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HONEN SHONIN and the PURE LAND MOVEMENT by Edmund Theron Gilday B.A., University of Wisconsin, 1973 a THESIS SUBMITTED in PARTIA
HONEN SHONIN AND THE PURE LAND MOVEMENT by Edmund Theron Gilday B.A., University of Wisconsin, 1973 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF RELIGIOUS STUDIES UNIVERSITY OF BRITISH COLUMBIA We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA March, 1980 (c) Edmund Theron Gilday, 1980 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be al1 owed without my written permission. Department of Religious Studies The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 ii ABSTRACT In this study of Honen Shonin and his relation to the institutionali• zation of an independent Japanese Pure Land school, I have attempted to isolate the religious and doctrinal issues which affected the evolution of Pure Land salvationism in general and Japanese Buddhism in particular. The background for this:analysis is provided in Part One, which is a discussion of the religious background to Honen and his ideas, and a summary.of the immediate historical and religious circumstances, put of which Honen's Pure Land soteriology emerged. Part Two consists of a detailed analytical description of the Senchaku^shu (jff/jf )? Honen's major dissertation on Pure Land doctrine. -
Man'yogana.Pdf (574.0Kb)
Bulletin of the School of Oriental and African Studies http://journals.cambridge.org/BSO Additional services for Bulletin of the School of Oriental and African Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The origin of man'yogana John R. BENTLEY Bulletin of the School of Oriental and African Studies / Volume 64 / Issue 01 / February 2001, pp 59 73 DOI: 10.1017/S0041977X01000040, Published online: 18 April 2001 Link to this article: http://journals.cambridge.org/abstract_S0041977X01000040 How to cite this article: John R. BENTLEY (2001). The origin of man'yogana. Bulletin of the School of Oriental and African Studies, 64, pp 5973 doi:10.1017/S0041977X01000040 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BSO, IP address: 131.156.159.213 on 05 Mar 2013 The origin of man'yo:gana1 . Northern Illinois University 1. Introduction2 The origin of man'yo:gana, the phonetic writing system used by the Japanese who originally had no script, is shrouded in mystery and myth. There is even a tradition that prior to the importation of Chinese script, the Japanese had a native script of their own, known as jindai moji ( , age of the gods script). Christopher Seeley (1991: 3) suggests that by the late thirteenth century, Shoku nihongi, a compilation of various earlier commentaries on Nihon shoki (Japan's first official historical record, 720 ..), circulated the idea that Yamato3 had written script from the age of the gods, a mythical period when the deity Susanoo was believed by the Japanese court to have composed Japan's first poem, and the Sun goddess declared her son would rule the land below. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’S Subjugation of Silla
Japanese Journal of Religious Studies 1993 20/2-3 The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’s Subjugation of Silla Akima Toshio In prewar Japan, the mythical tale of Empress Jingii’s 神功皇后 conquest of the Korean kingdoms comprised an important part of elementary school history education, and was utilized to justify Japan5s coloniza tion of Korea. After the war the same story came to be interpreted by some Japanese historians—most prominently Egami Namio— as proof or the exact opposite, namely, as evidence of a conquest of Japan by a people of nomadic origin who came from Korea. This theory, known as the horse-rider theory, has found more than a few enthusiastic sup porters amone Korean historians and the Japanese reading public, as well as some Western scholars. There are also several Japanese spe cialists in Japanese history and Japan-Korea relations who have been influenced by the theory, although most have not accepted the idea (Egami himself started as a specialist in the history of northeast Asia).1 * The first draft of this essay was written during my fellowship with the International Research Center for Japanese Studies, and was read in a seminar organized by the institu tion on 31 January 199丄. 1 am indebted to all researchers at the center who participated in the seminar for their many valuable suggestions. I would also like to express my gratitude to Umehara Takeshi, the director general of the center, and Nakanism Susumu, also of the center, who made my research there possible. -
WND-CD Pop-Up Glossary
THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY acharya (Skt) An honorific title meaning teacher, conferred upon a priest who guides the conduct of disciples and serves as an example to them. Abbreviations: Skt = Sanskrit; Chin = Chinese; Kor = Korean; Jpn = Japanese; b. = born; d. = died; r. = reign; n.d. = no dates; c. = circa; fl. = flourished THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY acting administrator Hojo Yoshitoki (1163–1224), the second regent of the Kamakura government. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY administrator of priests An official rank within the Buddhist priesthood.The administrator of priests as the highest-ranking official was general supervisor over the other priests and nuns. Later the system of ranking for priests became a matter of formalism, with such titles bestowing honor but indicating no specific function or position. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Agama sutras A generic term for the Hinayana sutras. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Ajatashatru A king of the state of Magadha in India. Incited by Devadatta, he killed his father, King Bimbisara, a follower of Shakyamuni, and ascended the throne to become the most influential ruler of his time. Later he contracted a terrible disease and, in remorse for his evil acts, converted to Buddhism and supported the First Buddhist Council for the compilation of Shakyamuni’s teachings. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY Ajitavati See Hiranyavati. THE WRITINGS OF NICHIREN DAISHONIN POP-UP GLOSSARY alaya-consciousness Also called “storehouse consciousness.” The level of consciousness where the results of one’s actions (karma), good or evil, accumulate as karmic potentials or “seeds” that later produce the results of happiness or suffering. -
Nichiren Shu News Published by the Head Office of Nichiren Shu Buddhism & NOPPA
Nichiren Shu News Published by the Head Office of Nichiren Shu Buddhism & NOPPA No. 187 December 1, 2011 1 Inauguration of Renkoji Temple Clockwise from upper left: group photo in front of the Hondo, Rev. Tarabini with Mayor Tribocco at the banquet, banquet at the local restaurant, Rev. Yoneda officiating the ceremony, banners decorating the front of Renkoji Temple, inauguration celebration cake made for Renkoji By Sandra Seki Gyojun Tsujimura. Bishop Shokai Kanai, be a wine cellar, the voices of the attend- in front of the hondo, he decided that this and Rev. Chishin Hirai attended from ees resounded beautifully. was the ideal location for Renkoji Temple. The inauguration ceremony for Renkoji the U.S.A., Rev. Kanto Tsukamoto from Rev. Shoryo Tarabini found this spot After the inauguration ceremony, a Temple was held on Saturday, September London and Rev. Morioka from Germany. one day while he was traveling through banquet was held at the only restaurant 10, 2011 in Cereseto, Italy. The temple ac- The hondo (main prayer hall) which used the countryside. He had had a dream in in town. Followers and friends of Renkoji tually opened last year in this small town to be a wine cellar in the Middle Ages was which Nichiren Shonin appeared and Temple gathered for a warm celebration. located in the Piedmonte region between renovated and converted into a cozy prayer pointed out an area where cherry blos- The Mayor of Cereseto, Mr. Renato Tri- Torino and Milan in northern Italy. Due to hall with the Itto Ryoson Shishi (sacred soms bloomed and rolling hills extended bocco, attended both the service and the preparations and procedures, the inaugura- Buddhist statues) surrounding Nichiren endlessly. -
Principle of Attaining Buddhahood with the Present Body Sokushin-Jobutsu-Gi by Kukai
Principle of Attaining Buddhahood with the Present Body Sokushin-Jobutsu-Gi by Kukai translated by Hisao Inagaki INTRODUCTION Chinese esoteric Buddhism entered a new epoch in the eighth century when Shubhakarasimha (善無畏 Zenmui, 637-735) and Vajrabodhi (金剛智 Kongochi, 671-741) produced Chinese translations of the Mahavairocana Sutra and the Diamond Peak Sutra, respectively, thereby promulgating what is called "genuine esotericism" (純密 junmitsu) as distinguished from "mixed esotericism" ( 雑密 zomitsu). Furthermore, Amoghavajra (不空金剛 Fukukongo, 705-74), Vajrabodhi's disciple, actively engaged in the dissemination of the teaching while translating a large number of esoteric texts which he had brought from India. It was his disciple Hui-kuo (恵果 Keika, 746-805) who transmitted the teaching to Kukai when the latter visited China. Kukai (774-835), popularly known by the name of Kobo Daishi, after returning to Japan, propagated the esoteric teaching in Kyoto and elsewhere while writing a number of works. Being a faithful follower of the esoteric tradition, he based his system of thought on the teachings of Indian and Chinese masters and attached especially great importance to the sutras of genuine esotericism and two treatises attributed to Nagarjuna, namely, Treatise on Bodhi-Mind (菩提心論 Bodaishinron) and Commentary on the Treatise on Mahayana (釋摩訶衍論 Shakumakaenron). He further developed and systematized the doctrine with his extensive knowledge and religious ingenuity. Thus, the system of the Shingon sect which he founded represents the apex of Buddhist esotericism. Of all the works of Kukai, the following six considered the most important in the Shingon sect: (1) Ben-kenmitsu-nikyo-ron (辯顯密二教論), 2 fascicles, T.T.No.2427, a treatise which compares exoteric and esoteric teaching and shows that the latter is superior because it was expounded by the Dharmakaya Buddha. -
Thesis Title: Shimenawa: Weaving Traditions with Modernity – Interdisciplinary Research on the Cultural History of Japanese Sacred Rope
Thesis Title: Shimenawa: Weaving Traditions with Modernity – Interdisciplinary Research on the Cultural History of Japanese Sacred Rope Shan Zeng, Class of 2019 I have not received or given unauthorized assistance. 1 Acknowledgements I would like to express my greatest appreciation to my advisors Professor Morrison and Professor Laursen, as well as Professor Sassin and Professor Garrison, without whose support this project would not have come to fruition. I also want to thank my Japanese instructors Hayasaka sensei, Takahashi sensei, and Cavanaugh sensei, whose exceptional language classes gave me the courage and competence to conduct fieldwork in Japanese. My thanks go to Professor Milutin for patiently sifting through emaki and ancient Japanese poems with me and to Professor Ortegren for sharing her experiences on ethnographic fieldwork. I would also like to thank my first-year advisor Professor Sheridan, and all the other faculty and staff from the Middlebury Department of Religion and Department of History of Art and Architecture for their valuable feedback and support. I extend my special thanks to the following people, who not only graciously accepted my interviews but showed me the incredible hospitality, kindness and patience of the Japanese people: Orihashi san and her fellow colleagues at Nawawaseya, Shiga san and his family, Nagata san of Izumo Oyashiro, Nasu san and his colleagues at Oshimenawa Sousakukan, Matsumoto San, Yamagawa san and his father at Kyoto, Koimizu san, Takashi san, Kubishiro and his workshop, and Oda san. My appreciation goes to all the other people who have helped me one way or another during my stay in Japan, from providing me food and shelter to helping me find my lost camera. -
The Shingon Ajikan, Meditation on the Syllable ‘A’: an Analysis of Components and Development
The Shingon Ajikan, Meditation on the Syllable ‘A’: An analysis of components and development. Ronald S. Green This paper examines what has been described as the most basic and essential element of Kūkai’s (774-835) religio-philosophical system (Yamasaki 1988:190), meditation on the Sanskrit syllable ‘A’. According to Shingon Buddhist tradition, Kūkai introduced the meditation on the syllable ‘A’ (hereafter referred to as the Ajikan) into Japan in the early 9th century, at the time he transmitted the Shingon Dharma to that country from China. Materials clearly showing the origin and development of the Ajikan before Kūkai’s time have either not been discovered or have not been analyzed in relationship to the Ajikan. Indeed, some researchers have argued that the use of ‘A’ as a device for meditation arose as either a Chinese or a Japanese mistranslation of the Mahavairocana-sūtra.1 The present paper is an attempt to contribute to research on the development of the Ajikan by pointing to related references in writings typically associated with earlier traditions. First, by examining Kūkai’s own writings as well as those most important for Shingon, it will be shown that the Ajikan is part of the Tantric system believed to set Shingon apart from other traditions of Buddhism. Materials examined below suggest Kūkai believed that by means of the Ajikan meditation one could become a Buddha within this very lifetime. However, it will be noted that while Kūkai mentions the related Meditation on the Six Elements (rokudai enyū) of the Mahāvairocana-sūtra, which includes the syllable ‘A’, he makes no mention per se of the 1 T.18, 848. -
Vairocana in Tathgata Aform Shuyu Kanaoka
Vairocana in TathgataaForm Shuyu Kanaoka I With regrd to the Bodhisattva form of Vairocana in the Esoteric Buddhism who has a laymen's topknot (sikhavandha) and dress, without having monk's hair and kasaya, which represents an appearance of Sakya- muni after his getting enlightenment, the Mahavairocana-sutra states as (1) follows: “With sikhavandha, (2) make a crown”(髪 髪 以 爲 冠). “On his head, holds a topknot crown(jatamukuta)”(首 持 髪 髪 冠).(3) The latter jata-mukuta means a coiffure makes a hair like a crown, which is drawn in the“Tai-zo-zu-zo”(胎 藏 圖 像 or garbhadhatu illus- (4) tration) These correspondences in Tibetan is as follows: "(He) has a sikhavandha and a crown (mukuta)" (thor-tshugs dan ni dbu- (5) rgyan hcan). "(He)has a flame-light and jata-mukuta" (hbar-bcas thor-tshugs-dbu-rgyan can). As it will be easily distinguished, the former states topknot (sikha- vandha) and crown (mukuta) separately, while the latter explains a cr- own made of hair, i, e. jata-mukuta which coincide with the statements (1)Both in the second chapter(i. e., 入 曼 茶 羅 具 縁 眞 言 品 第 二). (2) Taisho, XVIII, 5a. (3) ibid., 5c. (4) Taisho Illustration, vol. II. (5) Hattori ed., p. 51,-1.1. (6) ibid., p. 66, 1.1. Rev. Kawagnchi translated this part as follows: "(His) head is ornamented brilliantly (Kawaguchis tr., p. 54). But I agree with Dr. Toganos translation in his "Research on Mandala, p. 134. -821- (36) Vairocana in Tathagata Form (Shuyu Kanaoka) of Chinese texts. -
Poems of the Gods of the Heaven and the Earth Christina E
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2010 Poems of the Gods of the Heaven and the Earth Christina E. Olinyk University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the East Asian Languages and Societies Commons, and the History of Religions of Eastern Origins Commons Olinyk, Christina E., "Poems of the Gods of the Heaven and the Earth" (2010). Masters Theses 1911 - February 2014. 475. Retrieved from https://scholarworks.umass.edu/theses/475 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. POEMS OF THE GODS OF THE HEAVEN AND THE EARTH: AN ANNOTATED TRANSLATION OF THE JINGIKA BOOK OF THE SENZAISH Ū A Thesis Presented By CHRISTINA E OLINYK Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment Of the requirements for the degree of MASTER OF ARTS September 2010 Japanese Language and Literature Department of Languages, Literatures and Cultures © Copyright by Christina E Olinyk 2010 All Rights Reserved POEMS OF THE GODS OF THE HEAVEN AND THE EARTH: AN ANNOTATED TRANSLATION OF THE JINGIKA BOOK OF THE SENZAISH Ū A Thesis Presented By CHRISTINA E OLINYK Approved as to style and content by: ________________________________ Stephen Miller, Chair ________________________________ Stephen M. Forrest, Member _________________________________________ Amanda C. Seaman, Director Asian Languages and Literature Department of Languages, Literatures, and Cultures ABSTRACT POEMS OF THE GODS OF THE HEAVEN AND THE EARTH SEPTEMBER 2010 CHRISTINA E OLINYK, M.A., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Stephen Miller This thesis analyzes the development of the Jingika book in the first seven Japanese waka anthologies ( chokusensh ū). -
The Development of Kaji Kito in Nichiren Shu Buddhism Kyomi J
The Development of Kaji Kito in Nichiren Shu Buddhism Kyomi J. Igarashi Submitted in Partial Fulfillment of the Prerequisite for Honors in Religion April 2012 Copyright 2012 Kyomi J. Igarashi ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor Kodera for his guidance and all that he has taught me throughout my four years at Wellesley College. I could not have written this thesis or taken on this topic of my interest without his encouragement and words of advice. I would like to acknowledge the Religion Department for funding me on my trip to Japan in December 2011 to do research for my thesis. I would also like to thank Reverend Ekyo Tsuchida for his great assistance and dedication during my trip to Japan in finding important information and setting up interviews for me, without which I could not have written this thesis. I am forever grateful for your kindness. I express my gratitude to Reverend Ryotoku Miyagawa, Professor Akira Masaki and Professor Daijo Takamori for kindly offering their expertise and advice as well as relevant sources used in this thesis. I would also like to acknowledge Reverend Honyo Okuno for providing me with important sources as well as giving me the opportunity to observe the special treasures exhibited at the Kuonji Temple in Mount. Minobu. Last but not least, I would like to extend my appreciation to my father, mother and younger brother who have always supported me in all my decisions and endeavors. Thank you for the support that you have given me. ii ABSTRACT While the historical and religious roots of kaji kito (“ritual prayer”) lay in Indian and Chinese Esoteric Buddhist practices, the most direct influence of kaji kito in Nichiren Shu Buddhism, a Japanese Buddhist sect founded by the Buddhist monk, Nichiren (1222-1282), comes from Shingon and Tendai Buddhism, two traditions that precede Nichiren’s time.