Waikiki Wiki-Wiki Wire

Total Page:16

File Type:pdf, Size:1020Kb

Waikiki Wiki-Wiki Wire Volume VII, No. 18 Waikiki Improvement Association May 4, 2006 — May 11, 2006 Waikiki Wiki-Wiki Wire Waikiki by Moonlight — Vintage Meets Vogue In the summer of 2005 the Waikiki Improvement hula of Ka Leo O Laka I Ka Association began a journey. WIA sought a way to Hikina O Ka La , led by Kumu present Waikiki to both visitors and residents in all Hula Kaleo Trinidad. her glory, an event that would portray the Following that tribute to the uniqueness of the host culture as well as the beauty ancient foundations of and history of this unique place. Through the Hawaiian culture, the generous contributions of key members and the audience will be treated to tireless efforts of their staff, as well as WIA’s friends the classic styling of the one and associates, that journey ends on Friday, May and only Aunty Genoa 12th, with the arrival of Waikiki’s new signature Keawe & Kupuna Halau. event, Waikiki by Moonlight — Vintage Meets From there we take a break Vogue! from music and dance to view the Vintage Meets Under the nearly full moon of a tropical night, Henry Kapono Kalakaua Avenue near the Duke Kahanamoku Vogue Fashion Show statue will become a place of music, dance, cuisine presented by Hilo Hattie. and fashion. Gifted entertainers, top-flight chefs, Thereafter, the live music picks up again as Jeff and contemporary fashion Apaka pays tribute to the great star of the 40’s, leaders will all use there Alfred Apaka. Henry Kapono brings us up through immense talents to pay that heyday of the baby boomer generation, the tribute to the bygone eras of 70’s. Following Henry is another great Hawaiian Waikiki. Join us as we take a music group, Na Palapalai. The evening’s cultural journey through the entertainment concludes with the contemporary past, culminating in a sounds of Keahiwai. celebration of our vibrant While all of this great entertainment is on stage, contemporary music and enjoy a taster’s paradise, courtesy of Dukes & Hula arts! Grill, the Hyatt Regency Waikiki, Neptune's Garden, The evening begins at Seafood Village, Tiki's Grill and Bar, Top of Waikiki, 7:00 PM and progresses and Island Oasis. Chose from awesome dishes like through the eras, starting lobster thermidor, fish & poi, dim sum, and Royal Maile salad, a vintage recipe from the Maile Room with the authentic ancient Aunty Genoa Keawe Continued on page 2 Inside this issue: New Keiki Playground at Waikiki Community Center 2 Honolulu Zoo Society Offers Twilight Tours 5 Waikiki by Moonlight Entertainment Timeline 3 Celebrate Mother’s Day at the Hyatt Regency Waikiki 6 CBRE Launches Improvement Plan for WTC 4 Kuhio Beach Torch Lighting and Hula Show 6 Halekulani Living — A Distinctive Lifestyle 5 Other Waikiki Events 7 Waikiki by Moonlight (continued from page 1) of the old Kahala Hilton. Our restaurant sponsors will open as soon as they are set up, so if you come a little early, you can get a head start on their vintage cuisine! Waikiki by Moonlight — Vintage Meets Vogue, is co-sponsored by the City and County of Honolulu and is a Honolulu Centennial event. The “main stage sponsor” is Resort Quest Hawaii, which will present the “ResortQuest Hawaii Entertainment Stage.” Other sponsors include Outrigger Enterprises, who will also kick off their new Hawaiiana exhibit featuring “Collectible Aloha Wear” at the Outrigger Waikiki; Hilo Hattie, presenting the “Vintage Meets Vogue” aloha wear fashion show and producing the official “Waikiki by Moonlight” t-shirts that will be sold during the Keahiwai at Sunset on the Beach event; the Hawaii Tourism Authority; the Royal Hawaiian Shopping Center; the Festivals Company; the Hyatt Regency Waikiki Resort & Beach Hotel; Top of Waikiki; Seafood Village; and Spa; the International Market Place; DFS Hawaii; Geffen Records. Hilton Hawaiian Village Beach Resort & Spa; Big For more information on Waikiki by Moonlight — Kahuna’s Marketplace at Waikiki Shopping Plaza; Vintage Meets Vogue, call the Waikiki Improvement ABC Stores; Halekulani; Tiki’s Grill & Bar; Duke’s; Association at 923-1094, ext. 6. the Hula Grill; Neptune’s Garden at the Pacific New Keiki Playground at Waikiki Community Center After two years of parent fund raising and The students couldn’t wait to be the first to slide soliciting grant funds, Waikiki Community Center down the slide, climb the poles and crawl through has completed installation of phase I of their the play areas. Childcare Playground. The colorful new play The Childcare Playground is an important structure and rubber safety padding were recently extension of the classroom learning environment. purchased and installed at the Childcare building. The playground structure has a challenging and colorful climbing structure for large and small motor development. The new playground structure is designed to enhance physical, cognitive, social and emotional development. $28,779 is still needed to finalize the second phase of the playground — to upgrade the sandbox, storage and water play areas and purchase new outdoor and sports/play equipment. To make a contribution to the Playground Fund contact the Waikiki Community Center at 923-1802. PVaogluem 2e VII, No. 18 Page 2 Waikiki Wiki-Wiki Wire Friday, May 12, 2006 Entertainment Timeline ERA 6:50-7:00 PM Emcee's Welcome - Hawaiian Blessing Ancient 7:00-7:20 PM Ka Leo O Laka I Ka Hikina O Ka La Kumu Hula Kaleo Trinidad Classic 7:30-8:00 PM Aunty Genoa Keawe & Kupuna Halau Vintage Meets Vogue 8:10-8:35 PM Hilo Hattie’s Fashion Show (CD) 40’s 8:45-9:00 PM Jeff Apaka pays tribute to Alfred Apaka * 9:00 PM Aloha Wear Contest 70’s 9:10-9:35 PM Henry Kapono Hawaiian 9:45-10:15 PM Na Palapalai Contemporary 10:30-11:00 PM Keahiwai “Waikiki. at night when the shadows are falling… I hear your rolling surf calling . calling and calling to me.” Andrew Cummings 1938 PVaogluem 3e VII, No. 18 Page 3 Waikiki Wiki-Wiki Wire CB Richard Ellis Hawaii Launches Multi-Million Dollar Improvement Plan for the Waikiki Trade Center With a tightening office market in Honolulu, CB Richard Ellis Hawaii (CBRE Hawaii) has taken over management and leasing of the Waikiki Trade Center at the corner of Kuhio and Seaside Avenues. Significant capital improvements and other changes are planned in the next six months to a year, as CBRE Hawaii plans to reposition the building as a leading office and retail complex in one of the world’s most famous tourist destina- tions. “The Waikiki Trade Center is an underper- forming building in a strategic location,” said Marlene De Costa, CBRE Hawaii’s Director of As- set Services. “At CB Richard Ellis, we have suc- cessfully revitalized buildings such as this by cre- ating an aggressive leasing strategy, improving the infrastructure, containing costs, and making them more responsive to current and prospective tenant use,” she added. The 24-story Waikiki Trade Center, located at 2255 Kuhio Avenue, was built in 1980 by develop- ers Jack Myers and Bruce Stark, known for their superior projects and attention to detail. Retail space is available on the first two floors, including the ground floor fronting busy Kuhio Avenue, and the tower is dedicated office space. Planned improvements include upgraded air- conditioning, renovation of the ground floor, office tower lobbies and retail mall, improved landscap- ing, remodeling of the elevator cab interiors and numerous repair and maintenance to the common Center is one of the few buildings in Waikiki offering areas. “We are going to bring the sparkle back to office space. Others include the ANA Kalakaua this jewel of a Waikiki building,” said CBRE Ha- Center (home of Planet Hollywood) and the Waikiki waii’s Steve Sullivan, who was recently named Business Plaza. We plan to creatively reposition the real estate manager for the Waikiki Trade Center. Waikiki Trade Center as one of Waikiki’s most dis- “It will again be a prestigious and well-run building tinguished ‘class A’ retail and office complexes,” she with a centrally located address,” he added. added. The ABM Family of Services has taken over CB Richard Ellis Hawaii is a CB Richard Ellis engineering for the building, and parking will be partner office serving the State of Hawaii. The firm operated by AMPCO. CBRE Hawaii will bring its assists real estate owners, investors and occupiers national partner purchasing power for discounts by offering strategic advice and execution for prop- on bulk purchases of maintenance and janitorial erty leasing and sales; property, facilities and pro- supplies for the building. ject management; corporate services; debt and eq- uity financing; investment management; valuation “When tourism is as strong as it is right now, and appraisal; research and investment strategy; the demand for Waikiki office and retail space is and consulting. For more information, visit its web also strong,” said De Costa. “The Waikiki Trade site at www.cbrehawaii.com. PVaogluem 4e VII, No. 18 Page 4 Waikiki Wiki-Wiki Wire Halekulani Living — A Distinctive Lifestyle Halekulani, known globally for its unrivaled As an oasis of tranquility, romance and well- gracious hospitality, innovative guest service, au- ness, Halekulani offers a soothing environment for thentic SpaHalekulani immersions and magnifi- complete rejuvenation of mind, body and spirit. With cently acclaimed cuisine, is pleased to unveil a the launch of Halekulani Living, the hotel is pleased new luxury series, “Halekulani Living.” Designed to offer inspiring SpaHalekulani programs featuring to accentuate guests’ every interest and cultural acclaimed industry experts from around the world, desire, the series offers three distinctive initiatives: invited to conduct informative, immersive and exclu- Halekulani Connoisseurs, Halekulani Wellness sive seminars. These special events will explore and Halekulani Masterworks.
Recommended publications
  • 09 1Bkrv.Donaghy.Pdf
    book reviews 159 References Bickerton, Derek, and William H. Wilson. 1987. “Pidgin Hawaiian.” In Pidgin and Creole Lan- guages: Essays in Memory of John E. Reinecke, edited by Glenn G. Gilbert. Honolulu: Uni- versity of Hawai‘i Press. Drechsel, Emanuel J. 2014. Language Contact in the Early Colonial Pacific: Maritime Polynesian Pidgin before Pidgin English. Cambridge: Cambridge University Press. Massam, Diane. 2000. “VSO and VOS: Aspects of Niuean Word Order.” In The Syntax of Verb Initial Languages, 97–117. Edited by Andrew Carnie and Eithne Guilfoyle. Oxford: Oxford University Press. Roberts, [S.] J. M. 1995. “Pidgin Hawaiian: A Sociohistorical Study.” Journal of Pidgin and Creole Languages 10: 1–56. Amsterdam: John Benjamins Publishing. Romaine, Suzanne. 1988. Pidgin and Creole Languages. London: Longman. Hawaiian Music and Musicians (Ka Mele Hawai‘i A Me Ka Po‘e Mele): An Encyclopedic History, Second Edition. Edited by Dr. George S. Kanahele, revised and updated by John Berger. Honolulu: Mutual Publishing, 2012. xlix + 926 pp. Illus- trated. Appendix. Addendum. Index. $35.00 paper ‘Ōlelo Hō‘ulu‘ulu / Summary Ua puka maila ke pa‘i mua ‘ana o Hawaiian Music and Musicians ma ka MH 1979. ‘O ka hua ia o ka noi‘i lō‘ihi ma nā makahiki he nui na ke Kauka George S. Kanahele, ko The Hawaiian Music Foundation, a me nā kānaka ‘ē a‘e ho‘i he lehulehu. Ma ia puke nō i noelo piha mua ‘ia ai ka puolo Hawai‘i, me ka mana‘o, na ia puke nō e ho‘olako mai i ka nele o ka ‘ike pa‘a e pili ana i ka puolo Hawai‘i, kona mo‘olelo, kona mohala ‘ana a‘e, nā mea ho‘okani a pu‘ukani kaulana, a me nā kānaka kāko‘o pa‘a ma hope ona.
    [Show full text]
  • Pacific Islands Program
    / '", ... it PACIFIC ISLANDS PROGRAM ! University of Hawaii j Miscellaneous Work Papers 1974:1 . BIBLIOGRAPHY OF HAWAIIAN LANGUAGE MATERIALS AT THE UNIVERSITY OF HAWAII, MANOA CAMPUS Second Printing, 1979 Photocopy, Summer 1986 ,i ~ Foreword Each year the Pacific Islands Program plans to duplicate inexpensively a few work papers whose contents appear to justify a wider distribution than that of classroom contact or intra-University circulation. For the most part, they will consist of student papers submitted in academic courses and which, in their respective ways, represent a contribution to existing knowledge of the Pacific. Their subjects will be as varied as is the multi-disciplinary interests of the Program and the wealth of cooperation received from the many Pacific-interested members of the University faculty and the cooperating com­ munity. Pacific Islands Program Room 5, George Hall Annex 8 University of Hawaii • PRELIMINARY / BIBLIOGRAPHY OF HAWAIIAN LANGUAGE MATERIALS AT THE UNIVERSITY OF HAWAII, MANOA CAMPUS Compiled by Nancy Jane Morris Verna H. F. Young Kehau Kahapea Velda Yamanaka , . • Revised 1974 Second Printing, 1979 PREFACE The Hawaiian Collection of the University of Hawaii Library is perhaps the world's largest, numbering more than 50,000 volumes. As students of the Hawaiian language, we have a particular interest in the Hawaiian language texts in the Collection. Up to now, however, there has been no single master list or file through which to gain access to all the Hawaiian language materials. This is an attempt to provide such list. We culled the bibliographical information from the Hawaiian Collection Catalog and the Library she1flists. We attempted to gather together all available materials in the Hawaiian language, on all subjects, whether imprinted on paper or microfilm, on tape or phonodisc.
    [Show full text]
  • Puana 'Ia Me Ka 'Oko'a: a Comparative Analysis of Hawaiian
    Vol. 5 (2011), pp. 107-133 http://nflrc.hawaii.edu/ldc/ http://hdl.handle.net/10125/4494 Puana ‘Ia me ka ‘Oko‘a: A Comparative Analysis of Hawaiian Language Pronunciation as Spoken and Sung Joseph Keola Donaghy University of Hawai‘i at Hilo and University of Otago, New Zealand In this paper I argue that the differences between spoken Hawaiian and vocal perfor- mance of western-influenced “traditional” Hawaiian music are representative of the linguistic diversity found within the Hawaiian language. It contains a comparative analysis of Hawaiian Language Pronunciation as Spoken and Sung, using transcriptions of recorded examples by John Kameaaloha Almeida, a native speaker of the Hawaiian language and a prominent composer, singer, and instrumentalist. It will provide a pho- nemic analysis of notable and predictable variations heard in Hawaiian language vocal performances that are not heard in spoken Hawaiian. Further, it will show that rhythmic arrangement of morae over strong beats in the musical measure is largely analogous to accent in spoken Hawaiian, with some predictable exceptions. The paper also documents how, during his vocal performance, Almeida added three non-lexical vocables not heard in spoken Hawaiian. I argue that these characteristics and variation are indicative of the linguistic diversity found within the Hawaiian language and, as such, are worthy of the same attention and scholarly scrutiny as spoken Hawaiian. The second goal of this applied research is to present the results in a manner that is accessible to practitioners of Hawaiian language performance. 1. INTRODUCTION.1 One day during my time as an undergraduate student in the Hawaiian Studies program at the University of Hawai‘i at Hilo, I was listening to a record- ing of Rev.
    [Show full text]
  • 5 MB HSFCA Annual Report for FY 2003-2004
    HAWAI‘I STATE FOUNDATION ON CULTURE AND THE ARTS Annual Report Fiscal Year 2003-2004 The Hawai‘i State Foundation on Culture and the Arts mission is to promote, perpetuate, preserve and encourage culture and the arts, history and the humanities as central to the quality of life of the people of Hawai‘i. The Hawai‘i State Foundation on Culture and the Arts (HSFCA) was founded in 1965 as the official arts agency of the State of Hawai‘i. The HSFCA stimulates, guides, and promotes culture, the arts, history, and the humanities throughout the state. The HSFCA office is on the second floor of the historic No. 1 Capitol District Building at 250 South Hotel Street in downtown Honolulu, just Ewa of the Capitol Building. This building is also the home of the Hawai‘i State Art Museum which opened on November 1, 2002. The HSFCA, through its programs, offers biennium grants to support funding for projects that preserve and further culture, the arts, history, and the humanities; administers a public visual arts program for state public places; conducts an apprenticeship program to perpetuate folk traditions; grants fellowships to encourage artists; collaborates with organizations and educational institutions on arts in education projects; conducts workshops; and provides staff resource assistance. The HSFCA Commission is composed of nine members, each appointed by the Governor of Hawai‘i for a four-year term according to Section 9-2 (b), Hawai‘i Revised Statutes. From these members, who serve without compensation, the Governor appoints a chairperson. The HSFCA is a part of the Executive Branch of the State of Hawai‘i and is attached to the Department of Accounting and General Services for administrative purposes.
    [Show full text]
  • Read Liner Notes Here
    LINER NOTES Martin Pahinui Ho'olohe One of Hawaiian music‘s most gifted vocalists, John Martin Pahinui has performed with a host of top performers, including his father‘s legendary Gabby Pahinui Hawaiian Band, The Peter Moon Band, The Pahinui Brothers, Nina Kealiçiwahamana, Bill Kaiwa and slack key super group Hui Aloha (with slack key guitarists George Kuo and Dennis Kamakahi). The youngest child of Gabby Pahinui (1921-1980) and Emily Pahinui, Martin grew up surrounded by music— not only the amazing kï höçalu (slack key) in his family home but also the many other styles floating on the wind in Waimänalo, where he grew up and still lives. Like many children of famous musicians, Martin is keenly aware of a double responsibility: to honor his family‘s musical legacy and to always be himself. ―My daddy is a very big influence on all of us,‖ Martin says, ―but he always did things his own way, and he taught us to trust our own instincts too. He loved Hawaiian music but he wasn‘t afraid to change something if he felt it was the right thing to do. Some people would grumble, but he‘d say, ‗So what, some people grumble no matter what you do.‘ He always said to respect the song and the composer and the people who taught you, but never be afraid to express your own feelings when you play.‖ Recently, when the local rap group Sudden Rush asked the Pahinui family for their blessings to use a recording of Gabby‘s classic rendition of Hiçilawe, Martin supported them.
    [Show full text]
  • Hawaii Stories of Change Kokua Hawaii Oral History Project
    Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga ..............................................
    [Show full text]
  • Waikiki Hula Conference
    Volume VIII, No. 47 Waikīkī Improvement Association Nov 22, 2007 — Nov 29, 2007 Waikīkī Wiki Wiki Wire Inaugural International Waikīkī Hula Conference a success! The Inaugural International Waikīkī Hula songwriting, philosophy and implement-making. Conference concluded at the Hawaii Convention Nine ho'ike (recital) hula shows were presented Center this past weekend, November 15~17. The around Waikīkī at sponsor hotels and shopping theme of the conference was "Hula in the land of its centers. birth." Approximately 550 hula practitioners and Opening ceremonies on the first day began aficionados attended the conference. Approximately auspiciously with a blessing by master chanter 330 traveled from Japan. The remainder were from Kaupena Wong, and included a welcome by Mayor Hawaii (including neighbor islands), mainland U.S., Hannemann, Waikīkī Improvement Association's Polynesia, Europe, and S. America. Eric Masutomi and Rick Egged, hula by Nalani Over three days, 35 kumu hula and teachers Keale and Hālau Kaulakahi Hawaii, and concluded presented a total of 80 workshops on hula and with a musical tribute to King David Kalakaua and hula-related topics, including Hawaiian language, his composer siblings — Na Lani Eha — by Kuuipo Kumukahi and the Hawaiian Music Hall of Fame Serenaders. Maile Loo of the Hula Preservation Society ( www.hulapreservation.org) presented four special events in the lecture section, which featured noted elders Nona Beamer, Joan Lindsey, George Naope, Queenie Ventura Dowsett, Kent Ghirard and the Hula Nani Girls, as well as Tip Davis' film on 'Iolani Luahine. The final night featured a concert celebration by the sea, under the stars, at the Kuhio Beach Hula Mound.
    [Show full text]
  • Mormon Influences on the Waikiki Entertainment Scene
    Mormon Influences on the Waikīkī Entertainment Scene by Ishmael W. Stagner, II Before we can discuss the influence of Mormon Hawaiians on the Waikīkī music scene, we need to understand a few things about the development of Hawaiian music and its relationship to things developing in Waikīkī. It is normally thought that the apex of Hawaiian entertaining is being able to entertain on a steady basis in a Waikīkī showroom, or venue. However, this has not always been the case, especially as this relates to the Waikīkī experience. In fact, we need to go back only to the post World War II period to see that entertaining in Waikīkī, especially on a steady basis, was both rare and limited to a very few selected entertainers, most of whom, surprisingly, were not Hawaiian. There were a number of reasons for this, but the main reason for the scarcity of Hawaiian, or Polynesian entertainers in Waikīkī in any great number, goes back to the history of Waikīkī itself. At the turn of the 20th century, Waikīkī was still mostly a swamp, filled with taro patches, rice paddies and fish ponds. We have only to look at the pictures of Ray Jerome Baker, the great photographer of early 20th century Honolulu, to see that Waikīkī was, first and foremost, a bread basket area whose lowlands were the delta areas for the run-off waters of Mānoa, Pauoa, and Pālolo streams. As such, Waikīkī fed much of what we call East Oahu, and rivaled the food production and water-storage capacities of better-known farming areas such as Kāne‘ohe, Kahalu‘u and Waiāhole.
    [Show full text]
  • 49 an VALCO VE TIO Hilton Kauai Beach Resort Ukolii, Kauai October
    49th AN VAL CO VE TIO Hilton Kauai Beach Resort ukolii, Kauai October 19-26, 2008 Ho'Omana'O I Ka Wai Hala He Kumu No Ka Wa E Hiki Mai Ana Honoring Our Past Is The Foundation For The Future Leimomi Kha n, Presid ent Association of Hawaiian Civic lubs ( H ) AH onventlon omm ittee hair: Lorna Akirna Ho ting ou ncil: Kuuai, President Lionel Kaohi onventlon oordlnator: Alice Brow n Important: Due to inaudible recordings, these sessions are not verbatim as is normally prepared. Mahalo. TABLE OF CONTENTS EXECUTIVE SUMMARy .. i-xv OPENING CEREMONIES .. 1-2 CALL TO ORDER .. 1,16,25,31 Halia Aloha . 3-5 Kukui Lama Ku . 6 Registration & Credentials Reports .. 6-7,18,31 Presentation ofCharters . 7 Resolutions Committee . 7-14 Awards Connnittee .. 14-15 President's Report . 17 Kauai Council. , . 16-17 Hawai'i Council. 17 Maui Conncil .. 17 O'ahu Council . 17 Mainland Council . 17 Minutes ofthe 2007 Convention Proceedings .. 17-18 Pu'uku Report (Treasurer) . 18 GUEST SPEAKERS: • Mayor William Asing .. 3 • Micah Kane . 3 • Clyde Namuo . 16 • Greg Chun . 25 ADMINISTRATIVE COMMITTEE REPORTS: • Komike Nominations and Elections . 18-19,23-24,36 • Komike Pilina Kaiaulu (Connnunity Relations) .. 19-22 • Komike Ho'onoho Halawai (Conv & Mtgs) . 7,22 o 'AhaMele&PihaHau'oli " . 25,34-35 o Awards . 14 • Kfimike Mo'ohelu Kala (Budget & Finance) , .. 22-23 • Kcmike Pilina Aupuni (Government Relations) .. 23 • Komike Ho'okele (Policy & Planning).. '" ,. 23 • Komike 'Enehana (Information Technology) . 23 PROGRAM COMMITTEE REPORTS: • Komike Ho'oilina Ali'i (Benefits & Trusts) ,, . 26-27 • Komike Po'aiapuni Waiwai (Economic Dev) .
    [Show full text]
  • 1 Statement of William G. Meyer III Before the House Committee On
    Statement of William G. Meyer III before the House Committee on Judiciary and Hawaiian Affairs in strong support of SB 714 (Relating to Publicity Rights) Hearing: Tuesday, March 30, 2021, at 2:00pm Dear Chair Nakashima, Vice Chair Matayoshi, and Members of the House Committee on Judiciary and Hawaiian Affairs: My name is William G. Meyer III, and I hereby express my strong support of SB 714. I have been practicing business law in Honolulu since 1979 with a focus on entertainment and intellectual property law. Over the years I have had the honor and opportunity to represent and assist many noted local artists, entertainers, and public figures and the heirs of such persons. Background – The Hawaii Publicity Rights Act (“HPRA”) In 2009, HPRA recognized the existence of a property right, known as the “right of publicity,” in a person's "persona" (i.e., their name, voice, signature, and likeness). The law was originally enacted to address concerns that the personas of Hawaii’s musicians, entertainers, and cultural icons, both living and dead, were being appropriated by third parties for commercial gain without the permission of such persons or their heirs. The genesis of HPRA was a dispute between a record label and the estate of the iconic Hawaiian artist "Aunty" Genoa Keawe over the use of (the then-deceased) Aunty Genoa’s persona despite the objections of her son, Mr. Eric Keawe. As a result of this dispute, and recognizing that other local artists and their heirs were subject to misappropriation of identity, the estate of Genoa Keawe and the Office of Hawaiian Affairs (“OHA”) pushed for the passage of HPRA to protect the personas of all people, both living and dead, for a period of 70 years after their death.
    [Show full text]
  • Al Oh a D Re Am
    AAlloohhaa DDrreeaamm March 2008 Vol. 6. Issue 1. Contents 1. “Splendor Anahola ” 2. Contents Page 3. Welcome. The Editor’s usual Jiggery Pokery 4. The Kanui mystery resolved by Les Cook 5. “ “ “ “ “ 6. “ “ “ / Pete Lake New C.D. 7. News from Hawaii, the sad loss of “Genoa Keawe” 8. The 7th Birthday Convention 9. “ “ ““ 10. Felix Mendelssohn's "Trade Winds" By John Marsden 11. “ “ “ “ ““ 12. “ “ “ / Doreena ‘Tahni’ Sugondo 13. Basil’s Steelin’ Tricks of the Trade (The Bear Facts) 14. My Tane tab. 15. “ “ “ 16. Islands of Hawaii by Pat Henriques 17. “ “ “ 18. “ “ “ 19. The Steel Guitar in Early Country Music by Anthony Lis 20. “ “ “ “ “ “ “ “ 21. “ “ “ “ “ “ “ “ 22. “ “ “ “ “ “ “ “ 23. Readers Letters 24. “ “ 25. Readers Letters / Ron Whitaker’s new C.D. 26. Chanos-Curzon Drôme, International Steel Guitar Festival 27. “ “ “ “ “ “ “ 28. Pat’s Landmark 65th Birthday Party !! All ads and enquires to :- Editorial and design:- Pat and Basil Henriques Honorary members Pat Henrick Subscriptions:- Pat Jones (Wales.) Morgan & Thorne U.K. £16:00 per year 286. Lichfield Road Keith Grant (Japan) Europe €25:00 Four Oaks Alan Brookes (USA) Overseas $35:00 Sutton Coldfield ----------------------------- (U.S. dollars or equivalent) Birmingham B74 2UG Hawaiian Musicologist All include P+P (S+H) West Midlands. John Marsden (U.K.) Phone No:- 0182 770 4110. Payment by UK cheque, cash or E Mail - [email protected] money order payable to:- “Pat Henrick” web page www.waikiki-islanders.com Published in the U.K. by Waikiki Islanders Aloha Dream Magazine Copyright 2008 2 AlohaAloha t o y o u a l l Welcome back and thank you for joining us for another year, also a big thank you once again to John Gregory for his kind donation.
    [Show full text]
  • Auntie Genoa Keawe Aloha to Aloha Grill Mp3, Flac, Wma
    Auntie Genoa Keawe Aloha To Aloha Grill mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Aloha To Aloha Grill Country: US Style: Pacific MP3 version RAR size: 1816 mb FLAC version RAR size: 1608 mb WMA version RAR size: 1544 mb Rating: 4.7 Votes: 297 Other Formats: RA DXD AIFF AAC APE MMF AC3 Tracklist Hide Credits Maunaloa A1 –Genoa Keawe And Trio* Written-By – Helen Parker E Kuu Morning Dew A2 –Sam Aiko Written-By – Eddie Kamae, Larry Kimura* Hula Lolo A3 –Leilani*, Aggie*, Violet* Written-By – Augie Auld Chickadee A4 –Violet P. Lilikoi* Written-By – Melvin Paoa A5 –Genoa Keawe And Gary* E Maliu Mai Piha Hauoli A6 –Violet P. Lilikoi*, Genoa* & Pua Rogers Written-By – Halemanu Hawaiian Lullaby B1 –Pua Rogers Written-By – Hector Venegas, Peter Moon Hoonanea B2 –Genoa Keawe Written-By – Lena Machado Canadian Girl B3 –Sam Aiko Written-By – Al Nobriga Alika B4 –Genoa*, Pau* , & Violet* Written-By – Charles Kaapa –Genoa Keawe And Her Hawaiians With Friends Of Hawaii Aloha B5 Aloha Grill Written By – Lorenzo Lyons Companies, etc. Recorded By – Soundcraft Inc., Honolulu, Hawaii Credits Co-producer – Bob Nelson Design – Douglas Rankin Engineer – Brian Lester , Willy Martin Engineer [Assistant] – Billie Ann Sabala Liner Notes – Billie Ann Sabala Mastered By – Brian Lester , Willy Martin Mixed By – Brian Lester , Willy Martin Producer – Genoa Keawe Other versions Category Artist Title (Format) Label Category Country Year Auntie Genoa Aloha To Aloha Grill Genoa Keawe GKCD 108 GKCD 108 US Unknown Keawe* (CD, Album, RE) Records Related Music albums to Aloha To Aloha Grill by Auntie Genoa Keawe John K.
    [Show full text]