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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Arguelles Climbs to Victory In2.70 'Mech Everest'
MIT's The Weather Oldest and Largest Today: Cloudy, 62°F (17°C) Tonight: Cloudy, misty, 52°F (11°C) Newspaper Tomorrow: Scattered rain, 63°F (17°C) Details, Page 2 Volume 119, Number 25 Cambridge, Massachusetts 02139 Friday, May 7, 1999 Arguelles Climbs to Victory In 2.70 'Mech Everest' Contest By Karen E. Robinson and lubricant. will travel to Japan next year to ,SS!)( '1.1fr: .vOl'S UHI! JR The ramps were divided into compete in an international design After six rounds of competition, three segments at IS, 30, and 4S competition. Two additional stu- D~vid Arguelles '01 beat out over degree inclines with a hole at the dents who will later be selected will 130 students to become the champi- end of each incline. Robots scored compete as well. on of "Mech Everest," this year's points by dropping the pucks into 2.;0 Design Competition. these holes and scored more points Last-minute addition brings victory The contest is the culmination of for pucks dropped into higher holes. Each robot could carry up to ten the Des ign and Engineering 1 The course was designed by Roger pucks to drop in the holes. Students (2,.007) taught by Professor S. Cortesi '99, a student of Slocum. could request an additional ten Alexander H. Slocum '82. Some robots used suction to pucks which could not be carried in Kurtis G. McKenney '01, who keep their treads from slipping the robot body. Arguelles put these finished in second place, and third down the table, some clung to the in a light wire contraption pulled by p\~ce finisher Christopher K. -
University of Southern Queensland Behavioural Risk At
University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Serbia Turns Blind Eye to Rare Bird Slaughter
Issue No. 211 Friday, July 22 - Thursday, September 08, 2016 ORDER DELIVERY TO Belgrade ‘failing to Political Must-see YOUR DOOR +381 11 4030 303 develop satirists eye music [email protected] - - - - - - - ISSN 1820-8339 1 mid-market Belgrade local festivals BELGRADE INSIGHT IS PUBLISHED BY 0 1 tourism’ elections in August Page 5 Page 9 Page 13 9 7 7 1 8 2 0 8 3 3 0 0 0 Even when the Democrats longas continue to likely is This also are negotiations Drawn-out Surely the situation is urgent Many of us who have experi We feel in-the-know because bia has shown us that (a.) no single no (a.) that us shown has bia party or coalition will ever gain the governa form to required majority negotiations political (b.) and ment, will never be quickly concluded. achieved their surprising result at last month’s general election, quickly itbecame clear that the re sult was actually more-or-less the result election other every as same in Serbia, i.e. inconclusive. as Serbia’s politicians form new political parties every time disagree with they their current party reg 342 currently are (there leader political parties in Serbia). istered the norm. One Ambassador Belgrade-based recently told me he was also alarmed by the distinct lack of urgency among politicians. Serbian “The country is standstill at and a I don’t understand their logic. If they are so eager to progress towards the EU and en theycome how investors, courage go home at 5pm sharp and don’t work weekends?” overtime. -
Christian Rock Concerts As a Meeting Between Religion and Popular Culture
ANDREAS HAGER Christian Rock Concerts as a Meeting between Religion and Popular Culture Introduction Different forms of artistic expression play a vital role in religious practices of the most diverse traditions. One very important such expression is music. This paper deals with a contemporary form of religious music, Christian rock. Rock or popular music has been used within Christianity as a means for evangelization and worship since the end of the 1960s.1 The genre of "contemporary Christian music", or Christian rock, stands by definition with one foot in established institutional (in practicality often evangelical) Christianity, and the other in the commercial rock music industry. The subject of this paper is to study how this intermediate position is manifested and negotiated in Christian rock concerts. Such a performance of Christian rock music is here assumed to be both a rock concert and a religious service. The paper will examine how this duality is expressed in practices at Christian rock concerts. The research context of the study is, on the one hand, the sociology of religion, and on the other, the small but growing field of the study of religion and popular culture. The sociology of religion discusses the role and posi- tion of religion in contemporary society and culture. The duality of Chris- tian rock and Christian rock concerts, being part of both a traditional religion and a modern medium and business, is understood here as a concrete exam- ple of the relation of religion to modern society. The study of the relations between religion and popular culture seems to have been a latent field within research on religion at least since the 1970s, when the possibility of the research topic was suggested in a pioneer volume by John Nelson (1976). -
Sara Watkins to Release Under the Pepper Tree
SARA WATKINS TO RELEASE UNDER THE PEPPER TREE MARCH 26th VIA NEW WEST RECORDS REUNITES HER NICKEL CREEK & I’M WITH HER BANDMATES & FEATURES GUEST APPEARANCES BY TAYLOR GOLDSMITH OF DAWES, DAVID GARZA, AND WATKINS’ NOW THREE-YEAR-OLD DAUGHTER Sara Watkins of the Grammy-winning groups Nickel Creek and I’m With Her, as well as The Watkins Family Hour will release Under the Pepper Tree on March 26th via New West Records. The 15-song set was produced by Tyler Chester (Sara Bareilles, Margaret Glaspy) and is the follow up to her critically acclaimed 2016 solo album Young In All The Wrong Ways. Created with families in mind, the personal project encompasses songs Sara embraced as a child herself and brings storytelling, solace, and encouragement to the listener, no matter the age. In addition to two stunning original songs, the album includes Sara’s renditions of “Pure Imagination” from the 1971 film Willy Wonka & The Chocolate Factory, The Beatles’ “Good Night,” “Moon River” (originally sung by Audrey Hepburn in the 1961 film Breakfast at Tiffany’s), and more. Under the Pepper Tree also reunites Sara’s Nickel Creek bandmates Chris Thile and her brother Sean on “Blue Shadows on the Trail” (from the 1986 comedy The Three Amigos), Sara’s I’m With Her bandmates Sarah Jarosz & Aoife O’Donovan on “Tumbling Tumbleweeds” (originally performed by Roy Rogers & Sons of the Pioneers), Taylor Goldsmith of Dawes on Harry Nilsson’s “Blanket for a Sail,” David Garza on Roy Orbison’s “Beautiful Dreamer,” and Sara’s now three-year old daughter on her immensely sweet rendition of The Sound of Music’s “Edelweiss.” Sara admits that she initially felt conflicted about making a children’s record until she realized that perhaps this album could impact a young listener in the same manner as the music from her own childhood affected her. -
Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected]
Boston College Law Review Volume 59 | Issue 6 Article 2 7-11-2018 Fair Use Avoidance in Music Cases Edward Lee Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://lawdigitalcommons.bc.edu/bclr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Edward Lee, Fair Use Avoidance in Music Cases, 59 B.C.L. Rev. 1873 (2018), https://lawdigitalcommons.bc.edu/bclr/vol59/iss6/2 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. FAIR USE AVOIDANCE IN MUSIC CASES EDWARD LEE INTRODUCTION .......................................................................................................................... 1874 I. FAIR USE’S RELEVANCE TO MUSIC COMPOSITION ................................................................ 1878 A. Fair Use and the “Borrowing” of Copyrighted Content .................................................. 1879 1. Transformative Works ................................................................................................. 1879 2. Examples of Transformative Works ............................................................................ 1885 B. Borrowing in Music Composition ................................................................................... -
WOW HALL NOTES G VOL
K k JANUARY 2014 KWOW HALL NOTES g VOL. 26 #1 H WOWHALL.ORGk cohesion comes from the brothers wields a powerful voice that can having spent the last two years on both stir and soothe, whether she the road with new full-time mem- is singing traditional gospel, blues ber Jano Rix, a drummer and ace- standards or her own heartfelt in-the-hole multi-instrumentalist, compositions. A gifted musician whereas they relied on session on both mandolin and drums, and musician-friends to fill out previ- a founding member of the roots ous albums. Jano’s additional band Ollabelle (with whom she harmonies give credence to the old has recorded three CDs), Helm has trope that while two family mem- also performed live with scores of bers often harmonize preternatu- notable musicians like Warren rally, it takes a third, non-related Haynes, The Wood Brothers, and singer for the sound to really shine. Donald Fagen, and her distinctive The Muse marks another mile- voice can be heard on recordings stone for The Wood Brothers: it’s by artists ranging from Mercury the first full-length they’ve record- Rev to Marc Cohn. ed at Southern Ground Studios in Amy’s lengthy resume is high- Nashville. The choice of location lighted by many years of singing was practical, given Nashville’s and playing alongside her father, rich history and network of musi- with whom she conceived, cians, but also symbolic: The launched and perfected the Mid- Wood Brothers are now officially a night Rambles -- intimate perfor- Nashville-based band, with Oliver mances held since 2004 at his home having relocated in 2012, and Chris and studio in Woodstock, N.Y. -
Final Nominations List
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3. -
June-Oct 2021
JUNE-OCT FREE & BENEFIT 2021 PERFORMANCES SUMMERSTAGE.ORG SUMMERSTAGE NYCSUMMERSTAGE SUMMERSTAGENYC SUMMERSTAGE IS BACK More than a year after the first lockdown order, SummerStage is back, ready to once again use our city’s parks as gathering spaces to bring diverse and thriving communities together to find common ground through world-class arts and culture. We are committed to presenting a festival fully representing the city we serve - a roster of diverse artists, focused on gender equity and presenting distinct New York genres. This year, more than ever before, our festival will focus on renewal and resilience, reflective of our city and its continued evolution, featuring artists that are NYC-born, based, or inextricably linked to the city itself. Performers like SummerStage veteran Patti Smith, an icon of the city’s resilient rebelliousness, Brooklyn’s Antibalas, who have married afrobeat with New York City’s Latin soul, and hip hop duo Armand Hammer, two of today’s most important leaders of New York’s rap underground. And, as a perfect symbol of rebirth, Sun Ra’s Arkestra returns to our stage in this year of reopening, 35 years after they performed our very first concert, bringing their ethereal afro-futurist cosmic jazz vibes back to remind us of our ongoing mission and purpose. Our festival art this year also reflects our outlook -- bold, bright, powerful -- and was created by New Yorker Lyne Lucien, an award-winning Haitian artist based in Brooklyn. Lucien is an American Illustration Award Winner and a finalist for the Artbridge - Not a Monolith Residency. She has worked as a photo editor and art director at various publications including New York Magazine, The Daily Beast and Architectural Digest. -
Sample Some of This
Sample Some Of This, Sample Some Of That (169) ✔ KEELY SMITH / I Wish You Love [Capitol (LP)] JEHST / Bluebells [Low Life (EP)] RAMSEY LEWIS TRIO / Concierto De Aranjuez [Cadet (LP)] THE COUP / The Liberation Of Lonzo Williams [Wild Pitch (12")] EYEDEA & ABILITIES / E&A Day [Epitaph (LP)] CEE-KNOWLEDGE f/ Sun Ra's Arkestra / Space Is The Place [Counterflow (12")] JOHN DANKWORTH & HIS ORCHESTRA / Bernie's Tune ("Off Duty", O.S.T.) [Fontana (LP)] COMMON & MARK THE 45 KING / Car Horn (Madlib remix) [Madlib (LP)] GANG STARR / All For Da Ca$h [Cooltempo/Noo Trybe (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Theme From "Return From The Ashes", O.S.T. [RCA (LP)] 7 NOTAS 7 COLORES / Este Es Un Trabajo Para Mis… [La Madre (LP)] QUASIMOTO / Astronaut [Antidote (12")] DJ ROB SWIFT / The Age Of Television [Om (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Look Stranger (From BBC-TV Series) [RCA (LP)] THE LARGE PROFESSOR & PETE ROCK / The Rap World [Big Beat/Atlantic (LP)] JOHN DANKWORTH & HIS ORCHESTRA / Two-Piece Flower [Montana (LP)] GANG STARR f/ Inspectah Deck / Above The Clouds [Noo Trybe (LP)] Sample Some Of This, Sample Some Of That (168) ✔ GABOR SZABO / Ziggidy Zag [Salvation (LP)] MAKEBA MOONCYCLE / Judgement Day [B.U.K.A. (12")] GABOR SZABO / The Look Of Love [Buddah (LP)] DIAMOND D & SADAT X f/ C-Low, Severe & K-Terrible / Feel It [H.O.L.A. (12")] GABOR SZABO / Love Theme From "Spartacus" [Blue Thumb (LP)] BLACK STAR f/ Weldon Irvine / Astronomy (8th Light) [Rawkus (LP)] GABOR SZABO / Sombrero Man [Blue Thumb (LP)] ACEYALONE / The Hunt [Project Blowed (LP)] GABOR SZABO / Gloomy Day [Mercury (LP)] HEADNODIC f/ The Procussions / The Drive [Tres (12")] GABOR SZABO / The Biz [Orpheum Musicwerks (LP)] GHETTO PHILHARMONIC / Something 2 Funk About [Tuff City (LP)] GABOR SZABO / Macho [Salvation (LP)] B.A.