DOCSLIB.ORG

Program Programme

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Program Programme program programme Prostori: Svi programi se održavaju u Velikoj dvorani osim onih koji počinju u 10 A BRIEF HISTORY OF CLIMATE CHANGES / Joris Clerté / France / 2012 / 1:25 16:30 (Mala sala) i izložbe stripa (Likovni salon) 11 THE GAME / Marcin Janiec / Poland / 2011 / 5:05 12 MISSING / Cristian Wiesenfeld / Germany / 2011 / 2:40 Venues: All programmes will take part in Grand Hall except the ones sched- uled for 16:30 (Conference Room), and the comics exibition (Cultural Center Art Gallery) 16:30 Škola u gostima: FILMSKA AKADEMIJA BADEN-VIRTEMBERG (Nemačka). Uvod: Nikolas Palme, 75min A Visiting School: FILMAKADEMIE BADEN-WÜRTTEMBERG (Germany). Intro: Nicolas Palme, 75min ČETVRTAK, 6. septembar / THURSDAY, September 6th 01 THE VISIT / Conrad Tambour / 2010 / 8:30 02 LEBENSADER / Angela Steffen / 2009 / 5:56 19:00 Ceremonija otvaranja. Predstavljanje članova Animaniminog žirija 03 LOOM / Jan Bitzer, Ilija Brunck, Csaba Letay / 2010 / 5:20 Specijalna projekcija: STASH MAGAZINE, Kanada 04 MEE / Letty Felgendreher / 2012 / 4:40 Opening Ceremony. Introducing Animanima 2012 Jury members 05 HELDENKANZLER / Benjamin Swiczinsky / 2011 / 13:00 Special screening: STASH MAGAZINE, Canada 06 KRAKE / Regina Welker / 2012 / 9:05 07 KELLERKIND / Julia Ocker / 2012 / 9:45 08 AUTUMN LEAVES / Oliver Vogel / 2007 / 3:03 20:30 Otvaranje izložbe stripa: Aleksandar Zograf (Srbija) 09 366 DAYS / Johannes Schiehsl / 2011, 12:12 Opening of the comics exibition: Aleksandar Zograf (Serbia) 10 MOBILE / Verena Fels / 2010 / 6:24 21:15 GLAVNO TAKMIČENJE 01 / GRAND COMPETITION 01, 75min 18:00 GLAVNO TAKMIČENJE 02 / GRAND COMPETITION 02, 75min 01 BENDITO MACHINE IV / Jossie Malis / Spain / 2012 / 5:07 01 WHY ELEPHANTS? / Marko Meštrović / Croatia / 2012 / 6:30 02 TRAM / Michaela Pavlatova / Czech Republic / 2012 / 7:00 02 KALI THE LITTLE VAMPIRE / Regina Pessoa / Portugal / 2012 / 9:00 03 FATHER / Ivan Bogdanov / Bulgaria / 2012 / 16:30 03 THE MAKING OF LONGBIRD / Will Anderson / Scotland / 2011 / 15:19 04 FROSTED CHOCOLATE MOUSSE / Donato Sansone / Italy / 2011 / 2:40 04 BODY MEMORY / Ülo Pikkov / Estonia / 2011 / 9:25 05 VILLA ANTROPOFF / Vladimir Leschiov, Kaspar Jancis / Latvia / 2012 / 13:04 05 OVERCAST / Velislav Kazakov / Canada / 2011 / 9:25 06 FLAMINGO PRIDE / Tomer Eshed / Germany / 2011 / 6:02 06 THE ANIMATION TAG ATTACK / Christen Bach / Germany / 2012 / 9:58 07 ALZHEIMER / Alireza Hashempour / Iran / 2012 / 4:40 07 BEING BRADFORD DILLMAN / Emma Burch / UK / 2011 / 10:00 08 OH WILLY... / Emma De Swaef & Marc James Roels / Belgium / 2012 / 16:32 08 REFLECTION / Planktoon / France / 2012 / 3:48 23:00 Dugometražni film 1: ILUZIONISTA / Silvan Šome / Francuska / 2010 / 80:00 19:45 Retrospektiva: ANDREAS HIKADE (Nemačka), 75min Feature film 1: THE ILLUSIONIST / Sylvain Chomet / France / 2010 / 80:00 Retrospective: ANDREAS HYKADE (Germany), 75min 01 WE LIVED IN GRASS / 1995 / 15:00 02 BLA BLA BLA / 1999 / 4:00 PETAK, 7. septembar / FRIDAY, September 7th 03 RING OF FIRE / 2000 / 15:00 04 TOM IN THE WOODS / 2004 / 5:00 11:00 Takmičenje filmova za decu 01 / Films for children Competition 01, 58min 05 FAT TOM / 2004 / 5:00 01 MONARCH / Víctor René Ramírez Madrigal / Mexico / 2011 / 8:00 06 IN TOM‘S HEAD / 2008 / 5:00 02 OUT ON A LIMB / Falk Schuster / Germany / 2012 / 5:03 07 THE RUNT / 2005 / 10:00 03 SPYCAT AND THE PAPER CHASE / Darren Lim / Singapore / 2011 / 5:58 08 WALKAMPF / 2004 / 3:30 04 OVER THE HILL / Jun Nito / Japan / 2011 / 4:40 09 LOVE & THEFT / 2010 / 7:00 05 RUMOURS / Frits Standaert / Belgium / 2011 / 7:30 06 BONIFACIO IN SUMMERTIME / Pierre-Luc Granjon, Antoine Lanciaux / France / 2011 / 26:00 21:15 GLAVNO TAKMIČENJE 03 / GRAND COMPETITION 03, 75min 01 THE BOX / Dadomani / Italy / 2012 / 3:00 02 THE GREAT RABBIT / Atsushi Wada / UK / 2012 / 7:00 14:00 Svetska Panorama 01 / World Panorama 01, 71min 03 MASTER’S VOICE / Guilherme Marcondes / USA / 2012 / 1:30 01 BLUE WHALE / Sivan Kidron / Israel / 2011 / 6:30 04 EDMOND WAS A DONKEY / Franck Dion / France / 2012 15:04 02 SUNNY AFTERNOON / Thomas Renoldner / Austria / 2012 / 6:50 05 A BRIEF HISTORY OF THE ANNECY INTERNATIONAL ANIMATION FILM FESTIVAL / 03 AN ORGASM / Fred Joyeux / Canada / 2012 / 1:20 Joris Clerté / France / 2011 / 1:30 04 CONSTELLATION / Patrick Doan / Canada / 2012 / 6:00 06 ABOUT KILLING THE PIG / Simone Massi / Italy / 2011 / 6:20 05 THE LAST PHOTO / Lissa Pascale / Australia / 2011 / 7:48 07 THE CHRONICLE OF OLDRICH S. / Rudolf Smid / Czech Republic / 2011 / 17:27 06 IN THE BEGINNING OF TIME... / Božidar Trkulja / Croatia / 2012 / 10:30 08 MOXIE / Stephen Irwin / UK / 2011 / 5:40 07 THUNDER RIVER / Pierre Hébert / Canada / 2011 / 7:56 09 COLOSSE - A WOOD TALE / Yves Geleyn / USA / 2012 / 2:37 08 LIKE A DREAM / Malaeke Farhang Adib / Iran / 2012 / 4:40 10 THE LAST BUS / Martin Snopek, Ivana Laučikova / Slovakia / 2011 / 15:00 09 THE TRIANGLE AFFAIR / Andres Tenusaar / UEstonia / 2012 / 10:00 23:00 Dugometražni film 02: ĆIKO I RITA / H. Mariskal, T. Erando, F. Trueba / 12 COLUMBIA WATER / Gabe Askew / USA / 2012 / 1:59 Španija / 2010 / 94:00 13 BARCLAY: DU MONDE TOUT AUTOUR / Louis Clichy / France / 2011 / 2:59 Feature film 02: CHICO & RITA / J. Mariscal, T. Errando, F. Trueba / 14 RED BULL MUSIC ACADEMY TOUR / Pete Candeland / UK / 2011 / 2:38 Spain / 2010 / 94:00 15 MY SECRET ISLAND: A SECRET PARTY / Grete “Stitch” Laus / Estonia / 2011 / 2:44 16 HONDA: CANNONBALL RUN / Dan Sumich / UK / 2011 / 2:11 17 KEIMZEIT: KOLUMBUS / Sonja Rohleder and Veronika Samartseva / SUBOTA, 8. septembar / SATURDAY, September 8th Germany / 2012 / 4:36 18 MTV - TOP 10 AT 10 / Peppermelon / UK / 2012 / 1:59 11:00 Takmičenje filmova za decu 02 / Films for children Competition 02, 60min 19 BRANDT BRAUER FRICK: CAFFEINE / Danae Diaz and Patricia Luna / 01 GINJAS / Zepe & Humberto Santana / Portugal / 2011 / 2:00 Germany / 2011 / 5:02 02 GRAND PRIX / Marc Riba & Anna Solanas / Spain / 2011 / 8:00 20 LAVAZZA FAIRYTALE MY WAY / Dadomani / Italy / 2011 / 1:19 03 FROG WEATHER / Meike Fehre / Germany / 2011 / 5:45 21 REHAM: THIS THIRST / Francois Vogel / France / 2011 / 4:11 04 LITTLE LADYBIRD WANTS TO GROW UP / Miha Knific / Slovenia / 2011 / 12:00 22 KINDER CHOCOLATE: INVENTION / Russell Brooke / UK / 2012 / 0:30 05 PINCHAQUE, THE COLOMBIAN TAPIR / Caroline Attia / Spain / 2011 / 5:07 23 M + A: MY SUPER 8 / Rino Stefano Tagliafierro / Italy / 2011 / 4:50 06 THE GRUFFALO’S CHILD / Johannes Weiland & UweHeidschötter / 24 A DAY IN THE LIFE OF AN AUDI DRIVER / Chris Curtis / UK / 2011 / 2:30 UK / 2011 / 26:18 25 HO-HO: THIS MESSAGE IS BOILING HOT / Masanori Okamoto / Japan / 2011 / 2:18 26 FRENZAL RHOMB: WHEN MY BABY SMILES AT ME I GO TO REHAB / Marc-Antoine Deleplanque / Belgium / 2011 / 1:15 14:00 Svetska Panorama 02 / World Panorama 02, 63min 01 MY... MY... / Lei Lei / China / 2011 / 5:20 02 DANIIL IVANOVIC, YOU ARE FREE / Petra Zlonoga / Croatia / 2012 / 6:16 23:00 Dugometražni film 03: JEŽ JERŽI, r. V. Vavčik, J. Tarkovski, T. Lešniak, 03 BITE OF THE TAIL / Song E. Kim / USA/ 2011 / 9:00 Poljska, 2011, 80:00 04 FLOOD / Julia Gromskaya / Italy / 2012 / 5:20 Feature film 03: GEORGE THE HEDGEHOG, dir.W. Wawszczyk, J. Tarkowski, T. Leśniak, 05 BRAVE NEW OLD / Adam Wells / UK / 2012 / 9:30 Poland, 2011, 80:00 06 RED RIVER, SONG HONG / Stephanie Lansaque and Francois Leroy / France / 2012 / 14:15 07 VIA CURIEL 8 / Mara Cerri, Magda Guidi / Italy / 2011 / 8:30 NEDELJA, 9. septembar / SUNDAY, September 9th 08 DEAR KENO / Natko Stipaničev / Croatia / 2012 / 5:25 11:00 Takmičenje filmova za decu 03 / Films for children Competition 03, 56min 01 Dress to Impress / Falk Schuster / Germany / 2012 / 8:36 16:30 Prezentacija: JEŽ JERŽI - Making Of (Poljska). Govori: Vojtek Vavčik, 75min 02 Angelinho / Maryna Shchipak / Switzerland / 2011 / 4:28 Presentation: GEORGE THE HEDGEHOG - Making Of (Poland). Speaker: Wojtek 03 RunOut / Thomas Schienagel / Germany / 2011 / 9:30 Wawszczyk, 75min 04 No adults / Kaisa Lenkkeri / Finland / 2011 / 13:22 05 Keenan at Sea / Jeremy Galante and David Cowles / USA / 2011 / 2:04 06 Snowy Rider / Aleksey Turkus / Russia / 2011 / 17:44 18:00 GLAVNO TAKMIČENJE 04 / GRAND COMPETITION 04, 82min 01 THE HOUSE / David Buob / Germany / 2011 / 6:48 02 WHO LASTS LONGER / Gregorio Muro / Spain / 2011 / 12:00 14:00 Svetska Panorama 03 / World Panorama 03, 64min 03 BEAR ME / Kasia Wilk / Germany / 2012 / 5:45 01 Heartburn / Valentina Branchetti / Italy / 2011 / 2:12 04 GRANDMOTHERS / Afarin Eghbal / UK / 2011 / 9:16 02 Bloodink / Filipe Abranches / Portugal / 2012 / 11:00 05 ROMANCE / Georges Schwizgebel / Switzerland / 2011 / 7:10 03 Nightingales in December / Theodore Ushev / Canada / 2011 / 2:56 06 THE SHOEMAKER / David Doutel & Vasco Sá / Portugal / 2011 / 12:00 04 The Tortoise / Luís da Matta Almeida & Pedro Lino / Portugal / 2012 / 9:55 07 THE PEOPLE WHO NEVER STOP / Florian Pento / France / 2012 / 3:30 05 Djuma / Michele Bernardi / Italy / 2012 / 3:50 08 PLUME / Barry Purves / France / 2011 / 3:32 06 Bao / Sandra Desmazières / France / 2012 / 11:07 09 FADO OF A GROWN MAN / Pedro Brito / Portugal / 2012 / 9:55 07 A Well-meant Advice / Pavel Koutsky / Czech Republic / 2011 / 4:17 10 UNA FURTIVA LAGRIMA / Carlo Vogele / France / 2011 / 3:08 08 Ten Falls / Nicola Console / Italy / 2012 / 17:56 19:45 Studio u gostima: FILM BILDER (Nemačka). Uvod: Andreas Hikade, 85min 16:30 Prezentacija: Aleksandar Zograf (Srbija), 75min Visiting Studio: FILM BILDER (Nemačka). Intro: Andreas Hykade, 85min Presentation: Aleksandar Zograf (Serbia), 75min 01 NO ROOM FOR GEROLD / Daniel Nocke / 2006 / 04:58 02 RUBICON
Load more

Recommended publications
  • Seed2016-Web-Spread.Pdf
    Dear documentary friends, The SEED catalogue is in your hands for the fourth time, with an aim to help you on your search through the vibrant documentary productions of Southeast Europe. This is one of the initiatives where several countries joined together to promote their films on the wider international market and to draw your attention to brand new documentaries as well as those that will start their life very soon. This catalogue contains long list of recently finished feature and short documentaries, fresh enough to enrich your next festival edition, or feature films about to be finished in the next 12 months, so you can count on them. ‘Films in development’ are inviting you to start a possible co-operation with local producers and help bringing fascinating stories to your audience. If you are a filmmaker, feel free to browse through the additional list of documentary and major documentary film festivals where you can apply with your new works. Thanks to a close co-operation with the DOK Leipzig, during the festival, you will be able to watch some of the SEED films in the video library and also to hang out with us. We wish you another great documentary year! Yours truly, SEED team 1 CONTENTS FINISHED FILMS FILMS IN DEVELOPMENT 4 - A TWO WAY MIRROR, Katarina Zrinka Matijević, Croatia 46 - BEYOND THE END OF THE WORLD, Srđan Šarenac, Anne Barliant, 5 – CAIMO: BITTER REGRET, Aleksandar Zikov, Macedonia Serbia, Bosnia & Herzegovina, Croatia, USA 6 - CONFUSIONS, Lana Kosovac, Croatia 47 - BIRTH OF A CITY, Gregory Vardarinos, Greece 7 -
    [Show full text]
  • – Cultural History Records & Cultural Heritage?
    – Cultural History Records & Cultural Heritage? Conference 1–2 October 2015 at Uppsala University – Campus Gotland, Visby Welcome address by Olle Jansson, Adviser to the Vice-Chancellor, Uppsala University, Michel F. Scholz, Uppsala University and Marinette Fogde, Museum of Work I: Cultural History Records & Cultural Heritage Key Note: Comics as a Cultural Record between Humorous and Serious Representation Jane Chapman, Lincoln University Comics themselves are a ‘democratic’ art form – both as popular culture and in their use by social movements. As a cultural record they should be included in the palette of primary sources that academics use for the study of the past – especially unknown or neglected contemporary strips. Using a range of examples, this keynote presentation demonstrates how both humorous and serious comics can be analysed according to four different categories of cultural record. Similarly, humour theory helps our understanding of light-hearted comics, which were sometimes created as a diversion from violence and death in war time. Between humorous and serious representation a liminal space exists that is sometimes populated by comics as an important form of collective identity. Jane Chapman is professor of communications at the University of Lincoln (UK), research associate at Wolfson College, Cambridge, and visiting professor at Macquarie University, Sydney, Australia. Her current research is on soldiers’ own cartoons and comics produced during 1914-18 and the aftermaths. Jane is the author of more than thirty articles and book chapters and ten books on media history, documentary, broadcast journalism. She specialises in illustrative and comparative 20th century newspaper communications in France and in the British dominions of India, Australia Canada.
    [Show full text]
  • Comics of the New Europe” - ISBN 978 94 6270 212 7 - ©Leuven University Press, 2020 Comics of the New Europe
    Reprint from “Comics of the New Europe” - ISBN 978 94 6270 212 7 - ©Leuven University Press, 2020 Comics of the New Europe Reflections and Intersections Edited by Martha Kuhlman & José Alaniz LEUVEN UNIVERSITY PRESS Reprint from “Comics of the New Europe” - ISBN 978 94 6270 212 7 - ©Leuven University Press, 2020 © 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven Minderbroedersstraat 4, B-3000 Leuven (Belgium) All rights reserved. Except in those cases expressly determined by law, no part of this publication may be multiplied, saved in an automated data file or made public in any way whatsoever without the express prior written consent of the publishers. ISBN 978 94 6270 212 7 D/2020/1869/6 NUR: 617 Layout: Frederik Danko Cover design: Johan Van Looveren Cover illustration: Map by Martha Kuhlman in collaboration with the volume contributors, 2019. Reprint from “Comics of the New Europe” - ISBN 978 94 6270 212 7 - ©Leuven University Press, 2020 Contents General Introduction: Comics of the 'New' Europe 7 Martha Kuhlman, José Alaniz Part 1: The Former Yugoslav States 25 Un-Drawn Experience: Visualizing Trauma in Aleksandar Zograf’s 31 Regards from Serbia Max Bledstein Filial Estrangement and Figurative Mourning in the Work of Nina Bunjevac 47 Dragana Obradović Reality Check Through the Historical Avant-garde: Danilo Milošev Wostok 67 Aleksandra Sekulić Part 2: Czechoslovakia/the Czech Republic 83 Facets of Nostalgia: Text-centric Longing in Comics and Graphic Novels 89 by Pavel Čech Pavel Kořínek The Avant-Garde Aesthetic of Vojtěch Mašek 105 Martha Kuhlman Regardless of Context: Graphic Novels with the Faceless (and Homelandless) 121 Hero of Branko Jelinek Martin Foret Part 3: Germany 137 Co-Opting Childhood and Obscuring Ideology in Mosaik von Hannes Hegen, 143 1959-1974 Sean Eedy Images of Spies and Counter Spies in East German Comics 159 Michael F.
    [Show full text]
  • It's… the Monty Python Memorabilia Auction
    It’s… The Monty Python Memorabilia Auction Below is a list of all of the items available. More items are being added, so verify you have the latest list! This version: 17 June 2014 Please check Moe’s Books page on eBay regularly to see which of the below items are currently for auction. New items will be posted regularly. Individual items not currently listed on eBay can be purchased directly from Moe’s Books by contacting: [email protected] MONTY&PYTHON&COLLECTION DATE:&17&JUNE&2014 Item& Collection& Autographed&/& Publisher&/& Date&/&& Format Qty. Title&/&Product&Name Comments Author&/&Creator ISBN&/&ID&/&SKU Country Type Lot&ID Signed Manufacturer Year Accessory Bag 1 Monty&Python's&Spamalot&Duffle&bag&(black) Black&Spamalot&duffle&bag&With&strap&inside.&&Embroidered&on&front:&in&Red:&Monty&Python's&and&in& Item&1003 YelloW&Spamalot Accessory Bag 1 A&E&Pole&to&Pole&duffle&bag&(navy) Promotional&product&contribution&gift&for&PBS.&&Navy&With&White&accents&and&White&lettering&A&E&Pole& Item&1004 A&E to&Pole Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch& Rare!&&Officially&licensed&Monty&Python&Wristwatch.&&Features&the&famous&Python&Foot&at&the&center& Item&2599 Henderson&Group 2000 UK (2000)&]&Monty&Python&Foot&Watch of&the&Watch&With&"Monty&Python"&in&large&font.&The&Watch&face&uses&Arabic&numerals.&On&a&black& leather&strap.&Water&resistant&to&30&meters.&Box&display&includes&removable&cardboard&background& and&plastic&stand&With&Monty&Python&logo.&&CONDITION:&Mint,&never&used. Accessory Wristwatch 1 Officially&Licensed&Monty&Python&Wristwatch&
    [Show full text]
  • History and Remembrance in Three Post-Yugoslav Authors: Dubravka Ugrešić, Daša Drndić, and Aleksandar Zograf
    History and Remembrance in Three Post-Yugoslav Authors: Dubravka Ugrešić, Daša Drndić, and Aleksandar Zograf by Vladislav Beronja A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Slavic Languages and Literatures) in the University of Michigan 2014 Doctoral Committee: Associate Professor Tatjana Aleksić, Chair Associate Professor Kerstin Barndt Associate Professor Herbert J. Eagle Associate Professor Andrew H. Herscher Professor Tatjana Jukić, University of Zagreb ©Vladislav Beronja 2014 In the memory of my grandmother Desanka Beronja ii Acknowledgments This dissertation owes it completion to many mentors, colleagues, family members, and friends. First, I’d like to thank Herbert Eagle for seeing in me a potential scholar and encouraging me to apply to the graduate program six and a half years ago, when I was still a bookish undergraduate furiously finishing my thesis. The Department of Slavic Languages and Literatures, under Herb’s direction, has been a welcoming, warm and generous home, which I will be sad to leave. For all the encouragement, crisis management, and creative freedom I’d like to express my undying gratitude to Prof. Tatjana Aleksić, my main advisor. I am especially indebted to Prof. Kerstin Barndt from the neighboring German Department for simulating conversations, intellectual encouragement, and continued support in the context of the Avant- Garde Group and, in particular, the graduate seminar on museums and memory. In many ways, this seminar was the jumping board for this study. I would also like to thank Prof. Andrew Herscher for his willingness to be a part of this project. Needless to say, I take full responsibility for all the missed marks and gaping absences, while maintaining hope that I will have the chance to correct them in the near future.
    [Show full text]
  • Publication Presents an Overview of Those Activities and the 2 the “About”The Section at the Project’S Website ( Php?Rubrique1 Ibid
    PERFORMING THE MUSEUM The Reader Editors: Aleksandra Sekulić and Dušan Grlja Contents Dušan Grlja, Aleksandra Sekulić: Introduction .............................................................7 From Dissolution of the Past to Meta-Future in the Meta-Museum Boris Buden: In the Museum of Museums ..................................................................... 17 Jelena Vesić, Vladimir Jerić Vlidi: Museum – Art – Education: Ways of Doing, Ways of Seeing, Ways of Thinking ................................................23 Institutional Self-Reflection Aida Sánchez de Serdio Martín: Imagining the Relational Museum: Institutional Destabilization, Pedagogies and Archives ..............45 Barbara Steiner and Anna Lena von Helldorff: Collection Reversed — Transfer, Transformation and Ruptures ..................52 Interface of Disruption Oriol Fondevila: Performativity as a Modus Operandi .......................................... 61 Gordana Nikolić, Sanja Kojić Mladenov: Archive + Power. Performing the Archive in Art. ..................................................72 Performing the Museum - Interpreters Performing the Museum Project ........................................................................................... 81 Museum of Contemporary Art Vojvodina, Novi Sad ...................................................82 Fundació Antoni Tàpies, Barcelona ...................................................................................94 Museum of Contemporary Art, Zagreb ............................................................................108
    [Show full text]
  • GOOD LIFE Physical Narratives and Spatial Imaginations / the 53Rd October Salon / Septembar 22 — November 4, 2012 / Curators: Branislav Dimitrijević & Mika Hannula
    GOOD LIFE Physical Narratives and Spatial Imaginations / The 53rd October Salon / Septembar 22 — November 4, 2012 / Curators: Branislav Dimitrijević & Mika Hannula 4 PROLOGUE GOOD LIFE PHYSICAL NARRATIVES AND SPATIAL IMAGINATIONS !"#$%&' ($% )(*'"$ — City of Belgrade The 53rd October Salon "+*",&' -(."$ ,"('% — Aleksandar Peković, president The former building of the Geodetic Institute Mia David · Vladimir Perić · Miroslav Perić · Ana Perović Belgrade · Karađorđeva 48 +#'(*"'- September 22 — November 4, 2012 Branislav Dimitrijević · Mika Hannula +#'(*"'-' (--/-*($* Zorana Dojić "'0($/1&' The Cultural Centre of Belgrade %/'&+*"' Mia David +""'%/$(*"' / )'"2&+* 3($(0&' Zorana Djaković )'"%#+&' Jasmina Petković (--/-*($* )'"%#+&' Ana Stojković )' 3($(0&' Ana Djokić 4/-#(. /%&$*/*5 Andrej Dolinka /$-*(..(*/"$ Artinbox (Marco Minniti) · Nikola Cvetković · Bojan Marijanović · Dragan Nikolić · Dejan Pavić *4 +./) Filip Mikić '(%/" +./) Milovan Knežević — Knez )6"*" %"+#3&$*(*/"$ Ana Kostić · Senja Vild (++"#$* 3($(0&' Ninela Gojković )#,./-6&' The Cultural Centre of Belgrade Knez Mihailova 6/I, 11000, Belgrade Serbia www.kcb.org.rs "$ ,&6(.! "! *6& )#,./-6&' Mia David &%/*"'- Branislav Dimitrijević · Mika Hannula · Svebor Midžić 7'/*&'- Vladimir Arsenijević · Branislav Dimitrijević · Mirjana Djudjević Mika Hannula · Annika von Hausswolff · Vlatka Horvat · Jukka Korkeila Svebor Midžić · Aleksandar Zograf · Dubravka Sekulić · Branislava Stefanović Berit Talpsepp · Raša Todosijević · Miloš Tomić · Sreten Ugričić *'($-.(*/"$ Milan Bogdanović · Novica
    [Show full text]
  • Artist As Audience 2010
    ARTIST AS AUDIENCE FO ru M :: T H E audience A BO ut T H E V isua L art WO R K S Concept and realization, moderator:: M.F.A. Boba Mirjana Stojadinović Artists:: Saša Rakezić alias Aleksandar Zograf, Nikoleta Marković, Zoran Todorović, Igor Milovanović, Boris Šribar, Miloš Tomić, Lana Vasiljević, Dragana Žarevac, Zoran Pantelić, Bik Van der Pol, Milorad Mladenović, Marko Crnobrnja Project production:: Artist Association DEZ ORG and organization “Anonymous said:” Project partner:: Cultural Centre REX Project was generously supported by the Fund for an Open Society, Serbia The presence of the artists Bik Van der Pol was made possible with the help of the Embassy of Kingdom of the Netherlands in Belgrade. Finances and administration:: Jelena Radić Technical realization in REX:: Miroslav Stevanović, Jovan Pešić Visual identity of the first six discussions:: Verica Sokanović Visual identity of the second six discussions:: Boba Mirjana Stojadinović dez Photographs by:: org Boba Mirjana Stojadinović, Ivan Petrović Simultaneous translator for Bik Van der Pol:: Marija Asanović Audio editing:: Vladimir Janković - Slonče FOND ZA OTVORENO DRUŠTVO - SRBIJA Proofreading:: Slobodanka Gligorić FUND FOR AN OPEN SOCIETY - SERBIA *ovako izgleda font pretvoren u krive Thank you:: Gordana Belić, Dušica Parezanović, Fund *font može biti bilo koji standardni serifni font for an Open Society, Ivana Smiljanić, Svetlana Strunić, Miroslava Rajković, Nikoleta Marković, all the artists, Miroslav Karić, Milena Dragićević-Šešić, Snežana Stamenković, Ljubica Ćetković, Ivan Bon This project has been deposited in the Serbian Authors Agency, www.autorskaagencija.com [email protected] BELGRADE, SERBIA, 2010. http://razgovori.wordpress.com The production of contemporary visual art in discourse, possible readings of the cultural and political Belgrade is rich and diverse.
    [Show full text]
  • Belgrade Spends Millions Supporting Serbs Abroad
    pledging further financial support so that the renovations to the church could be completed by2020. becompleted could the church to further financialsupportsothattherenovations pledging Bosnia,earlierinApril, inMostar, Church theSerbianOrthodox visited Vucic Aleksandar Serbian President +381 11 4030 306 114030 +381 in North Banat in North Village Global A House: Mokrin Page 10 [email protected] Issue No. No. Issue 250 Friday, April 20 - Thursday, May 3, 2018 3, May 20-Thursday, April Friday, Photo: Anadolu Photo: Serbs in Bosnia and other countries, countries, other and Bosnia Serbs in SERBS ABROAD SERBS multi-million-euro donations to aid toaid donations multi-million-euro S Filip tions of the Serbianpublic. the of tions sec some among anuproar caused it Herzegovina, Bosniaand of entity ska Srp Republika Serb-dominated in the airport, Luka Banja of development the support will financially it nounced inthem. involved politicians local the and projects aid some for motives the about been raised have questions but although some of the aid payments payments aid the of some although The Serbian government has made government The Serbian allegedly have political motives or motives political have allegedly When the Belgrade government an government Belgrade the When have been linked to controversial tocontroversial beenlinked have RUDIC Kicks Off Kicks Film Festival Documentary Belgrade Page 13 SUPPORTING SUPPORTING the former Yugoslav region, region, Yugoslav former the in countries Serbsof inother conditions living the prove im help to euros of millions hasbeendonating erbia BELGRADE BELGRADE MILLIONS MILLIONS - - - - SPENDS BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE entities or politically-connected figures. politically-connected or entities state to over hasbeenhanded money of a lot countries, in other Serbminorities news website covering Serbia’s south.
    [Show full text]
  • Representation of the Holocaust in the Balkans in Arts and Media
    *m otif from M iloš Bajić’s draw ing People Num bers Representation of the Holocaust in the Balkans in Arts and Media Nevena Daković (Ed.) Representation of the Holocaust in the Balkans in Arts and Media Conference Proceedings Representation of the Holocaust in the Balkans in Arts and Media Dom omladine Beograda, 2-3 October 2014 Editor Prof. Nevena Daković, PhD Faculty of Dramatic Arts, University of Arts, Belgrade Reviewers Nadège Ragaru, PhD NRS researcher at Sciences Po CERI, Paris Prof. Mišel Pavlovski, PhD Saints Cyril and Methodius University of Skopje Prof. Mirjana Nikolić, PhD Faculty of Dramatic Arts, University of Arts, Belgrade Conference Proceedings Representation of the Holocaust in the Balkans in Arts and Media is a part of the project supported by International Holocaust Remembrance Alliance and Ministry of Culture and Information of the Republic of Serbia. Partners on the project are: Diskurs (Belgrade), Center for Culture and Cultural Studies (Skopje), Faculty of Dramatic Arts (Belgrade), Belgrade Youth Center (Dom omladine Beograda), and the Shoah Memorial (Paris). Conference Proceedings Representation of the Holocaust in the Balkans in Arts and Media Editor Prof. Nevena Daković, PhD Diskurs Faculty of Dramatic Arts - Institute for Theatre, Film, Radio and Television Belgrade, 2014 PREFACE t is our pleasure that Diskurs initiated the Project Representation of the Holocaust in the Balkans in Arts and Media followed by this Conference Proceedings, especially having in Imind relatively small number of media and artistic texts on this issue. The Conference Proceedings consist of fourteen selected scientific papers on various topics. The Conference Representation of the Holocaust in the Balkans in Arts and Media represents an attempt of mapping the corpus of different arts and media texts, their systematisation as well as recognition of its function in constructing a multidirectional memory of the Balkans’ past.
    [Show full text]
  • PDF Meeting Memories A4
    1 PROJECT DESCRIPTION The project “Meeting Memories: Learning from the Past to Confront Dehumanization Today” aims to remind European citizens of the politics of dehumanization and scapegoating happening during the 1930s and 1940s and generate a reflection on similar patterns happening today. Its activities will be the opportunity to raise public awareness, make citizens more resilient and critical towards authoritarianism and populism and less prone to racism and radicalization, as well as to engage in confronting distortions of historical facts about the suffering in concentration camps during World War II through public events, exhibitions, and educational work. The “Meeting Memories” international workshop offers a space for participants from six different countries to meet and discuss the themes of culture of remembrance, commemorative practices, contemporary history, and different totalitarian regimes, through the art of comics. The workshop will consist of theoretical and practical sessions, coordinated by a trainer and associates from Documenta and the partner organizations. It will have a hybrid format, connecting online international sessions with national or regional study visits to local places of memory. All the comics created by the participants during the workshop will be presented in an online exhibition; besides, some of them will be chosen to become part of an exhibition to be displayed in Udine, Italy, in November 2021. THE PARTNERS 1 Center for Informative decontamination of youth Bosnia and Herzegovina 2 Documenta – Center for dealing with the past Croatia 3 Jasenovac Memorial Site Croatia 4 Max Mannheimer Haus Germany 5 University of Udine Italy 6 Centre for Public History Serbia 7 Socialna Akademija Slovenia 2 THE LOCATIONS Zagreb - Croatia The participants will take part to a 3-hour-long memorial walk in Zagreb and will be introduced to different locations connected to suffering and resistance during the Second World War in the city (Botanički vrt, Trg Žrtava Fašizma, Radio Zagreb...).
    [Show full text]
  • Minor Comics?
    Title: (Ultra)Minor Comics? Opening Up the History of (Post-)Yugoslav and Bulgarian Comics to Outsiders Author: Michel De Dobbeleer Affiliation: Ghent University Abstract: The last decade saw the publication of more and more monographs (partially) devoted to the history of comics (and/or graphic novels) in smaller or larger geographical/cultural areas around our globe. In this article I first focus on what – if anything – (the relevant chapters in) several of these books tell their readers about the history of comics in the former Republic of Yugoslavia and its successor states, and in Bulgaria, the other Slavic country on the Balkan Peninsula. In doing so, I discuss a (‘Cold War’) misperception about East European comics. In the second part, I probe the usefulness of extending the application range of the terms ‘minor [literatures]’ and ‘ultraminor [literatures]’ to the field of comics. After that I put forward some suggestions on how future contributions – scholarly and other – to the cultural transmission or opening up of the history of (post-)Yugoslav and Bulgarian comics, as well as those of countries/nations/language areas with comparable traditions, could look like. Word count: 9,854 132 (Searching for) Eastern Europe in Recent Comics Histories Six years ago, Boston-based Dan Mazur and Alexander Danner’s Comics: A Global History, 1968 to the Present (2014) was hailed as one of the first overview monographs, albeit only from 1968 onwards, that treated comics as a global phenomenon without splitting up the attention in a country-by- country style. As comics historian Pascal Lefèvre put it in his review of the book: “Most historical overviews focused on one country (or even one region of a country),1 one genre, one publication format, one author, one publisher ..
    [Show full text]