BALTIC SCREEN MEDIA REVIEW 2014 / VOLUME 2 / ARTICLE Article The Deterritorialised Muslim Convert in Post-Communist Eastern European Cinema EWA MAZIERSKA, University of Central Lancashire, United Kingdom; email:
[email protected] LARS KRISTENSEN, University of Skövde, Sweden; email:
[email protected] EVA NÄRIPEA, Estonian Academy of Arts, Film Archives of The National Archives; email:
[email protected] 54 DOI: 10.1515/bsmr-2015-0015 BALTIC SCREEN MEDIA REVIEW 2014 / VOLUME 2 / ARTICLE ABSTRACT This article analyses the Muslim convert as portrayed in three post-communist Eastern European fi lms: Vladimir Khotinenko’s A Moslem (Мусульманин, Russia, 1996), Jerzy Skolimowski’s Essential Killing (Poland/Norway/ Ireland/Hungary/France, 2010), and Sulev Keedus’s Letters to Angel (Kirjad Inglile, Estonia, 2011). Although set in diff erent periods, the fi lms have their origins in Afghanistan and then move to European countries. The conversion to Islam happens in connection to, or as a con- sequence of, diff erent military confl icts that the country has seen. The authors examine the consequences the char- acters have on their environment, using Gilles Deleuze and Félix Guattari’s concept of deterritorialisation, under- stood as an opportunity to produce political and cultural change. Resettling from one religion and place into another means breaking up structures that need to be reassembled diff erently. However, these three fi lms seem to desire deterritorialisation and resettlement for diff erent reasons. In A Moslem, national structures need to be reset since foreign Western values have corrupted the post-com- munist Russian rural society. In Essential Killing, it is the Western military system of oppression that cannot uphold the convert and his values.