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History's Mysteries
History’s Mysteries: Research, Discuss and Solve some of History's Biggest Puzzles ISBN: 978-1-956159-00-4 (print) 978-1-956159-01-1 (ebook) Copyright 2021 Taylor Sapp, Catherine Noble, Peter Lacy, Mina Gavell, and Andrew Lawrence All rights reserved. Our authors, editors, and designers work hard to develop original, high-quality content. They deserve compensation. Please respect their efforts and their rights under copyright law. Do not copy, photocopy, or reproduce this book or any part of this book (unless the page is marked PHOTOCOPIABLE) for use inside or outside the classroom, in commercial or non-commercial settings. It is also forbidden to copy, adapt, or reuse this book or any part of this book for use on websites, blogs, or third-party lesson-sharing websites. For permission requests, write to the publisher at “ATTN: Permissions”, at the address below: 1024 Main St. #172 Branford, CT 06405 USA [email protected] www.AlphabetPublishingBooks.com Discounts on class sets and bulk orders available upon inquiry. Edited by Walton Burns Interior and Cover Design by Red Panda Editorial Services Country of Manufacture Specified on Last Page First Printing 2021 Table of Contents Other Creative Writing Books by Alphabet Publishing ii Table of Contents v How to Use this Collection viii Section I - Monsters and Mysterious Creatures What Happened to the Dinosaurs? 2 The Loch Ness Monster 7 The Elusive Ivory-billed Woodpecker 13 Bigfoot: Ancient Ape of The Northwest 18 It’saBird?It’saPlane?It’saPicasso 23 Section II - Heroes and Villains Genghis Khan: Villain or Hero 31 The Children’s Crusade 37 Artist or Monster? Stop Adolf Hitler 44 Lyuh Woon-hyung and the Division of Korea 50 Who Killed Tupac? 55 Section III - Famous Unsolved Crimes and Criminals Who Was Jack the Ripper? 61 The Osage Indian Murders 67 D. -
19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
Geopolitics of Emerging and Disruptive Technologies
GEOPOLITICS OF EMERGING AND DISRUPTIVE TECHNOLOGIES 1 GEOPOLITICS OF EMERGING AND DISRUPTIVE TECHNOLOGIES Michał Rekowski, ToMasz PiekaRz, BaRBaRa szTokfisz, RoBert siudak, izaBela alBRychT, PRzeMysław Roguski, Paweł kosTkiewicz, Maciej siciaRek, kRzyszTof silicki, Magdalena wRzosek, ToMasz dylik, TeodoR BuchneR, joanna ŚwiąTkowska, andRea g. RodRíguez, kaMil Mikulski EDITORS: izaBela alBRychT, Michał Rekowski, kaMil Mikulski AUTHORS: Michał Rekowski TABle of conTenTS International Competition in the Digital Age Tomasz Piekarz Digital Technologies as an Element of Power Barbara Sztokfisz Cyberdiplomacy – a Tool for Building Digital Peace introduCTION ��������������������������������������������������������������������������������������������������������������������� 7 Robert Siudak New Entities in a Multilateral Cyber World Izabela Albrycht OPENING REMARKS ������������������������������������������������������������������������������������������������������������ 10 The Power of Digital Data Przemysław Roguski, PhD International competition IN The digital age ������������������������������������������ 13 The Geopolitics of Cloud Computing Paweł Kostkiewicz, Maciej Siciarek, Krzysztof Silicki, Magdalena Wrzosek, PhD digital technologies AS AN ELEMENT of power ������������������������������������������ 27 Certification and Standardisation in the Context of Digital Sovereignty Tomasz Dylik Cyberdiplomacy – a tool for BuILDING digital peace ����������������������������� 41 Geopolitics of Digital Belts and Roads Teodor Buchner, PhD NEW ENTITIES -
I'm Gonna Swing
ACCESS ALL AREAS... CHANDELIER APPEARS IN ROCK & POP 2018 Released: 2014 Album: 1000 Forms of Fear Label: Inertia, Monkey Puzzle, RCA Records ABOUT THE SONG ‘Chandelier’ was released in March 2014 as the lead single from Sia’s sixth studio album 1000 Forms of Fear. It was a top-10 hit in over 25 countries and I’M GONNA FLY LIKE A BIRD sold more than three million copies in the US alone. Billboard listed ‘Chandelier’ as the best song of 2014 THROUGH THE NIGHT, and it received several nominations at the 57th Grammy Awards. FEEL MY TEARS AS THEY DRY ‘Chandelier’ catapulted Sia to international fame, but “ she was a reluctant superstar. Having decided not to I’M GONNA SWING show her face in videos and promotional materials, the publicity-shy Sia often performed ‘Chandelier’ with her face concealed or her back to the camera. FROM THE CHANDELIER RECORDING AND PRODUCTION Sia was in semi-retirement in the early 2010s, co-writing songs with artists such as David Guetta and Rihanna. An impromptu jam session with producer Jesse Shatkin on marimba and Sia on piano led to the chords, melody and lyrics of ‘Chandelier’ in less than 20 minutes. Originally written as a potential hit for Rihanna or Beyoncé, Sia eventually released the song herself. It was produced by Shatkin and Greg Kurstin, with the pair playing all instruments. Sia’s vocal was recorded at Hot Closet Studios in California in less than 15 minutes. ” COMPOSITION ‘Chandelier’ is an electropop ballad with a melancholy tone; the lyrics are about the disillusionment of relentless partying. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Click on This Link
The Australian Songwriter Issue 108, June 2015 First published 1979 The Magazine of The Australian Songwriters Association Inc. Samantha Mooney performing at the 2014 National Songwriting Awards 1 In This Edition: Chairman’s Message Editor’s Message 2015 Australian Songwriting Contest Update Samantha Mooney: 2014 Winner of the Country Category Frank Dixon: 2014 Winner of the Youth Category ASA History: Tom Louch (1932-2009) Bob King: ASA National Songwriting Awards Photographer ASA Member Profile: Justin Standley Lola Brinton & Trish Roldan: 2014 Winners of the Australia Category ASA Member Profile: Younis Clare 2015 Queen’s Birthday Honours: Archie Roach AM Sponsors Profiles Wax Lyrical Roundup Members News and Information The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators o APRA/ASA Songwriter of the Year o Rudy Brandsma Award Winner o PPCA Live Performance Award Winner o Australian Songwriters Hall of Fame o Australian Songwriting Contest Winners 2 Chairman’s Message Dear Members, At the time of writing, we have just about come to the close of our annual National Songwriting Contest. I am licking my lips in anticipation, awaiting all the fantastic songs that will come forth. There is no doubt in my mind that each and every year brings lots of new wonderful tunes, including some that are just ‘gems’. In the meantime, your Vice Chairman and eNewslettter Editor, Alan Gilmour, has come up with another bumper issue to whet your appetite. -
Based on a True Story: a Critical Approach to Ambiguous Veracity in Literature
Based on a True Story: a Critical Approach to Ambiguous Veracity in Literature The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Selsby, Noah. 2019. Based on a True Story: a Critical Approach to Ambiguous Veracity in Literature. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004083 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Based on a True Story: A Critical Approach to Ambiguous Veracity in Literature Noah Selsby A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University March 2019 Copyright 2019 Noah Selsby Abstract The statement that a work is “based on a true story” is one which is inherently ambiguous as the degree to which the story is factual or invented can be unknown unless directly addressed by the author. As a result, there is a tension felt when this claim is made at the beginning of a text with which a reader is unfamiliar, leading to the risk of assuming which parts of the narrative are true and which were fabricated. This thesis will explore several texts and works of narrative art which bare the markings of being “based on a true story,” but which challenge the reader to think critically when comparing their contents to verifiable sources. -
15 July 2011 the Executive Director Australian Law Reform Commission GPO Box 3708 SYDNEY NSW 2001 Email: [email protected]
15 July 2011 The Executive Director Australian Law Reform Commission GPO Box 3708 SYDNEY NSW 2001 Email: [email protected] Dear Sir / Madam, National Classification Scheme Review – ARIA / AMRA Submission The Australian Recording Industry Association Ltd (ARIA) and the Australian Music Retailers Association (AMRA) thank you for the opportunity to comment on the Issues Paper for the National Classification Scheme Review. ARIA and AMRA submitted a response to the recent Senate Inquiry into the Film and Literature Classification Scheme and we would be happy to provide a copy of that submission upon request. About ARIA ARIA is the peak trade body for the recorded music industry in Australia. It is a national industry association proactively representing the interests of its members. ARIA has more than 100 members ranging from small "boutique" labels typically run by 1-5 people, to medium size organisations and very large companies with international affiliates. ARIA is active in many key areas of the music industry: acting as an advocate for the industry, both domestically and internationally supporting Australian music, and creating opportunities to help it be heard playing an active role in protecting copyright and the fight against music piracy collecting statistical information from members and retailers and compiling numerous ARIA charts with data provided by over 1,100 retailers providing, in certain cases, a reproduction licensing function for various copyright users staging the highly prestigious annual ARIA Music Awards. ARIA‟s primary objective is to advance the interests of the Australian recording industry. About AMRA AMRA was established in 1993, by a group of leading independent and specialty music chain stores to represent the interests of music retailers in Australia. -
Mullum School Touchdown Harsh Feedback Over Fl Ood Response
THE BYRON SHIRE Volume 33 #14 Wednesday, September 12, 2018 S www.echo.net.au Phone 02 6684 1777 [email protected] [email protected] 23,200 copies every week DEMANDING THE BEST AND REGRETTABLY ACCEPTING LESS SINCE 1986 Mullum school touchdown Harsh feedback over fl ood response Paul Bibby We’ve subsequently had a test run during a possible fl ood event that Th e Byron Shire community has little didn’t eventuate and we found that faith in the ability of local authori- our warning systems and communi- ties such as Council and the police to cation had improved.’ provide them with accurate, timely Th e mistrust in local authorities information during floods, a new such as Council may have stemmed survey shows. from the unreliable information lo- And the results suggest that a size- cals received during the fl oods as- able majority of locals support meas- sociated with Cyclone Debbie last ures such as dredging, the removal of March. rock walls and new ocean outfalls to reduce the future fl ood risk. Confl icting info Th e survey, conducted by Byron Nearly 65 per cent of respondents Council to help it develop a fl ood said they had received confl icting risk management plan, found that information about fl oods in the past. Mullumbimby Public School students were excited to have crews from the Westpac Rescue Helicopter Service only the State Emergency Services ‘No-one was able to give me in- and the Little Ripper Drone Patrol drop-in for a visit on Friday. -
Skeptoid 3 Pirates, Pyramids, and Papyrus
Skeptoid 3 Pirates, Pyramids, and Papyrus By Brian Dunning Foreword by Richard Saunders Illustrations by Nathan Bebb Skeptoid 3: Pirates, Pyramids, and Papyrus Copyright 2011 by Brian Dunning All Rights Reserved. Skeptoid Podcast ©2006-2011 by Brian Dunning http://skeptoid.com Published by Skeptoid Media, Inc. Laguna Niguel, CA First Edition ISBN: 978-1453881187 Printed in the United States of America It ain’t what you don’t know that gets you into trouble. It’s what you know for sure that just ain’t so. Wrongly attributed to Mark Twain Acknowledgements Although I do nearly all of the work researching and writing Skeptoid on my own, the following individuals provided a mas- sive amount of help with referencing and finding further read- ing suggestions for all the chapters in this book, and I am greatly indebted to them: Michael Arter, Mike Bast, Erwin Blonk, Mike Bohler, Katie Brockie, Justin Crain, Adam Deso, Josh DeWald, Lee Dunn, Jack Flynn, John Folsom, Kevin Funnell, Derek Graham, Greg Hall, Kerry Hassan, Diane Johnson, James Lippard, Kelly Manning, Tom Markson, Bob McArthur, Mark Metz, Dennis Mitton, Lee Oeth, Leonardo Oliveira, Kathy Orlinsky, Tom Rhoads, Rico Sanchez, Thomas Shulich, Mike Weaver, Glen Wheeler, and Sarah Youkhana. Also thanks to Joe Nickell for giving me a (somewhat more than) gentle nudge improving the quality of these books. To Erika – The brightest light in my universe, and quite possibly in all the other ones as well. Contents Foreword: Why Skeptoid Is Part of My Life ............................ 1 Introduction .............................................................................. 3 1. Search for the Missing Cosmonauts ..................................... 5 2. -
Tier 1 Exceptional Talent and Promise Eligibility Criteria
Tier 1 (Exceptional Talent and Promise) visas – eligibility criteria The Arts Council is a Designated Competent Body appointed by the Home Office, and is therefore able to assess applications from artists for Tier 1 visas and recommend whether an applicant merits a visa. The Tier 1 (Exceptional Talent) visa route covers applicants working in the fields of science, engineering, humanities and the arts. An arts applicant for a visa under the Tier 1 (Exceptional Talent) route must provide evidence to demonstrate to the satisfaction and understanding of the UK Competent Body that they are either: a world leader in their field (Exceptional Talent); or have the potential to become a world leader in their field (Exceptional Promise), except within the film, television, animation, post production and visual effects industry (see below) The following criteria apply only to arts applicants who will be assessed by the Arts Council. These criteria will apply to all applicants making a Tier 1 (Exceptional Talent) application in the current financial year, 2014-15. They are subject to annual review and as a result may change for applicants applying in future years. Eligibility criteria In order to enter the UK through the Tier 1 (Exceptional Talent) route you must either be established as, or demonstrate potential to become, a world -leading artist and/or an internationally recognised expert in your field within the arts (encompassing dance, music, theatre, visual arts and literature), museums or galleries. The Exceptional Talent route is also open to the film or television, animation, post production and visual effects industry, but applications for Exceptional Promise are not accepted in these fields.