Issue 2 8Th February 2021
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19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
I'm Gonna Swing
ACCESS ALL AREAS... CHANDELIER APPEARS IN ROCK & POP 2018 Released: 2014 Album: 1000 Forms of Fear Label: Inertia, Monkey Puzzle, RCA Records ABOUT THE SONG ‘Chandelier’ was released in March 2014 as the lead single from Sia’s sixth studio album 1000 Forms of Fear. It was a top-10 hit in over 25 countries and I’M GONNA FLY LIKE A BIRD sold more than three million copies in the US alone. Billboard listed ‘Chandelier’ as the best song of 2014 THROUGH THE NIGHT, and it received several nominations at the 57th Grammy Awards. FEEL MY TEARS AS THEY DRY ‘Chandelier’ catapulted Sia to international fame, but “ she was a reluctant superstar. Having decided not to I’M GONNA SWING show her face in videos and promotional materials, the publicity-shy Sia often performed ‘Chandelier’ with her face concealed or her back to the camera. FROM THE CHANDELIER RECORDING AND PRODUCTION Sia was in semi-retirement in the early 2010s, co-writing songs with artists such as David Guetta and Rihanna. An impromptu jam session with producer Jesse Shatkin on marimba and Sia on piano led to the chords, melody and lyrics of ‘Chandelier’ in less than 20 minutes. Originally written as a potential hit for Rihanna or Beyoncé, Sia eventually released the song herself. It was produced by Shatkin and Greg Kurstin, with the pair playing all instruments. Sia’s vocal was recorded at Hot Closet Studios in California in less than 15 minutes. ” COMPOSITION ‘Chandelier’ is an electropop ballad with a melancholy tone; the lyrics are about the disillusionment of relentless partying. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Click on This Link
The Australian Songwriter Issue 108, June 2015 First published 1979 The Magazine of The Australian Songwriters Association Inc. Samantha Mooney performing at the 2014 National Songwriting Awards 1 In This Edition: Chairman’s Message Editor’s Message 2015 Australian Songwriting Contest Update Samantha Mooney: 2014 Winner of the Country Category Frank Dixon: 2014 Winner of the Youth Category ASA History: Tom Louch (1932-2009) Bob King: ASA National Songwriting Awards Photographer ASA Member Profile: Justin Standley Lola Brinton & Trish Roldan: 2014 Winners of the Australia Category ASA Member Profile: Younis Clare 2015 Queen’s Birthday Honours: Archie Roach AM Sponsors Profiles Wax Lyrical Roundup Members News and Information The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators o APRA/ASA Songwriter of the Year o Rudy Brandsma Award Winner o PPCA Live Performance Award Winner o Australian Songwriters Hall of Fame o Australian Songwriting Contest Winners 2 Chairman’s Message Dear Members, At the time of writing, we have just about come to the close of our annual National Songwriting Contest. I am licking my lips in anticipation, awaiting all the fantastic songs that will come forth. There is no doubt in my mind that each and every year brings lots of new wonderful tunes, including some that are just ‘gems’. In the meantime, your Vice Chairman and eNewslettter Editor, Alan Gilmour, has come up with another bumper issue to whet your appetite. -
15 July 2011 the Executive Director Australian Law Reform Commission GPO Box 3708 SYDNEY NSW 2001 Email: [email protected]
15 July 2011 The Executive Director Australian Law Reform Commission GPO Box 3708 SYDNEY NSW 2001 Email: [email protected] Dear Sir / Madam, National Classification Scheme Review – ARIA / AMRA Submission The Australian Recording Industry Association Ltd (ARIA) and the Australian Music Retailers Association (AMRA) thank you for the opportunity to comment on the Issues Paper for the National Classification Scheme Review. ARIA and AMRA submitted a response to the recent Senate Inquiry into the Film and Literature Classification Scheme and we would be happy to provide a copy of that submission upon request. About ARIA ARIA is the peak trade body for the recorded music industry in Australia. It is a national industry association proactively representing the interests of its members. ARIA has more than 100 members ranging from small "boutique" labels typically run by 1-5 people, to medium size organisations and very large companies with international affiliates. ARIA is active in many key areas of the music industry: acting as an advocate for the industry, both domestically and internationally supporting Australian music, and creating opportunities to help it be heard playing an active role in protecting copyright and the fight against music piracy collecting statistical information from members and retailers and compiling numerous ARIA charts with data provided by over 1,100 retailers providing, in certain cases, a reproduction licensing function for various copyright users staging the highly prestigious annual ARIA Music Awards. ARIA‟s primary objective is to advance the interests of the Australian recording industry. About AMRA AMRA was established in 1993, by a group of leading independent and specialty music chain stores to represent the interests of music retailers in Australia. -
Mullum School Touchdown Harsh Feedback Over Fl Ood Response
THE BYRON SHIRE Volume 33 #14 Wednesday, September 12, 2018 S www.echo.net.au Phone 02 6684 1777 [email protected] [email protected] 23,200 copies every week DEMANDING THE BEST AND REGRETTABLY ACCEPTING LESS SINCE 1986 Mullum school touchdown Harsh feedback over fl ood response Paul Bibby We’ve subsequently had a test run during a possible fl ood event that Th e Byron Shire community has little didn’t eventuate and we found that faith in the ability of local authori- our warning systems and communi- ties such as Council and the police to cation had improved.’ provide them with accurate, timely Th e mistrust in local authorities information during floods, a new such as Council may have stemmed survey shows. from the unreliable information lo- And the results suggest that a size- cals received during the fl oods as- able majority of locals support meas- sociated with Cyclone Debbie last ures such as dredging, the removal of March. rock walls and new ocean outfalls to reduce the future fl ood risk. Confl icting info Th e survey, conducted by Byron Nearly 65 per cent of respondents Council to help it develop a fl ood said they had received confl icting risk management plan, found that information about fl oods in the past. Mullumbimby Public School students were excited to have crews from the Westpac Rescue Helicopter Service only the State Emergency Services ‘No-one was able to give me in- and the Little Ripper Drone Patrol drop-in for a visit on Friday. -
Tier 1 Exceptional Talent and Promise Eligibility Criteria
Tier 1 (Exceptional Talent and Promise) visas – eligibility criteria The Arts Council is a Designated Competent Body appointed by the Home Office, and is therefore able to assess applications from artists for Tier 1 visas and recommend whether an applicant merits a visa. The Tier 1 (Exceptional Talent) visa route covers applicants working in the fields of science, engineering, humanities and the arts. An arts applicant for a visa under the Tier 1 (Exceptional Talent) route must provide evidence to demonstrate to the satisfaction and understanding of the UK Competent Body that they are either: a world leader in their field (Exceptional Talent); or have the potential to become a world leader in their field (Exceptional Promise), except within the film, television, animation, post production and visual effects industry (see below) The following criteria apply only to arts applicants who will be assessed by the Arts Council. These criteria will apply to all applicants making a Tier 1 (Exceptional Talent) application in the current financial year, 2014-15. They are subject to annual review and as a result may change for applicants applying in future years. Eligibility criteria In order to enter the UK through the Tier 1 (Exceptional Talent) route you must either be established as, or demonstrate potential to become, a world -leading artist and/or an internationally recognised expert in your field within the arts (encompassing dance, music, theatre, visual arts and literature), museums or galleries. The Exceptional Talent route is also open to the film or television, animation, post production and visual effects industry, but applications for Exceptional Promise are not accepted in these fields. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Doctor of Philosophy
A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences University of Western Sydney March 2007 ii CONTENTS LIST OF TABLES........................................................................................ VIII LIST OF FIGURES ...................................................................................... VIII LIST OF PHOTOGRAPHS ............................................................................ IX ACKNOWLEDGMENTS................................................................................. X STATEMENT OF AUTHORSHIP .................................................................. XI PRESENTATION OF RESEARCH............................................................... XII SUMMARY ..................................................................................................XIV CHAPTER 1 INTRODUCING MUSIC FESTIVALS AS POSTMODERN SITES OF CONSUMPTION.............................................................................1 1.1 The Aim of the Research ................................................................................................................. 6 1.2 Consumer Society............................................................................................................................. 8 1.3 Consuming ‘Youth’........................................................................................................................ 10 1.4 Defining Youth .............................................................................................................................. -
Annual Report 2004
2004 2005 ANNUAL REPORT MUSEUM OF APPLIED ARTS & SCIENCES INCORPORATING THE POWERHOUSE MUSEUM & SYDNEY OBSERVATORY The Hon Bob Debus MP Attorney General, Minister for the Environment and Minister for the Arts Parliament House Sydney NSW 2000 Dear Minister On behalf of the Board of Trustees and in accordance with the Annual Reports (Statutory Bodies) Act 1984 and the Public Finance and Audit Act 1983, we submit for presentation to Parliament the annual report of the Museum of Applied Arts and Sciences for the year ending 30 June 2005. Yours sincerely Dr Nicholas G Pappas Dr Anne Summers AO President Deputy President ISSN 0312-6013 © Trustees of the Museum of Applied Arts and Sciences 2005. Compiled by Mark Daly, MAAS. Design and production by designplat4m 02 9299 0429 Print run: 600. External costs: $14,320 Available at www.powerhousemuseum.com Contemporary photography by MAAS photography staff: Sotha Bourn, Geoff Friend, Marinco Kojdanovski, Jean-Francois Lanzarone and Sue Stafford (unless otherwise credited). Historical photos from Museum archives. Contents 02 President’s Foreword 03 Director’s Report 04 Mission and structure 05 Organisation chart 06 Progress against Strategic Plan 07 Goals 2005-06 08 Museum honours th 09 125 anniversary celebrations 10 Highlights of 2004-05 11 The Powerhouse Foundation 11 Evaluating our audiences, exhibitions and programs 12 Exhibition program 13 Travelling exhibitions 13 Public and education programs tm 15 SoundHouse and VectorLab 15 Sydney Observatory 16 Indigenous culture 16 Regional services 17 Migration -
The Music Market in Australia and New Zealand
THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALAND 1 THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALANDLAND ACKNOWLEDGEMENTS Funding for this study was provided by Ontario Media Development Corporation. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Ontario Media Development Corporation or the Government of Ontario. The Government of Ontario and its agencies are in no way bound by the recommendations contained in this document. Funding for this study was also provided in part by Foreign Affairs, Trade and Development Canada. Foreign Affairs, Trade and Affaires étrangères, Commerce Development Canada et Développement Canada 2 THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALAND 1. Executive Summary . 4 2. Introduction . .. 5 3. At a Glance . 5 Australia . 5 New Zealand . 7 4. Recorded Music Market . 8 Charts . .. 8 In Numbers . 11 Copyright Infringement and Piracy in Australia . 12 Streaming Services . .. 12 Record Stores . 13 Record Labels and Distributors . 13 General Trends . 16 Interview: Leigh Gruppetta, Cooking Vinyl Australia . .. 16 5. Live Performance Industry . 17 Festivals . 19 Interview: Chloe Goodyear . Woodford Folk Festival . 22 Touring Australia and New Zealand . 23 Venues . 24 Booking Agencies and Promoters . 30 Merch . 31 Illy’s Top Tips for Touring Australia . 31 6. Music Publishing . 34 In Numbers . 34 Synch . 35 Interview: Zoe Coverdale, Mushroom Music Publishing . 36 7. Promotion and Media . 37 Australia (Radio, Print, Television, Online) . 37 Interview: Nick Findlay, triple j . 38 New Zealand (Radio, Print, Online) . 43 Marketing and Advertising . 43 Interview: Pam Thornback, Inertia . 44 8. Business and Showcase Events . -
Antipodean Riffs
Index ABC see Australian Broadcast Corporation/ Industry Association Music Awards) 166, Commission 188, 249, 277 Abercrombie, John 188 Armiger, Martin 142 Aboriginal Moomba 198–99 Armstrong, Gillian 137, 147 Aboriginal people 12, 193–207, 224 see also Armstrong, Louis 94 Indigeneity, Torres Strait Islands ArtPlay, Federation Square (Melbourne) 162 Aboriginals Protection and Restriction of the Arts Victoria 163 Sale of Opium Act of 1897 194 Ascenseur pour l’échafaud (film) 140 Abrahams, Chris 13, 267, 269–75, 277, Astor Club (London) 202 279–82 Astor Showcase (television programme) 122 Adelaide 5, 7, 41, 84–88, 90, 92–93, 95–96, Atkinson, Leon 84, 95 98, 100 Auckland 71–73, 104 Adderley, Cannonball 218 Australasian Performing Right Association Adelphi Cabaret (Wellington NZ) 68 (APRA) 160, 166 Adorno, Theodore 8 Australia Council 162–64, 166 Aebersold, Jamie 262 Australian Academy of the Arts 90, 92 Aether (recording) 281 Australian All Stars (band) 123–26 Afghanistan 195, 206 Australian Broadcast Corporation/ Akabella 183 Commission (ABC) 9, 98, 117–18, 119– Albert, Prince 23 32, 161–62, 165–67, 204 Albert’s American Annual (sheet music) 36 Australian Comforts Fund 196 Albert & Son’s music house 38 Australian Human Rights Commission 193 ‘Alexander’s Ragtime Band’ (song) 23, 38 Australian Jazz Archive 10–11 Alice Springs 279 Australian Jazz Bell Awards 166 Allan, Cameron 143 Australian Jazz Club 217 ‘All Coons Look Alike to Me’ (song) 33 Australian Jazz Convention 6, 94 Allen, John 232 Australian Jazz Museum see Victorian Jazz Alliance