The Evolution of Odia Language : an Introspection
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Eulogising the Grandness of Lord Jagannath by Saints and Poets Through Ages
July - 2013 Odisha Review Eulogising the Grandness of Lord Jagannath by Saints and Poets Through Ages Tarakanta Mohanty Lord Jagannath, the Lord of the Universe is Not Adisankaracharya but the most adorable and revered God for all Adisankaracharya's disciple in the end of 8th faiths in Odisha, India and abroad. All the century A.D. paid a visit to Puri and after main five deities of Hinduism have been beholding Lord Jagannath he was merged in Him. He is represented as a overwhelmed and swayed by emotion he Supreme Lord to Saivites, Shaktas, recalled the Krishnalila and instantly sung Ganapatyas, Saurasas and Vaishnavas. 'Kadachit Kalindi tata bipine' which is Vajpeyi Vidyakara Mishra, the famous Sanskrit popularly known as Jagannathastakam. Once Odia writer prays to Lord Jagannath as you appeared in the woods on the banks of follows : Kalindi. Oh Lord, the master of the universe, "Pranipatya Jagannatham Charachara appear in my vision'. Gurum Harim Markandaya toha tustwa bhoga The great Vaishnava poet Jayadev of peryanakasayinam (Nityachara Paddhati)" 13th century Orissa, certainly did not complete Indravuti, the then king, Udiyana (Odisha) who his matchless lyrics in the 'Gitagovinda' to founded Bajrayana system of Buddhism has please any earthly potentrate but to please invoked in his Jnanasiddhi as Jagannath. Jagannath who is considered nothing but "Pranipatya Jagannatham Sarvajana vava Krishna. Jayadev was the poet in the temple chitam sarva Buddhamayam Siddhivyapinam of Lord Jagannath. Most probably his great Gaganopaman." Puri the abode of Lord book 'Gita Govinda' was composed according Jagannath has been frequented by saints and seers and the poets who have sung and to a plan for dancisation of the sublime composed on Lord Jagannath. -
Great Heritages of Orissa
Orissa Review * December - 2004 Great Heritages of Orissa Dr. Hemanta Kumar Mohapatra Etymologically, 'heritage' is anything that is or Cultural heritages are the creation of human may be inherited. In such case 'heritage' covers beings, who have created it by virtue of their everything that is seen around the human innovative power, creativity, skill and artistic civilization. Heritage is thus natural or created ability. or has evolved in the course of history. It is natural or man-made. Of the man-made Cultural heritages may be tangible or heritages some are already made and existing intangible. Archaeological heritages may be and others are in the process of making. But otherwise called tangible heritages. The everything what we inherit or may be inherited intangible ones may be called living heritages. can not be heritage in the proper use of the But for better comprehension and convenience term. To assume the dimension of heritage such we have discussed the cultural heritages in features must have influenced the socio- entirety under the following sections. economic and cultural life of the people. It must (a) Archaeological heritages (b) Literary have substantially influenced the imagination heritages (c) Religious heritages and life style of the human beings. A society (d) Performing art heritages, (e) Heritage or civilization is known and become unique festivals (f) Art and craft heritages by its own tradition. It gets its identity by its (g) Modern heritages of Orissa. own heritages. The cultural dimension of Orissa is Heritage is something which is specific varied and wide. Every bit of Oriyan culture and typical of a place, area, region or country and tradition is not included in this discussion. -
Lord Buddha in the Cult of Lord Jagannath
June - 2014 Odisha Review Lord Buddha in the Cult of Lord Jagannath Abhimanyu Dash he Buddhist origin of Lord Jagannath was (4) At present an image of Buddha at Ellora Tfirst propounded by General A. Cunningham is called Jagannath which proves Jagannath and which was later on followed by a number of Buddha are identical. scholars like W.W.Hunter, W.J.Wilkins, (5) The Buddhist celebration of the Car R.L.Mitra, H.K. Mahatab, M. Mansingh, N. K. Festival which had its origin at Khotan is similar Sahu etc. Since Buddhism was a predominant with the famous Car Festival of the Jagannath cult. religion of Odisha from the time of Asoka after (6) Indrabhuti in his ‘Jnana Siddhi’ has the Kalinga War, it had its impact on the life, referred to Buddha as Jagannath. religion and literature of Odisha. Scholars have (7) There are similar traditions in Buddhism made attempt to show the similarity of Jagannath as well as in the Jagannath cult. Buddhism was cult with Buddhism on the basis of literary and first to discard caste distinctions. So also there is archaeological sources. They have put forth the no caste distinction in the Jagannath temple at the following arguments to justify the Buddhist origin time of taking Mahaprasad. This has come from of Lord Jagannath. the Buddhist tradition. (1) In their opinion the worship of three (8) On the basis of the legend mentioned in symbols of Buddhism, Tri-Ratna such as the the ‘Dathavamsa’ of Dharmakirtti of Singhala, Buddha, the Dhamma (Dharma) and the Sangha scholars say that a tooth of Buddha is kept in the body of Jagannath. -
Global Journal of Human Social Science the Engagement Patters (Such As Listening)
OnlineISSN:2249-460X PrintISSN:0975-587X DOI:10.17406/GJHSS AnalysisofIslamicSermon PortrayalofRohingyaWomen NabakalebaraofLordJagannath TheRe-EmbodimentoftheDivine VOLUME20ISSUE7VERSION1.0 Global Journal of Human-Social Science: C Sociology & Culture Global Journal of Human-Social Science: C Sociology & Culture Volume 2 0 I ssue 7 (Ver. 1.0) Open Association of Research Society Global Journals Inc. *OREDO-RXUQDORI+XPDQ (A Delaware USA Incorporation with “Good Standing”; Reg. Number: 0423089) Social Sciences. 2020. Sponsors:Open Association of Research Society Open Scientific Standards $OOULJKWVUHVHUYHG 7KLVLVDVSHFLDOLVVXHSXEOLVKHGLQYHUVLRQ Publisher’s Headquarters office RI³*OREDO-RXUQDORI+XPDQ6RFLDO 6FLHQFHV´%\*OREDO-RXUQDOV,QF Global Journals ® Headquarters $OODUWLFOHVDUHRSHQDFFHVVDUWLFOHVGLVWULEXWHG XQGHU³*OREDO-RXUQDORI+XPDQ6RFLDO 945th Concord Streets, 6FLHQFHV´ Framingham Massachusetts Pin: 01701, 5HDGLQJ/LFHQVHZKLFKSHUPLWVUHVWULFWHGXVH United States of America (QWLUHFRQWHQWVDUHFRS\ULJKWE\RI³*OREDO -RXUQDORI+XPDQ6RFLDO6FLHQFHV´XQOHVV USA Toll Free: +001-888-839-7392 RWKHUZLVHQRWHGRQVSHFLILFDUWLFOHV USA Toll Free Fax: +001-888-839-7392 1RSDUWRIWKLVSXEOLFDWLRQPD\EHUHSURGXFHG Offset Typesetting RUWUDQVPLWWHGLQDQ\IRUPRUE\DQ\PHDQV HOHFWURQLFRUPHFKDQLFDOLQFOXGLQJ SKRWRFRS\UHFRUGLQJRUDQ\LQIRUPDWLRQ Global Journals Incorporated VWRUDJHDQGUHWULHYDOV\VWHPZLWKRXWZULWWHQ 2nd, Lansdowne, Lansdowne Rd., Croydon-Surrey, SHUPLVVLRQ Pin: CR9 2ER, United Kingdom 7KHRSLQLRQVDQGVWDWHPHQWVPDGHLQWKLV ERRNDUHWKRVHRIWKHDXWKRUVFRQFHUQHG 8OWUDFXOWXUHKDVQRWYHULILHGDQGQHLWKHU -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Palm Leaf Manuscripts Inheritance of Odisha: a Historical Survey
International Journal of Sanskrit Research 2019; 5(4): 77-82 ISSN: 2394-7519 IJSR 2019; 5(4): 77-82 Palm leaf manuscripts inheritance of Odisha: A © 2019 IJSR www.anantaajournal.com historical survey Received: 16-05-2019 Accepted: 18-06-2019 Dr. Jharana Rani Tripathy Dr. Jharana Rani Tripathy PDF Scholar Dept.of Sanskrit Pondicherry University, Introduction Pondicherry, India Odisha was well-known as Kalinga, Kosala, Odra and Utkala during ancient days. Altogether these independent regions came under one administrative control which was known as Utkala and subsequently Orissa. The name of Utkala has been mentioned in Mahabharata, Ramayana and Puranas. The existence of Utkala as a kingdom is found in Kalidas's Raghuvamsa. It is stated that king Raghu after having crossed the river Kapisa reached the Utkala country and finally went to Kalinga. The earliest epigraphic evidence to Utakaladesa is found from the Midnapur plate of Somdatta which includes Dandabhukti within its jurisdiction1. The plates record that while Sasanka was ruling the earth, his feudatory Maharaja Somadatta was governing the province of Dandabhukti adjoining the Utkala-desa. The Kelga plate 8 indicate s that Udyotakesari's son and successors of Yayati ruled about the 3rd quarter of eleventh century, made over Kosala to prince named Abhimanyu and was himself ruling over Utkala After the down-fall of the Matharas in Kalinga, the Gangas held the reines of administration in or about 626-7 A, D. They ruled for a long period of about five hundred years, when, at last,they extended their power as far as the Gafiga by sujugating Utkala in or about 1112 A. -
Fashioning Readers: Canon, Criticism and Pedagogy in the Emergence of Modern Oriya Literature
1 Fashioning Readers: Canon, Criticism and Pedagogy in the Emergence of Modern Oriya Literature Pritipuspa Mishra University of Southampton Postal Address: University of Southampton Avenue Campus Highfield Southampton SO17 1BF UK Email- [email protected] This is an Accepted Manuscript of an article published by Taylor & Francis in Contemporary South Asia on 22nd March 2012, available online: http://dx.doi.org/10.1080/09584935.2011.646080 Abstract Through a brief history of a widely published canon debate in nineteenth century Orissa, this paper describes how anxieties about the quality of “traditional” Oriya literature served as a site for imagining a cohesive Oriya public who would become the consumers and beneficiaries of a new, modernized Oriya-language canon. A public controversy about the status of Oriya literature was initiated in the 1890s with the publication of a serialized critique of the works of Upendra Bhanja, a very popular pre-colonial Oriya poet. The critic argued that Bhanja’s writing was not true poetry, that it did not speak to the contemporary era, and that it featured embarrassingly detailed discussions of obscene material. By unpacking the terms of this criticism and Oriya responses to it, I reveal how at the heart of these discussions were concerns about community building that presupposed a new kind of readership of literature in the Oriya language. Ultimately, this paper offers a longer, regional history to the emerging concern of post-colonial scholarship with relationships between publication histories, readerships, and broader ideas of community—local, Indian and global. Key words Literary Criticism, Oriya literature, Tradition, Public Word Count: 7344 including references 2 In the winter of 1891, in the capital of the princely state of Majurbhanj set deep in the hills of the Eastern Ghats, a series of articles critiquing the work of an early modern Oriya poet were published. -
Devotion of Devotee Bhaktakavi Dinakrushna Das
Orissa Review July - 2010 Devotion of Devotee Bhaktakavi Dinakrushna Das Pitambar Pradhani Poet Dinakrushna Das was an ardent devotee of Poet Dinakrushna, an ardent devotee of Lord Jagannath. He was also a devotee poet. Lord Jagannath wrote poetical composition of From his childhood, he was interested in poems. Lord Jagannath. He did not have any interest to His poems were mixed with devotional acumen. any other personality. He humbly told the king to His fine enchanting voice also charmed the excuse him. He can not make any poetical audience. For this good quality, he became composition in the name of any other extremely popular among all the people. His personality except Supreme King Lord fame knew no bounds as he was invited to Jagannath. different places for singing devotional The King was very angry and songs. threatened him that if he disobeys his The then Lord of Elephants order, he will be imprisoned and king of Orissa (Odisha), King throughout his life in the jail room. He Dibyasingha Dev received this indicated why he prefers saddest good news. He summoned Sri time of jail life living aside this Das by sending a messenger. Sri happiness as a principal poet Das gathered all his writings and of the royal court. compositions. After staying for The poet was not some days in the palace, he was anxious a little by such hard invited to the king¶s courtyard. order of the king. He In the king¶s courtyard, the poet repeatedly told the king that recited all his composition and poetry. The he will not make any poetical composition in any audience present was enchanted by the sweet other name even if the king takes his life or give a tone of the poet as well as the deep sense of the capital punishment. -
The Voice of Feminism in Odia Literature
International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 9 Issue1 Ser. II || Jan, 2020 || PP 01-04 The Voice of Feminism in Odia Literature Dr. Ajay Kumar Panda Sr. Lecturer in Odia Upendranath College, Soro, Balasore, Odisha ABSTRACT : Feminism, in literature as well as otherwise, began as an expression of dissatisfaction regarding the attitude of the society towards the identity and rights of women. However, slowly, it evolved to empower women to make her financially, socially and psychologically independent. In the field of literature, it evolved to finally enable the female writers to be free from the influence of male writers as well as the social norms that suggested different standards for male and female KEYWORDS – Feminism, identity and rights of women, empower women, free from the influence of male writers ,Sita, Draupadi,Balaram Das, Vaishanbism, Panchasakha, Kuntala Kumari, Rama Devi, Sarala Devi, Nandini Satapathy, Prativa Ray,Pratiova Satapathy, Sarojini Sahu.Ysohodhara Mishra ------------------------------------------------------------------------------------------------------------------------ --------------- Date of Submission: 18-01-2020 Date of Acceptance: 06-02-2020 --------------------------------------------------------------------------------------------------------------------------------------- I. INTRODUCTION: Feminism in Indian literature, as can be most commonly conceived is a much sublime and over-the-top concept, -
Orissa High Court Filing Report As on :28/05/2021
ORISSA HIGH COURT FILING REPORT AS ON :28/05/2021 SL FILING NO NAME OF PETNR./APPEL COUNSEL FOR PETNR./APPEL PS CASE/LOWER COURT CASE/DISTRICT 1 ARBP/0000036/2021 ASIT KUMAR NATIA SWAYAMJIT ROUT / / VS VS () SURAT SEKHAR // 2 BLAPL/0003971/2021 SHYAMA MATTAM PRASANTA KUMAR NANDA MACHHKUND /72 /2017 VS VS () STATE OF ODISHA // 3 BLAPL/0003972/2021 MANOJ DIGAL SANJIB KUMAR BHANJADEO PHIRINGIA /57 /2020 VS VS () STATE OF ODISHA // 4 BLAPL/0003973/2021 SUBALA DEHURI DIPENDU SUNDAR RAY OUPADA /24 /2019 VS VS () STATE OF ODISHA // 5 BLAPL/0003974/2021 BASANT KUMAR BARIK UMESH CHANDRA PATNAIK MOHANA /45 /2021 VS VS () STATE OF ODISHA // 6 BLAPL/0003975/2021 MUNNA@DEBARAJ JENA DEBASISH SAHOO PIPLI /105 /2021 VS VS () STATE OF ODISHA // 7 BLAPL/0003976/2021 SURESH HARIJAN BIDYALOK MOHAPATRA JEYPORE TOWN /66 /2021 VS VS () STATE OF ODISHA // 8 BLAPL/0003977/2021 KUNA PRADHAN ASUTOSH TRIPATHY PARJANG /188 /2019 VS VS () STATE OF ODISHA // 9 BLAPL/0003978/2021 MUNA @ SIBARAM SAHU KURESH PRASAD DASH BUGUDA /275 /2017 VS VS () STATE OF ODISHA // 10 BLAPL/0003979/2021 NIRPATI MAJUMDAR RAJIB LOCHAN PATTNAIK CHITRAKONDA /77 /2020 VS VS () STATE OF ODISHA // 11 BLAPL/0003980/2021 BARADA PRASANNA MOHANTY SURYAKANTA DASMOHAPATRA KHANDAPARA /27 /2014 VS VS () STATE OF ODISHA // Page 1/24 ORISSA HIGH COURT FILING REPORT AS ON :28/05/2021 SL FILING NO NAME OF PETNR./APPEL COUNSEL FOR PETNR./APPEL PS CASE/LOWER COURT CASE/DISTRICT 12 BLAPL/0003981/2021 LOKANATHA SAHOO SURYAKANTA DASMOHAPATRA SAHID NAGAR P.S. /97 /2020 VS VS () STATE OF ODISHA // 13 BLAPL/0003982/2021 -
Songs of Dawn and Dusk of “Bhakta Kabi” Madhusudan Rao
Odisha Review October - 2012 Songs of Dawn and Dusk of “Bhakta Kabi” Madhusudan Rao Indrajeet Mohanty Madhusudan Rao was one of the most prolific “……….. distressed Odia Language will for ever and elegant writers, of Odia poetry of the Late be indebted to Madhusudan”. th th 19 and Early 20 Centuries. His writings are The poet was born in 1853 on January adorned with purity, beauty and have an 19th (Shree Panchami) at Puri. His Grand-father undercurrent of devotion to the Almighty. One was Marhathi Offices, before the British cannot forget his magnificent poem “Padma” occupation, and his father, (Lotus) which is so chaste and Bhagiratha Rao brought him up natural that one feels the Lotus as he lost his mother, Ambika swaying in the breeze, in the Devi, at the tender age of five. Lake, right in front of us. In He was a brilliant student, who fact one almost gets the fragrance of the Lotus and feel made Puri Zilla School proud. of the tepid morning Sun. If he During his career as a student has been compared with in Cuttack, he be-friended Tennyson and Wordsworth for Pyarimohan Pradhan and his allegories of nature, he is became a devout Brahmo also a painter like Thomas Samajist. As a school teacher Gray, who uses a pen as a brush at Balasore he encountered the to paint pictures. Madhusudan great Fakir Mohan Senapati Rao’s poems are, finally a gift and in Cuttack was a student to the Creator, the Divine of Radhanath Ray. All there Master, Who controls the interactions created in his, Universe. -
Folklore Foundation , Lokaratna ,Volume IV 2011
FOLKLORE FOUNDATION ,LOKARATNA ,VOLUME IV 2011 VOLUME IV 2011 Lokaratna Volume IV tradition of Odisha for a wider readership. Any scholar across the globe interested to contribute on any Lokaratna is the e-journal of the aspect of folklore is welcome. This Folklore Foundation, Orissa, and volume represents the articles on Bhubaneswar. The purpose of the performing arts, gender, culture and journal is to explore the rich cultural education, religious studies. Folklore Foundation President: Sri Sukant Mishra Managing Trustee and Director: Dr M K Mishra Trustee: Sri Sapan K Prusty Trustee: Sri Durga Prasanna Layak Lokaratna is the official journal of the Folklore Foundation, located in Bhubaneswar, Orissa. Lokaratna is a peer-reviewed academic journal in Oriya and English. The objectives of the journal are: To invite writers and scholars to contribute their valuable research papers on any aspect of Odishan Folklore either in English or in Oriya. They should be based on the theory and methodology of folklore research and on empirical studies with substantial field work. To publish seminal articles written by senior scholars on Odia Folklore, making them available from the original sources. To present lives of folklorists, outlining their substantial contribution to Folklore To publish book reviews, field work reports, descriptions of research projects and announcements for seminars and workshops. To present interviews with eminent folklorists in India and abroad. Any new idea that would enrich this folklore research journal is Welcome.