The Politics of Memory and Inheritance
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Mariana Bodnaruk THE POLITICS OF MEMORY AND VISUAL POLITICS: COMPARING THE SELF-REPRESENTATION OF CONSTANTINE AND AUGUSTUS MA Thesis in Comparative History, with the specialization in Interdisciplinary Medieval Studies. Central European University Budapest CEU eTD Collection May 2012 THE POLITICS OF MEMORY AND VISUAL POLITICS: COMPARING THE SELF-REPRESENTATION OF CONSTANTINE AND AUGUSTUS By Mariana Bodnaruk (Ukraine) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Comparative History, with the specialization in Interdisciplinary Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ Examiner CEU eTD Collection Budapest May 2012 ii THE POLITICS OF MEMORY AND VISUAL POLITICS: COMPARING THE SELF-REPRESENTATION OF CONSTANTINE AND AUGUSTUS By Mariana Bodnaruk (Ukraine) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Comparative History, with the specialization in Interdisciplinary Medieval Studies Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2012 iii THE POLITICS OF MEMORY AND VISUAL POLITICS: COMPARING THE SELF-REPRESENTATION OF CONSTANTINE AND AUGUSTUS By Mariana Bodnaruk (Ukraine) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Comparative History, with the specialization in Interdisciplinary Medieval Studies. Accepted in conformance with the standards of the CEU ________________________ Supervisor ____________________________________________ External Supervisor CEU eTD Collection Budapest May 2012 iv I, the undersigned, Mariana Bodnaruk, candidate for the MA degree in Comparative History, with the specialization in Interdisciplinary Medieval Studies declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person’s or institution’s copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 16 May 2012 __________________________ Signature CEU eTD Collection v ACKNOWLEDGEMENTS Thanks go, above all, to my supervisor Volker Menze for liking this thesis before it was even written and being duly scandalized when it appeared, for finding books for me that he did not have to find, and for his kindness and extreme, indeed heroic patience (I fear, poorly rewarded) during these two long years; to my second supervisor Matthias Riedl for inventing the topic, for imagining the Augustan and Constantinian empires in correspondence, and for more generosity than I deserve; to Aziz Al-Azmeh for Althusser, for being skeptical and asking me am I serious in writing about ‘consensus’, and for wasting his time on my text although not being actually my supervisor; to Niels Gaul for his admirable intellectual taste, for teaching me Byzantine history, and for smiling on so many occasions; to Katalin Szende for her caring attitude; to Judith Rasson for having me correct my mistakes in English; and, not least, to my younger brother Eugene for his constant wish to conquer the world. Nothing would be the same without them. CEU eTD Collection vi TABLE OF CONTENTS EXORDIUM ........................................................................................................................ 1 Introduction ....................................................................................................................... 1 Justification for the topic and characteristics of the sources ................................................ 5 A guide to the previous scholarship .................................................................................. 10 Theoretical approach and terminology ............................................................................. 15 Methodology and structure ............................................................................................... 18 1. ACHITECTURE AND REMEMBERING ................................................................ 20 1.1. Monuments as memory sites ................................................................................ 20 1.1.1. Empire at war...................................................................................................... 20 1.1.2. Political theology and the theology of Augustus: Eusebius’ case ......................... 22 1.1.3. What to do with the political event which must not be commemorated? Actium and Milvian Bridge as sites of civil war ............................................................................... 26 1.1.4. To remember and not remember in Rome: A founding forgetting ........................ 29 1.1.5. The revenue of remembering: The evocative power of spolia .............................. 31 1.1.6. What does the Empire make of civil war?............................................................ 35 1.2. Ceremonies as a dynamic topography of memory ................................................ 38 1.2.1. An embarrassing triumph: Augustus and Constantine as triumphatores ............... 38 1.2.2. A circus and a palace ........................................................................................... 43 1.2.3 Consecratio .......................................................................................................... 50 2. SCULPTURE: MEMORY IN MARBLE AND BRONZE ........................................ 55 2.1. The affirmative politics of memory: an appropriation of symbolic capital ............ 55 2.2. Damnatio memoriae: A negative politico-memorial practice ................................ 66 3. COINAGE AS A MEDIUM OF COMMEMORATION .......................................... 75 3.1. The early image of Constantine ............................................................................ 75 3.2. A war of images................................................................................................... 78 3.3. The end of civil wars: The self-referentiality of victory........................................ 82 CONCLUSION ................................................................................................................. 87 CEU eTD Collection APPENDIX........................................................................................................................ 92 Figures ............................................................................................................................. 92 BIBLIOGRAPHY ............................................................................................................. 99 vii LIST OF ABBREVIATIONS AÉ L’Année Épigraphique AJA American Journal of Archaeology BZ Byzantinische Zeitschrift CIL Corpus inscriptionum Latinarum. 16 vols. Ed. Theodor Mommsen et alia. Berlin: Reimer, 1863–. CP Classical Philology CQ Classical Quarterly CTh Codex Theodosianus. Vol. 1, pars posterior. Theodosiani Libri XVI cum Constitutionibus Sirmondinis. Ed. Theodor Mommsen and Paul M. Meyer. Berlin, 1905. DOP Dumbarton Oaks Papers EAA Enciclopedia deil'arte antica. Classica e orientale. Vol. 6. Ed. R. Bianchi- Bandinelli. Rome: Istituto della Enciclopedia Italiana, 1965. ILS Inscriptiones Latinae Selectae. 3 vols. Ed. Hermann Dessau. Berlin: Weidmann 1892–1916. JbAChr Jahrbuch für Antike und Christentum JHS Journal of Hellenic Studies JLA Journal of Late Antiquity JRA Journal of Roman Archaeology JRS Journal of Roman Studies JThS Journal of Theological Studies JWarb Journal of the Warburg and Courtauld Institutes LCL Loeb Classical Library. 518 vols. Ed. T. E. Page et al. Cambridge: Harvard University Press, 1912–. LTUR Lexicon Topographicum Urbis Romae. 5 vols. Ed. E. M. Steinby. Rome: Quasar, 1993–2000. PBSR Papers of the British School at Rome PG Patrologia Graeca. 161 vols. Ed. Jacques-Paul Migne. Paris, 1857–1866. CEU eTD Collection RIC Roman Imperial Coinage. 10 vols. Ed. H. Mattingly, E. A. Sydenham, et alia. London: Spink 1923–1994. RRC Roman Republican Coinage. Ed. Michael H. Crawford. Cambridge: Cambridge University Press, 1974. viii EXORDIUM Augustus primus primus est huius auctor imperii, et in eius nomen omnes velut quadam adoptione aut iure hereditario succedimus. The first Augustus was the first founder of this Empire, and to his name we all succeed, either by some form of adoption or by hereditary claim. (Scriptores Historiae Augustae, Alexander Severus 10.4)1 Introduction I begin with the questions of political history. To understand what happened after the Battle of the Milvian Bridge on 28 October 312 CE and how the new political order of the empire was constituted I start with political events. The first question is thus the following: What does Constantinian art say about imperial politics in the aftermath of the year 312 CE? It all began with the Constantinian Arch in Rome (fig.1). Constantine