Happy Easter! З Воскресінням Христовим!
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To Children I Give My Heart Vasily
TO CHILDREN I GIVE MY HEART VASILY SUKHOMLINSKY (Translated from the Russian by Holly Smith) From the Publishers Vasily Alexandrovich Sukhomlinsky (1918-1970) devoted thirty-five years of his short life to the upbringing and instruction of children. For twenty-nine years he was director of a school in the Ukrainian village of Pavlysh, far away from the big cities. For his work in education, he was awarded the titles of Hero of Socialist Labour and Merited Teacher of the Ukrainian SSR; and elected Corresponding Member of the Academy of Pedagogical Science of the USSR. What is the essence of Vasily Sukhomlinsky's work as an educator? Progressive educators have long tried to merge upbringing and instruction into one educational process. This dream was realized in the educational work of Sukhomlinsky. To see an individual in every school child - this was the essence of his educational method and a necessary requirement for anyone who hopes to raise and teach children. Vasily Sukhomlinsky showed in theory and practice that any healthy child can get a modern secondary education in an ordinary public school without any separation of children into group of bright and less bright. This was no new discovery. But he found the sensible mean that enable, the teacher to lead the child to knowledge in keeping with the national educational programme. The main thing for Sukhomlinsky was to awaken the child's desire to learn, to develop a taste for self-education and self-discipline. Sukhomlinsky studied each of his pupils, consulting with the other teachers and with the parents, comparing his own thoughts with the views of the great educators of the past and with folk wisdom. -
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917 Dissertation Presented in Partial Fulfillment of the Requirements for the Doctoral Degree of Philosophy in the Graduate School of The Ohio State University By Peter Thomas De Simone, B.A., M.A Graduate Program in History The Ohio State University 2012 Dissertation Committee: Nicholas Breyfogle, Advisor David Hoffmann Robin Judd Predrag Matejic Copyright by Peter T. De Simone 2012 Abstract In the mid-seventeenth century Nikon, Patriarch of Moscow, introduced a number of reforms to bring the Russian Orthodox Church into ritualistic and liturgical conformity with the Greek Orthodox Church. However, Nikon‘s reforms met staunch resistance from a number of clergy, led by figures such as the archpriest Avvakum and Bishop Pavel of Kolomna, as well as large portions of the general Russian population. Nikon‘s critics rejected the reforms on two key principles: that conformity with the Greek Church corrupted Russian Orthodoxy‘s spiritual purity and negated Russia‘s historical and Christian destiny as the Third Rome – the final capital of all Christendom before the End Times. Developed in the early sixteenth century, what became the Third Rome Doctrine proclaimed that Muscovite Russia inherited the political and spiritual legacy of the Roman Empire as passed from Constantinople. In the mind of Nikon‘s critics, the Doctrine proclaimed that Constantinople fell in 1453 due to God‘s displeasure with the Greeks. Therefore, to Nikon‘s critics introducing Greek rituals and liturgical reform was to invite the same heresies that led to the Greeks‘ downfall. -
Republic of Moldova - at the Confluence Between East and West 78
www.ceswp.uaic.ro Volume IX, Issue 2, 2017 EDITORIAL BOARD SCIENTIFIC BOARD Doina BALAHUR, Professor, Faculty of Philosophy, Alexandru Ioan Cuza University of Iasi, Romania Daniela Luminita CONSTANTIN, Professor, Bucharest University of Economic Studies, Romania/ President of the Romanian Regional Science Association Gabriela DRAGAN, Professor, Bucharest University of Economic Studies, Romania Gheorghe IACOB, Professor, Faculty of History, Alexandru Ioan Cuza University of Iasi, Romania Corneliu IATU, Professor, Alexandru Ioan Cuza University of Iasi, Romania Ion IGNAT, Professor, Faculty of Economics and Business Administration, Alexandru Ioan Cuza University of Iasi, Romania Vasile ISAN, Professor, Faculty of Economics and Business Administration, Alexandru Ioan Cuza University of Iasi, Romania Gheorghe LUTAC, Professor, Faculty of Economics and Business Administration, Alexandru Ioan Cuza University of Iasi, Romania Cosmin MARINESCU, Professor, Bucharest University of Economic Studies, Romania Dumitru MIRON, Professor, Bucharest University of Economic Studies, Romania Gabriela Carmen PASCARIU, Professor, Director of Centre for European Studies, Alexandru Ioan Cuza University of Iasi, Romania Carmen PINTILESCU, Professor, Faculty of Economics and Business Administration, Alexandru Ioan Cuza University of Iasi, Romania Alexandru-Florin PLATON, Professor, Faculty of History / Centre for European Studies, Alexandru Ioan Cuza University of Iasi, Romania Victor PLOAE, Professor, Ovidius University of Constanta, Romania Ion POHOATA, Professor, -
Technology Transfer: Innovative Solutions in Medicine
TECHNOLOGYTECHNOLOGY TRANSFER: TRANSFER:INNOVATIVE SOLUTIONS INNOVATIVE IN SOCIAL SOLUTIONS SCIENCES INAND MEDICINE HUMANITIES, 2019 1. Introduction UKRAINIAN VERSIONS OF CLASSIC PLOTS context of “the search” for the In the globalization era with AND CHARACTERS: ANENT THE QUESTION OF European canon. its tendency to unification of cul- THE EUROPEAN CANON tures, the interest in in-depth 2. Methods study of peculiarities of national Olga Teterina Achievements of historical literatures [1] is growing, and it PhD and comparative analysis, tech- permeates greatly the value of Department of Ukrainian Literature History, niques of culture-historical and comparative literary studies [2]. Theory of Literature and Literary Art receptive-aesthetic schools are In this context, analyzing from Institute of Philology of used in the paper. this perspective of traditional Taras Shevchenko National University of Kyiv plots and characters becomes 14 Shevchenko blvd., Kyiv, Ukraine, 10030 3. Results important too, it is one of the [email protected] Analyzing Ukrainian inter- top-priority problems of modern Abstract: The article focuses on the interpretation by pretations (T. Shevchenko, “The comparative studies [3, 4], which Y. Boyko-Blokhin, Ukrainian emigre literary critic, of Ukrain- Caucasus”; I. Franko, “The Death has long been investigating “his- ian versions of traditional plots and characters, his thoughts of Cain”; Lesya Ukrainka, “The torical patterns of functioning of are actualized with reflections of other researchers about the Stone Host”) of traditional for so-called universal characters … problem of European identity, and in particular with a vari- the world literature plots and in particular their structural ety of views on the European cultural heritage. -
Establishing National Identity in the Twentieth-Century China
ESTABLISHING NATIONAL IDENTITY IN THE TWENTIETH-CENTURY CHINA: TRACES OF RUSSIAN AND UKRAINIAN LITERATURE IN THE NEW CHINESE LITERATURE by VERONIKA KOROVIANSKA A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2018 THESIS APPROVAL PAGE Student: Veronika Korovianska Title: Establishing National Identity in the Twentieth-Century China: Traces of Russian and Ukrainian Literature in the New Chinese Literature This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies by: Roy Chan Chairperson Alison Groppe Member Susanna Lim Member and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2018. ii © 2018 Veronika Korovianska iii THESIS ABSTRACT Veronika Korovianska Master of Arts Interdisciplinary Studies Program: Asian Studies June 2018 Title: Establishing National Identity in the Twentieth-Century China: Traces of Russian and Ukrainian Literature in the New Chinese Literature Russian literature is traditionally regarded as one that served a model and guide for Chinese intellectuals in developing their national literature. It is also recognized that Eastern European literatures drew much attention of Chinese intellectuals in their quest for national identity and modernization. This thesis is aimed at providing a more detailed look at the Chinese-Slavic literary discourse of the 1920’s, focusing on Russian literature as a recognized literary “authority” of the time, and Ukrainian literature as an example of a literature of an oppressed nation, which went under both Russian and Eastern European “labels” at the time. -
SUSK Annual General Report 2018-19
SUSK Annual General Report 2018-19 Program Thursday, May 2, 2019 Friday, May 3, 2019 (cont.) 16:30-18:00 Registration Oseredok 17:00-18:00 Film: Putin’s Hostages Oseredok 184 Alexander Ave 18:00-19:30 Intros and Icebreakers Oseredok 18:00-22:00 Break/Free Time Introductions Overview of Congress Executive Reports 22:00 Pub Night Kingshead Pub 120 King St. 19:30-22:00 Amazing Race Around Winnipeg 22:00 Sing Along TBC Saturday, May 3, 2019 8:45-9:00 Breakfast Oseredok Friday, May 3, 2019 9:00-10:30 Panel: Professionalism Oseredok 8:30 Breakfast/ SUSK Oseredok & the Ukrainian Presidium Community Panelists: Iyvan Michalchyshyn, Carolyn Naz- 9:00-9:15 SUSK Financial Oseredok eravich, Patrick Kuzyk, Joan Lewandowski Overview Roman Grod, SUSK VP Finance 10:30-11:45 Networking with your Oseredok Community 9:15-10:15 USO 101 Oseredok Andrii Sherbuha & Valerii PaskoUkrainian Stephanie Nedoshytko, SUSK President Winnipeg Magazine Mikaila Ortynsky, SUSK Media Director 11:45-12:30 Lunch & SUSK Board of Oseredok 10:15-12:00 USO Report Activity Oseredok Directors Election 12:30-14:00 Postcards for Prisoners Oseredok 12:00-13:00 Lunch Oseredok Anastasia Leshchyshyn, Postcards for Prisoners: Ukrainian Political Prisoner Project 13:00-14:00 Mixed Messages: Oseredok 14:30-16:30 Tour of the Canadian 85 Israel Asper Canadian Journalists Human Rights Muesem Way reporting on Ukraine 16:30 The Forks & Free Time The Forks during the Holodomor Jars Balan, Director, Canadian Institute of Ukrainian Studies (University of Alberta) 21:30-1:00 Zabava UNF Hall 14:00-15:00 -
Urban Aspects of Theatre Architecture in Volyn Region
VIKTOR PROSKURYAKOV, OKSANA SINKEVYCH* Urban Aspects of Theatre Architecture in Volyn Region Abstract The article highlights the impact of theatre architecture and performing spaces on the urban planning and environment. The study covers major cities of Volyn region, Ukraine, and demonstrates that theatre and performing spaces have always been a core around which the city was developing. Keywords: theatre, town planning, exterior, theatre network, auditorium, location Volhynia is a historical and geographical region of West Ukraine. ry, namely the city Zhitomir that in 1796 became It borders on Podolia in the south, north Polissya on the north, the centre of the Volyn province of the Russian the Western Bug river on the west and the upper Teterev and Empire. We know that a theatre in Zhitomir was Uzh rivers in the east. Cultural development in this region has founded in 1809. The performances were given been significantly influenced by the neighboring countries, to mainly by Polish troupes. The theatre became which Volhynia belonged in the course of history. A variety of a significant part of the heart of the city. It was political, social and cultural conditions had a great influence on situated at the intersection of main transit routes the formation of architecture and the town-planning structure of leading to a number of cities not only in Volhynia, cities in Volyn region. The tradition of integrating theater facilities but the whole Western Ukraine [4]. into the structure of the city in Volyn region emerged in Kievan Since the building of a theatre gained specia- Rus [1]. We also know that the establishment of theatre in edu- lized features and developed as a public utility cational institutions reaches back to the end of the 16th century, institution, it has become a tradition to locate when the Greek-Ruthenian Academy in Ostroh was founded. -
Lviv Court Returns Guilty Verdicts in Case of 2002 Sknyliv Air Disaster
INSIDE:• President Viktor Yushchenko to receive the Liberty Medal — page 5. • County prosecutor discusses issue of human trafficking — page 9. • Ukrainian American Youth Association resort marks 50th anniversary — centerfold. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXIII HE KRAINIANNo. 27 THE UKRAINIAN WEEKLY SUNDAY, JULY 3, 2005 EEKLY$1/$2 in Ukraine T U Presidents Wof Ukraine and Poland Lviv court returns guilty verdicts unveil memorials at Lviv cemetery in caseby Zenon of Zawada 2002 Sknyliving maneuver air and walked disaster away from the Kyiv Press Bureau carnage physically unscathed. They left in their wake not only the dead, LVIV – Though it is expected in Ukraine among them 28 children, but also 292 that a man will refrain from crying in public, injured victims in what became the worst air Bohdan Onyschak, 50, couldn’t contain his show catastrophe in history. (Unofficial esti- tears in a Lviv courtroom on June 23. mates of the injured reached as high as 500.) A judge had been reading the 77 On June 24 a three-judge panel led by names of those who died in the Sknyliv Vitalii Zahoruyka laid blame for the catas- airfield catastrophe in 2002, and had trophe upon the pilots and their command- reached those of Mr. Onyschak’s daugh- ers, determining that they were careless in ter-in-law, two sons and granddaughter. handling their military responsibilities. “Onyschak, Iryna Volodymyrivna, born The court found four defendants guilty 1979, reason for death was severe and fatal of failing to execute orders, negligence trauma to head and internal organs; and violating flight rules. -
NEWSLETTER of Course in Ukraine2
Integration of Music - Speech - Movement - Dance as a Process of Intercultural Understanding 22nd International Summer Course of Encounter „Orff – Schulwerk“ From Monday, July 29th till Saturday, August 3rd 2019 in Ostrog / Ukraine Theme of the 5 days Seminar “Elemental Music and Dance Education inspired by the musical style and form of the Baroque” The goals of the seminary are the deepening and further development of the principles of holistic and elemental Music and Dance Pedagogy (for schools, music schools and other educational establishments). Introduced and transmitted by international Orff-Schulwerk Experts, this seminary is open for participants (students, teachers, educators, therapists) from all over the world. The official teaching language is English. Since 1996 this project permanently works out successful cooperations between Central and Eastern European countries. Changing themes build the bridge between elemental Music and Dance Education and the Arts. This time the course focuses on the music and dance from Baroque. Art-Teacher with special emphasis to the Orff-Pedagogy will create exciting opportunities to put the sophisticated music of the Baroque in an elemental and holistic context. Demonstrating ways, how music of artistic level can be implemented for an experience-oriented playful way already with small children. Cooperation and support: This international Master Class Course of Encounter 2019 is carried out in cooperation with the Ukrainian Orff Association and the National University of Ostroh Akademy. The course is supported by the Carl Orff Foundation and Studio49 - Orff-Instrumente Builder in Munich. The artistic and organizational team of this course is looking forward to welcome participants from all over the world at this International Orff-Master Class. -
Herein, from the Unpublished Biography of Senator Paul Yuzyk
1 Paul Yuzyk appointed to the Senate by the then Prime Minister of Canada, the Rt. Honourable John G. Diefenbaker, February 4, 1963. Ottawa, Canada, 2017 ALL RIGHTS RESERVED www.yuzyk.com On the occasion of the 150th Anniversary of Canada, this commemorative book has been printed in recognition of the pioneering legacy of the late Senator Paul Yuzyk, for his role as a nation builder in changing the face of Canada, and for his prediction that Canada would become a role model for multiculturalism, in the world. The family gratefully acknowledges the on-going support of the Ukrainian Canadian Congress (UCC). We are most appreciative of the funding provided by the Taras Shevchenko Foundation and the UNF Foundation for the printing of this book. We also would like to sincerely thank the biographers, Dr. R.B. Fleming and Dr. S. Cipko for their contribution in writing Chapter 6, included herein, from the unpublished biography of Senator Paul Yuzyk. Additional acknowledgements go to Canada Post for granting permission to reprint the commemorative Paul Yuzyk stamp (2013), for use, as our book cover. The design of the stamp was provided by the Ukrainian Collectible Society. We also thank Heritage Canada for Registration #6571 (given to T.G.Grasza) by the Canada 150 Bureau, permitting the use of their logo for this commemorative of P. Yuzyk. This book was compiled by Victoria Karpiak (nee Yuzyk). CONTENTS Maiden Speech – Canada: A Multicultural Nation March 3, 1964 .....................................................................................5 Champion For Multiculturalism – Dr. R.B. Fleming, Dr. S. Cipko...15 (1913 - 1986) ....................................................................................43 Photographs ......................................................................................47 The Senate of Canada 5 6 7 8 9 10 11 12 13 CHAPTER 6 From an unpublished biography of Paul Yuzyk Authors: Dr. -
Volume 40, Number 2 Fall 2013
PACIFIC SEABIRDS A Publication of the Pacific Seabird Group Volume 40, Number 2 Fall 2013 PACIFIC SEABIRD GROUP Dedicated to the Study and Conservation of Pacific Seabirds and Their Environment The Pacific Seabird Group (PSG) was formed in 1972 due to the need for better communication among Pacific seabird researchers. PSG provides a forum for the research activities of its members, promotes the conservation of seabirds, and informs members and the public of issues relating to Pacific Ocean seabirds and their environment. PSG members include research scientists, conservation professionals, and members of the public from all parts of the Pacific Ocean. The group also welcomes seabird professionals and enthusiasts in other parts of the world. PSG holds annual meetings at which scientific papers and symposia are presented; abstracts for meetings are published on our web site. The group is active in promoting conservation of seabirds, including seabird/fisheries interactions, monitoring of seabird populations, seabird restoration following oil spills, establishment of seabird sanctuaries, and endangered species. Policy statements are issued on conservation issues of critical importance. PSG’s journals are Pacific Seabirds (formerly the PSG Bulletin) and Marine Ornithology. Other publications include symposium volumes and technical reports; these are listed near the back of this issue. PSG is a member of the International Union for Conservation of Nature (IUCN), the Ornithological Council, and the American Bird Conservancy. Annual dues for membership are $30 (individual and family); $24 (student, undergraduate and graduate); and $900 (Life Membership, payable in five $180 installments). Dues are payable to the Treasurer; see the PSG web site, or the Membership Order Form next to inside back cover. -
The Stone Master”: on the Invisibility of Women’S Writing from the Soviet Ukrainian Periphery
“The Stone Master”: On the Invisibility of Women’s Writing from the Soviet Ukrainian Periphery Oleksandra Wallo University of Kansas Abstract: Until the last decade of the Soviet state’s existence, only very few Ukrainian women writers achieved literary fame. This study sheds new light on Soviet Ukrainian political, historical, and social contexts that contributed to the invisibility of Ukrainian women’s writing by examining the case of Lviv-based author Nina Bichuia (b. 1937). Bichuia’s career and the publication history of her works illustrate several characteristics and paradoxes of Soviet literary politics concerning the Soviet periphery—i.e., the non-Russian republics, such as Ukraine. In particular, this article analyzes the differences in permissible literary expression between Moscow the metropole, Kyiv, the centre of the Ukrainian periphery, and Lviv, the Western Ukrainian periphery. It considers gender politics and biases in the Soviet Ukrainian literary establishment and the strictures of the Soviet “Friendship of Peoples” discourse, which had a provincializing effect on Ukrainian literary production and the tastes of the reading public. The article offers a close reading of Bichuia’s last short story, “Kaminnyi hospodar” (“The Stone Master,” 1990), which reflects this author’s “final word” on the Soviet environment for writing literature in the Western Ukrainian periphery. By analyzing Bichuia’s use of important literary intertexts and employing recent theorizations about Soviet state discourse, I demonstrate how “The Stone Master” imaginatively represents and criticizes the regime of discursive monopoly established by the Soviet system. This regime is shown to force a Ukrainian female writer into silence, which can be strategic, but cannot result in greater literary visibility.