Mullum School Touchdown Harsh Feedback Over Fl Ood Response
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19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
S Conniff”, Edition No. 1/2000
‘s Conniff The International Ray Conniff Fan Club Magazine No.1/2000 (March 2000) Having fun during the photo sessions for ‘s Country: Mike Johnsen, Ray and Ginger Page: ”Welcome“, Manfred’s Editorial, featuring 2 and 3 Miscellaneous News Items The CD Column, Part 1: ‘s Christmas 5 (Track details, order No., liner notes and more) ‘s Christmas - reviewed by the fans 6 and 7 The CD Column, Part 2: Dance the Bop! & En Español 8 More CD News from around the world 5 and 9 News of the Past by Igor Karpov: A 1974 Interview from Russia 10 and 11 The CD Column, Part 3: Ray Conniff In Moscow 11 Ray Conniff on TV: Concert at Villa Lobos Park, São Paulo 12 (October 17, 1999) broadcast on Brazil TV The Record Exchange 12 Ray Conniff Sheet Music 13 - 15 Serge Elhaïk’s Ray Conniff Story, Part 27: 16 - 22 Focus on the 1960 albums, Irving Berlin, Alex North and others Great new Ray Conniff CD’s News of the Past by Serge Elhaïk: Also recommended 22 A new CD by Bobby Hackett / Focus on Bob Haggart Fan Mail: Bill Martin’s 23 Suggestion for a “Ray Conniff Dream Album” “First Love” - a brand-new album by the 24 and 25 Perry La Marca Orchestra A report of a concert on December 5, 1999, when Ray conducted Perry La Marca’s singing group at the Harbor College in LA (by Rick 25 Iwasaki) A chapter from “Clive - Inside the Record Business” 26 - 28 More Fan Mail 29 The Committee and Subscription Rates 30 „Willkommen“ 4 - die Zusammenfassung dieser Ausgabe in deutscher Sprache Three of Ray's rarest albums are now available on Welcome CD: “Dance the Bop!”, “En Español” and “Ray Conniff In Moscow”. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
Emily O'grady Thesis
Subverting the Serial Gaze: Interrogating the Legacies of Intergenerational Violence in Serial Killer Narratives Emily O’Grady Bachelor of Fine Arts (Honours) Creative Industries: Creative Writing and Literary Studies Queensland University of Technology Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2018 1 Abstract This thesis subverts, disrupts and reimagines dominant narratives of fictional serial crime through a hybrid research paradigm of creative practice and critical analysis. The creative output of this thesis is an 80,000 word literary novel titled The Yellow House, accompanied by a 20,000 word critical exegesis. In the following, I argue that current fictional iterations of the serial killer literary genre are rigidly conservative, and remain fixed within the safe confines of genre conventions wherein the narrative bears little resemblance to how abject violence and the aftermath of serial crime plays out in real life. The broad framework of genre theory, accompanied by trauma theory, allows for an examination of the serial killer genre to identify the space in which my creative practice—an Australian, literary rendering of serial crime—fits as an extension and subversion of the genre. By reimagining the Australian serial killer narrative, I seek to challenge the reductive serial killer genre, and come to a potential offering of serial homicide that interrogates how the legacies of abject violence can be transmitted across generations. I do this by shifting the focus onto the aftermath of the crime and its numerous victims—in particular, the descendants of serial killers. The Yellow House presents a destabilising fictionalisation of serial crime that disrupts the conventions of the genre in order to contend with the complexity and instability of serial homicide. -
The Queensland Music Awards Launch New Emerging Artist of the Year Award for 2020 Plus $24,000 Songwriting Prize
FOR IMMEDIATE RELEASE MONDAY OCTOBER 21, 2019 Amy Shark, 2019 Queensland Music Awards Performing Artist. Image by Bianca Holderness. The Queensland Music Awards launch new Emerging Artist Of The Year Award for 2020 plus $24,000 Songwriting Prize The 2020 Queensland Music Awards (QMAs), produced by QMusic and taking place on Tuesday 3 March 2020 at The Fortitude Music Hall, has unveiled an exciting new Major Award category with the Emerging Artist Of The Year Award. Open to all early-career Queensland musicians, entries are open now and close midnight, Thursday 24 October 2019. The Emerging Artist Of The Year Award will recognise the valuable contributions made by Queensland’s newest musicians. Artists with up to five years professional songwriting experience and with a modest body of artistic work will be automatically eligible for the Major Award on submission to a self-nominating category. The winner of the Emerging Artist of the Year will receive a Noisegate Producer Package valued at $2905. FOR IMMEDIATE RELEASE MONDAY OCTOBER 21, 2019 They will also receive a one-on-one session with a leading booking agent, manager and publicist as well as a QMusic one-on-one session and an invitation to attend the 2020 Amplify Songwriting Retreat. (Ts&Cs) “QMusic has introduced the Emerging Artist of the Year Award to showcase our commitment to supporting and developing emerging artists in our local music industry,” said QMusic CEO and QMAs Executive Producer Angela Samut. “We support the careers of artists at every stage in their careers and with this new Emerging Award, we endeavour to identity new and exciting talent in Queensland and to be able to work with them in putting in place career pathways to help them achieve success. -
I'm Gonna Swing
ACCESS ALL AREAS... CHANDELIER APPEARS IN ROCK & POP 2018 Released: 2014 Album: 1000 Forms of Fear Label: Inertia, Monkey Puzzle, RCA Records ABOUT THE SONG ‘Chandelier’ was released in March 2014 as the lead single from Sia’s sixth studio album 1000 Forms of Fear. It was a top-10 hit in over 25 countries and I’M GONNA FLY LIKE A BIRD sold more than three million copies in the US alone. Billboard listed ‘Chandelier’ as the best song of 2014 THROUGH THE NIGHT, and it received several nominations at the 57th Grammy Awards. FEEL MY TEARS AS THEY DRY ‘Chandelier’ catapulted Sia to international fame, but “ she was a reluctant superstar. Having decided not to I’M GONNA SWING show her face in videos and promotional materials, the publicity-shy Sia often performed ‘Chandelier’ with her face concealed or her back to the camera. FROM THE CHANDELIER RECORDING AND PRODUCTION Sia was in semi-retirement in the early 2010s, co-writing songs with artists such as David Guetta and Rihanna. An impromptu jam session with producer Jesse Shatkin on marimba and Sia on piano led to the chords, melody and lyrics of ‘Chandelier’ in less than 20 minutes. Originally written as a potential hit for Rihanna or Beyoncé, Sia eventually released the song herself. It was produced by Shatkin and Greg Kurstin, with the pair playing all instruments. Sia’s vocal was recorded at Hot Closet Studios in California in less than 15 minutes. ” COMPOSITION ‘Chandelier’ is an electropop ballad with a melancholy tone; the lyrics are about the disillusionment of relentless partying. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Click on This Link
The Australian Songwriter Issue 108, June 2015 First published 1979 The Magazine of The Australian Songwriters Association Inc. Samantha Mooney performing at the 2014 National Songwriting Awards 1 In This Edition: Chairman’s Message Editor’s Message 2015 Australian Songwriting Contest Update Samantha Mooney: 2014 Winner of the Country Category Frank Dixon: 2014 Winner of the Youth Category ASA History: Tom Louch (1932-2009) Bob King: ASA National Songwriting Awards Photographer ASA Member Profile: Justin Standley Lola Brinton & Trish Roldan: 2014 Winners of the Australia Category ASA Member Profile: Younis Clare 2015 Queen’s Birthday Honours: Archie Roach AM Sponsors Profiles Wax Lyrical Roundup Members News and Information The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators o APRA/ASA Songwriter of the Year o Rudy Brandsma Award Winner o PPCA Live Performance Award Winner o Australian Songwriters Hall of Fame o Australian Songwriting Contest Winners 2 Chairman’s Message Dear Members, At the time of writing, we have just about come to the close of our annual National Songwriting Contest. I am licking my lips in anticipation, awaiting all the fantastic songs that will come forth. There is no doubt in my mind that each and every year brings lots of new wonderful tunes, including some that are just ‘gems’. In the meantime, your Vice Chairman and eNewslettter Editor, Alan Gilmour, has come up with another bumper issue to whet your appetite. -
15 July 2011 the Executive Director Australian Law Reform Commission GPO Box 3708 SYDNEY NSW 2001 Email: [email protected]
15 July 2011 The Executive Director Australian Law Reform Commission GPO Box 3708 SYDNEY NSW 2001 Email: [email protected] Dear Sir / Madam, National Classification Scheme Review – ARIA / AMRA Submission The Australian Recording Industry Association Ltd (ARIA) and the Australian Music Retailers Association (AMRA) thank you for the opportunity to comment on the Issues Paper for the National Classification Scheme Review. ARIA and AMRA submitted a response to the recent Senate Inquiry into the Film and Literature Classification Scheme and we would be happy to provide a copy of that submission upon request. About ARIA ARIA is the peak trade body for the recorded music industry in Australia. It is a national industry association proactively representing the interests of its members. ARIA has more than 100 members ranging from small "boutique" labels typically run by 1-5 people, to medium size organisations and very large companies with international affiliates. ARIA is active in many key areas of the music industry: acting as an advocate for the industry, both domestically and internationally supporting Australian music, and creating opportunities to help it be heard playing an active role in protecting copyright and the fight against music piracy collecting statistical information from members and retailers and compiling numerous ARIA charts with data provided by over 1,100 retailers providing, in certain cases, a reproduction licensing function for various copyright users staging the highly prestigious annual ARIA Music Awards. ARIA‟s primary objective is to advance the interests of the Australian recording industry. About AMRA AMRA was established in 1993, by a group of leading independent and specialty music chain stores to represent the interests of music retailers in Australia. -
Annual Report 2017
CONTENTS President’s Report 4 Treasurer’s Report 6 CEO’s Report 8 QMusic Program Report 10 QMusic Management Committee 16 QMusic Staff 19 Income & Expenditure Statement 22 Assets & Liabilities Statement 23 Statement of Cash Flows 24 3/374 Brunswick Street PO Box 878 Fortitude Valley QLD 4006 Notes to the Financial Statements 25 Australia T (07) 3257 0013 Statement by Members of the Committee 30 E [email protected] www.qmusic.com.au Independent Audit Report 31 Queensland Music Network Incorporated ABN 14 083 014 720 Disclaimer to the Detailed Income & Expenditure Statement 33 Promoting the artistic value, cultural worth and commercial potential of Queensland music. Detailed Income and Expenditure Statement 34 QMusic - The Queensland Music Network - is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges that Aboriginal and Torres Strait Islanders are the custodians of the land and recognise the disadvantage caused by colonisation and dispossession. Aboriginal and Torres Strait Islander music plays a critical role in the broader Australian music context and Australian culture overall. QMusic is committed to working with community to build opportunities for Aboriginal and Torres Strait Islander artists and music businesses. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS 2017 ANNUAL REPORT 3 PRESIDENT’S REPORT Like the wider music industry, QMusic has known its share of challenging times in more than two decades in existence. Those times have helped to place the positive moments into perspective. And 2017 will go down as a strong year for QMusic. -
Wolf Creek by Sonya Hartnett [Book Review]
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Ryan, Mark (2011) Wolf Creek by Sonya Hartnett [Book Review]. Senses of Cinema, 2011(61), pp. 1-2. This file was downloaded from: https://eprints.qut.edu.au/48070/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.sensesofcinema.com/ 2011/ book-reviews/ wolf-creek-by-sonya-hartnett/ Wolf Creek by Sonya Hartnett review by Mark David Ryan Mark David Ryan is a Lecturer in Film and Television for the Creative Industries Faculty, Queensland University of Technology and an expert on Australian horror films. -
Western Electric: a Survey of Recent Western Australian Electronic Music
Edith Cowan University Research Online Sound Scripts 2005 Western Electric: A survey of recent Western Australian electronic music Lindsay Vickery Follow this and additional works at: https://ro.ecu.edu.au/csound Part of the Interdisciplinary Arts and Media Commons, and the Music Commons Refereed papers from the Inaugural Totally Huge New Music Festival Conference, This Conference Proceeding is posted at Research Online. https://ro.ecu.edu.au/csound/5 Western Electric: A survey of recent Western Australian electronic music Lindsay Vickery La Salle-SIA College of the Arts, Singapore Abstract This paper surveys developments in recent Western Australian electronic music through the work of a number of representative artists in a range of internationally recognised genres. The article follows specific cases of practitioners in the fields of Sound Art (Alan Lamb and Hannah Clemen), live and interactive electronics (Jonathan Mustard and Lindsay Vickery) and noise/lo-fi electronics (Cat Hope and Petro Vouris) and glitch/electronica (Dave Miller and Matt Rösner). Like all Australian states Western Australia has a comparatively large land mass which has developed a highly centralized population (over 75% of inhabitants) in its capital city Perth. As a result this paper is principally a survey of recent activity in Perth, rather than the whole state. Perth is also rather peculiar, being a medium-sized city (roughly 1.5 million) that is separated from other similarly sized centres by four to five hours by air. This paper will consider some of the possible effects of this isolation in the context of the development of a range of practices and methods in electronic music that reflect similar directions elsewhere in the world.