15 at 1 p.m. in 0653. Phelps 2517. Admission is free. Spatial Music will be discussed by composer/conductor Henry Brant Wednesday Oct. 20 at 5 p.m. in Music 1145. The lecture is spnsored by the College of Creative Studies. STEREO and VIDEO Spatial music, which features the positioning of the per­ formers throughout the hall, as well as on the stage, derives REPAIR from concepts of Charles Ives.

1 FREE T-SHIRT A Musical Night in Old Vienna opens the Arlington Celebrity Series Friday, Oct. 22 at 8 p.m. at the Arlington with your next repair Theater. The program will feature highlights from “The and this coupon expires Nov. 30 or ■ Merry Widow,” “The Gypsy Baron,” and “The Countess while supplies last Maritza,” as well as waltzes and Strauss favorites. For t v tickets and information on the series, call 963-3686.

Faculty Exhibition at the College of Creative Studies ‘A u d i o continues through Oct. 22. The show features paintings, G r m m sculpture, prints and drawings by the college’s faculty. The gallery is open Monday-Friday, from 8-5 p.m. G l i i j i c f Dr. Helen Caldicott The Ritz, a fast-paced farce with singing and dancing, will Campbell Hall. The films deal with the probable effects of a open at the Victoria Street Theater Friday, Oct. 22 and will nuclear attack on Britain and the medical dangers of the run thrugh Oct. 30. The show is presented by JH Produc­ nuclear threat, respectively. The series is presented by tions. UCSB Arts & Lectures. For tickets, call 961-3535.

Toad the Mime otherwise known as Toni Attel, wll be in Leonardo’s Return to Vinci continues at the UCSB Santa Barbara Oct. 23 and 24 at the Lobby/Gallery Theater. University Art Museum through Oct. 24. the show features She will teach master classes in mime and comedy from 10 works by Leonardo da Vinci, including the Salvator Mundi, LOS ANGELES a.m. to 4 p.m. both days, and will give a performance the an oil painting on wood featuring the head and shoulders of evening of the 23rd at 8 p.m. The performance will feature Christ. CHAMBER One-Man Show on Leonardo Photo

ORCHESTRA genius with humor and in­ Show A one-man show entitled The show, which is being sight. The two-act presen­ Leonardo: Disciple of Ex­ presented in conjunction Terry Wild: Photographs tation features Polinsky in G EM M I SCHWARZ. MUSIC DIRECTOR periment will be presented with the Leonardo’s Return will be on view at the Santa full custume and make-up. at UCSB’s Main Theater on to Vinci exhibit at the UCSB Barbara Museum of Art, The show reveals the per­ Monday, Oct. 18 at 8 p.m. University Art Museum, has Oct. 8 through Nov. 21, on the "A legendary pianist at the pinnacle of a sonal struggles and Conceived by Steve Polinsky received rave reviews. A museum’s balcony. remarkable career. triumphs of Leonardo. — N Y Times and Willard Simms, the recent review called the Organized by Fred R. Tickets are available in creators of the highly ac­ program “Fantastic! The Parker, the exhibition advance from Arts and claimed “Einstein: The Man incredible workings of presents 52 black and white Lectures and at the door. Behind the Genius,” the Leonardo’s mind were photographs taken by Terry ShumCherhossky They are $2 for UCSB Leonardo program brings revealed to the audience Wild, who lives and works in students and $2.50 general alive the great Renaissance delicately and Williamsport, Pennsylvania, Program: Chopin's Piano Concerto No. 1. admission. imaginatively; we lived and Symphony No. 2 by Schubert, and the world a s a commercial dreamed with him.” photographer. Mr. Wild is a premiere of Lazaroll's “Sinfonietta." Tour o f Estate Polinsky is considered by part-time instructor of fine Sunday, October 17 many to be one of the finest art at Lycoming College, and A public tour of one of The tour is a project of solo performers currently chairman for the UCSB Campbell Hall — 8 PM Montecito’s greatest estates Santa Barbara Heritage, a active in theater. photography program at the Reserved Seats: $10.00/$8.00/$6.00 of the 1920’s, “Park Lane,” non-profit organization, and For further information Pennsylvania Governor’s (UCSB Students: $8.00/$6.00/$4.00). will be held on Saturday, will be co-sponsored by the contact UCSB Arts and School for the Arts, held Tickets/Charge By Phone: Oct. 23,1982, from 10 a.m. to Santa Barbara Chapter of Lectures, 961-3535. each summer at Bucknell A&L Ticket Office (961-3535). 4 p.m., and on Sunday, Oct. the American Institute of University, Lewisburg, Presented by UCSB Arts & Lectures 1982 24, from 12 noon tp 4 p.m. Architects. Tickets for the Pennsylvania. During the event are $10, which includes past ten years, his refreshments, and can be photographs have been obtained at Ticket Bureau, shown in over fifteen one- 1317 State Street, Santa man exhibitions and twenty- Barbara, telephone (805) five group exhibitions, and AVIATION TRAINEES 965-5181. are represented in numerous public and private collec­ WANTED! tions.

The U.S. Navy is looking for highly RECORDS motivated juniors, and seniors to become ' B m CK ★ JAZZ t^BLA8SICAlJ|*^i pilots, air tactical coordinators and elec­ SOUL ★ COUNTRY ★ SOUNDTRACK tronic/ computer operators. Pilots must have 20/20 vision; Non-pilot's COME IN ANO BROWSE THROUGH THE vision must be correctible to 20/20. LARGEST SELECTION OF USED LFS AND If you qualify, we can guarantee you C A SS ET T ES BETWEEN [¿A0A$OiSAN FRA/m CISCO. ALL ARE GUARANTEED, SO THERE'S NO aviation training. REMEMBER; Sound too good to be true? WE PAYCA$H POP YOU* USED Call (213) 468-3331 collect or direct. Or RECORDS AMO CASSETTES | see the Navy Officer Information Team at the Storke Tower Plaza October 18 & 19. M €CN IN eL€l3y MUMCI 910 Embarcadero dal Norte • isia Vista Open 10-10 Daily * 12-8 Sunday« • 968-4665 Daily Nexus Thursday, October 14,1982 11 A funny moments, a difficult stunt in itself. To quote Favorite O’Toole quoting the eminent Studio Silk Love Over G old’ (Continued from pg.8A) actor Edmund Kean on his (Continued from pg.4A) the tune winds on, Knopfler (Continued from pg.2A) like “Telegraph Road,” gets hotter and the record is deathbed: “Dying is easy. Hecht said. Year well. For all concerned, the deals with some tough Comedy is hard.” Hecht said that she felt the ended in high style. key to appreciating — if not issues. Knopfler’s approach enthusiasm was justified. Love Over Gold takes (Continued from pg.3A > understanding — the here is on the light side. This “The shows are beautifully some time and thought — along with the dialogue, and presentation'-was -an open is a great tune especially for done and well-conceived. two things cnspicuously the ending has the frightened The individuals putting this mind. those who’ve looked forward absent from most of today’s movie star show real thing out are professionals, to more seductive Knopfler music. It’s nice to put this on courage and beat the bad licks. very much so.” and have to listen to it again guys up. And the sun rises in Last month a show “ Love Over Gold” is a to know what you think. It the East. And Nixon is a featuring Tom Ball and standard, albeit long, Dire always takes time to find crook. Still, the movie Kenny Sultan was Straits love song. There’s excellence in art or music, transcends the sporadic, previewed. Ball said that the nothing especially in­ and if given the time, Love drum-roll one-liners and show included an interview teresting here. “ It Never Over Gold becomes Knop­ creates some genuinely at his home, and footage shot Carmen Rains” ends the record in an fler’s best, most intelligent at the studio and at Wim­ (Continued from pg.4A) unspectacular style. Eight work. Here we find not only minutes of standard Straits bledon Tavern where the duo later this year. I hope that te best of his guitar and pen, is made respectable here Magazine frequently appears. when they do, not only will but also the best of the band. because of Clark’s fine organ (Continued from pg.8A) “They’ve spliced it all the sets be finished, but the On the heels of Making underpinnings and Knop­ together intermittently, and dancers will put the finishing Movies, it’s good to see the intolerable accent, as is the following song, “A Song From fler’s superb soloing. This is, it’s pretty interesting. I like touches on their per­ Straits get out of a rut before Under the Floorboards.” “About the Weather” was in fact, the best example of it fine. They asked some formances as well. It is they fall into it — that trap is overplayed in L.A. when it was first released as a single what Knopfler can do when pretty good questions and I definitely worth seeing. too well known. there and, understandably, it is the only song on the album given the proper vehicle. As with a sophisticated yet catchy instrumental arrangement. thought we played pretty The vocals are even quite good on this. good,” Ball said. Any notion that these are serious artists is quickly dispelled when the next song, “ Goldfinger,” comes through the speakers. As you may have already guessed, this is a James Bond-inspired tune that is out of place following The Waverly Consort “About the Weather.” The real embarassment comes at the end with “The Book,” which is merely a recital of a short T o Perform Here story amidst uneasy synthesizer effects. You just can’t dance to it. The Waverly Consort, in a concert entitled “ Music in the Perhaps where this album fails is in it’s treatment of the Age of Exploration,” will perform Thursday, Oct. 21, in listener. One feels as if he is being talked into seeing Campbell Hall at 8 p.m. Sponsored by UCSB Arts & Lec­ something of artistic value in a stain on a shag rug. This tures, this concert of Spanish Renaissance music is part of band is trying to create an image out of thin air, because a new series called Five Centuries in Four Evenings. there is certainly no musical talent involved here. Un­ Subscriptions to this series, as well as seven others, are still fortunately, musical talent has proven not to be a available at Arts & Lectures Ticket Office — offering prerequisite for commercial success, especially among discounts of up to 25 percent off single tickets. new-wave/pop bands. Drawing on a long-neglected repertoire of rare and great music from the 12th through the 18th centuries, the group of Utopia six singers and four instrumentalists perform on more than 50 unusual wind, string, and percussion instruments of the medieval, Renaissance and Baroque periods. the 80s” is to the music of the (Continued from pg.8A) Now in its 18th season, The Waverly Consort was the third side, it mocks some not-to-distant past. The organized in 1964 at New York University, where Michael record cannot be taken of the worst music of the and Kay Jaffee encouraged a small group of fellow Steve Polinsky sixties but comes off seriously. Every song is graduate students in musicology to join them in some sounding very corn- about the singer’s love of a performances of medieval and Renaissance music. T alcing as temporary and very good. woman. All but one of the its name from Waverly Place (which runs by N Y U ’s Finally there is “Forgotten tunes is under four minutes Washington Square campus), the group made its Highly LEONARD But Not Gone.” This is one of (half are under three). All of acclaimed public debut at Carnegie Recital Hall on April —disciple of experiment— thè most invigorating, up­ the songs are light and ac­ 23,1966. beat tunes in recent cessible. Although this might Single tickets, as well as subscriptions to this and all memory. From the dual lead sound a little like the Knack, events in Arts & Lectures 1982-83 season, are available at vocals to the rambling piano, there is no similarity. It is the A&L Ticket Office. For information, call 961-3535. everything is calculated to refreshing to hear such ring back that feeling you unadulterated pop again, had when you first heard the especially in the form of Beatles or Stones. It works. something this modern. If Rocky Horror there is one album to buy for Utopia brings to light how (Continued from pg.5A) similar today’s “ music of this fall, this is it. out of screaming rejjeatedly at all the right and wrong times, “Hey asshole,” or “ Where’s your fucking neck?” Bowie in New Fill making it impossible to understand what anyone is saying on screen. It reminds me of the thrill kids in junior high get ONE MAN SHOW David Bowie is off to the mented Bowie. “ With the when they first use “the ‘F ’ word” in public. This spectacular show brings alive the great Renaissance genius South Seas to begin filming exception of his films In The So, despite Rocky Horror’s enormous appeal simply on with humor and insight. The two-act presentation features Polinsky in full custome and make-up! Sensational! Merry Christmas Mr. Realm of the Senses and The the basis of being a fun movie, it almost isn’t worth the Monday, October 18, 8 p.m. Lawrence with Japan’s Boy, Mr. Oshima is not very annoyance of seeing it at the Magic Lantern. Better to take celebrated director Nagisa well known in the western a trip down to L.A. and watch it with an audience with some UCSB Main Theater Oshima. The film, which co- world. But we’re hoping class, rather than with a group of college-aged high $ 2.00 UCSB Students $ 2 .5 0 General stars Tom Conti and Jack Merry Christmas Mr. schoolers who just finished a six-pack in the parking lot. Tickets available in advance at Arts & Lectures (961 -35351 Thompson, is a World War II Lawrence will bring his film- or at the door. drama about British PO W ’s making genius to a much Presented by UCSB Arts & Lectures, 1982 in a Japanese prison camp. larger audience. ” Tony Scott the film version The film’s shooting schedule Merry Christmas Mr. of Whitley Streiber’s best will utilize various South Lawrence is the latest in a seller about the “quest for Seas locations during the series of Bowie’s film eternal life” is slated for next few months. related projects. Earlier this release in early 1983. “I’m very happy for this year Bowie starred in the Following completion of opportunity to work with Mr. MGM thriller The Hunger Merry Christmas Mr. Oshima whose unique work I with Catherine Deneuve and Lawrence, Bowie plans a greatly admire,” comm- Susan Sarandon. Directed by return to his own projects. Dance Majors... Pearls — The perfect gift WeTl jazz u p y o u r pizza.

D O D S T Q C K ^

■ • a * r -- J~farw in jfew efers 928 Emb. del Norte Gemologists • Designers • Estate Buyers Professionals since 1944 9 6 8 -6 9 6 9 1« a 907 State Street • Santa Barbara. • 9 6 2 -8 0 5 0 FREE DELIVERY TO IV 6 CAMPUS

|j| -Q- -if fmsmwmmmwW^trwmiû y - V V Í2A Thursday, October 14,1962 Daily Nexus

Editor: cA.S. PROGRAM BOARD James Watts This page provided and paid for by the A.S. Program Board

A S . Lectures CIA: Company Business On Company Business is filtrate political and social that should be required simply one of the most action groups in the United seeing for every responsible, powerful and important film States, and to maintain files thinking citizen of this documentaries to come from a n d surveillance on country.” Stephen Farber, American film makers in American citizens both writing for New West, recent years. The film was inside and outside the described the film as aired by the Public country. Under these new “overwhelming powerful,” Broadcasting System almost orders, the CIA can also be and added that “ it fills you im m ediately after its authorized by the Attorney with a sense of rage... and release, but because of its General to conduct covert shame.” Judith Stone, of the controversial subject operations inside the United San Francisco Chronicle, matter, it has been generally States. wrote: “A most important avoided by commercial The film covers the years documentary... a vital and networks and distributors. It from 1947, when the agency dramatic examination of the is, after all, a meticulously was first created, to 1975, CIA and U.S. Foreign documented and pain­ when the Congress of the Policy.” stakingly thorough history United States began in­ The film sold out Lotte and examination of the role vestigating some of the Lehmann Concert Hall last of the Central Intelligence agency’s activities. Using no year and many who wanted Agency in U.S. foreign police narration, On Company to see the film could not. So since the creation of the Business is structured en­ this year the film will be The Tubes & Oingo Boingo agency in 1947. This tirely from interviews, live shown twice in Campbell By Robert Wieger temationally since the early Danny Elfman with their shocking and amazing three materials, and news footage Hall. The first showing will On Oct. 28 The Tubes and ’70s. own horn section to produce hour documentary will of past CIA operations or be Thursday night, Oct. 14 at Oingo Boingo will perform at On the same night, per­ a sound that’s definitely provide the focus for a two CIA created “propaganda.” 8 p.m. and the second a very special concert in the forming a full-length set will “Boingo.” day program on the CIA that Some of the interviews in the showing will be on Friday, Events Center. This show be Oingo Boingo, an ex­ Tickets will go on sale will also feature a lecture film feature such well known Oct. 15 at 3 p.m. Admission will be a perfect opportunity tremely popular dance band tomorrow, Oct. 15 at 10 a.m. and dialogue with the film’s defenders of the CIA as will be $2 for students and to start off the Halloween from Los Angeles. The band, at the Events Center Box co-producer, Howard Richard Helms, William $2.50 for the general public. weekend on a good note. formerly a theatrical group Office (not the UCen) to Dratch, and an update on Colby, and David Atlee- The lecture and discussion named “ They Mystic UCSB students with a Reg recently expanded CIA Philips. There are also in­ with co-producer Howard The Tubes, a Bay Area Knights of the Oingo Card. Ticket prices are $9.75 powers with Linda Valentino terviews with well known Dratch, and the update wth based band, has been per­ Boingo,” combine in­ and $10.75 and must be who is the Director of Public defectors from the agency ACLU representative Linda forming its stage show in- teresting lyrics by leader pur cased with cash only. Information for the Southern including John Stockwell, Valentino, will begin at 7:30 California American Civil Philip Agee, and Victor p.m., Friday, Oct. 15 in the Liberties Union, and one of Marchetti. The film UCSB UCen Pavilion Room. their leading experts on examines CIA operations in The lecture/discussion intelligence matters. the European labor program will be free. In the fall of last year, movement, in Brazil, in President Reagan signed Uruguay, in Iran, in Angola, The Speakers: executive orders giving the and of course, in Chile. Howard Dratch is a co­ CIA unprecedented powers Film critic Archer Win­ producer (with Alan including authorization to ston, writing for the New Francovich) of the function within the United York Post said On Company documentary film, On States, permission to in­ Business is a documentary Company Business. He’ll be talking about the reasons for A.S. Tickets making the film, and the problems faced by film Located: UCen, 3rd Floor makers who are attempting Phone: 961-2064 to make a critical Operating Hours (when we have tickets to sell) : documentary on the CIA. 10 a.m.-4 p.m. Monday through Friday Linda Valentino is the NOTE: We close each day for approximately 15 minutes American Civil Liberties for a shift change. Union’s Director of Public Standard Policies Information for Southern 1) We accept CASH ONLY (no rolled change accepted) California and is one of their Cam pbell Hall 2) ALL SALES are FINAL, NO EXCHANGES, NO most knowledgeable experts REFUNDS on intelligence activities. 3) NO CHECKS ACCEPTED. The film covers the CIA up 4) Limit of two student discounts (UCSB undergrads with Randy Meisner Show until the latter part of the current/valid Reg Card for I.D.) per persn. Purchaser Carter administration. Because he has con­ Messina and Ritchie Furay harmonies. Meisner’s most must use their own Reg Card (borrowed cards not ac­ tributed so much to the convinced Meisner to join notable songwriting con­ cepted). development of the Southern Poco. After several suc­ tribution for The Eagles was California sound, it comes as cessful years Randy left to the classic “Take It To The something of a surprise that help form another seminal Limit.” Following Hotel bassist/guitarist/ vocalist/- Southern California California, Randy chose to s composer Randy Meisner aggregate, Rick Nelson’s come up front and form his was brought up in the fields Stone Canyon Band. Several own band and make solo of Scottsbluff, Nebraska. albums and tours later records. By the late sixties, Meisner accepted an offer to Meisner did find his way to join Linda Ronstadt’s back­ Randy Meisner and his Los Angeles and was playing up band, which in 1972 great back-up band can be \ with The Poor, a band became The Eagles. The seen live in what is sure to be named after its economic Eagles clearly were the a great performance in situation. When the Buffalo most successful American Campbell Hall, on Saturday Springfield, who shared band of the ’70s. The key night, Oct. 16. His live M eisner’s management ingredient of their sound was performances are known as company broke up, Jim Randy’s trademark high events not to be missed.

The UCen Art Gallery will show drawings, paintings, and lithograhs by Mark Maxwell and Julian Goldwhite through Friday. Beginning Oct. 18 the gallery will feature pain­ tings by Lee Abrahmov and Lupe Garza. This show will run through Oct. 30. Gallery hours are Monday through Friday 10 a.m.-4 p.m.

Wednesday, October 20th — 8 p.m. "Killing Our Own: The Disaster of America's Experience with Atomic Radiation" A Lecture, Film and Slide Show Norman Solomon

• National & International Investigative Journalist • Author of Books and Articles on Radiation in America including documentation on Nagasaki, Nevada bomb tests and Poseidon Nuclear war heads The Tearaways will be playing in the UCen Pub tonight at 8:30. Mem­ bers of the Tearaways include (left to right) Steve Packenham, John Finseth, John Ordazzo, and (at bottom) Tim Reese.