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The Star Fort, September, 1814
D-JLJ- UNITED STATES DEPARTHEI'irrr OF THE INTERIOR NATIONAL PARK SERVICE FORT MCHENRY NATIONAL MONUMENT AND HISTORIC SHRINE BALTIMORE 30, MARYLAND \\St ARtftlOlOGY The .Star Fort, September, 1814 Prepared by: Dr. W. Richard Walsh Contract Historian · Georgetown University Georgetown, D.C. November, 1958 r~ , .. I . ,. .. - •• '' I• ,•' --:• ' . '·· ~ -,, .. ., . · .· .. :· .·. • , :: .:'~ .: :/ F.1 _r1 .. .J '~ l. \ '. \~ IJ li :i. /:i1('fl ---. \J .. •• 1 : ... .. .. .. ,,.. - l ~ j Table of Contents Page Frontispiece ••••••••••••••• • • • • ii I. Introduction • • • • • • • • • • • • • • • • • • • 1 II. The Star Fort, September 12-14, 1814 • • • • • • • 7 24 III. Conclusions. • • • • • • • • • • • • 3 • • • • • • ._: I f ,\ .. i ) ~ ',...___/ Errata p .. 2, line 60 '0 indiaten should read '0 indicate.io p. 3, line 4o "war-fare" should read 10 warfareo 18 p. a, line 8. "amatuer" should read "amateur.~ p .. 7, fn. 1, line 5. "principle" should read ~principal." p. 9, line 12. "wa.tteries" should read "batteries. ~ p. 10, · line 10. Delete "which." p .. 10, line 11. "patforms" should read "platforms." p. 10, line 17. "Descius" should read "Decius." p. 13, fn. \:1 9 line 5. "Jessup" should read "Jesupn in this and all subsequent mention of the name. o. 19, line 16~ "orciinarilly" should read "ordinarily .. '° p. 26, line 5. "Carrol" should read "Carroll." p. 26, line 7. "confederates" should read "Confederates." .a- -. ( ... ~ "'·. / I Introduction In 1776, Baltimore prepared itself for. attack by the British~ Already apprehensive because of threats from the sea by His Majesty's vessel, the Otter, the Committee of Safety choose Whetstone Point as the best fortifiable site against enemy destruction to the Baltimore harbor. A fort of sorts was therefore erected, but because the threat of a general naval attack never materialized and the actual fight ing of the war of the Revolution by-passed Baltimoreans, a well armed Fort vVhetstone was not accomplished. -
The Dutch Wars of Independence and the Republic's Golden Age C.1570-C
The Dutch Wars of Independence and the Republic’s Golden Age c.1570-c.1680 Marjolein C. ’t Hart University of Amsterdam [email protected] 1 Contents Introduction – The Dutch Revolt, the Global Context, and the Military Revolution Interpretations of the Dutch Revolt The Military Revolution and its Societal Impact Warfare, Territorial State Formation, and Capital Accumulation About this Book Chapter 1 - The Wars: from the Dutch Revolt to ‘la Guerre de Hollande’, c. 1570-c.1680 The Dutch Revolt and the Struggle for Survival, 1570s-1580s Respite and Consolidation in the 1590s Stalemate and Truce, 1600-1621 Frederick Henry’s Counteroffensive and the Renewed Stalemate, 1620s-1640s Independence, the Stadholderless period, and the Wars with England and Munster 1672: The Year of Disaster and its Aftermath Conclusion: The Different Strategies of the Belligerents Chapter 2 – A Professional Military Force in the Making From Beggars and Landsknechts to a Standing Profeesional Army Pay, Mustering, Medical Care and the Prisoners of War Appointment of Officers and Decreasing Professionalization after 1648 Conclusion: Civilian Control over the Army Chapter 3 – The Dutch “Schoole of War”: Drill, Tactics, and Siege Warfare Increasing Standardization and the Proportion of Firearms Regular Exercises and New Formations Fortresses and Fortifications The Art of Siege Warfare Tactical Limits, Provisioning, and Army Size Conclusion: The Model of a Disciplined Army Chapter 4 – Garrisons and Civic Communities: Strengthening the Local Bonds The Difficult Start in -
Odrednice Za Pisanje Izvješca
ARHEOLOŠKI MUZEJ ISTRE Carrarina 3, 52100 Pula Tel: 052 351 300 Fax: 052 351 333 e-mail: arheološ[email protected] URBROJ:372-1 Pula, 01.04.2014. Izvješće o djelatnosti Arheološkog muzeja Istre u Puli od 1. 1. do 31. 12. 2013. 1 Tijekom 2013. godine u Arheološkom muzeju Istre u Puli, javnoj ustanovi državnog značaja, vršeni su poslovi usmjereni ka održavanju, razvijanju i unapređivanju muzejske i arheološke djelatnosti, istodobno razvijajući suradnju s istim i srodnim institucijama u Istarskoj županiji, Republici Hrvatskoj i inozemstvu. Izvještaj je priređen temeljem prikupljenih godišnjih izvještaja stručnih djelatnika Muzeja. Osnovni zadaci Arheološkog muzeja Istre bili su usmjereni prema realizaciji poslova određenih Zakonom o muzejskoj djelatnosti, odnosno prikupljanju, obradi, zaštiti i promidžbi, prvenstveno arheološke građe i dokumentacije. Radilo se na unapređivanju stručnog, istraživačkog i znanstvenog rada, uz djelatnosti prezentacije muzejske građe. Provodile su se djelatnosti zaštite spomenika i zaštitnih i sustavnih arheoloških istraživanja (terenski rad i dokumentacija) pod upravnim nadzorom i u suradnji s Ministarstvom kulture, Upravom za zaštitu kulturne baštine, nadležne službe Konzervatorskog odjela u Puli. Pedagoško-didaktička djelatnost vršena je u suradnji s vrtićima, školama, visokoškolskim institucijama organiziranjem i provođenjem vodstava, predavanja i izložbi te izradom programa u skladu s potrebama nadopune školskih programa za nacionalnu i zavičajnu povijest i povijest umjetnosti. 2 ARHEOLOŠKI MUZEJ ISTRE 1. SKUPLJANJE GRAĐE 1.1.Kupnja kontaktiranje s kolekcionarima (Domagoj Bernić, Đula Erdeši), pregled i sudjelovanje u odabiru ponuđene građe za kupnju (grafike, stare razglednice, fotografije - s motivima antičkih spomenika Pule, ostalih kulturno povijesnih spomenika grada i poluotoka, te drugih motiva 955 kom. od gore navedenog kupljeno je: o razglednica 466 kom o fotografija 7 kom o diasa na staklu kom o grafika 1 kom pritom su učinjeni i popisi/prilozi kupoprodajnim ugovorima 1.2. -
Pietro Nobile
Pietro Nobile Trieste | Trst Biblioteca Statale Stelio Crise Palazzo | Palača Brambilla Morpurgo (Largo Papa Giovanni XXIII, 6) Otvoreno | Orario | Urnik: ponedjeljak - četvrtak | lunedì - giovedì | ponedeljek - četrtek: 8.30 - 18.30 h petak - subota | venerdì - sabato | petek - sobota: 8.30 - 13.30 h Organizacija | Organizzazione: Humanistično društvo Histria - Società umanistica Histria - Humanističko društvo Histria Istarski motivi početkom 19. stoljeća Polo museale del Friuli Venezia Giulia Motivi istriani di inizio Ottocento Istrski motivi z začetka 19. stoletja Sudjelovanje | Collaborazione | Sodelovanje: Državni arhiv u Rijeci Povijesni i pomorski muzej Istre, Pula - Museo storico e navale dell’Istria, Pola IZLOžba - MOSTra - raZSTAVA Comunità degli Italiani | Skupnost Italijanov “Santorio Santorio” Koper - Capodistria Katalog | Catalogo: Viaggio artistico attraverso l’Istria (Histria Editiones, 2016) Trieste | Trst Biblioteca Statale Stelio Crise Info: www.histriaweb.eu 07/06/2016 - 09/07/2016 [email protected] I disegni della raccolta Viaggio artistico attraverso l’Istria, eseguiti a matita e a penna, sono opera di Pietro Nobile (1776-1854), architetto ticinese, custode del patrimonio culturale e professore universitario, che trascorse la sua infanzia a Trieste, studiò all’Accademia di San Luca a Roma e alla Scuola di Architettura presso l’Accademia di Belle Arti di Vienna, della quale divenne direttore nel 1819, anno in cui fu anche nominato membro del Consiglio aulico per l’edilizia. Progettò e costruì diversi importanti edifici lungo tutto il territorio dell’Impero asburgico e oltre. Durante i suoi viaggi in Istria, intorno all’anno 1815, ancora in qualità di ingegnere e ingegnere in capo della Direzione delle Fabbriche di Trieste, atti alla progettazione di strade e di altre opere pubbliche nonché alla conservazione dei monumenti storici, Nobile usava schizzare vedute, paesaggi e ritratti da inserire poi a corredo delle relazioni oppure semplicemente per diletto non riuscendo tuttavia mai a pubblicarli. -
Castillo De San Marcos National M Onument Historic Resource Study
C ASTILLO DE SAN MARCOS N ATIONAL MONUMENT H ISTORIC RESOURCE STUDY March 1997 Jennifer D. Brown National Park Service Southeast Region Atlanta, Georgia CONTENTS Figure Credits iv List of Figures V Foreword vii Chapter One: Introduction 1 Chapter Two: The Struggle for Florida and Construction of Castillo de San Marcos, 1565- 1821 7 Associated Properties 18 Registration Requirements/Integrity 20 Contributing Properties 21 Noncontributing Properties 21 Chapter Three: The United States War Department at Fort Marion, 1821-1933 23 Associated Properties 32 Registration Requirements/Integrity 34 Contributing Properties 35 Noncontributing Properties 35 Chapter Four: Management Recommendations 37 Bibliography 39 Appendix A: Descriptions of Historic Resources A-l Appendix B: Historical Base Map B-l Appendix C: National Register Documentation C-l III FIGURE CREDITS Cover, clockwise from top left: Water Battery and City Gate, William Chapman for National Park Service, and aerial view of Castillo, Castillo de San Marcos National Monument archives p. 2: William Chapman for National Park Service; p. 8,9: Florida State Photographic Archives; p. 11: Christopher Duffy, The Fortress in The Age of Vauban and Frederick the Great, 1660-1789, p. 12,14: Castillo de San Marcos National Monument archives, p. 15: Jennifer D. Brown and Jill K. Hanson for National Park Service; p. 17: William Chapman for National Park Service; p. 24, Castillo de San Marcos National Monument archives; p. 26: William Chapman for National Park Service; p. 27: Jennifer D. Brown and Jill K Hanson for National Park Service, and William Chapman for National Park Service; p. 29,30: Castillo de San Marcos National Monument archives; p. -
The State Archives in Rijeka Pietro Nobile Collection As a Source of Research of the Appearance of Istrian Settlements in the Early Nineteenth Century
The State Archives in Rijeka Pietro Nobile Collection as a source of research of the appearance of Istrian settlements in the early nineteenth century Marijan BRADANOVI Ć University of Rijeka, Faculty of Philosophy, Art History Department, I. Klobu čari ća Square 1, 51000 Rijeka e-mail: [email protected] The paper analyses the Pietro Nobile Collection, a collection of drawings of Istrian motives by this renowned architect from Trieste, kept in the State Archives in Rijeka. The stress is on the comprehensive and systematic quality of Nobile's depiction of the town-planning situation of the early nineteenth-century Istria. A series of examples mentioned will demonstrate the outstanding accuracy of town views, seemingly hidden beneath sketch-like drawings of the town views. Details of the onetime appearance of settlements have been brought to light, not known of until today because they have disappeared since then, and among which we will find some with no other known illustration but Nobile's drawing. The accuracy of the scenes will be authenticated by comparative analysis of the available graphic sources and field research. The Rijeka Collection is held to be the most extensive pictorial record of the onetime Istrian towns, architectural complexes and single buildings in the first half of the nineteenth century, right after the cadastral register of Francis the First, and the versatile Pietro Nobile as the first modern illustrator, whose interest in antiquity and its heritage surpasses the limited interest in monuments of Classical Antiquity. Key words: Pietro Nobile, Istria, town views, historical source, town-planning, architecture. The State Archives in Rijeka keeps a collection of drawings by Pietro Nobile, a renowned architect of Trieste and Vienna. -
Curriculum Vitae
CURRICULUM VITAE Luca Caburlotto nato a Padova il 14 ottobre 1966 residente in via Ippolito Caffi 2, 35134 Padova Profilo professionale Dirigente storico dell'arte di livello non generale nei ruoli del Ministero per i beni e delle attività culturali dal 14 aprile 2010. Incarico dirigenziale attuale Soprintendente archivistico del Friuli Venezia Giulia dal 5 maggio 2020. Incarichi dirigenziali pregressi Soprintendente per i beni storici, artistici ed etnoantropologici del Friuli Venezia Giulia, 27 maggio 2010 - 8 marzo 2015; Soprintendente ad interim per i beni storici, artistici ed etnoantropologici per le province di Verona, Rovigo e Vicenza, 21 dicembre 2010 - 6 maggio 2012; Soprintendente ad interim per i beni storici, artistici ed etnoantropologici per le province di Venezia, Belluno, Padova e Treviso,16 marzo 2011 - 19 febbraio 2012; Direttore del Polo museale del Friuli Venezia Giulia, 9 marzo 2015 - 4 maggio 2020; Soprintendente archivistico ad interim del Friuli Venezia Giulia, 1 febbraio 2020 - 4 maggio 2020. Titoli di studio Laurea in Conservazione dei beni culturali, conseguita all’Università degli studi di Udine il 24 novembre 1993, argomento Giovanni Battista Bissoni, relatore prof. Ugo Ruggeri, con la votazione di 110 e lode su 110. Specializzazione in Storia dell’arte medievale e moderna, con attribuzione di borsa di studio triennale per graduatoria di merito alla prova di accesso, conseguita all’Università degli studi di Firenze il 3 dicembre 1996, argomento I fratelli Rossellino e il monumento a Filippo Lazzàri in San Domenico a Pistoia, relatore prof.ssa Mina Gregori, con la votazione di 70 e lode su 70. Dottorato di ricerca in Storia e critica delle arti, conseguito all’Università degli Studi di Venezia Ca’ Foscari il 6 marzo 2001, argomento Giovanni de Lazara (1744-1833) erudito, conoscitore e collezionista, tutore prof. -
A&S Programme and Book of Abstracts Final
Art and the State in Modern Central Europe 30 June – 3 July 2021, Zagreb, Croatia Faculty of Humanities and Social Sciences, University of Zagreb INTERNATIONAL CONFERENCE ART AND THE STATE IN MODERN CENTRAL EUROPE 18TH – 21ST CENTURY Faculty of Humanities and Social Sciences, University of Zagreb Ivana Lučića 3, Zagreb, Croatia 30 June – 3 July 2021 ORGANIZER Faculty of Humanities and Social Sciences, University of Zagreb SCIENTIFIC COMMITTEE Igor Borozan, Faculty of Philosophy, University of Belgrade Frano Dulibić, Faculty of Humanities and Social Sciences, University of Zagreb Ana Ereš, Faculty of Philosophy, University of Belgrade Maximilian Hartmuth, Institute of Art History, University of Vienna Franci Lazarini, Faculty of Arts, University of Maribor / Research Centre of Slovenian Academy of Sciences and Arts, France Stele Institute of Art History, Ljubljana Maximilian Sternberg, Department of Architecture, University of Cambridge Jeremy F. Walton, Max Planck Institute for Th e Study of Religious and Ethnic Diversity, Göttingen ORGANIZING COMMITTEE Josipa Alviž, Faculty of Humanities and Social Sciences, University of Zagreb Dragan Damjanović, Faculty of Humanities and Social Sciences, University of Zagreb Ivan Kokeza, Croatian History Museum, Zagreb Lovorka Magaš Bilandžić, Faculty of Humanities and Social Sciences, University of Zagreb Željka Miklošević, Faculty of Humanities and Social Sciences, University of Zagreb Jasmina Nestić, Faculty of Humanities and Social Sciences, University of Zagreb Patricia Počanić, Faculty of Humanities -
Glossary of Terms
www.nysmm.org Glossary of Terms Some definitions have links to images. ABATIS: Barricade of felled trees with their branches towards the attack and sharpened (primitive version of "barbed wire"). ARROW SLITS: Narrow openings in a wall through which defenders can fire arrows. (also called loopholes) ARTILLERY: An excellent GLOSSARY for Civil War era (and other) Artillery terminologies can be found at civilwarartillery.com/main.htm (Link will open new window.) BAILEY: The walled enclosure or the outer courtyard of a castle. (Ward, Parade) BANQUETTE: The step of earth within the parapet, sufficiently high to enable standing defenders to fire over the crest of the parapet with ease. BARBICAN: Outworks, especially in front of a gate. A heavily fortified gate or tower. BARTIZAN (BARTISAN): Scottish term, projecting corner turret. A small overhanging turret on a tower s battlement. BASTION: A projection from a fortification arranged to give a wider range of fire or to allow firing along the main walls. Usually at the intersection of two walls. BATTER: Inclined face of a wall (Talus). BATTERED: May be used to describe crenellations. BATTERY: A section of guns, a named part of the main fortifications or a separate outer works position (e.g.. North Battery, Water Battery). BATTLEMENTS: The notched top (crenellated parapet) of a defensive wall, with open spaces (crenels) for firing weapons. BEAKED PROJECTION: see EN BEC. BELVEDERE: A pavilion or raised turret. BLOCKHOUSE: Usually a two story wood building with an overhanging second floor and rifle loops and could also have cannon ports (embrasures). Some three story versions. Some with corner projections similar to bastions. -
Forts of the Chieftains
FORTS OF THE CHIEFTAINS: A STUDY OF VERNACULAR, CLASSICAL, AND RENAISSANCE INFLUENCE ON DEFENSIBLE TOWN AND VILLA PLANS IN 17th-CENTURY VIRGINIA _________ A Thesis Presented to The Faculty of the Department of Anthropology The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts __________ by Charles Thomas Hodges 2003 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts _____________________________ Author Approved, April 2003 ___________________________ Norman F. Barka ____________________________ Marley R. Brown, III ____________________________ Cary Carson ii DEDICATION This thesis is dedicated to "Pinky Harrington," Leverette Gregory, Ray Sasser, Michael Burke, Michael Barber, Christy Smith, James McClure, Andrew Edwards, Antony Opperman, Virginia militia (Virginia National Guard) artilleryman John Hodges, and patrons of the arts Mary Ellen Norrisey Hodges and Elizabeth A. Hodges. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ...........................................................................................V LIST OF TABLES ...................................................................................................... VIII LIST OF FIGURES...................................................................................................... IX ABSTRACT ...........................................................................................................XVIII CHAPTER 1. INTRODUCTION................................................................................. -
International Conference on Cultural Heritage and New Technologies 2012 Tenutosi a Vienna Nel 05/11/2012 - 08/11/2012
FLORE Repository istituzionale dell'Università degli Studi di Firenze The "Theseus Tempel" in Wien. Digital results one year after the CHNT 16 measurement seminar. Questa è la Versione finale referata (Post print/Accepted manuscript) della seguente pubblicazione: Original Citation: The "Theseus Tempel" in Wien. Digital results one year after the CHNT 16 measurement seminar / Giorgio Verdiani; Angela Mancuso; Andrea Pasquali. - ELETTRONICO. - 1(2013), pp. 1-13. ((Intervento presentato al convegno 17th International Conference on Cultural Heritage and New Technologies 2012 tenutosi a Vienna nel 05/11/2012 - 08/11/2012. Availability: This version is available at: 2158/823714 since: Publisher: Museen der Stadt Wien – Stadtarchäologie Terms of use: Open Access La pubblicazione è resa disponibile sotto le norme e i termini della licenza di deposito, secondo quanto stabilito dalla Policy per l'accesso aperto dell'Università degli Studi di Firenze (https://www.sba.unifi.it/upload/policy-oa-2016-1.pdf) Publisher copyright claim: (Article begins on next page) 30 September 2021 CHNT17 International Conference on Cultural Heritage and New Technologies November 5–, 2011 Proceedings Imprint Title Proceedings of the 17th International Conference on Cultural Heritage and New Technologies 2012 (CHNT 17, 2012) ISBN 978-3-200-03281-1 http://www.chnt.at/proceedings-chnt-17/ Editor / Publisher Museen der Stadt Wien – Stadtarchäologie Mag.a Karin Fischer Ausserer Obere Augartenstraße 26–28 1020 Vienna, Austria Tel.: +43 (0)1 4000-81158 Fax: +43 (0)1 4000-99-81177 E-Mail: [email protected] Homepage: http://www.wien.gv.at/archaeologie/ Editorial Team Mag. Wolfgang Börner, DI Susanne Uhlirz The editor’s office is not responsible for the linguistic correctness of the manuscripts. -
Foundation Document Overview San Juan National Historic Site Puerto Rico
NatioNal Park Service • U.S. DePartmeNt of the iNterior Foundation Document Overview San Juan National Historic Site Puerto Rico Contact Information For more information about the San Juan National Historic Site Foundation Document, contact: [email protected] or 787-729-6777 or write to: Superintendent, San Juan National Historic Site, 501 Calle Norzagaray, San Juan, PR 00901 Purpose Significance Significance statements express why San Juan National Historic Site resources and values are important enough to merit national park unit designation. Statements of significance describe why an area is important within a global, national, regional, and systemwide context. These statements are linked to the purpose of the park unit, and are supported by data, research, and consensus. Significance statements describe the distinctive nature of the park and inform management decisions, focusing efforts on preserving and protecting the most important resources and values of the park unit. • San Juan National Historic Site preserves and protects an internationally significant example of a complex system of fortifications built by the Spanish Crown to defend its empire and interests in the New World. • San Juan National Historic Site is a premiere example of military engineering and architectural design and is one of the best preserved examples of Spain’s grand colonial coastal and land defense system in the Americas. • The fortifications have been adapted architecturally and Representing 500 years of history and functionally over the past 500 years to serve as a center of Spanish and U.S. political, social, and military global influence. the importance of the island’s strategic location in the Caribbean, • Designated in 1983 as a world heritage site, San Juan National Historic Site is a potent symbol of cultural heritage linking the SAN JUAN NATIONAL HISTORIC SITE history of Puerto Rico to the Hispanic culture and provides a preserves, protects, and interprets the common identity with other Latin American countries.