View / Download the Full Paper in a New
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eulogising the Grandness of Lord Jagannath by Saints and Poets Through Ages
July - 2013 Odisha Review Eulogising the Grandness of Lord Jagannath by Saints and Poets Through Ages Tarakanta Mohanty Lord Jagannath, the Lord of the Universe is Not Adisankaracharya but the most adorable and revered God for all Adisankaracharya's disciple in the end of 8th faiths in Odisha, India and abroad. All the century A.D. paid a visit to Puri and after main five deities of Hinduism have been beholding Lord Jagannath he was merged in Him. He is represented as a overwhelmed and swayed by emotion he Supreme Lord to Saivites, Shaktas, recalled the Krishnalila and instantly sung Ganapatyas, Saurasas and Vaishnavas. 'Kadachit Kalindi tata bipine' which is Vajpeyi Vidyakara Mishra, the famous Sanskrit popularly known as Jagannathastakam. Once Odia writer prays to Lord Jagannath as you appeared in the woods on the banks of follows : Kalindi. Oh Lord, the master of the universe, "Pranipatya Jagannatham Charachara appear in my vision'. Gurum Harim Markandaya toha tustwa bhoga The great Vaishnava poet Jayadev of peryanakasayinam (Nityachara Paddhati)" 13th century Orissa, certainly did not complete Indravuti, the then king, Udiyana (Odisha) who his matchless lyrics in the 'Gitagovinda' to founded Bajrayana system of Buddhism has please any earthly potentrate but to please invoked in his Jnanasiddhi as Jagannath. Jagannath who is considered nothing but "Pranipatya Jagannatham Sarvajana vava Krishna. Jayadev was the poet in the temple chitam sarva Buddhamayam Siddhivyapinam of Lord Jagannath. Most probably his great Gaganopaman." Puri the abode of Lord book 'Gita Govinda' was composed according Jagannath has been frequented by saints and seers and the poets who have sung and to a plan for dancisation of the sublime composed on Lord Jagannath. -
Jagannath Cult and Its Impact on Odishan Music and Dance
Odisha Review ISSN 0970-8669 disha, the land of art and architecture, has floor of the cars by the golden broom by king of Onot only excelled in art, architecture, music Puri (7) Sojourn of the Deities in Gundicha Ghara and dance but also has carved a niche in spiritual for 9 days (8) Lastly the Bahuda or the return culture of the world. Odisha has become famous Car festival. worldwide in her heart-touching elegant creativity in art and architectural beauty in Konark, Rajarani When three chariots such as Nandighosh and innumerable temples in Patta-paintings, Odissi of Lord Jagannath, Taladhwaja, the chariot of dance and Odissi Music. In the world of spiritual Lord Balabhadra and Deba Dalana – the chariot culture, the Jagannath cult has also got worldwide of Devi Subhadra roll on “Bada danda” with recognition in fostering equality, fraternity, colourful dresses, innumerable devotees brotherhood, religious tolerance irrespective of irrespective of caste, creed and religion are caste, creed and region. enthralled in gaiety with devotional emotion. W.W. Hunter one of the well known historians of Odisha has described this colourful scene of Car-festival Jagannath Cult and Its Impact on Odishan Music and Dance Indu Bhusan Kar Shree Jagannath, the Lord of universe and His colourful car festival attract lakhs of pilgrims during car- festival which is celebrated annually on second day of bright fortnight of Asadha (June-July). This is considered as the biggest colourful festival in the world. It consists eight phases of festivities such as (1) Snana Jatra (2) Anasara (3) Netra Utsaba (4) Naba Jaubana Darshan (5) Pahandi, the ceremonial processes of the images (6) Chhera Panhara – which means, sweeping of JUNE - 2017 81 ISSN 0970-8669 Odisha Review of Puri in his book titled “A History of Orissa”. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Odisha As a Multicultural State: from Multiculturalism to Politics of Sub-Regionalism
Afro Asian Journal of Social Sciences Volume VII, No II. Quarter II 2016 ISSN: 2229 – 5313 ODISHA AS A MULTICULTURAL STATE: FROM MULTICULTURALISM TO POLITICS OF SUB-REGIONALISM Artatrana Gochhayat Assistant Professor, Department of Political Science, Sree Chaitanya College, Habra, under West Bengal State University, Barasat, West Bengal, India ABSTRACT The state of Odisha has been shaped by a unique geography, different cultural patterns from neighboring states, and a predominant Jagannath culture along with a number of castes, tribes, religions, languages and regional disparity which shows the multicultural nature of the state. But the regional disparities in terms of economic and political development pose a grave challenge to the state politics in Odisha. Thus, multiculturalism in Odisha can be defined as the territorial division of the state into different sub-regions and in terms of regionalism and sub- regional identity. The paper attempts to assess Odisha as a multicultural state by highlighting its cultural diversity and tries to establish the idea that multiculturalism is manifested in sub- regionalism. Bringing out the major areas of sub-regional disparity that lead to secessionist movement and the response of state government to it, the paper concludes with some suggestive measures. INTRODUCTION The concept of multiculturalism has attracted immense attention of the academicians as well as researchers in present times for the fact that it not only involves the question of citizenship, justice, recognition, identities and group differentiated rights of cultural disadvantaged minorities, it also offers solutions to the challenges arising from the diverse cultural groups. It endorses the idea of difference and heterogeneity which is manifested in the cultural diversity. -
Devotion of Devotee Bhaktakavi Dinakrushna Das
Orissa Review July - 2010 Devotion of Devotee Bhaktakavi Dinakrushna Das Pitambar Pradhani Poet Dinakrushna Das was an ardent devotee of Poet Dinakrushna, an ardent devotee of Lord Jagannath. He was also a devotee poet. Lord Jagannath wrote poetical composition of From his childhood, he was interested in poems. Lord Jagannath. He did not have any interest to His poems were mixed with devotional acumen. any other personality. He humbly told the king to His fine enchanting voice also charmed the excuse him. He can not make any poetical audience. For this good quality, he became composition in the name of any other extremely popular among all the people. His personality except Supreme King Lord fame knew no bounds as he was invited to Jagannath. different places for singing devotional The King was very angry and songs. threatened him that if he disobeys his The then Lord of Elephants order, he will be imprisoned and king of Orissa (Odisha), King throughout his life in the jail room. He Dibyasingha Dev received this indicated why he prefers saddest good news. He summoned Sri time of jail life living aside this Das by sending a messenger. Sri happiness as a principal poet Das gathered all his writings and of the royal court. compositions. After staying for The poet was not some days in the palace, he was anxious a little by such hard invited to the king¶s courtyard. order of the king. He In the king¶s courtyard, the poet repeatedly told the king that recited all his composition and poetry. The he will not make any poetical composition in any audience present was enchanted by the sweet other name even if the king takes his life or give a tone of the poet as well as the deep sense of the capital punishment. -
FRANCE TAKES a IIAM\ PORT ARTHUR's J'lh.Lir
- L 0 LXIV--X 21.017. r~^?^F3»r&g t M NEW-YORK, V» WEDNESDAY. JUNE 1. 1904. -SIXTEEN PAGES.- t, tJ%S3LVj££u**u. PRICE THREE CENTS. THE AMERICAN TANGIER, GUNBOAT CA-STTXE. SQUADRON AT AFRICA. CJUTISKTR ATTaANTA. GtTN'BOAT MARIETTA. FRANCE TAKES A IIAM\ PORT ARTHUR'S J'LH.lir. TO HELP PERDICARIS. PROVISIONS RUN SHOUT. — — Result of Fleet fit Tangier and Japanese Enter Dalny Prizes A Diplomatic Representations. Battle on Line of Railroad. IFF. "HE TtaXOKK BCBUBMJ.I Chinese who re.ichrd Xew-Ch«-ang from \u25a0n"ashir.sto:i. Slay President Roosevelt's Port Arthur s.iitl thnt the situation in the so-called 1»« tricger" diplomacy. ezempUfled Tangier largest repre- fortress was desperate. Food was scarce and by his haste:.::-; to the of the American navy that ever vis- the hospitals were filledwith wounded. Wotk fentation vindl- a foreign port, has once more been on the damaged warships had ceased, and all l:e*s tJßjissurance France she csJsd by of that will civilians had been impressed into service. -•use her good offlces" to rescue Messrs. P?rdi- which Japanese troops occupied Dalny on May car and Varley. The suddenness with Iegan to arrive at Tangier \u25a0a American Beet SO. The Russians, who evacuated the town in efter the Utoapplng of the men named pro- after the battle at Nan-Shan, destroyed sfssiement, not only in Morocco, but In haste iMßfl big pier, but left intact the jetties and IYar.ce. Human lives were in dancer, one of the citizen, and the Presi- them that of an American CRTJTSEK F.TtO-iKr.TN. -
1 COVER- INNER Final Rajeev.Pmd
CLASSICAL ODIA Document Prepared Under the overall Supervision of Dr. Debi Prasanna Pattanayak (Padmashree) B.A. (Hons), M.A.in Odia, Utkal University (Gold Medalist). M.A. in Linguistics, Pune University. Diploma in French, Viswabharati University, Santiniketan, West Bengal Ph.D. in Linguistices, cornall, USA. D.litt(Honoris causa) SOA University, Bhubaneswar. Professer Emeritus: Pune University, Utkal University of Culture, Founder Director: Central Institute of Indian Languages, Mysore, Additional Secretary (Retd.): MHRD, Government of India, Chairman: Institute of Odia Studies and Research Subrat Kumar Prusty (UGC-NET-SRF) B.A. (Hons), M.A.(Odia) Ravenshaw University, LLB, Madhusudan Law Collage, Ph.D,(Cont.) P.G. Deptt. Of Odia, Utkal University, Vani Vihar, Bhubaneswar Editor- Civil Service Pathi Member secretary: Institute of Odia Studies and Research Director: IAS Pathi KIS Foundation D-82, Maitri Vihar, Chandrasekharpur Bhubaneswar, Odisha, 755001 © Institute of Odia Studies and Research Published by KIS Foundation D-82, Maitri Vihar, Chandrasekharpur Bhubaneswar, Odisha 755001 Email : [email protected] Tel. : 0674-2300969 Edition : 2013 ISBN : 978-81-925616-3-9 Price : ` 1500 Printed at Vikas Printers, Naveen Shahdara, Delhi 110032 Tel. 22822514 Foreword Odia is one of the most ancient languages of India. Eminent linguists and scholars like John Beams, G.A Grierson, L.S.S O Malley, Suniti Kumar Chatterjee, Pandit Nilakantha Das, John Boulton, Dr. D.P. Pattnayak, Dr. Bijaya Prasad Mahapatra and others have time and again argued in favour of the antiquity of Odia language. Odisha is the only state, where discovered three types of Brhami script like -PreBrahmi, Brahmi & Post Brahmi-. The Indian script ‘o’ (tha) was discovered from yogimatha rock painting of Nuapada district. -
A ^Vved RUR^R E
./% *012*3&( #=2*3&(3 !"!"# $%& 67 / 4 565 766 7/ 4 ! " # ""#$!#% %#%#% 465 59 N96: /O // 5<66 5 7 7 5 65 #&#%%# 5 + -+> ? '*%= ((*0 !"#"$ %%&'() Addressing a joint Press Taking a dig at the BJP, conference with Paswan and Tejashwi tweeted that despite '()*#% +",-* ays after the Lok Janshakti Bihar Chief Minister Nitish having achieved power through DParty served an ultimatum Kumar, BJP president Amit the back door in Bihar and hav- jects, together on the BJP to end the logjam Shah asserted that the NDA ing 22 sitting MPs, the party worth Rs 14,532 over seat-sharing in Bihar, the will win more than 31 seats it agreed to give an equal num- crore, between NDA big brother made a major had in 2014 and expressed ber of seats to Nitish, who had 1.40 pm and compromise by agreeing to confidence that it will come returned with a tally of only 2.20pm. contest five seats less than they back to power in 2019. two seats. “Now you can under- From there, won in the 2014 Lok Sabha The deal suggests a victo- stand the dire straits the NDA he would depart polls in Bihar, allotting 17 seats ry of sorts for the LJP, which is in,” the RJD leader said. for NISER to the Janata Dal(U) and six to had adopted an aggressive Ending its 17-year-old (National the LJP. The BJP will contest 17 stand seeking a better bargain alliance with the NDA, the Institute of of the 40 seats in the State. from the BJP after the exit of JD(U) had contested 2014 Lok Science While the BJP and the Upendra Kushwaha-led RLSP Sabha polls alone. -
Portland Daily Press: July 26,1864
V N * J VOLUME IV. PORTLAND, TUESDAY MORNING. .JULY :>0, 1864 WHOLE NO 040 all such cases reccontmend the PORTLAND DAILY PRESS, Managing Di- — ■ -- rector lo dismiss him. MISCELI.ANEOIS. BUSINESS CARDS. JOHN T.OILMAN, Editor, BUSINESS CARDS. MERCHANDISE. l.elifr* ‘ \\ e have a heavy winter's business before CLOTH l.\t;. Kemiiinli c “rl iuii g published ut Me. (Cij EACHANGE ilTKEET. by us. Let it not the Hoot < thee >t be said that the Eastern Dis* Bort;.i.d, State of Maine ».h»ia trict PAPER BOX mtNEFACTOHV. RRADLE1', MOl'I.TON A ROGKR9 IN day o July, ltio4. K. A. FOSTER* CO. compared with the other Iltu’knietack Ship Timber* R E M unfavorably THE DAILY <3 V at.. * blaili of Di-tricls of the IMIESS, "ll'iUSAU DbALKBS IS Hackmatack, aud Hard Wood *ujr ,he*« the at i> lira nr great Plauk.Tree- tnoM calln° :o, Railway. uailj iro.u 12 J. OAK. to 28 iucbet*, Treenail Wedge*, ftu. thu <iur,r,M.ogl>, “ f U. Daii.kv, 'P.~Libby, l.at, and pay one cent for Thu Eobtlawd Daily Fausaia published at *8.00 CALORIC POWK.lt MAM'FAt i'DltLH OP fcc*yy k. Taylor adseriiaing Local Eastern District. Grain and Cge-‘ll not pryosr; 11 paid-triotlyiu advanoe, a discount of Supt. Flour, jMWodlm Gilt’sWhir, Port'tnd. JOSIAH cillod ter within one aumih thee will Provisions, BURLEIGH be sent to ““’""•'“P •*“ • l.(*l will be made. Xote.—You will rend well aud ex- 88 me ft at nelt.r Lflke uleasc Paper Boxes, Commercial street, The mss Block, BAR BUfOVBD TO Single copies three oents. -
Introduction to Bengali, Part I
R E F O R T R E S U M E S ED 012 811 48 AA 000 171 INTRODUCTION TO BENGALI, PART I. BY- DIMOCK, EDWARD, JR. AND OTHERS CHICAGO UNIV., ILL., SOUTH ASIALANG. AND AREA CTR REPORT NUMBER NDEA.--VI--153 PUB DATE 64 EDRS PRICE MF -$1.50 HC$16.04 401P. DESCRIPTORS-- *BENGALI, GRAMMAR, PHONOLOGY, *LANGUAGE INSTRUCTION, FHONOTAPE RECORDINGS, *PATTERN DRILLS (LANGUAGE), *LANGUAGE AIDS, *SPEECHINSTRUCTION, THE MATERIALS FOR A BASIC COURSE IN SPOKENBENGALI PRESENTED IN THIS BOOK WERE PREPARED BYREVISION OF AN EARLIER WORK DATED 1959. THE REVISIONWAS BASED ON EXPERIENCE GAINED FROM 2 YEARS OF CLASSROOMWORK WITH THE INITIAL COURSE MATERIALS AND ON ADVICE AND COMMENTS RECEIVEDFROM THOSE TO WHOM THE FIRST DRAFT WAS SENT FOR CRITICISM.THE AUTHORS OF THIS COURSE ACKNOWLEDGE THE BENEFITS THIS REVISIONHAS GAINED FROM ANOTHER COURSE, "SPOKEN BENGALI,"ALSO WRITTEN IN 1959, BY FERGUSON AND SATTERWAITE, BUT THEY POINTOUT THAT THE EMPHASIS OF THE OTHER COURSE IS DIFFERENTFROM THAT OF THE "INTRODUCTION TO BENGALI." FOR THIS COURSE, CONVERSATIONAND DRILLS ARE ORIENTED MORE TOWARDCULTURAL CONCEPTS THAN TOWARD PRACTICAL SITUATIONS. THIS APPROACHAIMS AT A COMPROMISE BETWEEN PURELY STRUCTURAL AND PURELYCULTURAL ORIENTATION. TAPE RECORDINGS HAVE BEEN PREPAREDOF THE MATERIALS IN THIS BOOK WITH THE EXCEPTION OF THEEXPLANATORY SECTIONS AND TRANSLATION DRILLS. THIS BOOK HAS BEEN PLANNEDTO BE USED IN CONJUNCTION WITH THOSE RECORDINGS.EARLY LESSONS PLACE MUCH STRESS ON INTONATION WHIM: MUST BEHEARD TO BE UNDERSTOOD. PATTERN DRILLS OF ENGLISH TO BENGALIARE GIVEN IN THE TEXT, BUT BENGALI TO ENGLISH DRILLS WERE LEFTTO THE CLASSROOM INSTRUCTOR TO PREPARE. SUCH DRILLS WERE INCLUDED,HOWEVER, ON THE TAPES. -
BOITA BANDANA UTSHAVA and BALI YATRA in ODISHA Colonel JC Mahanti (Retired) 25Thnovember 2015'
BOITA BANDANA UTSHAVA AND BALI YATRA IN ODISHA Colonel JC Mahanti (Retired) 25thNovember 2015' Boita bandana utshava and Bali yatra are two important annual events held on the Kartika purnima. They mark the conclusion of all religious activities of Kartika month which is considered as the most holy month of the lunar year. Both are the reminiscent of maritime trade that once flourished in the State. Boita bandana utshava is a socio-religious festival whereas, Bali yatra is a large trade fair. Boita bandana utshava: -Boita in local language is an argosy or a large sail boat and bandana is worshipping with lighted lamp (dipa). Thus, Boita bandana utshava symbolises the festival of worship of sail boats with lighted lamps. It is to commemorate the maritime trade of the people of ancient Odisha (Kalinga). Centuries back, the sadabha (maritime traders) of the State used to sail off to distant Indonesian archipelagos (Java, Sumatra, Borneo and Bali) for trade and cultural exchange in boitas. Those days, the marine engineering had not developed as it is now. The boitas used to navigate with the manipulations of ajhala (large fabric sails) fixed on their masts in the direction of the wind. During the lunar months Aswina to Margasira (October to December), the sea was generally tranquil and the wind blew in the north-easterly direction. Again from lunar months Pausa to Baisakha (January to March) the wind blew in the reverse direction and those were the times for their return voyage. Thereafter, the sea became turbulent due to the onset of south eastern monsoon and the voyages were suspended. -
Splendours of Odishan Paintings.Pmd
1 Splendours of Odishan Painting 2 3 Splendours of Odishan Painting Dr. Dinanath Pathy ILA PANDA Centre for Arts Bhubaneswar 4 1st ILA PANDA Memorial Lecture delivered by Dr. Dinanath Pathy on 12th March 2016 at Bhubaneswar. Published by ILA PANDA Centre for Arts Designed at and Produced by Third Eye Communications N4, 252, IRC Village, Nayapalli, Bhubaneswar, Odisha, India 5 ILA PANDA was educated in visual art at Shantiniketan under the tutelage of Acharya Nandalal Bose and at The Royal College of Art, London. She was married to Dr. Bansidhar Panda and was the partner in the formation of the IMFA Group of Companies in Odisha. She was a member of Indian Parliament. IPCA has been instituted in Bhubaneswar to perpetuate her memory and ideals. IPCA aims at promoting Odia art and artists in the country and on the international level. IPCA’s activities are supported by UMSL Limited, Bhubaneswar. 6 Dr. Dinanath Pathy (1942) has a Government Diploma in Fine Art and Crafts from Khallikote School of Art. He has been awarded two Ph.Ds., including one from Visva Bharati and a D. Litt. honoris causa from Berhampur University. He is the recipient of Jawaharlal Nehru Fellowship, International Rietberg Award and President of India Silver Plaque for Painting. Dr. Pathy is a practicing artist, art historian and writer. He has designed and curated a number of national and international exhibitions including the Festival of India in Sweden and USSR as well as the International Kalinga-Bali Jatra. He has been collaborating with Swiss Scholar Dr. Eberhard Fischer on a number of research projects on Odishan Art since 1978.