PROCLAMATION BENEFICIARIES LIST of PMAY Hfapoa for PURI
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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Eulogising the Grandness of Lord Jagannath by Saints and Poets Through Ages
July - 2013 Odisha Review Eulogising the Grandness of Lord Jagannath by Saints and Poets Through Ages Tarakanta Mohanty Lord Jagannath, the Lord of the Universe is Not Adisankaracharya but the most adorable and revered God for all Adisankaracharya's disciple in the end of 8th faiths in Odisha, India and abroad. All the century A.D. paid a visit to Puri and after main five deities of Hinduism have been beholding Lord Jagannath he was merged in Him. He is represented as a overwhelmed and swayed by emotion he Supreme Lord to Saivites, Shaktas, recalled the Krishnalila and instantly sung Ganapatyas, Saurasas and Vaishnavas. 'Kadachit Kalindi tata bipine' which is Vajpeyi Vidyakara Mishra, the famous Sanskrit popularly known as Jagannathastakam. Once Odia writer prays to Lord Jagannath as you appeared in the woods on the banks of follows : Kalindi. Oh Lord, the master of the universe, "Pranipatya Jagannatham Charachara appear in my vision'. Gurum Harim Markandaya toha tustwa bhoga The great Vaishnava poet Jayadev of peryanakasayinam (Nityachara Paddhati)" 13th century Orissa, certainly did not complete Indravuti, the then king, Udiyana (Odisha) who his matchless lyrics in the 'Gitagovinda' to founded Bajrayana system of Buddhism has please any earthly potentrate but to please invoked in his Jnanasiddhi as Jagannath. Jagannath who is considered nothing but "Pranipatya Jagannatham Sarvajana vava Krishna. Jayadev was the poet in the temple chitam sarva Buddhamayam Siddhivyapinam of Lord Jagannath. Most probably his great Gaganopaman." Puri the abode of Lord book 'Gita Govinda' was composed according Jagannath has been frequented by saints and seers and the poets who have sung and to a plan for dancisation of the sublime composed on Lord Jagannath. -
Odissi Dance
ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing -
Psyphil Celebrity Blog Covering All Uncovered Things..!! Vijay Tamil Movies List New Films List Latest Tamil Movie List Filmography
Psyphil Celebrity Blog covering all uncovered things..!! Vijay Tamil Movies list new films list latest Tamil movie list filmography Name: Vijay Date of Birth: June 22, 1974 Height: 5’7″ First movie: Naalaya Theerpu, 1992 Vijay all Tamil Movies list Movie Y Movie Name Movie Director Movies Cast e ar Naalaya 1992 S.A.Chandrasekar Vijay, Sridevi, Keerthana Theerpu Vijay, Vijaykanth, 1993 Sendhoorapandi S.A.Chandrasekar Manorama, Yuvarani Vijay, Swathi, Sivakumar, 1994 Deva S. A. Chandrasekhar Manivannan, Manorama Vijay, Vijayakumar, - Rasigan S.A.Chandrasekhar Sanghavi Rajavin 1995 Janaki Soundar Vijay, Ajith, Indraja Parvaiyile - Vishnu S.A.Chandrasekar Vijay, Sanghavi - Chandralekha Nambirajan Vijay, Vanitha Vijaykumar Coimbatore 1996 C.Ranganathan Vijay, Sanghavi Maaple Poove - Vikraman Vijay, Sangeetha Unakkaga - Vasantha Vaasal M.R Vijay, Swathi Maanbumigu - S.A.Chandrasekar Vijay, Keerthana Maanavan - Selva A. Venkatesan Vijay, Swathi Kaalamellam Vijay, Dimple, R. 1997 R. Sundarrajan Kaathiruppen Sundarrajan Vijay, Raghuvaran, - Love Today Balasekaran Suvalakshmi, Manthra Joseph Vijay, Sivaji - Once More S. A. Chandrasekhar Ganesan,Simran Bagga, Manivannan Vijay, Simran, Surya, Kausalya, - Nerrukku Ner Vasanth Raghuvaran, Vivek, Prakash Raj Kadhalukku Vijay, Shalini, Sivakumar, - Fazil Mariyadhai Manivannan, Dhamu Ninaithen Vijay, Devayani, Rambha, 1998 K.Selva Bharathy Vandhai Manivannan, Charlie - Priyamudan - Vijay, Kausalya - Nilaave Vaa A.Venkatesan Vijay, Suvalakshmi Thulladha Vijay 1999 Manamum Ezhil Simran Thullum Endrendrum - Manoj Bhatnagar Vijay, Rambha Kadhal - Nenjinile S.A.Chandrasekaran Vijay, Ishaa Koppikar Vijay, Rambha, Monicka, - Minsara Kanna K.S. Ravikumar Khushboo Vijay, Dhamu, Charlie, Kannukkul 2000 Fazil Raghuvaran, Shalini, Nilavu Srividhya Vijay, Jyothika, Nizhalgal - Khushi SJ Suryah Ravi, Vivek - Priyamaanavale K.Selvabharathy Vijay, Simran Vijay, Devayani, Surya, 2001 Friends Siddique Abhinyashree, Ramesh Khanna Vijay, Bhumika Chawla, - Badri P.A. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Global Feminisms: Interview Transcripts: India Language: English
INDIA Global Feminisms: Comparative Case Studies of Women’s Activism and Scholarship Interview Transcripts: India Language: English Interview Transcripts: India Contents Acknowledgments 3 Shahjehan Aapa 4 Flavia Agnes 23 Neera Desai 48 Ima Thokchom Ramani Devi 67 Mahasweta Devi 83 Jarjum Ete 108 Lata Pratibha Madhukar 133 Mangai 158 Vina Mazumdar 184 D. Sharifa 204 2 Acknowledgments Global Feminisms: Comparative Case Studies of Women’s Activism and Scholarship was housed at the Institute for Research on Women and Gender at the University of Michigan (UM) in Ann Arbor, Michigan. The project was co-directed by Abigail Stewart, Jayati Lal and Kristin McGuire. The China site was housed at the China Women’s University in Beijing, China and directed by Wang Jinling and Zhang Jian, in collaboration with UM faculty member Wang Zheng. The India site was housed at the Sound and Picture Archives for Research on Women (SPARROW) in Mumbai, India and directed by C.S. Lakshmi, in collaboration with UM faculty members Jayati Lal and Abigail Stewart. The Poland site was housed at Fundacja Kobiet eFKa (Women’s Foundation eFKa) in Krakow, Poland and directed by Slawka Walczewska, in collaboration with UM faculty member Magdalena Zaborowska. The U.S. site was housed at the Institute for Research on Women and Gender at the University of Michigan in Ann Arbor, Michigan and directed by UM faculty member Elizabeth Cole. Graduate student interns on the project included Nicola Curtin, Kim Dorazio, Jana Haritatos, Helen Ho, Julianna Lee, Sumiao Li, Zakiya Luna, Leslie Marsh, Sridevi Nair, Justyna Pas, Rosa Peralta, Desdamona Rios and Ying Zhang. -
Devotion of Devotee Bhaktakavi Dinakrushna Das
Orissa Review July - 2010 Devotion of Devotee Bhaktakavi Dinakrushna Das Pitambar Pradhani Poet Dinakrushna Das was an ardent devotee of Poet Dinakrushna, an ardent devotee of Lord Jagannath. He was also a devotee poet. Lord Jagannath wrote poetical composition of From his childhood, he was interested in poems. Lord Jagannath. He did not have any interest to His poems were mixed with devotional acumen. any other personality. He humbly told the king to His fine enchanting voice also charmed the excuse him. He can not make any poetical audience. For this good quality, he became composition in the name of any other extremely popular among all the people. His personality except Supreme King Lord fame knew no bounds as he was invited to Jagannath. different places for singing devotional The King was very angry and songs. threatened him that if he disobeys his The then Lord of Elephants order, he will be imprisoned and king of Orissa (Odisha), King throughout his life in the jail room. He Dibyasingha Dev received this indicated why he prefers saddest good news. He summoned Sri time of jail life living aside this Das by sending a messenger. Sri happiness as a principal poet Das gathered all his writings and of the royal court. compositions. After staying for The poet was not some days in the palace, he was anxious a little by such hard invited to the king¶s courtyard. order of the king. He In the king¶s courtyard, the poet repeatedly told the king that recited all his composition and poetry. The he will not make any poetical composition in any audience present was enchanted by the sweet other name even if the king takes his life or give a tone of the poet as well as the deep sense of the capital punishment. -
Causelistgenerate Report
WEEKLY DAILY THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR MONDAY THE 6TH SEPTEMBER 2021 CHIEF JUSTICE'S COURT (2ND FLOOR) AT 10:30 AM THE CHIEF JUSTICE AND MR. JUSTICE B. P. ROUTRAY This Bench will function through hybrid arrangement ( virtual/ physical mode). ( Learned counsel desirous to appearing through Virtual Mode shall intimate the name, item number, case details etc. to the Court Master through Mobile No.8763760499 between 8.00 P.M. to 10.00 P.M. on the previous date of the hearing of the case. ) Learned advocates are requested to submit the memos for urgent listing of matters first to the D.R.(Judicial), and only where the D.R.(Judicial) has communicated that the request has been declined or the date given is not convenient for some reasons, should the matters be mentioned orally before the bench of the Chief Justice or such bench assigned for the purpose. For the oral mentioning before the division bench in Chief Justice’s court through virtual mode and physical mode, learned advocates will first obtain from the court master between 9.30 a.m. and 10.15 a.m. on all working days, over phone no.8763760499, a Mentioning Matter (MM) number. In matters other than fresh admission matters, the learned advocates will furnish to the court master on e-mail id- [email protected] proof of intimation of the mentioning to learned counsel for the opposite parties. When the court of the Chief Justice assembles, the mentioning matters for virtual mentioning will be called out serial wise. -
1 COVER- INNER Final Rajeev.Pmd
CLASSICAL ODIA Document Prepared Under the overall Supervision of Dr. Debi Prasanna Pattanayak (Padmashree) B.A. (Hons), M.A.in Odia, Utkal University (Gold Medalist). M.A. in Linguistics, Pune University. Diploma in French, Viswabharati University, Santiniketan, West Bengal Ph.D. in Linguistices, cornall, USA. D.litt(Honoris causa) SOA University, Bhubaneswar. Professer Emeritus: Pune University, Utkal University of Culture, Founder Director: Central Institute of Indian Languages, Mysore, Additional Secretary (Retd.): MHRD, Government of India, Chairman: Institute of Odia Studies and Research Subrat Kumar Prusty (UGC-NET-SRF) B.A. (Hons), M.A.(Odia) Ravenshaw University, LLB, Madhusudan Law Collage, Ph.D,(Cont.) P.G. Deptt. Of Odia, Utkal University, Vani Vihar, Bhubaneswar Editor- Civil Service Pathi Member secretary: Institute of Odia Studies and Research Director: IAS Pathi KIS Foundation D-82, Maitri Vihar, Chandrasekharpur Bhubaneswar, Odisha, 755001 © Institute of Odia Studies and Research Published by KIS Foundation D-82, Maitri Vihar, Chandrasekharpur Bhubaneswar, Odisha 755001 Email : [email protected] Tel. : 0674-2300969 Edition : 2013 ISBN : 978-81-925616-3-9 Price : ` 1500 Printed at Vikas Printers, Naveen Shahdara, Delhi 110032 Tel. 22822514 Foreword Odia is one of the most ancient languages of India. Eminent linguists and scholars like John Beams, G.A Grierson, L.S.S O Malley, Suniti Kumar Chatterjee, Pandit Nilakantha Das, John Boulton, Dr. D.P. Pattnayak, Dr. Bijaya Prasad Mahapatra and others have time and again argued in favour of the antiquity of Odia language. Odisha is the only state, where discovered three types of Brhami script like -PreBrahmi, Brahmi & Post Brahmi-. The Indian script ‘o’ (tha) was discovered from yogimatha rock painting of Nuapada district. -
History and Political Science
The Coordination Committee formed by GR No. Abhyas - 2116/(Pra.Kra.43/16) SD - 4 Dated 25.4.2016 has given approval to prescribe this textbook in its meeting held on 29.12.2017 and it has been decided to implement it from the educational year 2018-19. HISTORY AND POLITICAL SCIENCE STANDARD TEN Maharashtra State Bureau of Textbook Production and Curriculum Research, Pune. The digital textbook can be obtained through DIKSHA App on a smartphone by using the Q. R. Code given on title page of the textbook and useful audio-visual teaching-learning material of the relevant lesson will be available through the Q. R. Code given in each lesson of this textbook. First Edition : 2018 © Maharashtra State Bureau of Textbook Production and Curriculum Reprint : Research, Pune - 411 004. The Maharashtra State Bureau of Textbook Production and Curriculum Research reserves October 2020 all rights relating to the book. No part of this book should be reproduced without the written permission of the Director, Maharashtra State Bureau of Textbook Production and Curriculum Research, ‘Balbharati’, Senapati Bapat Marg, Pune 411004. History Subject Committee Authors History Political Science Dr Sadanand More, Chairman Dr Shubhangana Atre Dr Vaibhavi Palsule Shri. Mohan Shete, Member Dr Ganesh Raut Shri. Pandurang Balkawade, Member Dr Shubhangana Atre, Member Translation Scrutiny Dr Somnath Rode, Member Shri. Bapusaheb Shinde, Member Dr Shubhangana Atre Dr Manjiri Bhalerao Dr Vaibhavi Palsule Dr Sanjot Apte Shri. Balkrishna Chopde, Member Shri. Prashant Sarudkar, Member Cover and Illustrations Shri. Mogal Jadhav, Member-Secretary Shri. Devdatta Prakash Balkawade Typesetting Civics Subject Committee DTP Section, Balbharati Dr Shrikant Paranjape, Chairman Paper Prof. -
A Confluence of Odissi and Martial Art - Kalarippayattu at 13Th Dhauli-Kalinga Mahotsav Inaugural Function
A CONFLUENCE OF ODISSI AND MARTIAL ART - KALARIPPAYATTU AT 13TH DHAULI-KALINGA MAHOTSAV INAUGURAL FUNCTION Dhauli – 06.02.2017 - The 13th Dhauli-Kalinga Mahotsav jointly organised by Department of Tourism, Government of Odisha and Orissa Dance Akademy got off to a colourful start at the foothills of ancient Dhauli Shanti Stupa with an invocation of peace befitting to the occasion commemorating what King Ashoka had professed in 3rd Century BC. The festival contains cultural multiplicity and a whole range of diverse stream of performing arts, be it classical, folk or martial. The festival is a unique confluence of more than 500 artistes belonging to various art forms of India and it celebrates Unity in Diversity. The structured programme started with Aikatana - a Confluence of Odissi Dance, Aikatana is a harmonious ensemble of expressional brilliances in Odissi. It's a celebration of diversities within the tradition of Odissi. 7 Groups, 7 Gurus and 7 Styles are coming together to celebrate the spirit of oneness in Odissi. In Aikatana Brahma as absolute void and he is the beginning of the beginning. From one Brahma and the union of Jiba and Parama, three representing Trishakti-Mahakali, Ugratara and Dhumabati, four signifies the four ages, five portrays the five senses, six represent the six enemies, seven goes for seven colour eight talks about Ashta Sambhu, nine contains Nava Rasa and ten represents Dasabatara. The artistes from Srjan, Art Vision, Nupur, Gunjan Dance Academy, Suravi, Utkal Sangita Mohavidayalaya and Orissa Dance Academy representing the Odissi Dance Confluence Aikatna. The dance was choreographed by Guru Aruna Mohanty and Guru Ratikanta Mohapatra and the script was prepared by Shri Kedar Mishra. -
Duke University Commencement ~ 2013
Sunday, the Twelfth of May, Two Thousand and Thirteen ten o’clock in the morning ~ wallace wade stadium Duke University Commencement ~ 2013 One Hundred Sixty-First Commencement Notes on Academic Dress Academic dress had its origin in the Middle Ages. When the European universities were taking form in the thirteenth and fourteenth centuries, scholars were also clerics, and they adopted Mace and Chain of Office robes similar to those of their monastic orders. Caps were a necessity in drafty buildings, and copes or capes with hoods attached were Again at commencement, ceremonial use is needed for warmth. As the control of universities made of two important insignia given to Duke gradually passed from the church, academic University in memory of Benjamin N. Duke. costume began to take on brighter hues and to Both the mace and chain of office are the gifts employ varied patterns in cut and color of gown of anonymous donors and of the Mary Duke and type of headdress. Biddle Foundation. They were designed and executed by Professor Kurt J. Matzdorf of New The use of academic costume in the United Paltz, New York, and were dedicated and first States has been continuous since Colonial times, used at the inaugural ceremonies of President but a clear protocol did not emerge until an Sanford in 1970. intercollegiate commission in 1893 recommended a uniform code. In this country, the design of a The Mace, the symbol of authority of the gown varies with the degree held. The bachelor’s University, is made of sterling silver throughout. It is thirty-seven inches long and weighs about gown is relatively simple with long pointed Significance of Colors sleeves as its distinguishing mark.