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Programación Enlace Externo, Se Abre abril 2017 Jirí Menzel, la risa en el alambre Maya Deren, la cámara creativa Autorretratos del otro Cineastas frente a frente Cincuenta años sin Edgar Neville Louis Delluc, fiebre por el cinematógrafo 1 sábado 2 domingo 17:30 - Sala 1 • Filmoteca Junior 17:30 - Sala 1 • 3XDOC Hugo (La invención de Hugo, Martin Scor- Eich Hifsakti L’fahed V’lamadeti Las sesiones anunciadas pueden sufrir cam- sese, 2011). Int.: Asa Butterfield, Chloë Gra- L’ehov et Arik Sharon (How I Learned to bios debido a la diversidad de la procedencia ce Moretz, Ben Kingsley, Sacha Baron Cohen, Overcome My Fear and Love Arik Sharon, Avi de las películas programadas. Christopher Lee. EE. UU. 35 mm. VOSE. 126’ Mograbi, 1997). Israel. AD. VOSE*. 61’ «La portentosa secuencia de apertura de esta pe- Las copias que se exhiben son las de mejor lícula define los dos ejes sobre los que se vertebra 19:30 - Sala 1 • Jirí Menzel, la risa en el alambre calidad disponibles. Las duraciones que figu- su poderosa poética: movimiento y tiempo. O sea, Ostre sledované vlaky (Trenes riguro- ran en el programa son aproximadas. cine. Es hermoso que, en su intento de hacer cine samente vigilados, Jirí Menzel, 1966). Int.: infantil, Scorsese haya filmado una carta de amor a la Václav Neckár, Josef Somr, Vlastimil Brodský, infancia del cine, un encendido elogio a sus motores Vladimír Valenta, Alois Vachek. Checoslova- Los títulos originales de las películas y los de atávicos, demostrando que el cine de atracciones del quia. DCP. VOSE*. 93’ su distribución en España figuran en negrita. siglo XXI debe tanto a los Lumière (o al documental) «En Trenes rigurosamente vigilados, la película como a Méliès (o al cine de ficción)». (Sergi Sánchez) que obtuvo en 1966 el Oscar a la mejor película VOSE Versión original subtitulada en es- Entrada libre para menores de 14 años. extranjera, ya se encontraban todas las claves de pañol Segunda proyección día 29. la trayectoria posterior de Jirí Menzel. A partir de la VOSE* Versión original subtitulada en es- 20:00 - Sala 1 • Scorsese presenta: obras maestras novela de Bohumil Hrabal, aquel inolvidable filme pañol electrónico del cine polaco basculaba entre el humor y la poesía, el deseo amo- VOSI/E* Versión original subtitulada en in- Sanatorium pod klepsydra roso y la ironía». (Miguel Ángel Villena) ??????????? (????????????, ??????) (El sanatorio Inauguración de la retrospectiva, con la presencia glés y español electrónico de la clepsidra, Wojciech Has, 1973). Int.: Jan del director Jirí Menzel. VESI Versión española subtitulada en Nowicki, Tadeusz Kondrat, Irena Orska, Halina Segunda proyección día 11. inglés Kowalska, Gustaw Holoubek. Polonia. DCP. VOSE. 124’ MRI/E* Muda con rótulos en inglés subtitu- Lost Highway (Carretera perdida, David Lynch, 1997) Duende y misterio del flamenco (Edgar Neville, 1952) 20:00 - Sala 2 • Autorretratos del otro Segunda proyección y nota día 20. lado en español electrónico El encargo del cazador (Joaquim Jordà, MRIt/E* Muda con rótulos en italiano subti- 20:15 - Sala 2 • 3XDOC 1990). Int.: Jacinto Esteva, Daria Esteva, Ricardo tulada en español electróncio Z32 (Avi Mograbi, 2008). Francia/Israel. AD. Bofill, Pere Portabella, Luis García Berlanga. VE Versión en español VOSE*. 81’ España. BDG. 99’ MRFE Muda con rótulos en francés subti- «Las filmaciones africanas del cazador Jacinto Esteva tulados en español. 22:30 - Sala 1 • Autorretratos del otro (1936-1985) conforman el misterio en el que se con- MRASE* Muda rótulos en alemán con subtí- Le Mépris (El desprecio, Jean-Luc Godard, virtió la vida de quien fuera uno de los impulsores de tulos en español electrónico. 1963). Int.: Brigitte Bardot, Michel Piccoli, Gior- la Escuela de Barcelona y quien dirigiera, junto al pro- pio Jordà, el que se considera como su manifiesto fun- 35mm Proyección en 35mm gia Moll, Fritz Lang, Jack Palance. Francia/Italia. 35 mm. VOSE. 103’ dacional, Dante no es únicamente severo (1967). El 16mm Proyección en 16mm Ver nota y segunda proyección día 21. documental de Jordà, una producción de la televisión BSP Proyección en Betacam SP pública guardada durante años en una estantería, es BDG Proyección en Betacam Digital también el retrato de toda una generación, la de la jo- HDCam Proyección en en HDCam ven burguesía barcelonesa de los 70 que, como Este- va, quiso vivir una adolescencia eterna». (Jaime Pena) DCP Proyección en DCP ??????????? (????????????, ??????) B-R Proyección en Blu-Ray Segunda proyección día 26. DVD Proyección en DVD AD Archivos digitales Meshes of the Afternoon (Maya Deren y Alexander Hammind, 1943) Yo serví al rey de Inglaterra (Jirí Menzel, 2006) 4 martes 5 miércoles 6 jueves 7 viernes 8 sábado 9 domingo 17:30 - Sala 1 • 3XDOC 17:30 - Sala 1 • Scorsese presenta: obras maestras 17:30 - Sala 1 • 3XDOC 17:30 - Sala 1 • Jirí Menzel, la risa en el alambre 17:30 - Sala 1 • Filmoteca Junior 17:30 - Sala 1 • Jirí Menzel, la risa en el alambre Yom Huledet Same’ach Mar Mograbi del cine polaco Metran men hada al-turab (Dos metros Bájecní muzi s klikou (Los hombres de La Guerre des boutons (La guerra de los Skrivánci na niti (Alondras en el alambre, (Happy Birthday, Mr. Mograbi, Avi Mograbi, Pociag (Tren de noche, Jerzy Kawalerowicz, de esta tierra, Ahmad Natche, 2012). Int.: Samah la manivela, Jirí Menzel, 1979). Int.: Rudolf botones, Yves Robert, 1962). Int.: André Treton, Jirí Menzel, 1969). Int.: Rudolf Hrusínský, Vlas- 1999). Israel/Francia. AD. VOSE*. 77’ 1959). Int.: Lucyna Winnicka, Leon Niemczyk, Amer, Raouf Haj-Yahia, Omaima Hamori, Noémi Hrusínský, Vladimír Mensík, Jirí Menzel, Vlasta Michel Isella, Martin Lartigue, Jean Richard, Jac- timil Brodský, Václav Neckár, Jitka Zelenohors- Teresa Szmigielówna, Zbigniew Cybulski, Hele- Kahn, Anas Abu Oun. Palestina. AD. VOSE*. 80’ Fabiánová, Blazena Holisová. Checoslovaquia. ques Dufilho. Francia. 35 mm. VE. 90’ ká, Jaroslav Satoranský. Checoslovaquia. DCP. 19:30 - Sala 1 • Scorsese presenta: obras maestras na Dabrowska. Polonia. DCP. VOSE. 99’ DCP. VOSE*. 90’ Como cada año, a la vuelta de las clases, los cole- VOSE*. 94’ del cine polaco Jirí Menzel, la risa en el alambre giales de Longeverne y los de Velrans entablan una Segunda proyección y nota día 25. 19:30 - Sala 1 • Segunda proyección y nota día 30. «La película se exhibe con inenarrable éxito de pú- guerra con piedras y espadas de madera. Walkower (Walkover. El fácil triunfo, Jerzy Zlocin v santánu (Crimen en el teatro, blico en todo el país. Y los checos recuperan con ella Entrada libre para menores de 14 años. Skolimowski, 1965). Int.: Jerzy Skolimowski, 19:30 - Sala 1 • Jirí Menzel, la risa en el alambre Jirí Menzel, 1968). Int.: Jirí Suchý, Jirí Slitr, Eva 19:30 - Sala 1 • Autorretratos del otro uno de los signos de identidad más valiosos, pues Aleksandra Zawieruszanka, Krzysztof Chamiec, Rozmarné léto (Un verano caprichoso, Jirí Pilarová, Vlastimil Brodský, Jitka Zelenohorská. Double Play: James Benning and Ri- 19:30 - Sala 1 • Autorretratos del otro trata precisamente del funcionamiento del sistema Andrzej Herder, Franciszek Pieczka. Polonia. Menzel, 1968). Int.: Rudolf Hrusínský, Vlastimil Checoslovaquia. DCP. VOSE*. 85’ chard Linklater (Gabe Klinger, 2013). Fran- White Hunter Black Heart totalitario impuesto a Checoslovaquia en 1948, y en (Cazador estos días recién derrocado». (Ignacio Vidal-Foch) DCP. VOSE. 77’ Brodský, Frantisek Rehák, Míla Myslíková, Jana «Lo que pretendo, tanto en el cine como en el teatro, cia/Portugal/EE. UU. DCP. VOSE*. 70’ blanco, corazón negro, Clint Eastwood, 1990). «La película constituye una serie de largas tomas Preissová. Checoslovaquia. AD. VOSE*. 74’ es que la gente se ría, y a través de ello, que encuen- «El conciso documental de Gabe Klinger Double Play Int.: Clint Eastwood, Jeff Fahey, Charlotte Cor- Segunda proyección día 28. dinámicas que te dejan sin respiración, como si se «Un verano caprichoso es una película alegre; en tren el camino hacia el conocimiento de sí mismos y sitúa a dos estimables directores americanos, Richard nwell, Norman Lumsden, George Dzundza. EE. estuviera observando a un equilibrista. Skolimowski Checoslovaquia, fue uno de los menos controvertidos que lo recorran sin dolor». (Jirí Menzel) Linklater y James Benning, en un diálogo tanto literal UU. 35 mm. VOSE. 112’ 19:30 - Sala 1 • Autorretratos del otro ofrece una interpretación enérgica, muy consciente y más exitosos trabajos de la Nueva Ola (…). Si el so- Segunda proyección en mayo. como artístico. El reparto es una parte del documen- Segunda proyección y nota día 18. Burden of Dreams (Les Blank, 1982). Int.: de la representación del ambiente a ambos lados de leado encanto de la película recuerda a Una partida tal al igual que lo es de la ficción, y simplemente 20:00 - Sala 2 • CCR: sesiones de archivo 20:00 - Sala 2 • Maya Deren, la cámara creativa Werner Herzog, Klaus Kinski, Claudia Cardi- la cámara». (Nick Pinkerton) de campo (1936), de Jean Renoir, probablemente no juntando al director de Boyhood (Linklater) y el crea- nale, Jason Robards, Mick Jagger. EE. UU. DCP. sea una coincidencia: Menzel denominó tal película, Rojo y negro (Carlos Arévalo, 1942). Int.: dor vanguardista de la serie de retratos de paisajes 13 Meshes of the Afternoon (Maya Deren y VOSE. 95’ 20:00 - Sala 2 • Autorretratos del otro Conchita Montenegro, Ismael Merlo, Rafaela Alexander Hammid, 1943). EE. UU. 16 mm. 14’. que vio a una temprana edad, su primera gran expe- Lakes (Benning), Klinger fija su atención en sus inte- At Land Iván Z (Andrés Duque, 2004). España. BDG. riencia cinematográfica». (Michael Koresky) Satorrés, Ana de Siria, Emilio G. Ruiz. España. reses mutuos explorando tiempo y memoria desde (Maya Deren, 1944). EE. UU. 16 mm. Segunda proyección y nota día 19. 14’. A Study in Choreography for Camera 53’. Basilio Martín Patino. La décima Segunda proyección en mayo. 35 mm. 80’ múltiples ángulos». (Nicolas Rapold) (Maya Deren, 1945).
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