Devotion of Devotee Bhaktakavi Dinakrushna Das
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Eulogising the Grandness of Lord Jagannath by Saints and Poets Through Ages
July - 2013 Odisha Review Eulogising the Grandness of Lord Jagannath by Saints and Poets Through Ages Tarakanta Mohanty Lord Jagannath, the Lord of the Universe is Not Adisankaracharya but the most adorable and revered God for all Adisankaracharya's disciple in the end of 8th faiths in Odisha, India and abroad. All the century A.D. paid a visit to Puri and after main five deities of Hinduism have been beholding Lord Jagannath he was merged in Him. He is represented as a overwhelmed and swayed by emotion he Supreme Lord to Saivites, Shaktas, recalled the Krishnalila and instantly sung Ganapatyas, Saurasas and Vaishnavas. 'Kadachit Kalindi tata bipine' which is Vajpeyi Vidyakara Mishra, the famous Sanskrit popularly known as Jagannathastakam. Once Odia writer prays to Lord Jagannath as you appeared in the woods on the banks of follows : Kalindi. Oh Lord, the master of the universe, "Pranipatya Jagannatham Charachara appear in my vision'. Gurum Harim Markandaya toha tustwa bhoga The great Vaishnava poet Jayadev of peryanakasayinam (Nityachara Paddhati)" 13th century Orissa, certainly did not complete Indravuti, the then king, Udiyana (Odisha) who his matchless lyrics in the 'Gitagovinda' to founded Bajrayana system of Buddhism has please any earthly potentrate but to please invoked in his Jnanasiddhi as Jagannath. Jagannath who is considered nothing but "Pranipatya Jagannatham Sarvajana vava Krishna. Jayadev was the poet in the temple chitam sarva Buddhamayam Siddhivyapinam of Lord Jagannath. Most probably his great Gaganopaman." Puri the abode of Lord book 'Gita Govinda' was composed according Jagannath has been frequented by saints and seers and the poets who have sung and to a plan for dancisation of the sublime composed on Lord Jagannath. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
1 COVER- INNER Final Rajeev.Pmd
CLASSICAL ODIA Document Prepared Under the overall Supervision of Dr. Debi Prasanna Pattanayak (Padmashree) B.A. (Hons), M.A.in Odia, Utkal University (Gold Medalist). M.A. in Linguistics, Pune University. Diploma in French, Viswabharati University, Santiniketan, West Bengal Ph.D. in Linguistices, cornall, USA. D.litt(Honoris causa) SOA University, Bhubaneswar. Professer Emeritus: Pune University, Utkal University of Culture, Founder Director: Central Institute of Indian Languages, Mysore, Additional Secretary (Retd.): MHRD, Government of India, Chairman: Institute of Odia Studies and Research Subrat Kumar Prusty (UGC-NET-SRF) B.A. (Hons), M.A.(Odia) Ravenshaw University, LLB, Madhusudan Law Collage, Ph.D,(Cont.) P.G. Deptt. Of Odia, Utkal University, Vani Vihar, Bhubaneswar Editor- Civil Service Pathi Member secretary: Institute of Odia Studies and Research Director: IAS Pathi KIS Foundation D-82, Maitri Vihar, Chandrasekharpur Bhubaneswar, Odisha, 755001 © Institute of Odia Studies and Research Published by KIS Foundation D-82, Maitri Vihar, Chandrasekharpur Bhubaneswar, Odisha 755001 Email : [email protected] Tel. : 0674-2300969 Edition : 2013 ISBN : 978-81-925616-3-9 Price : ` 1500 Printed at Vikas Printers, Naveen Shahdara, Delhi 110032 Tel. 22822514 Foreword Odia is one of the most ancient languages of India. Eminent linguists and scholars like John Beams, G.A Grierson, L.S.S O Malley, Suniti Kumar Chatterjee, Pandit Nilakantha Das, John Boulton, Dr. D.P. Pattnayak, Dr. Bijaya Prasad Mahapatra and others have time and again argued in favour of the antiquity of Odia language. Odisha is the only state, where discovered three types of Brhami script like -PreBrahmi, Brahmi & Post Brahmi-. The Indian script ‘o’ (tha) was discovered from yogimatha rock painting of Nuapada district. -
4.2.5 Saivism 90 Xn
TABLE OF CONTENTS Preface Table of Contents List of Abbreviations 1. MUSEUMS AND ARCHIVES 2. ORISSA, GENERAL 2 2.1 GAZETTEERS 2 2.2 CENSUS 1961 3 2.3 VARIOUS STUDIES 4 3. HISTORY 7 3.1 EPIGRAPHY 7 3.2 NUMISMATICS 8 3.3 HISTORICAL GEOGRAPHY AND TOPOGRAPHI- CAL STUDIES 10 3.4 ACCOUNTS OF EARLY TRAVELLERS 13 3.5 HISTORY, GENERAL STUDIES 14 3.6 PERIODS OF ORISSAN HISTORY 21 3.6.1 Prehistory 21 3.6.2 Asoka and Kharavela 22 3.6.3 Early History after Kharavela 26 3.6.4 Sailodbhavas 31 3.6.5 Bhauma-Karas 32 3.6.6 Bhanjas 34 3.6.7 Somavamsis 37 3.6.8 Gangas 40 3.6.8.1 Ganga Inscriptions 40 3.6.8.2 Ganga History, General Studies 48 3.6.9 Suryavamsis (including up to 1568 A. D.) 52 3.6.10 Afghans and Moghuls 54 3.6.11 Khurda Dynasty 56 3.6.12 Marathas 58 3.6.13 Feudatory States 59 3.6.14 South Kosala and Chhattisgarh 67 3.6.15 British Period and Independence Movement 69 4. RELIGION AND PHILOSOPHY 81 4.1 GENERAL STUDIES 81 4.2 VARIOUS RELIGIONS AND CULTS 86 4.2.1 Buddhism 86 4.2.2 Jainism 4.2.3 Natha Dharma 4.2.4 Saktism (including various goddesses) 89 4.2.5 Saivism 90 xn 4.2.6 Surya Cult 91 4.2.7 Vaisnavism 92 4.2.8 Jagannatha Cult 94 4.2.9 Mahima Dharma 103 5. ART 104 5.1 GENERAL STUDIES 104 5.2 ARCHAEOLOGY ( Excavations ) 107 5.3 MONUMENTS, ARCHITECTURE 110 5.4 PLASTIC ART AND ICONOGRAPHY 118 5.5 PAINTING 122 5.6 INDUSTRIAL ART AND APPLIED ART 123 5.7 FOLK ART 124 5.8 DANCE AND MUSIC 125 6. -
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IJELLH (International Journal of English Language, Literature in Humanities) Vol. 7, Issue 5, May 2019 13 Dr. Bhagabana Sahu Former Professor & Head Department of History Berhampur University Odisha, India, [email protected] Interpreting Satya-Pir Worship As A Symbol of Hindu-Muslim Unity Abstract Satya Pir worship is one of the popular religious beliefs and practices that crept into the fold of both Hindu and Muslim religions. Satyanarayana of Hindus and Pir of Muslims combinedly gave birth to a new cult known as Satya Pir cult for the welfare of both the communities. Satya means Vishnu in Sanskrit; and Pir means a preceptor or Fakir who has founded a religious sect in Persia. Muslim Fakirs like Bishops of Europe exercised great influence on Odishan culture since the Muslim conquest of Odisha in 1568 CE. From linguistic point of view, this worship is famous because mixed songs and dialects (Persian, Bengali and Odia) are used in Pala and Pir worship. The worship of Satya-Pir is prevalent in Bengal, Punjab, Mysore, Madras, Central Province and other parts of India. But, it is prominent in Orissa. There are nearly 40 Satya-Pir shrines in the length and breadth of Odisha. Satya Pir worship is one of the popular religious beliefs and practices that crept into the fold of both Hindu and Muslim religions. Satyanarayana of Hindus and Pir of Muslims combinedly gave birth to a new cult known as Satya Pir cult for the welfare of both the communities. Satya means Vishnu in Sanskrit; and Pir means a preceptor or Fakir who has IJELLH (International Journal of English Language, Literature in Humanities) Vol. -
Jagannath Cult and Its Impact on Odishan Music and Dance
disha, the land of art and architecture, during car-festival which is celebrated annually has not only excelled in art, architecture, on second day of bright fortnight of Asadha (June- OMusic and dance but also has carved a July). This is considered as the biggest colourful niche in spiritual culture of the world. Odisha has festival in the world. It consists eight phases of become famous worldwide in her heart-touching festivities such as (1) Snana Jatra (2) Anasara elegant creativity in art and architectural beauty (3) Netra Utsaba (4) Naba Jaubana Darshan in Konark, Rajarani and innumerable temples in (5) Pahandi, the ceremonial processes of the Patta-paintings, Odissi dance and Odissi Music. images (6) Chhera Panhara – which means, In the world of spiritual culture, the Jagannath cult sweeping of floor of the cars by the golden broom has also got worldwide recognition in fostering by king of Puri (7) Sojourn of the Deities in equality, fraternity, brotherhood, religious Gundicha Ghar for 9 days (8) Lastly the Bahuda tolerance irrespective of caste, creed and region. or the return Car festival. Shree Jagannath, the Lord of universe and When three chariots such as Nandighosh His colourful car festival attract lakhs of pilgrims of Lord Jagannath, Taladhwaja, the chariot of Jagannath Cult and its Impact on Odishan Music and Dance Indu Bhusan Kar Lord Balabhadra and Deba Dalana – the chariot of Devi Subhadra roll on “Bada danda” with colourful dresses, innumerable devotees irrespect of caste, creed and religion are enthralled in gaiety with devotional emotion. W.W. Hunter one of the well known historians of Odisha has described this colourful scene of Car-festival of Puri in his book titled “A July - 2015 # Odisha Review 215 History of Orissa”. -
Poetry As Performance
Poetry as Performance (The Origin and Development of Pa/a in Orissa) Sitakant Mahapatra Pala occupies a very special place in the complex mosaic of Orissa's performing arts. It shares certain elements with the other forms of folk performing arts such as Jatra, Suanga and Lee/a. Like them Pa/a uses literary themes, stories and anecdotes to entertain spectators. Like these forms, it. too, is a blend of story-telling through kavya, music and dramatic performance designed to grip the imagination of the audience. But. in addition, Pala is intimately linked, on the one hand, to a form of religious worship and ritual practised in medieval Orissa and, on the other, to the elitist culture of the pundits and scholars well-versed in the Sanskritic tradition of the Purana-s and other literary works. 2 The worship of Pancha devata (the t1ve deities) can be traced to a very old tradition in Orissa. The deities are Ganesha, Vishnu, Durga, Shiva and Bhaskara (the Sun-god). During the fourteenth and fifteenth centuries. at the time of the Bhaumakara, Somavamsi and Ganga dynastic rule in Orissa, the relative importance of Shaiva, Shakta and Vaishnava cults and forms of worship kept on fluctuating on the basis of royal patronage. The Somavamsis were patrons of Shiva worship and the Bhaumakaras of Shakti worship. While they patronised Vaishnavite worship, the Gangas were not averse to Shaiva or Shakta cults. Later, during the period of the Gangas, to these three was added the worship of Bhaskara and Ganesha. In fact. particular kshetra-s or places of worship came to be associated with each of these presiding deities. -
The Cult of Lord Jagannath and Its Impact on Oriya Literature
Orissa Review * July - 2005 The Cult of Lord Jagannath and its Impact on Oriya Literature Indu Bhusan Kar "I ask not anything from you Shankaracharya, one of the greatest saints O Jagannath, ask not for wealth or woman of Hindu religion (788-822 AD) came to Puri and But beg for small measure of Saradha Sands" stayed there. He worshipped Lord Jagannath as Salabeg Master of Universe. He composed heart-touching devotional song in Sanskrit titled - "Jagannath Shri Jagannath, the Lord of the Universe is Astakam". The English version of 1st Stanza of the presiding deity of Puri Jagannath temple which this Jagannath Astakam - eulogizes Jagannath was constructed during the reign of Ananta Varma as Sree Krushna - The Master of Universe. His Chodagangadev (1078-1147 A.D.) of Ganga prayer begins - thus dynasty. If we trace the evolution of the Jagannath "Once you appeared in the woods. Consciousness, we find that Jagannath was On the banks of Kalindi originally the God of the Sabara - the aboriginal Dancing to the tune of the sweet consort tribe. Lord Jagannath was treated as Daru seeking nectar from the lotus faces of cowherd women. Laxmi, Siva, Indra & Ganesh Devata (Daru Brahma). Later on, the Jagannath O Lord, the Master of the Universe appear in my vision". Deity was established by the King of Orissa and worshipped as Lord of Universe. Many saints of After Shankaracharya, many other religious Hindu, Buddhist, Jain philosophy even Muslim saints such as Ramanuja, Chaitanya, Nimbark and devotees found, their divine aspirations and Nanaka visited Puri and worshipped Lord dreams realized in the Jagannath cult. -
The Evolution of Odia Language : an Introspection
Classical Status to Odia Language Odisha Review The Evolution of Odia Language : An Introspection Dr. Jyotirmati Samantaray In the beginning were the people. They lived their of affinity that the first has with Bengali, the second lives always in relationship with one another. They has with Kosali and Chhatisgarh and the third has thought, they worked, they manufactured and they with Halbi provides strong evidence of the also created - they shared their creations and systematic expansion of Aryan language. ideas. They grew as they shared. This process of Like other sister literatures of modern sharing gave them a language which evolved into Indo-Aryan languages Odia began its literary a definite shape as the people themselves evolved. career with the composition of religious and social A language is spoken pretty long before it came reformers- followers of Buddhist, Shaiva and to be written down and recorded. All peoples Vaisnava sects. Odia was transformed into a had a literature; before the language could be finished and forceful literary language in the works written down. Thus, everywhere, an oral tradition of Sarala Das’s ‘Mahabharata’ and other works. preceded the so-called literary tradition. The medieval period of Odia literature during the The contribution of Chandra Mohan 15th, 16th and 17th centuries may be called the Maharana, Ganapati Das, Mani Mohapatra, golden period. Modern Odia literature like other Gopal Chandra Praharaj, Madhusudan Das, language and literatures emerged in the Nineteenth Abhiram Bhanja, Nandakishore Bal, Madhusudan century. Odia prose, fiction, essay, drama modern Rao, Fakir Mohan Senapati, Gopabandhu Das poetry were rich and varied. -
ORIGINAL RESEARCH PAPER Niladri Kalyan Das*
PARIPEX - INDIAN JOURNAL OF RESEARCH | Volume - 10 | Issue - 03 |March - 2021 | PRINT ISSN No. 2250 - 1991 | DOI : 10.36106/paripex ORIGINAL RESEARCH PAPER Arts ORIGIN AND DEVELOPMENT OF ODISSI KEY WORDS:Odissi , Daskathia, Charya Sahitya, Odra MUSIC: A HISTORICAL ANALYSIS Magadhi, Music,System Niladri Kalyan *Corresponding Author Das* Music is the best of all the fine arts. Odissi music is a separate system of Indian classical music and is having all the CT essential as well as potential ingredients of Indian Classical form. The present form of traditional Odissi music is no doubt the outcome of the continuous evolution of the earliest Indian classical music. Music tinged with religion, attained mass appeal and royal patronage. As such the royal patronization of Art and Culture made the Odishan music so developed and enchanting for enjoyment of both Gods and Goddesses and human beings as well. This tradition is still continuous in ABSTRA its different manifestations. Music is the best of all the fine arts. Though there is no Bhubaneswar in Odisha)caves of Khandagiri, Udayagiri, evidence of how and when music developed in India the these ancient pictorial stone carvings indicate that the music archaeological findings indicate that about five thousand of then Odisha had a mass appeal among the people. The years ago the standard of music in India was highly ancient monuments Lalitagiri, Ratnagiri, Pushpagiri built developed. Indian music is Veda- related. It is known as during the rule of king Bhouma indicates about various Panchama Veda . Sama Veda is said to be the origin of Indian musical forms of that era. -
Generalities
2004 MAIN ENTRIES 000 - 099 : Generalities ture: Senapati, Fakirmohan-Concordances.- 004 - 006: Computer science 016.8OR Rs.85.00 Swain, Bishnu Charan 10525 Pathagara parichalana 10531 Bharata gauraba Nobel bijeta= bûeZ ùMøea talim karyakrama nirddeshika= _ûVûMûe _eòPûk^û ù^ûùaf aòùRZû / aò¾ê PeY ÊûAñ.- 1st ed.- Cuttack: Zûfòc Kû~ýðKâc ^òùŸðgòKû / @aKûg ùR^û I @^ýcû^u \ßûeû Satyanarayan Book Store, 2004.- 64p., pbk; iõ_û\òZ.- 1st ed.- Bhubaneswar: HKM State Li- 22cm.- 1.Children’s literature: Nobel Prizes- brary, 2004.- 95p.+26p., pbk.; 24cm.- 1.Library India-Biography.- 001.4 Rs.20.00 administration.- 025.1 Rs.80.00 Pradhan, Krushnachandra 10526 Gabeshana prakarana sampadana o anubada 030 - 039 : Encyclopedias, miscellaneous prabidhi= MùahYû _âKeY iõ_û\^û I @^êaû\ _âaò]ô / Wü facts, curiosities Ké¾P¦â _â]û^ I Wü ^òcðkû Kêcûeú eûCZ.- 1st ed.- Das Benhur 10532 @ûc _ûAñ KêARþ / \ûg ùa^jêe Bhubaneswar: Gyanajuga Publication, 2004.- Ama pain quiz= .- 1st 242p., pbk; 22cm.- 1.Editing 2.Literature-Re- ed.- Bhubaneswar: Pathika Prakashani, 2004.- search 3.Reporting 4.Research methodology 64p., pbk; 22cm.- 1.General knowledge 5.Translating and interpreting.- ISBN 81- 2.Odisha-Miscellanea 3.Quizzes.- 87781-73-4.- 001.42.- Rs.90.00 039.9145602 Rs.30.00 Das, Bijayalaxmi 10533 Mahalik, Harihar Prasad 10527 @ûc icÉu RûYòaû aògße aòiàd / jeòje _âiû\ cjûkòK Ama samastanka janiba katha= Biswara bismaya= .- K[û / aòRdflàú \ûg 1st ed.- Cuttack: Friends Publishers, 2004.- .- 1st ed.- Bateswar (Salipur): Rupambara Prakashani, 2004.- 78p., pbk.; 167p., bound; -
APPLICANT LIST for DOCUMENT VERIFICATION (Basic B.Sc. 2019
APPLICANT LIST FOR DOCUMENT VERIFICATION (Basic B.Sc. 2019-2020) Applicants are requested to report at the concerned Nodal Centers on the given date with all the required documents. Sl No Application Number Apllicant Name Father Name NodalCenter Name Date Of Verification 1 1900300001 SUNITA RAMA Govt. GNM TC,SAMBALPUR 14-Oct-2019 2 1900300002 TRUPTIKA PUTHAL CHANDAN KUMAR PUTHAL Govt. ANM TC,BARIPADA 14-Oct-2019 3 1900300003 JAHNABI PANDA JAYANT PANDA Govt. GNM TC,CUTTACK 14-Oct-2019 4 1900300004 RUPALI SAMAL DEBENDRA NATH SAMAL Govt. ANM TC,KENDRAPARA 14-Oct-2019 5 1900300005 TRUPTIDHARA SWAIN NARENDRANATH SWAIN Govt. GNM TC,CUTTACK 14-Oct-2019 6 1900300006 PRATIMA MAJHI MAHENDRA MAJHI Govt. ANM TC,SUNDERGARH 14-Oct-2019 7 1900300007 ANIKET PRADHAN ANANTA KUMAR PRADHAN Govt. GNM TC,SAMBALPUR 14-Oct-2019 8 1900300008 SABYASACHI SAHOO SARAT CHANDRA SAHOO Govt. ANM TC,JEYPORE 14-Oct-2019 Govt. ANM 9 1900300009 SISIR JENA DEVENDRA JENA TC,BHAWANIPATNA 14-Oct-2019 10 1900300010 ARYAN NAG RUDRA NAG Govt. GNM TC,SAMBALPUR 14-Oct-2019 Govt. ANM 11 1900300011 ANNAPURNA BAG SRIKRUSHNA BAG TC,BHAWANIPATNA 14-Oct-2019 12 1900300012 SONALI SWAIN PABITRA KUMAR SWAIN Govt. ANM TC,KENDRAPARA 14-Oct-2019 13 1900300013 MEGHA RANI PATEL ANANGA PATEL Govt. ANM TC,SUNDERGARH 14-Oct-2019 14 1900300014 SILKYRANI SAHU RAJENDRA SAHU Govt. ANM TC,PHULBANI 14-Oct-2019 15 1900300015 TARUN KUMAR MAHANTA PREMANANDA MAHANTA Govt. ANM TC,KEONJHAR 14-Oct-2019 16 1900300016 SASMITA HARIPAL DADHI HARIPAL Govt. ANM TC,SONEPUR 14-Oct-2019 ADYASHA PRIYADARSHINI 17 1900300017 SAHOO PADMANAV SAHOO Govt.