The Parallel Bible. New Testament (KJV) [1885]
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The Lonely Page
The Lonely Page Edited by Emily DeDakis © eSharp 2011 eSharp University of Glasgow Glasgow G12 8QQ http://www.gla.ac.uk/esharp © eSharp 2011 No reproduction of any part of this publication is permitted without the written permission of eSharp eSharp The Lonely Page Contents Introduction 5 Emily DeDakis, editor (Queen’s University Belfast) Suicide, solitude and the persistent scraping 10 Shauna Busto Gilligan (NUI Maynooth/ University of Glamorgan) Game: A media for modern writers to learn from? 20 Richard Simpson (Liverpool John Moores University) Imaginary ledgers of spectral selves: A blueprint of 29 existence Christiana Lambrinidis (Centre for Creative Writing & Theatre for Conflict Resolution, Greece) ‘The writing is the thing’: Reflections on teaching 36 creative writing Micaela Maftei (University of Glasgow) The solitude room 47 Cherry Smyth (University of Greenwich) How critical reflection affects the work of the writer 55 Ellie Evans (Bath Spa University) Beyond solitude: A poet’s and painter’s collaboration 66 Stephanie Norgate (University of Chichester) & Jayne Sandys-Renton (University of Sussex) Making the Statue Move: Balancing research within 81 creative writing Anne Lauppe-Dunbar (Swansea University, Wales) 3 eSharp The Lonely Page Two inches of ivory: Short-short prose and gender 92 Laura Tansley (University of Glasgow) The beginnings of solitude 102 David Manderson (University of West Scotland) An extract from the novel The Bridge 110 Karen Stevens (University of Chichester) Poems from the sequence Distance 116 Cath Nichols (Lancaster University) An extract from the novel Lost Bodies 120 David Manderson (University of West Scotland) From the poem Now you're a woman 126 Cherry Smyth (University of Greenwich) Parts One, Two and Three 127 Laura Tansley (University of Glasgow) Marthé 134 Barbara A. -
New to Hoopla
New to Hoopla - January 2014 A hundred yards over the rim Audiobook Rod Serling 00:37:00 2013 A most unusual camera Audiobook Rod Serling 00:38:00 2013 A murder in passing Audiobook Mark DeCastrique 08:35:00 2013 A sea of troubles Audiobook P. G. Wodehouse 00:30:00 2013 A short drink from a certain fountain Audiobook Rod Serling 00:39:00 2013 A small furry prayer Audiobook Steven Kotler 09:30:00 2010 A summer life Audiobook Gary Soto 03:51:00 2013 Accelerated Audiobook Bronwen Hruska 10:36:00 2013 American freak show Audiobook Willie Geist 05:00:00 2010 An amish miracle Audiobook Beth Wiseman 10:13:22 2013 An occurrence at owl creek bridge Audiobook Ambrose Bierce 00:28:00 2013 Andrew jackson's america: 1824-1850 Audiobook Christopher Collier 02:03:00 2013 Angel guided meditations for children Audiobook Michelle Roberton-Jones 00:39:00 2013 Animal healing workshop Audiobook Holly Davis 01:01:00 2013 Antidote man Audiobook Jamie Sutliff 08:23:00 2013 Ashes of midnight Audiobook Lara Adrian 10:00:00 2010 At the mountains of madness Audiobook H. P. Lovecraft 04:48:00 2013 Attica Audiobook Garry Kilworth 09:46:00 2013 Back there Audiobook Rod Serling 00:35:00 2013 Below Audiobook Ryan Lockwood 09:52:00 2013 Beyond lies the wub Audiobook Philip K. Dick 00:22:00 2013 Bittersweet love Audiobook Rochelle Alers 06:21:00 2013 Bottom line Audiobook Marc Davis 07:31:00 2013 Capacity for murder Audiobook Bernadette Pajer 07:52:00 2013 Cat in the dark Audiobook Shirley Rousseau Murphy 09:14:00 2013 Cat raise the dead Audiobook Shirley Rousseau Murphy -
John Exshaw.3
Page 27 JESS FRANCO, or THE MISFORTUNES OF VIRTUE John Exshaw El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters) Francisco Goya y Lucientes, Los Caprichos, plate 43, (17971798) In his book, Jess Franco: El sexo del horror, the Spanish film historian Carlos Aguilar closes a chapter with the following remark: “It is really true that, in his own way, Jesus Franco represents a damn peculiar case . .” (1) That Jess Franco can produce such a perplexed (and exasperated) response in a compatriot who was, after all, engaged in writing a booklength biographical and critical overview goes some way to illustrate the difficulties encountered in trying to come to grips with Jesús Franco Manera, a director whose staggering output of something like 180 films in fortyfive years contrives to make words like ‘maverick’, ‘obsessive’, ‘enigma’, or even ‘deranged’, seem sadly inadequate. Some might question whether it is worth “coming to grips” with Franco at all. His detractors are legion, and, despite the publication of three serious studies (2) and a veritable host of admiring magazine articles, it is fair to say that Franco and his films still fly well below the radar of respectable critical attention; considered, when considered at all, to be beneath both notice and contempt. In part, of course, this attitude is simply a hangover from what might be termed ‘La Plus longue nuit des auteurs’, the Cahiers du Cinémainspired revolution which, having done sterling work in elevating the importance of the Seventh Art, then proceeded, like an earlier French Revolution, to overstay its welcome, descending into a kind of intellectual Terror in which certain directors of genre films were elevated to the Pantheon (particularly if they laboured in the more obscure depths of the Hollywood system) while others (mainly European) were simply ignored. -
Twilight Zone Series 3: Shadows and Substance Checklist
Twilight Zone Series 3: Shadows and Substance Checklist Base Cards # Card Title [ ] 145 A Quality of Mercy [ ] 146 A Quality of Mercy [ ] 147 A Quality of Mercy [ ] 148 A Quality of Mercy [ ] 149 A Quality of Mercy [ ] 150 A Quality of Mercy [ ] 151 A Game of Pool [ ] 152 A Game of Pool [ ] 153 A Game of Pool [ ] 154 A Game of Pool [ ] 155 A Game of Pool [ ] 156 A Game of Pool [ ] 157 The Dummy [ ] 158 The Dummy [ ] 159 The Dummy [ ] 160 The Dummy [ ] 161 The Dummy [ ] 162 The Dummy [ ] 163 I am the Night-Color Me Black [ ] 164 I am the Night-Color Me Black [ ] 165 I am the Night-Color Me Black [ ] 166 I am the Night-Color Me Black [ ] 167 I am the Night-Color Me Black [ ] 168 I am the Night-Color Me Black [ ] 169 Execution [ ] 170 Execution [ ] 171 Execution [ ] 172 Execution [ ] 173 Execution [ ] 174 Execution [ ] 175 A Passage for Trumpet [ ] 176 A Passage for Trumpet [ ] 177 A Passage for Trumpet [ ] 178 A Passage for Trumpet [ ] 179 A Passage for Trumpet [ ] 180 A Passage for Trumpet [ ] 181 Of Late I Think of Cliffordville [ ] 182 Of Late I Think of Cliffordville [ ] 183 Of Late I Think of Cliffordville [ ] 184 Of Late I Think of Cliffordville [ ] 185 Of Late I Think of Cliffordville [ ] 186 Of Late I Think of Cliffordville [ ] 187 Of Late I Think of Cliffordville [ ] 188 Of Late I Think of Cliffordville [ ] 189 Of Late I Think of Cliffordville [ ] 190 Jess-Belle [ ] 191 Jess-Belle [ ] 192 Jess-Belle [ ] 193 Jess-Belle [ ] 194 Jess-Belle [ ] 195 Jess-Belle [ ] 196 Jess-Belle [ ] 197 Jess-Belle [ ] 198 Jess-Belle [ ] 199 The Parallel -
The Poetic Theory and Practice of Langston Hughes
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 The Poetic Theory and Practice of Langston Hughes Philip M. Royster Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Royster, Philip M., "The Poetic Theory and Practice of Langston Hughes" (1974). Dissertations. 1439. https://ecommons.luc.edu/luc_diss/1439 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Philip M. Royster THE POETIC THEORY AND PRACTICE OF LANGSTON HUGHES by Philip M. Royster A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy February 1974 -- TABLE OF CONTENTS Page PREFACE ii LIFE .. iii Chapter I. THE POETIC THEORY OF LANGSTON HUGHES 1 A. Approach and Capture . 1 B. The Emotion and Rhythm of Experience . 5 c. The Function of Poetry . 18 D. The Nature of the Artist . 39 E. The Intention of the Artist. 48 F. Materials for the Artist . 67 Chapter .II. THE TECHNIQUES OF LANGSTON HUGHES' POETRY • • . 73 A •• The Weary Blues • . • • • • • • • • • 74 B. • Fine Clothes to the Jew • . • • • • • . 120 c. Dear Lovely Death. • • • • • . • • 170 D. The Negro Mother . • • 178 E. The Dream Keeper . -
Season4article.Pdf
N.B.: IT IS RECOMMENDED THAT THE READER USE TWO-PAGE VIEW IN ACROBAT READER OR BROWSER. VIEW/PAGE DISPLAY/TWO-PAGE VIEW (BOOK FORMAT) and ENABLE SCROLLING “EVENING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” (minus ‘The’)” A Study in Three Parts by Andrew Ramage © 2019 The Twilight Zone Museum. All rights reserved. Author permissions are required to reprint all or part of this work. www.twilightzonemuseum.com * www.facebook.com/twilightzonemuseum Preface At this late date, little has not been said about The Twilight Zone. It’s often imitated, appropriated, used – but never remotely matched. From its quiet and decisively non-ostentatious beginnings, it steadily grew into its status as an icon and televisional gemstone…and not only changed the way we looked at the world but became an integral part of it. But this isn’t to say that the talk of it has been evenly distributed. Certain elements, and full episodes, of the Rod Serling TV show get much more attention than others. Various characters, plot elements, even plot devices are well-known to many. But I dare say that there’s a good amount of the series that remains unknown to the masses. In particular, there has been very much less talk, and even lesser scholarly treatment, of the second half of the series. This “study” is two decades in the making. It started from a simple episode guide, which still exists. Out of it came this work. The timing is right. In 2019, the series turns sixty years old. -
The Parallel Gulag North Korea’S “An-Jeon-Bu” Prison Camps
THE PARALLEL GULAG NORth Korea’s “AN-JEON-BU” PrisoN CAMPS DAVID HAWK With AMANDA MORTWEDT OH H R N K THE PARALLEL GULAG NORth Korea’s “AN-JEON-BU” PrisoN CAMPS H R N K DAVID HAWK With AMANDA MORTWEDT OH *The symbol on the cover is the uniform insignia of the “An-jeon-bu,” translated as the Ministry of People’s Security, North Korea’s police force that administers the kyo-hwa-so prison system through its Prisons Bureau. Copyright © 2017 Committee for Human Rights in North Korea Printed in the United States of America. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior permission of the Committee for Human Rights in North Korea, except in the case of brief quotations embodied in criti- cal reviews and certain other noncommercial uses permitted by copyright law. Committee for Human Rights in North Korea 1001 Connecticut Avenue, NW, Suite 435 Washington, DC 20036 P: (202) 499-7970 www.hrnk.org ISBN: 978-0-9995358-0-6 Library of Congress Control Number: 2017957916 BOARD OF DIRECTORS Gordon Flake, Co-Chair Jack David Katrina Lantos Swett, Co-Chair Paula Dobriansky John Despres, Co-Vice-Chair Nicholas Eberstadt Suzanne Scholte, Co-Vice-Chair Carl Gershman Helen-Louise Hunter, Secretary Stephen Kahng Kevin McCann, Treasurer David Kim Roberta Cohen, Co-Chair Emeritus Robert King Andrew Natsios, Co-Chair Emeritus Debra Liang-Fenton Morton Abramowitz Winston Lord Jerome Cohen David Maxwell Lisa Colacurcio Marcus Noland Rabbi Abraham Cooper Jacqueline Pak Greg Scarlatoiu, Executive Director TABLE OF CONTENTS About the Committee for Human Rights in North Korea (HRNK) ........................................................................................... -
Super! Drama TV March 2021
Super! drama TV March 2021 Note: #=serial number [J]=in Japanese 2021.03.01 2021.03.02 2021.03.03 2021.03.04 2021.03.05 2021.03.06 2021.03.07 Mon Tue Wed Thu Fri Sat Sun 06:00 06:00 THE TWILIGHT ZONE Season 3 06:00 THE TWILIGHT ZONE Season 3 06:00 THE TWILIGHT ZONE Season 3 06:00 THE TWILIGHT ZONE Season 3 06:00 THE TWILIGHT ZONE Season 3 06:00 06:00 THE TWILIGHT ZONE Season 3 06:00 TWILIGHT ZONE Season 4 06:00 #26「Little Girl Lost」 #28「The Little People」 #30「Hocus-Pocus and Frisby」 #32「The Gift」 #34「Young Man's Fancy」 #36「Cavender is Coming」 #1 「In His Image」 06:30 06:30 THE TWILIGHT ZONE Season 3 06:30 THE TWILIGHT ZONE Season 3 06:30 THE TWILIGHT ZONE Season 3 06:30 THE TWILIGHT ZONE Season 3 06:30 THE TWILIGHT ZONE Season 3 06:30 06:30 THE TWILIGHT ZONE Season 3 06:30 #27「Person or Persons Unknown」 #29「Four O'Clock」 #31「The Trade-Ins」 #33「The Dummy」 #35「I Sing the Body Electric」 #37「The Changing of the Guard」 07:00 07:00 CRIMINAL MINDS Season 7 07:00 CRIMINAL MINDS Season 7 07:00 CRIMINAL MINDS Season 7 07:00 CRIMINAL MINDS Season 7 07:00 CRIMINAL MINDS Season 7 07:00 07:00 STAR TREK Season 1 07:00 THUNDERBIRDS 07:00 #4 #5 #6 #7 #8 #16 #11 「Painless」 「From Childhood's Hour」 「Epilogue」 「There's No Place Like Home」 「Hope」 「The Galileo Seven」 「SUN PROBE」 07:30 07:30 07:30 08:00 08:00 SUPERNATURAL Season 13 08:00 SUPERNATURAL Season 13 08:00 SUPERNATURAL Season 13 08:00 SUPERNATURAL Season 13 08:00 SUPERNATURAL Season 13 08:00 08:00 ULTRAMAN towards the future 08:00 THUNDERBIRDS 08:00 #19 #20 #21 #22 #23 #4「the storm hunter」 #12 「Funeralia」 -
Writing the Empirical Journal Article Daryl J
Writing the Empirical Journal Article Daryl J. Bem Cornell University Planning Your Article. 2 Which Article Should You Write? 2 Analyzing Data 2 Reporting the Findings 2 How Should You Write? 3 For Whom Should You Write? 3 Writing Your Article 4 The Shape of An Article 4 The Introduction 4 The Opening Statements 4 Examples of Examples 5 The Literature Review 5 Citations 6 Criticizing Previous Work 6 Ending the Introduction 6 The Method Section 6 The Results Section 7 Setting the Stage 7 Presenting the Findings 8 Figures and Tables 9 On Statistics 9 The Discussion Section 9 The Title and Abstract 10 Rewriting and Polishing Your Article 11 Some Matters of Style 12 Omit Needless Words 12 Avoid Metacomments on the Writing 13 Use Repetition and Parallel Construction 13 Jargon 14 Voice and Self-Reference 14 Tense 14 Avoid Language Bias 14 Research Participants 14 Sex and Gender 14 Racial and Ethnic Identity 15 Sexual Orientation 15 Disabilities 16 Common Errors of Grammar and Usage 16 Compared with versus Compared to 16 Data 16 Different from versus Different than 16 Since versus Because 16 That versus Which 16 While versus Although, But, Whereas 16 Publishing Your Article 16 References 17 A version of this article appears in Darley, J. M., Zanna, M. P., & Roediger III, H. L. (Eds) (2003). The Compleat Academic: A Practical Guide for the Beginning Social Scientist, 2nd Edition. Washington, DC: American Psychological Association. Writing the Empirical Journal Article 2 the tenure ladder, the more remote he or she typically You have conducted a study and analyzed the data. -
The Centrality of Stowe's Uncle Tom's Cabin in African American Artistic
SIGNIFYING (RE)VISIONS: ANXIETIES OF MASCULINITY IN AFRICAN AMERICAN MALE ARTISTIC RESPONSES TO HARRIET BEECHER STOWE’S UNCLE TOM’S CABIN by Ayoade Joy Asekun Stafford, Virginia M.A. English Literature, University of Tennessee, 1998 B.A English Literature, Lagos State University, 1987 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August 2015 i UNIVERSITY OF VIRGINIA ABSTRACT Signifying (Re)visions: Anxieties of Masculinity in African American Male Artistic Responses to Harriet Beecher Stowe’s Uncle Tom’s Cabin by Ayoade Joy Asekun Chairperson of the Supervisory Committee:Professor Stephen Railton Department of English From the moment of its publication in 1852, Harriet Beecher Stowe’s Uncle Tom’s Cabin was a cultural phenomenon that generated much heated debate about slavery, race, and black masculinity. Indeed, the enduring power and importance of this novel and its central black male figure, Uncle Tom, is reflected in the fact that over 150 years later its influence is still felt in literary and cultural discourses on race and black masculinity. Stowe’s novel, as I argue, has been a particularly burdensome text for African American men who believe that Stowe's characterization of Uncle Tom as a stoic Christian and "nurturing" slave feminizes, and thus, emasculates him, and by extension them. I contend that this feminization and perceived masculine lack in Uncle Tom produces in African American men anxieties of masculinity that catalyze a need to respond to Stowe’s portrayal of black masculinity and heroism, and then proffer their own visions of black manhood. -
Fontaine Lien
UNIVERSITY OF CALIFORNIA RIVERSIDE The Intrusion Story and Lessons From the Fantastic: A Cross-Cultural Study A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Fontaine Lien December 2014 Dissertation Committee: Dr. Lisa Raphals, Chairperson Dr. Heidi Brevik-Zender Dr. Rob Latham Copyright by Fontaine Lien 2014 The Dissertation of Fontaine Lien is approved: Committee Chairperson University of California, Riverside Acknowledgments First, I owe a tremendous debt of gratitude to my dissertation committee: Dr. Lisa Raphals, Dr. Heidi Brevik-Zender, and Dr. Rob Latham. Thank you for your unwavering support even when I felt I could not continue, and for patiently guiding me with your expertise. I am grateful to the University of California, Riverside, which supported my graduate studies with a Chancellor’s Distinguished Fellowship. I am also grateful to the professors and mentors at that institution, who have taught me so much: Dr. Michelle Bloom, Dr. Johannes Endres, Dr. Kelle Truby, Shuliang Hsu, Dr. Han-Hua Chao, Dr. Sabine Doran, Dr. John Namjun Kim, Dr. Stephanie Hammer, Reiko Sato, Dr. Georg M. Gugelberger, Dr. Yenna Wu, Dr. Perry Link, and Dr. Yang Ye. In addition, special mention needs to go to my professors from the University of California, Los Angeles, Dr. David Schaberg and Dr. Miranda Johnson-Haddad, who got me started on this path. I would like to thank my parents, who were unfailing supportive and never prodded me to pursue a more traditionally lucrative career. I would also like to thank my constant friends, especially Michelle Tawada, Annabelle Chou, Chenshu Zhou, Sue Hertzog, Hongjian Wang, Chris Huang, Flannery Wilson, and Anne Savitch, who remain unwavering despite seeing me at my worst, who believed in me when I did not. -
Twlight Zone Episode Guide
a Ed Wynn in One For The Angels EPISODE GUIDE ESCAPE CLAUSE JUDGMENT NIGHT Writer: Rod Serling. Director: Mitch Leisen. Cast: Writer: Rod Serling. Director: John Brahm. Cast: Compiled by GARY GERANI, David Wayne, Virginia Christine, Wendell Holmes, Nehemiah Persoff, Ben Wright, Patrick McNee, Bradley Deirdre Owen, author of Fantastic Television Thomas Gomez. Hugh Sanders, Leslie James Franciscus. A hypochondriac makes a pact with the Devil Murky tale about a passenger aboard a war- for immortality. He then kills someone for First Season: 1959-60 time freighter who is certain the ship will be kicks, but instead of getting the electric chair, sunk at 1:15A.M. he is sentenced to life imprisonment! WHERE IS EVERYBODY? Writer: Rod Serling. Director: Robert Stevens. AND WHEN THE SKY WAS Cast: Earl Holliman, James Gregory. THE LONELY Writer: Rod Serling. Director: Jack Smight. Cast: Pilot show for the series concerns a man who OPENED Jack Warden, Jean Marsh, John Dehner, Ted Writer: Rod Serling. Director: Douglas Heyes. finds himself in a completely deserted city. In Knight, JimTurley. Cast: Rod Taylor, Charles Aidman, James Hutton, the end, we learn that it was all a test to ob- This classic episode concerns one James Maxine Cooper. serve how human beings will respond to ex- Corry (Warden), a man convicted of murder After three astronauts return from man's first treme loneliness during space flights. This and sentenced to spend forty years on a dis- space flight, each of them mysteriously dis- was the only episode shot at Universal tant asteroid. He has only one companion— appears.