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Document generated on 09/27/2021 7:30 p.m. Circuit Musiques contemporaines Catalogue des oeuvres commandées par la smcq Solenn Hellégouarch Souvenirs du futur : pour les 50 ans de la smcq Volume 27, Number 2, 2017 URI: https://id.erudit.org/iderudit/1040877ar DOI: https://doi.org/10.7202/1040877ar See table of contents Publisher(s) Circuit, musiques contemporaines ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Hellégouarch, S. (2017). Catalogue des oeuvres commandées par la smcq. Circuit, 27(2), 53–66. https://doi.org/10.7202/1040877ar Tous droits réservés © Circuit, musiques contemporaines, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Catalogue des œuvres commandées par la smcq Solenn Hellégouarch Ce catalogue présente les œuvres commandées (ou co-commandées) par la Société de musique contemporaine du Québec (smcq) entre 1968 et 2017. Les œuvres sont classées par année de création, puis par date de création1. La 1. Dès lors, seules les œuvres créées présence d’un astérisque indique que la commande a reçu l’aide du Conseil ont été retenues dans le présent catalogue. des arts du Canada (cac). 1968 § *Gilles Tremblay, Souffles (Champs II) (1968), 2 flûtes (et piccolo), hautbois, clari- nette, cor, 2 trompettes en si bémol (et trompettes en do), 2 trombones, piano, 2 per- cussions et contrebasse. -
Mountaineering War and Peace at High Altitudes
Mountaineering War and Peace at High Altitudes 2–5 Sackville Street Piccadilly London W1S 3DP +44 (0)20 7439 6151 [email protected] https://sotherans.co.uk Mountaineering 1. ABBOT, Philip Stanley. Addresses at a Memorial Meeting of the Appalachian Mountain Club, October 21, 1896, and other 2. ALPINE SLIDES. A Collection of 72 Black and White Alpine papers. Reprinted from “Appalachia”, [Boston, Mass.], n.d. [1896]. £98 Slides. 1894 - 1901. £750 8vo. Original printed wrappers; pp. [iii], 82; portrait frontispiece, A collection of 72 slides 80 x 80mm, showing Alpine scenes. A 10 other plates; spine with wear, wrappers toned, a good copy. couple with cracks otherwise generally in very good condition. First edition. This is a memorial volume for Abbot, who died on 44 of the slides have no captioning. The remaining are variously Mount Lefroy in August 1896. The booklet prints Charles E. Fay’s captioned with initials, “CY”, “EY”, “LSY” AND “RY”. account of Abbot’s final climb, a biographical note about Abbot Places mentioned include Morteratsch Glacier, Gussfeldt Saddle, by George Herbert Palmer, and then reprints three of Abbot’s Mourain Roseg, Pers Ice Falls, Pontresina. Other comments articles (‘The First Ascent of Mount Hector’, ‘An Ascent of the include “Big lunch party”, “Swiss Glacier Scene No. 10” Weisshorn’, and ‘Three Days on the Zinal Grat’). additionally captioned by hand “Caution needed”. Not in the Alpine Club Library Catalogue 1982, Neate or Perret. The remaining slides show climbing parties in the Alps, including images of lady climbers. A fascinating, thus far unattributed, collection of Alpine climbing. -
Slch Prog 2019-20 Ang F Nc Low.Pdf
T TABOUT US T Founded in 1904, the Schulich School of Music of McGill University is home to a diverse community of performers, composers, music theorists, educators, scientists, and researchers, and offers more than 45 undergraduate, graduate, and professional programs. In 2018, 513 undergraduate and 375 graduate students were enrolled at Schulich, with a third of that total coming from outside of Canada. This season, Schulich will present over 600 public events at a variety of venues within the School, throughout the City of Montreal, and elsewhere. S SSS S SCHULICH STUDENT POPULATION 63% 37% PERFORMANCE RESEARCH 34% 33% 33% FROM QUEBEC REST OF CANADA INTERNATIONAL S SSS S @schulichmusic INFORMATION S BOX OFFICE 514-398-4547 · mcgill.ca/music T TABLE OF CONTENTS T About Us ..........................................4 Musical Chairs Welcome Message ..........................5 Chamber Music Festival ...........25 McGill Symphony Orchestra........ 6-7 Schulich in Concert .................. 26-28 Opera McGill ................................ 8-9 Schulich in Your Neighbourhood ......28 Baroque Orchestra ........................10 McGill Noon-Hour Organ ..............29 Contemporary Music Ensemble .......11 Intermezzo .....................................29 McGill Choral Ensembles ........ 12-14 Musical 5 à 7 ..................................30 McGill Wind Orchestra ...................15 Schulich@COC ...............................31 McGill Jazz Ensembles ............ 16-17 Schulich@McCord .........................31 2019-2020 Competitions -
Firestarters Summits of Desire Visionaries & Vandals
31465_Cover 12/2/02 9:59 am Page 2 ISSUE 25 - SPRING 2002 £2.50 Firestarters Choosing a Stove Summits of Desire International Year of Mountains FESTIVAL OF CLIMBING Visionaries & Vandals SKI-MOUNTAINEERING Grit Under Attack GUIDEBOOKS - THE FUTURE TUPLILAK • LEADERSHIP • METALLIC EQUIPMENT • NUTRITION FOREWORD... NEW SUMMITS s the new BMC Chief Officer, writing my first ever Summit Aforeword has been a strangely traumatic experience. After 5 years as BMC Access Officer - suddenly my head is on the block. Do I set out my vision for the future of the BMC or comment on the changing face of British climbing? Do I talk about the threats to the cliff and mountain envi- ronment and the challenges of new access legislation? How about the lessons learnt from foot and mouth disease or September 11th and the recent four fold hike in climbing wall insurance premiums? Big issues I’m sure you’ll agree - but for this edition I going to keep it simple and say a few words about the single most important thing which makes the BMC tick - volunteer involvement. Dave Turnbull - The new BMC Chief Officer Since its establishment in 1944 the BMC has relied heavily on volunteers and today the skills, experience and enthusi- District meetings spearheaded by John Horscroft and team asm that the many 100s of volunteers contribute to climb- are pointing the way forward on this front. These have turned ing and hill walking in the UK is immense. For years, stal- into real social occasions with lively debates on everything warts in the BMC’s guidebook team has churned out quality from bolts to birds, with attendances of up to 60 people guidebooks such as Chatsworth and On Peak Rock and the and lively slideshows to round off the evenings - long may BMC is firmly committed to getting this important Commit- they continue. -
CC J Inners 168Pp.Indd
theclimbers’club Journal 2011 theclimbers’club Journal 2011 Contents ALPS AND THE HIMALAYA THE HOME FRONT Shelter from the Storm. By Dick Turnbull P.10 A Midwinter Night’s Dream. By Geoff Bennett P.90 Pensioner’s Alpine Holiday. By Colin Beechey P.16 Further Certifi cation. By Nick Hinchliffe P.96 Himalayan Extreme for Beginners. By Dave Turnbull P.23 Welsh Fix. By Sarah Clough P.100 No Blends! By Dick Isherwood P.28 One Flew Over the Bilberry Ledge. By Martin Whitaker P.105 Whatever Happened to? By Nick Bullock P.108 A Winter Day at Harrison’s. By Steve Dean P.112 PEOPLE Climbing with Brasher. By George Band P.36 FAR HORIZONS The Dragon of Carnmore. By Dave Atkinson P.42 Climbing With Strangers. By Brian Wilkinson P.48 Trekking in the Simien Mountains. By Rya Tibawi P.120 Climbing Infl uences and Characters. By James McHaffi e P.53 Spitkoppe - an Old Climber’s Dream. By Ian Howell P.128 Joe Brown at Eighty. By John Cleare P.60 Madagascar - an African Yosemite. By Pete O’Donovan P.134 Rock Climbing around St Catherine’s Monastery in the Sinai Desert. By Malcolm Phelps P.142 FIRST ASCENTS Summer Shale in Cornwall. By Mick Fowler P.68 OBITUARIES A Desert Nirvana. By Paul Ross P.74 The First Ascent of Vector. By Claude Davies P.78 George Band OBE. 1929 - 2011 P.150 Three Rescues and a Late Dinner. By Tony Moulam P.82 Alan Blackshaw OBE. 1933 - 2011 P.154 Ben Wintringham. 1947 - 2011 P.158 Chris Astill. -
ASIAN ALPINE E-NEWS Issue No 75. September 2020
ASIAN ALPINE E-NEWS Issue No 75. September 2020 C CONTENTS All-Afghan Team with two Women Climb Nation's Highest Peak Noshakh 7492m of Afghanistan Page 2 ~ 6 Himalayan Club E-Letter vol. 40 Page 7 ~ 43 1 All-Afghan Team, with 2 Women Climb Nation's Highest – Peak Noshakh 7492m The team members said they did their exercises for the trip in Panjshir, Salang and other places for one month ahead of their journey. Related News • Female 30K Cycling Race Starts in Afghanistan • Afghan Female Cyclist in France Prepares for Olympics Fatima Sultani, an 18-year-old Afghan woman, spoke to TOLOnews and said she and companions reached the summit of Noshakh in the Hindu Kush mountains, which is the highest peak in Afghanistan at 7,492 meters. 1 The group claims to be the first all-Afghan team to reach the summit. Fatima was joined by eight other mountaineers, including two girls and six men, on the 17-day journey. They began the challenging trip almost a month ago from Kabul. Noshakh is located in the Wakhan corridor in the northeastern province of Badakhshan. “Mountaineering is a strong sport, but we can conquer the summit if we are provided the gear,” Sultani said.The team members said they did their exercises for the trip in Panjshir, Salang and other places for one month ahead of their journey. “We made a plan with our friends to conquer Noshakh summit without foreign support as the first Afghan team,” said Ali Akbar Sakhi, head of the team. The mountaineers said their trip posed challenge but they overcame them. -
GUILLAUME TARDIF CV July 2019
GUILLAUME TARDIF CV July 2019 EDUCATION (Music) 2000 Eastman School of Music, University of Rochester Doctor of Musical Art (Performance and Literature/Violin); Minor in Music History 1997 Conservatoire de Musique du Québec Diplôme d’Études Supérieures Musicales 2 (M.Mus recognized equivalent) Prix de Violin avec Grande Distinction (Premier Prix) 1996 Conservatoire de Musique du Québec Diplôme d’Études Supérieures Musicales 1 (B.Mus recognized equivalent) Premier Prix de Solfège 1994 Conservatoire de Musique du Québec Diplôme d’Études Collégiales en Musique Main Violin Instructors Jean Angers, Oleh Krysa Other Violin Instructors (private instruction or summer academies) Ilya Kaler, Darren Lowe, Lise Elson, Lorand Fenyves, Moshe Hammer, Viktor Pikaisen, Boris Garlitzky, William Preucil EDUCATION (Other) 2010 School of Business, University of Alberta Master of Business Administration (Executive MBA, 2 years) 1995 Collège Francois-Xavier Garneau, Quebec City Diplôme d’Études Collégiales (Sciences de la Nature) ACADEMIC & ADMINISTRATIVE POSITIONS 2006 - Department of Music, University of Alberta Associate Professor, Violin, Viola, and Chamber Music (tenured, 2006): Sole full-time instructor in the String Area since 2010; Performance classes: Applied violin, Applied viola, Chamber music; Related String Area classes: String Pedagogy, String Literature (alternating yearly); Graduate Supervision (for all MMus and DMus string students) GUILLAUME TARDIF 2 String Area Coordinator (since 2009): Auditions, juries, guest masterclasses, and committees -
Dossier Ensemble Paramirabo
Mot du directeur artistique Le mandat artistique de l’organisme Ensemble Paramirabo est de se présenter comme une voix pour la diffusion de la musique d’aujourd’hui et pour la promotion des compositeurs émergents. Ses membres travaillent de façon à faciliter l’accessibilité et la compréhension de la musique contemporaine auprès de tous les publics et de tous les milieux et se consacrent à la redynamisation du concert grâce à une programmation inédite. L’organisme ne se limite pas à un répertoire strict. Il touche autant à des œuvres de répertoire qu’à la musique actuelle qu’elle soit écrite, improvisée ou électroacoustique. Il fait appel à des musiciens et des artistes de la relève montréalaise afin de concrétiser ses projets et de combler les postes dus aux exigences instrumentales des œuvres présentées. La programmation reflète ce désir d’élargir les horizons et les expériences des auditeurs de nos concerts en favorisant la nouveauté, l’expérimentation et le risque. Nous avons un penchant pour les programmes qui tournent autour d’un thème ou qui offrent plusieurs points de vue divergents sur un même concept. Nous aimons également présenter des projets en collaborations avec des artistes issus d’autres domaines d’art qui amènent de nouvelles explorations et découvertes, citons en exemple les programmes cabarets ou théâtrales tel que nos productions THE CRAZIES! ou À chaque ventre son monstre (gagnant du Prix Opus - Création de l’année 2018). Dans les dernières années, nous avons fait un effort majeur pour créer des projets artistiques qui agissent comme un pont culturel avec des milieux différents. -
Myscena.Org Sm26-3 EN P02 ADS Classica Sm23-5 BI Pxx 2020-11-03 8:23 AM Page 1
SUBSCRIBE @ mySCENA.org sm26-3_EN_p02_ADS_classica_sm23-5_BI_pXX 2020-11-03 8:23 AM Page 1 From Beethoven to Bowie encore edition December 12 to 20 2020 indoor 15 concerts festivalclassica.com sm26-3_EN_p03_ADS_Ofra_LMMC_sm23-5_BI_pXX 2020-11-03 1:18 AM Page 1 e/th 129 saison/season 2020 /2021 Automne / Fall BLAKE POULIOT 15 nov. 2020 / Nov.ANNULÉ 15, 2020 violon / violin CANCELLED NEW ORFORD STRING QUARTET 6 déc. 2020 / Dec. 6, 2020 avec / with JAMES EHNES violon et alto / violin and viola CHARLES RICHARD HAMELIN Blake Pouliot James Ehnes Charles Richard Hamelin ©Jeff Fasano ©Benjamin Ealovega ©Elizabeth Delage piano COMPLET SOLD OUT LMMC 1980, rue Sherbrooke O. , Bureau 260 , Montréal H3H 1E8 514 932-6796 www.lmmc.ca [email protected] New Orford String Quartet©Sian Richards sm26-3_EN_p04_ADS_udm_OCM_effendi_sm23-5_BI_pXX 2020-11-03 8:28 AM Page 1 SEASON PRESENTER ORCHESTRE CLASSIQUE DE MONTRÉAL IN THE ABSENCE OF A LIVE CONCERT, GET THE LATEST 2019-2020 ALBUMS QUEBEC PREMIER FROM THE EFFENDI COLLECTION CHAMBER OPERA FOR OPTIMAL HOME LISTENING effendirecords.com NOV 20 & 21, 2020, 7:30 PM RAFAEL ZALDIVAR GENTIANE MG TRIO YVES LÉVEILLÉ HANDEL’S CONSECRATIONS WONDERLAND PHARE MESSIAH DEC 8, 2020, 7:30 PM Online broadcast: $15 SIMON LEGAULT AUGUSTE QUARTET SUPER NOVA 4 LIMINAL SPACES EXALTA CALMA 514 487-5190 | ORCHESTRE.CA THE FACULTY IS HERE FOR YOUR GOALS. musique.umontreal.ca sm26-3_EN_p05_ADS_LSM_subs_sm23-5_BI_pXX 2020-11-03 2:32 PM Page 1 ABONNEZ-VOUS! SUBSCRIBE NOW! Included English Translation Supplément de traduction française inclus -
The Mountaineering Experience: Determining the Critical Factors and Assessing Management Practices
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2014-09-16 The Mountaineering Experience: Determining the Critical Factors and Assessing Management Practices Benjamin, Mary Wilder Benjamin, M. W. (2014). The Mountaineering Experience: Determining the Critical Factors and Assessing Management Practices (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/28251 http://hdl.handle.net/11023/1767 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Mountaineering Experience: Determining the Critical Factors and Assessing Management Practices by Mary Wilder Benjamin A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ENVIRONMENTAL DESIGN FACULTY OF ENVIRONMENTAL DESIGN CALGARY, ALBERTA SEPTEMBER, 2014 © Mary Wilder Benjamin 2014 Abstract Recreational mountaineering is a complex pursuit that continues to evolve with respect to demographics, participant numbers, methods, equipment, and the nature of the experience sought. The activity often occurs in protected areas where agency managers are charged with the inherently conflicting mandate of protecting the natural environment and facilitating high quality recreational experiences. Effective management of such mountaineering environs is predicated on meaningful understanding of the users’ motivations, expectations and behaviours. -
In Memoriam 1981
In Memoriam Introduction Geoffrey Templeman Since the last Journal was published, 9 of our members have died, the list being as follows: Donald Mill; Marjorie Garrod; Charles John Morris; Mark Pasteur; Reginald Mountain; Thomas MacKinnon; Arnold Pines; Richard Grant and Archibald Scott. It also appears that no mention was made in the Journal of the death ofour distinguished Honorary Member Henry de Segogne in 1979:-ifanyone would like to write a tribute, I will be very pleased to print it next year. My request for any further tributes for Lucien Devies last year was promptly answered and they are included here. Also included from previous years are full obituaries of Sir Percy Wyn Harris, Dr John Lewis and Nicolas Jaeger, whilst mention should also be made here of the recent death of Sir Michael Postan, a former member of the club. I would once again like to express my sincere thanks to all who have helped in producing the tributes that follow-without their help, the Journal would be the poorer. It has not been possible to obtain obituaries for one or two members and my own short notes must suffice for the following. Reginald WilIiam Mountain, who joined the club in 1941, died last year at the age of 81. His application for membership shows that he started climbing in the Alps in 1924 and completed a number of standard courses in the Bernese Oberland and Mont Blanc region, mostly with guides. ArchibaldJames Scott died in October, 1981, aged 79, having been a member of the club for 46 years. -
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia.