Considering Schubert and Nature: a Romantic Ecology
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Schubert-Handbuch
Schubert-Handbuch Ungekürzte Sonderausgabe Bearbeitet von Walther Dürr, Andreas Krause 1. Auflage 2007. Taschenbuch. X, 681 S. Paperback ISBN 978 3 476 02067 3 Format (B x L): 17 x 24 cm Gewicht: 1392 g Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. XI Vorwort Gedenkjahre markieren Positionen: Das kon- tet. Der ein Jahr darauf erschienene Kongreß- zentrierte Interesse an einem Autor, an einem Bericht zieht gewissermaßen das Resümee der Ereignis verdeutlicht, wie Perspektiven und In- bis dahin geleisteten Arbeit. Das spiegelt sich teressen sich ändern und in welcher Weise die- bereits auf der dem Bericht vorangestellten se mit historischen Prozessen unmittelbar zu- Photographie: Sie zeigt Eusebius Mandyczews- sammenhängen. 1897, zu Schuberts 100. Ge- ki, den Redakteur der Alten Gesamtausgabe. burtstag, war die erste Schubert-Gesamtaus- Was zu tun war, schien weitgehend getan. Zu- gabe abgeschlossen. Sie war von Johannes gleich war auch eine musikgeschichtliche Epo- Brahms begründet worden und dokumentiert che zu Ende gegangen: Die Musik der Spätro- noch heute den unmittelbaren Rezeptionszu- mantik, die sich auf Schubert noch direkt be- sammenhang des Schubertschen Werkes: Schu- rief, war 1928 nicht mehr zeitgemäß. Und wie bert – Schumann – Brahms. Kreißles Schu- im Reflex wandte sich auch die Forschung an- bert-Biographie (1865) lag damals seit gut drei- deren Themen zu, der in einem ganz neuen ßig Jahren vor, eine Biographie, die sich noch Sinne wiederentdeckten »Alten Musik«. -
Beethoven by George Alexander Fischer
The Project Gutenberg eBook, Beethoven, by George Alexander Fischer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Beethoven Author: George Alexander Fischer Release Date: February 22, 2005 [eBook #15141] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK BEETHOVEN*** E-text prepared by Juliet Sutherland, Karina Aleksandrova, Ralph Janke, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes sound files and the original illustrations. See 15141-h.htm or 15141-h.zip: (http://www.gutenberg.net/dirs/1/5/1/4/15141/15141-h/15141-h.htm) or (http://www.gutenberg.net/dirs/1/5/1/4/15141/15141-h.zip) Transcriber's Notes: 1. Corrected spelling of Maelzel's invention in one place from 'Panharmonican' to 'Panharmonicon'. 2. In the index, corrected 'Krumpholtz' to 'Krumpholz', 'Origen of the dance' to 'Origin of the dance', and 'Neafe' to 'Neefe'. BEETHOVEN A Character Study together with Wagner's Indebtedness to Beethoven by GEORGE ALEXANDER FISCHER Es kann die Spur von meinen Erdentagen Nicht in Aeonen untergehn. GOETHE. New York Dodd, Mead and Company The Trow Press, New York 1905 [Illustration: BEETHOVEN] TO THE MEMORY OF My father CONTENTS CHAPTER I. Early Promise II. The Morning of Life III. The New Path IV. -
SCHUBOT: Machine Learning Tools for the Automated Analysis of Schubert’S Lieder
SCHUBOT: Machine Learning Tools for the Automated Analysis of Schubert's Lieder by Dylan J. Nagler '14 submitted in partial fulfillment of the requirements for an AB degree with honors in Computer Science and Music Departments of Computer Science and Music Harvard College March 3, 2014 ABSTRACT This paper compares various methods for automated musical analysis, applying machine learning techniques to gain insight about the Lieder (art songs) of com- poser Franz Schubert (1797-1828). Known as a rule-breaking, individualistic, and adventurous composer, Schubert produced hundreds of emotionally-charged songs that have challenged music theorists to this day. The algorithms presented in this paper analyze the harmonies, melodies, and texts of these songs. This paper begins with an exploration of the relevant music theory and ma- chine learning algorithms (Chapter 1), alongside a general discussion of the place Schubert holds within the world of music theory. The focus is then turned to automated harmonic analysis and hierarchical decomposition of MusicXML data, presenting new algorithms for phrase-based analysis in the context of past research (Chapter 2). Melodic analysis is then discussed (Chapter 3), using unsupervised clustering methods as a complement to harmonic analyses. This paper then seeks to analyze the texts Schubert chose for his songs in the context of the songs' relevant musical features (Chapter 4), combining natural language processing with feature extraction to pinpoint trends in Schubert's career. Table of Contents Chapter 1{Introduction A Brief Explanation of Tonal Harmony . 4 Hierarchical Musical Analysis . .6 Descriptive Theories of Schubert's Harmony . 9 A Primer on Machine Learning Algorithms . -
Schubert's Recapitulation Scripts – Part II
CHAPTER 4 CATEGORY 2 RECAPITULATIONS 4.1. Introduction 4.2. Mozart, Monahan, and the Crux 4.3. Beethoven and the Minimally Recomposed Category 2 4.4. Beethoven and Schubert: Labor and Grace 4.5. Repetitions of Single Referential Measures 4.6. A Summary Analysis: The Finale of D. 537 4.7. Conclusion ADD CUT 1. One alteration only, + x 1. One alteration only, - x SIZE a. Minimally different, + 1 a. Minimally different, -1 1. by repetition (at the same pitch 1. deletion of originally repeated level) material 2. by sequence (repetition at a 2. deletion of non-repeated different pitch level) material a. by repetition of multiple referential measures, en bloc (backing up) STRATEGY b. by repetition of a single referential measure (stasis) 3. by composing new material Figure 4.1. Category 2 Strategies. 151 The ways in which thematic and harmonic gestures reappear go well beyond what can be captured by the standard notions of return or recapitulation.1 Like virtually all Western music, the music of the common-practice period is characterized by formal correspondences of various kinds. Such correspondences usually do not form exact symmetries, however, even at the phrase level. This stems partly, no doubt, from distaste for too much repetition and regularity—for predictability, that is, the negative side of the symmetrical coin.2 At this very early date, Riepel could scarcely be expected to realize what he was observing; later, of course, asymmetry would set in on a much greater scale.3 If one does not perceive how a work repeats itself, the work is, almost literally, not perceptible and therefore, at the same time, not intelligible. -
M. Iu. Lermontov
Slavistische Beiträge ∙ Band 409 (eBook - Digi20-Retro) Walter N. Vickery M. Iu. Lermontov His Life and Work Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Walter N. Vickery - 9783954790326 Downloaded from PubFactory at 01/10/2019 02:27:08AM via free access 00056058 SLAVISTICHE BEITRÄGE Herausgegeben von Peter Rehder Beirat: Tilman Berger • Walter Breu • Johanna Renate Döring-Smimov Walter Koschmal ■ Ulrich Schweier • Milos Sedmidubsky • Klaus Steinke BAND 409 V erla g O t t o S a g n er M ü n c h en 2001 Walter N. Vickery - 9783954790326 Downloaded from PubFactory at 01/10/2019 02:27:08AM via free access 00056058 Walter N. Vickery M. Iu. Lermontov: His Life and Work V er la g O t t o S a g n er M ü n c h en 2001 Walter N. Vickery - 9783954790326 Downloaded from PubFactory at 01/10/2019 02:27:08AM via free access PVA 2001. 5804 ISBN 3-87690-813-2 © Peter D. Vickery, Richmond, Maine 2001 Verlag Otto Sagner Abteilung der Firma Kubon & Sagner D-80328 München Gedruckt auf alterungsbeständigem Papier Bayerisch* Staatsbibliothek Müocfcta Walter N. Vickery - 9783954790326 Downloaded from PubFactory at 01/10/2019 02:27:08AM via free access When my father died in 1995, he left behind the first draft of a manuscript on the great Russian poet and novelist, Mikhail Lermontov. -
2018-2019 UIL Music Memory Study Guide
2018-2019 UIL Music Memory Study Guide Study the terms, definitions, and information about the composers and the selections below. Questions for the Multiple Choice portion of the test will be drawn from information on this document. A tempo: return to the original tempo. Accelerando: gradually faster. Ad. lib. (ad libitum): freely. Adagio cantabile: slow and stately, in a singing style (lyrical and flowing). Alto: low female singing voice. Allegro: fast. Andante maestoso: moderately slow (at a walking pace) and majestic, solemn, stately. Animato: animated, with excitement and spirit. Antiphony: a performance style in which two or more groups of musicians perform alternately as separate groups and together. The Appian Way (“Via Appia” in Italian): a military highway built by the Roman Republic in 132 B.C. It connects Rome to the port of Brindisi in southeast Italy over 350 miles away. Archaeologist: a person who studies human history by excavating sites and analyzing artifacts. Arirang (“Beautiful Love”): the name of a genre of Korean folk songs as well as the name of a famous Korean folk song, which is considered the unofficial national anthem of Korea. Arpeggio: chord tones played in succession and not at the same time. Art song: a song for one voice with piano accompaniment, sung in a recital by a trained singer. Bagatelle: a short composition, typically for the piano, that is light and mellow. Ballet: a story told through music and dancing, performed on a stage with costumes, sets, and lighting. Banderilleros: part of the matador’s quadrille for a bullfight. Banderilleros, dressed in silver follow the chulos and carry short spears. -
Music-Making Artistry Virtuosity
72ND SEASON PLAYFUL SERIOVirtuosityUS Artistry MEMORABLE Music-Making Save Your Long Drives For The Golf Course You’ve Got Better Things To Do New 150-seat jet service to Las Vegas, San Diego and LAX New all jet service to Los Angeles International Direct to LAX & SFO, First Class service to Denver To enjoy the sun fly direct to Phoenix MONTEREY PENINSULA AIRPORT DIRECT FLIGHTS TO DENVER • PHOENIX • LAS VEGAS • LOS ANGELES • SAN DIEGO • SAN FRANCISCO WITH CONNECTIONS WORLDWIDE www.montereyairport.com Schedules subject to change Celebrating our 72nd festival Season Advertiser Index Adpartner .............................................................. 120 Glazes .................................................................... 117 Allegro Pizza ........................................................... 91 Hayashi & Wayland Accounting and Consulting .... IBC at&t .......................................................................... 55 Heisinger Buck Morris .......................................... 110 Bernardus Lodge ..................................................... 21 I Cantori di Carmel ................................................. 54 Big Sur River Inn ..................................................... 69 IATSE, Local 611 ..................................................... 97 Brophy’s Tavern ...................................................... 54 InterContinental The Clement Monterey ................ 4 Carey Beebe Harpsichords ..................................... 68 Jeffrey’s Grill & Catering ..................................... -
Johann Michael Vogl's Alterations to Schubert's "Die Schonë Mullerin̈ "
University of Iowa Iowa Research Online Theses and Dissertations Spring 2009 Johann Michael Vogl's alterations to Schubert's "Die schonë Mullerin̈ " Joseph R Matson University of Iowa Follow this and additional works at: https://ir.uiowa.edu/etd Part of the Music Commons Copyright 2009 Joseph R Matson This thesis is available at Iowa Research Online: https://ir.uiowa.edu/etd/251 Recommended Citation Matson, Joseph R. "Johann Michael Vogl's alterations to Schubert's "Die schonë Mullerin̈ "." MA (Master of Arts) thesis, University of Iowa, 2009. https://doi.org/10.17077/etd.xsg0v6p1 Follow this and additional works at: https://ir.uiowa.edu/etd Part of the Music Commons JOHANN MICHAEL VOGL’S ALTERATIONS TO SCHUBERT’S DIE SCHÖNE MÜLLERIN by Joseph R. Matson A thesis submitted in partial fulfillment of the requirements for the Master of Arts degree in Music in the Graduate College of The University of Iowa May 2009 Thesis Supervisor: Associate Professor Marian Wilson Kimber Copyright by JOSEPH R. MATSON 2009 All Rights Reserved Graduate College The University of Iowa Iowa City, Iowa CERTIFICATE OF APPROVAL __________________________ MASTER’S THESIS _________________ This is to certify the Master’s thesis of Joseph R. Matson has been approved by the Examining Committee for the thesis requirements for the Master of Arts degree in Music at the May 2009 graduation. Thesis Committee: ___________________________________ Marian Wilson Kimber, Thesis Supervisor ___________________________________ Christine Getz ___________________________________ Katherine Eberle ACKNOWLEDGMENTS I wish to acknowledge the support of several people. The faculty, staff, and student body in the School of Music gave me the opportunity and support to pursue my research, in spite of the flood that closed the music building in 2008. -
Signumclassics 2 CD SET
139booklet 23/9/08 13:09 Page 1 ALSO AVAILABLE on signumclassics 2 CD SET Beethoven: Lieder und Gesänge John Mark Ainsley / Iain Burnside SIGCD145 Signum continues its foray into Beethoven’s world of songs with one of Britain’s most prolific tenors, John Mark Ainsley, joined by the acclaimed pianist Iain Burnside, for another set of Lieder and Gesänge. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 139booklet 23/9/08 13:09 Page 3 Beethoven: Lieder und Gesänge CD2 1. An die Geliebte/1 [1.24] 2. Sehnsucht/1 [1.38] CD1 3. An die Geliebte/2 [1.40] 6 Lieder Op. 75 4. Sehnsucht/2 [1.20] 1. Neue Liebe, neues Leben [3.15] 5. Das Geheimnis [1.53] 2. An den fernen Geliebten [3.25] 6. Sehnsucht/3 [1.28] 3. Der Zufriedene [1.24] 7. Als die Geliebte sich trennen wollte [3.29] 4. Gretels Warnung [2.05] 8. Sehnsucht/4 [2.00] 5. Aus Goethes Faust [2.07] 9. Der Kuß Op. 128 [2.09] 6. Mignon - Kennst du das Land [4.07] 10. Sehnsucht (Reissig) [3.07] 11. Der Mann von Wort Op. 99 [2.08] 6 Lieder von Gellert 12. Seufzer eines Ungeliebten und Gegenliebe [6.16] 13. In questa tomba oscura [3.13] 7. Bitten [2.35] 8. Gottes Macht und Vorsehung [1.18] 8 Lieder Op. 52 9. Die Liebe des Nächsten [1.32] 14. Feuerfarb’ [3.08] 10. Vom Tode [2.49] 15. Das Liedchen von der Ruhe [6.39] 11. -
The Critical Reception of Beethoven's Compositions by His German Contemporaries, Op
The Critical Reception of Beethoven’s Compositions by His German Contemporaries, Op. 125 Translated and edited by Robin Wallace © 2017 by Robin Wallace All rights reserved. ISBN 978-0-692-89412-5 Center for Beethoven Research Boston University Contents Foreword 6 125.1 Friedrich August Kanne. 8 “Performance of Mr. Ludwig van Beethoven.” Allgemeine musikalische Zeitung mit besonderer Rücksicht auf den österreichischen Kaiserstaat 8 (5 June, 9 June, 16 June 1824): 149–51, 157–60, and 173–74. 125.2 Gottfried Weber. 21 Excerpt from “Glances at the Most Recent Appearances in Musical Literature.” Caecilia 1 (October 1824): 373. 125.3 Johann Baptist Rousseau. 22 Excerpt from “Rhenish Music Festival in Aachen.” Rheinische Flora, no. 82 (April 1825). 125.4 Rheinische Flora, no. 61. 24 (17 April 1825). 125.5 Excerpt from “News: Frankfurt am Main.” 25 Allgemeine musikalische Zeitung 27 (27 April 1825), col. 279–80. 125.6 Excerpt from “News: From the Lower Rhine.” 26 Allgemeine musikalische Zeitung 27 (29 June 1825), col. 444–47. 3 contents 125.7 F. 28 “The Lower Rhine Music Festival, 1825 in Aachen.” Caecilia 4 (1826), 66–67. 125.8 Gottfried Weber. 30 Excerpt from “Germany in the First Quarter of the 19th Century: Views of a Friend of Music.” Caecilia 4 (1826), 109–10. 125.9 Adolf Bernhard Marx. 31 “Symphony with Concluding Chorus on Schiller’s Ode to Joy.” Berliner allgemeine musikalische Zeitung 3 (22 November 1826), 373–78. 125.10 Adolf Bernhard Marx. 40 “Sundries. To the Friends of Art in Berlin. From Someone in Your Midst.” Berliner allgemeine musikalische Zeitung 3 (22 November 1826), 383–84. -
Song Reconsidered: Words and Music, Music and Poetry
Fordham University DigitalResearch@Fordham Art History and Music Faculty Publications Art History and Music 2017 Song Reconsidered: Words and Music, Music and Poetry Lawrence Kramer Fordham University, [email protected] Recommended Citation Lawrence Kramer, Song Acts: Writings on Words and Music (Leiden and Boston: Brill Academic Publishers, 2017). Follow this and additional works at: https://fordham.bepress.com/art_hist_facultypubs Part of the Comparative Literature Commons, English Language and Literature Commons, Musicology Commons, and the Other Arts and Humanities Commons This Article is brought to you for free and open access by the Art History and Music at DigitalResearch@Fordham. It has been accepted for inclusion in Art History and Music Faculty Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected], [email protected]. 1 Song Reconsidered: Words and Music, Music and Poetry Lawrence Kramer Sphere-born harmonious sisters, Voice and Verse, Wed your divine sounds, and mixt power employ, Dead things with inbreathd sense able to pierce. (John Milton, "At a Solemn Music”) No carnage, but this single change: Upon the steep floor flung from dawn to dawn The silken skilled transmemberment of song. (Hart Crane, "Voyages III”) This essay is a revised version of the chapter on song in my first book, Music and Poetry: The Nineteenth Century and After (University of California Press, 1984). The chapter aimed to upend the traditional understanding of song, particularly art song, as a harmonious unity of words and music, and it has been fortunate in its reception. Over the years, like many other authors, I have idly mulled over the question of what the chapter would be like if I were to write it “today.” The publication in 2017 of a collection of my writings on the general topic, Song Acts: Writings on Words and Music (Leiden and Boston: Brill Academic Publishers) gave me the opportunity to ask the question seriously. -
Classical, Romantic, 20Th Century
FRETLESS STRINGS QUARTET Baroque, Classical, Romantic, 20th Century Bach, Johann Sebastian Ave Maria adapted by Charles Gounod from WTC Prelude #1 Arioso from Cantata #156 Brandenburg Concerto #6 in Bb Major Allegro Adagio Finale Jesu, Joy of Man's Desiring from Cantata #147 My Heart Ever Faithful from Cantata #68 Suite # 3 in D Major Air Bourree Gavotte Gigue Sheep May Safely Graze from Cantata #208 Bartok, Bela Rumanian Folk Dances Braul Maruntel Joc Cu Bata Beethoven, Ludwig van Adagio from Piano Sonata #8, Op. 13 “Pathetique” Ode to Joy from Symphony #9 Romance No. 1 in G, Op. 40 Boccherini, Luigi Minuet from Quintet in E Major, Op. 13 #5 Borodin, Alexander Nocturne from String Quartet #2 in D Major Bizet, Georges Habanera Hungarian Dance No. 5 Brahms, Johannes Nocturne, Op.9 #2 Chopin, Frederic Prelude in E minor, Op. 28 #4 Prelude in D Flat Major, Op. 28 #15 Clarke, Jeremiah Trumpet Voluntary Debussy, Claude Clair de Lune from Suite Bergamasque Golliwog’s Cake-walk from Children’s Corner Suite Reverie The Girl with the Flaxen Hair from Douze Preludes, Book 1 Dvorak, Antonin Humoresque from Op. 101 #7 Romance from Romantic Pieces for Violin Elgar, Edward Salut d’Amour, Op. 12 Nimrod from “Enigma” Variations, Op. 36 Faure, Gabriel Apres Un Reve Berceuse from “Dolly” Suite, Op. 56 Pie Jesu from Requiem Sicilienne from Pelleas et Melisande, Op. 78 Franck, Cesar Panis Angelicus from Messe Solonnelle, Op. 12 Gluck, Christoph Willibald Minuet from Orpheus Grainger, Percy Shepherd’s Hey Handel, George Frederick La Rejouissance from The Fireworks Music Water Music Suite Air Allegro Andante Hornpipe Haydn, Franz Joseph Andante from String Quartet in F Major, Op.