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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Shemaroo Entertainment Limited
DRAFT RED HERRING PROSPECTUS Dated September 19, 2011 Please read section 60B of the Companies Act, 1956 (This Draft Red Herring Prospectus will be updated upon filing with the RoC) 100% Book Building Issue SHEMAROO ENTERTAINMENT LIMITED Our Company was originally incorporated as a private limited company under the Companies Act, 1956 on December 23, 2005, with the name Shemaroo Holdings Private Limited. Subsequently, pursuant to a Scheme of Arrangement approved by the Hon’ble High Court of Bombay vide order dated March 7, 2008 and by the special resolution of our shareholders dated May 28, 2008, the name of our Company was changed to Shemaroo Entertainment Private Limited and a fresh certificate of incorporation was granted to our Company on June 3, 2008, by the RoC. Thereafter, pursuant to a special resolution of our shareholders dated March 26, 2011, our Company was converted to a public limited company and a fresh certificate of incorporation consequent to the change of status was granted on April 1, 2011, by the RoC. For further details in connection with changes in the name and registered office of our Company, please refer to the section titled “History and Certain Corporate Matters” on page 95 of this Draft Red Herring Prospectus. Registered and Corporate Office: Shemaroo House, Plot No.18, Marol Co-operative Industrial Estate, Off Andheri Kurla Road, Andheri East, Mumbai- 400059 Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 Contact Person and Compliance Officer: Mr. Ankit Singh, Company Secretary; Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 E-mail: [email protected]; Website: www.shemaroo.com PROMOTERS OF OUR COMPANY: MR. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small. -
51 International Film Festival of India, 2020
51st Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] 2020 51st International Film Festival of India, 2020 vkf/kdkfjd foojf.kdk: Hkkjrh; flusek Official Catalogue: Indian Cinema Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 vk;kstd & fQYe lekjksg funs'kky; lwpuk vkSj izlkj.k ea=ky;] Hkkjr ljdkj Organized by the Directorate of Film Festivals Ministry of Information and Broadcasting, Government of India 001 OFFICIAL CATALOGUE INDIAN CINEMA IFFI 2020 Festival Director: Chaitanya Prasad, Additional Director General Indian Panorama, Indian Sections & Administration: Tanu Rai, Deputy Director Editors: Shambhu Sahu (English), Pankaj Ramendu (Hindi) Assisted by: Kaushalya Mehra, Arvind Kumar, Kamlesh Kumar Rawat Festival Coordinator: Sarwat Jabin, Rudra Pratap Singh, Shyam R Raghavendran, Design & Creative Director: Mukesh Chandra Photograph (Jury): Photo Division Acknowledgements: NFAI/NFDC/Film Producers/Production Houses for providing the films and other related materials. We are also grateful to various film and festival publications/websites, the extracts from which have helped enrich this book. All views expressed in this publication are not necessarily that of the editor or of the IFFI Secretariat. Published by the Directorate of Film Festivals Ministry of Information & Broadcasting Government of India You can visit us at www.iffigoa.org. www.dif.gov.in Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 003 UNION MINISTER INFORMATION & BROADCASTING AND ENVIRONMENT, FOREST & CLIMATE CHANGE GOVERNMENT OF INDIA MESSAGE I welcome you all to the 51st edition of the International Film Festival of India. -
Adaptation of Shakespeare in Recent Bollywood Movies Dr
Adaptation of Shakespeare in Recent Bollywood Movies Dr. Charu C Mishra Assoc. Prof. (English) KG Arts & Science College Raigarh, Chhatisgarh India Abstract Thanks to our drama professor who initiated us to the sheer joy of reading the high flown language and acting in Shakespeare‟s plays that eventually left us spellbound for life. Watching Shakespeare‟s plays in theatre for the yester year English educated Indians has been a hobby. This infatuation with the greatest dramatist has led some Film directors to experiment on the themes of comedies and tragedies. In recent years, director Vishal Bhardwaj holds the credit of adapting themes of his great tragedies to contemporary situation and work wonder through his experimentation. Maqbool is a 2003 Indian crime drama, an adaptation of the play Macbeth. The film had its North American premiere at the 2003 Toronto International Film Festival and was screened in the Marché du Film section of the 2004 Cannes Film Festival. Bhardwaj then moved on to adapt Othello in his 2006 film Omkara which won him commercial as well as critical success and Francis Ford Coppola's attention. Haider is the third installment of Bhardwaj's Shakespearean trilogy. The film is a modern-day adaptation of William Shakespeare's tragedy Hamlet, set amidst the insurgency-hit Kashmir during conflicts of 1995 and civilian disappearances. The film was screened at the 19th Busan International Film Festival and released worldwide on 2 October 2014 to wide critical acclaim, and garnered attention from the media due to its controversial subject matter. The present paper intends to study how the movies inspired by Shakespeare still appeal 21st century audience to concur his universality in changing times. -
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Massive Blaze Sweeps Through Delhi Building, Leaves 43 Dead
Follow us on: RNI No. APENG/2018/764698 @TheDailyPioneer facebook.com/dailypioneer Established 1864 Published From NATION 5 MONEY 8 SPORTS 12 VIJAYAWADA DELHI LUCKNOW BHOPAL GOVT TO LAUNCH PMKVY-III INDIA IN GROWTH RECESSION; SHIVAM TAKES INDIA RAIPUR CHANDIGARH BHUBANESWAR NEXT FINANCIAL YEAR PMO EXTREME POWER CENTRE TO 170/7 RANCHI DEHRADUN HYDERABAD *Late City Vol. 2 Issue 38 VIJAYAWADA, MONDAY DECEMBER 9, 2019; PAGES 12 `3 *Air Surcharge Extra if Applicable BOBBY TAKES THE ‘EMOTION- AL' ROUTE { Page 11 } www.dailypioneer.com INDIAN-AMERICAN LAWMAKER ‘BILL WILL REDUCE INDIA TO NHRC TAKES STATEMENTS FROM EFFECTIVE POLICING WILL MAKE INTRODUCES RESOLUTION ON ‘K’ HINDUTVA VERSION OF PAKISTAN’ INJURED COPS, DISHA'S FAMILY WOMEN FEEL SAFE, SECURE: MODI Washington: Indian-American Congresswoman Pramila Jayapal has NEW DELHI: The passage of the Citizenship (Amendment) Bill in HYDERABAD: The seven-member National Human Rights Commission NEW DELHI: Prime Minister Narendra Modi on Sunday stressed on the introduced a Congressional resolution urging India to lift Parliament will mark the definitive victory of Mohammed Ali Jinnah's (NHRC) team on Sunday recorded the statements of role of effective policing in ensuring that women feel safe and secure. the restrictions on communications in Jammu and thinking over that of Mahatma Gandhi's, senior Congress leader Shashi Disha's family members and of S-I Venkateswarlu of His remarks came against the backdrop of recent cases of crimes Kashmir as swiftly as possible and preserve religious Tharoor said on Sunday, asserting that the exercise of Nandigama police and constable Arvind Goud, who against women which has triggered a public outcry. -
UTV's Metro Premières in World Metros
UTV’s Metro premières in world metros- Dubai, London, Melbourne, Mumbai this May The beats of Band Metro to travel across India as part of the film promotion. Mumbai April 24, 2007: From the euphoria of a fast paced life, to the breakdown of a short-lived relationship…it’s a journey everybody staying in metros across the world undertake daily. UTV’s film ‘Metro’ depicts this aspect, in director Anurag Basu’s signature style. The very aptly named ‘Metro’, which already has garnered brand associations worth Rs. 2.25 crs, releases worldwide on May 11 with a 3 continent première that includes metros like Dubai, London, Melbourne, Mumbai -first time for an Indian film. Starring Shilpa Shetty, Shiney Ahuja, Kay Kay Menon, Konkana Sen Sharma, Sharman Joshi, Kangna Ranaut, the film is about the thrills and shrills of being a metro citizen. The action does not stop here…also seen strumming the strings of the guitar will be Band Metro, a melting pot of musical talent that consists of Pritam (music director for Metro), James, Soham, Suhail, as they set out for a 4 city tour across India in cities like Kolkata, Delhi, Pune, Bangalore, where they would perform live at theatres, clubs, pubs to give the audience a slice of the film through music, which is an integral part of the film storyline. The film would be released online on Rajshri.com on the date of the theatrical release on May 11, 2007. Says Siddharth Roy Kapur, EVP – Marketing, Distribution & Syndication, UTV “We plan to take the film Metro across the globe as it’s the story of people living in a metro, they could be anywhere in the world. -
STAY AWAY, UNCLE SAM School on Tuesday Following a Com- Be Severely Affected As They Would Plaint from Parents
HYDERABAD � WEDNESDAY � APRIL 5, !"# � $%&!! � PA'ES (! � LA)E *I)Y EDI)I+N $OORDINATED BREACH OF SECURITY WHAT TO WATCH OUT FOR DO MOBILE APPS TEAM UP App behaviour1 hether intentional or not1 can pose a ■ $a%or ris/s could come from some of the least capable apps& A security breach1 depending on the /inds of apps you have1 flashlight app can share contacts1 location1 ith mal are apps 23,495 AND STEAL YOUR DATA? said 0ang -ang1 co4author of the research& +t as found ■ 5sers should read through the list of permissions re!uired Android apps collude and share information with each other that thousands of pairs of apps could lea/ sensitive phone before do nloading an application OF1LAKHMOSTPOPULARAPPSON on the sly, according to researchers from Virginia Tech or personal information to unauthorised apps ■ $any apps could be sharing your information unintentionally GOOGLE PLAY COULD LEAK DATA CHENNAI ■ MADURAI ■ VIJAYAWADA ■ BENGALURU ■ KOCHI ■ HYDERABAD ■ VISAKHAPATNAM ■ COIMBATORE ■ KOZHIKODE ■ THIRUVANANTHAPURAM ■ BELAGAVI ■ BHUBANESWAR ■ SHIVAMOGGA ■ TIRUCHY ■ TIRUPATI ■ MANGALURU ■ TIRUNELVELI ■ HUBBALLI ■ DHARMAPURI ■ KOTTAYAM ■ VILLUPURAM ■ KOLLAM ■ WARANGAL ■ NAGAPATTINAM ■ THRISSUR New H-1B visa CBSE EXAM rules shut doors School goofs up on entry-level on question programmers paper, case filed EXPRESS NEWS SERVICE EXPRESS NEWS SERVICE @Hyderabad THE Trump administration has I- what appears like a re$kless mis- reworked its H1B visa norms, a take on the part of a s$hool manage- move that is likely to hit entry- ment, as many as 24 Class-X students level software programmers from of a $ity s$hool were for$ed to answer India the hardest. -
Dual Edition
YEARS # 1 Indian American Weekly : Since 2006 VOL 15 ISSUE 13 ● NEW YORK / DALLAS ● MAR 26 - MAR 25 - APR 01, 2021 ● ENQUIRIES: 646-247-9458 ● [email protected] www.theindianpanorama.news THE INDIAN PANORAMA ADVT. FRIDAY MARCH 26, 2021 YEARS 02 We Wish Readers a Happy Holi YEARS # 1 Indian American Weekly : Since 2006 VOL 15 ISSUE 13 ● NEW YORK / DALLAS ● MAR 26 - MAR 25 - APR 01, 2021 ● ENQUIRIES: 646-247-9458 ● [email protected] www.theindianpanorama.news VAISAKHI SPECIAL EDITIONS Will Organize Summit of will bring out a special edition tomarkVAISAKHIon April 9. Democracies, says Biden Advertisementsmay please be booked by April 2, andarticles for publication may please besubmitted by March 30 to [email protected] "We've got to prove democracy works," he said. I.S. SALUJA First historic Mars WASHINGTON (TIP): President Joe Biden shared with media persons his helicopter flight on April 8: thoughts on a wide range of issues, and NASA also candidly answered their questions, March 25, at his first press conference The flight since assuming office on January model of NASA's 20.2021. Ingenuity During the press conference, Mr. Mars Biden remarked on and responded to Helicopter - questions regarding migrants at the Image: NASA / JPL U.S.-Mexico border, the COVID-19 contd on page 48 WASHINGTON (TIP): NASA will U.S. President Joe Biden holds his first formal attempt to fly Ingenuity mini << news conference as president in the East helicopter, currently attached to the Room of the White House in Washington, U.S., belly of Perseverance rover, on Mars March 25, 2021. -
Indian Cinema, Postcolonialism, and Social Justice: an Interview with Nandita Das1
Postcolonial Text, Vol 13, No 3 (2018) Indian Cinema, Postcolonialism, and Social Justice: An Interview with Nandita Das1 Manav Ratti Salisbury University, Maryland, USA Introduction Nandita Das (b. 1969) is one of India’s most eminent filmmakers and actors, renowned in particular for her work in art cinema (or parallel cinema, as it is also called in India), the genre of pioneering filmmakers Ritwik Ghatak (1925-1976), Satyajit Ray (1921-1992), Mrinal Sen (b. 1923), and Tapan Sinha (1924-2009). Das (Figure 1) has, in some respects, pursued an unconventional path into the Indian film industry, for it is not her first professional pursuit, and she does not hail from a film family (distinguished in their fields, her father, Jatin Das, is a painter; and her mother, Varsha Das, is a writer). Born in Mumbai and growing up in New Delhi, Das worked with NGOs for several years before entering the film industry, building on her Master’s degree from the Delhi School of Social Work in the University of Delhi. Fig. 1. Nandita Das at the Cannes Film Festival, 2017. Photo courtesy of Nandita Das Perhaps this unconventional, even outsider’s, path has informed Das’s use of films to question the norms of gender, religion, caste, sexuality, class, and nation, among others. Her work has gained recognition and respect for its uniqueness, urgency, awareness, and authenticity. Known for her social justice advocacy, Das’s national and international commitments span a range of issues, such as violence against women, children’s rights, HIV/AIDS, poverty, and interreligious harmony. She has supported India’s “Dark is Beautiful” campaign, which raises awareness about colourism, a form of prejudice and discrimination that devalues darker skin colours while privileging lighter ones.