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The Total Work of Art in European Modernism Series Editor: Peter Uwe Hohendahl, Cornell University
The Total Work of Art in European Modernism Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broadest terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. The Total Work of Art in European Modernism David Roberts A Signale Book Cornell University Press and Cornell University Library Ithaca, New York Cornell University Press and Cornell University Library gratefully acknowledge the support of The Andrew W. Mellon Foundation for the publication of this volume. Copyright © 2011 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writ- ing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2011 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Roberts, David, 1937– The total work of art in European modernism / David Roberts. p. cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-5023-5 (pbk. : alk. paper) 1. Modernism (Aesthetics) 2. -
The Night Operation on the Passchendaele Ridge, 2Nd December 1917
Centre for First World War Studies A Moonlight Massacre: The Night Operation on the Passchendaele Ridge, 2nd December 1917 by Michael Stephen LoCicero Thesis submitted to The University of Birmingham for the Degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts & Law June 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The Third Battle of Ypres was officially terminated by Field Marshal Sir Douglas Haig with the opening of the Battle of Cambrai on 20 November 1917. Nevertheless, a comparatively unknown set-piece attack – the only large-scale night operation carried out on the Flanders front during the campaign – was launched twelve days later on 2 December. This thesis, a necessary corrective to published campaign narratives of what has become popularly known as „Passchendaele‟, examines the course of events from the mid-November decision to sanction further offensive activity in the vicinity of Passchendaele village to the barren operational outcome that forced British GHQ to halt the attack within ten hours of Zero. A litany of unfortunate decisions and circumstances contributed to the profitless result. -
«Nirgends Sünde, Nirgends Laster»
Ute Kröger «NIRGENDS SÜNDE, NIRGENDS LASTER» Zürich inspiriert Literaten Mit Texten von Hugo Ball, Johannes R. Becher, Claus Bremer, Max Brod, Elias Canetti, Paul Celan, Walter Matthias Diggelmann, Alfred Döblin, Friedrich Dürrenmatt, Kasimir Edschmid, Nanny von Escher, Robert Faesi, Max Frisch, Manuel Gasser, Friedrich Glauser, Johann Wolfgang Goethe, Kurt Guggenheim, Alexander Xaver Gwerder, Max Herrmann-Neisse, David Hess, Peter Hille, Hans Rudolf Hilty, Rudolf Jakob Humm, Meinrad Inglin, James Joyce, Franz Kafka, Ossip Kalenter, Gottfried Keller, Egon Erwin Kisch, Klabund, Friedrich Gottlieb Klopstock, Arnold Kübler, Meinrad Lienert, Hugo Loetscher, Klaus Mann, Thomas Mann, Nikiaus Meienberg, Conrad Ferdinand Meyer, Oskar Panizza, Joachim Ringelnatz, Max Rychner, Salomon Schinz, Barbara Schulthess, Mario Soldati, Tom Stoppard, Fridolin Tschudi, Grete von Urbanitzky, Richard Wagner, Robert Walser, Maria Waser, PaulWehrli, Ernst Zahn, Albin Zollinger Limmat Verlag Zürich Inhalt Vorwort 10 jm 800 Meinrad Lienert Grundstein für die Wasserkirche 12 Kaiser Karl der Grosse, die Schlange und der Hirsch m 1650 Conrad Ferdinand Meyer Liebesabenteuer auf der Au 18 Der Schuss von der Kanzel rn 1700 Maria Waser Nur fort aus dem Krähennest 32 Die Geschichte der Anna Waser 1750 Friedrich Gottlieb Klopstock Liebeleien auf dem See 44 Der Zürcher See 1774 Salomen Sclunz Aufgeklärte Botanik 50 Die Reise auf den Uethberg 1775 Johann Wolfgang Goethe Skandal um Nackte im Sihlwald 64 Dichtung und Wahrheit m 1780 Robert Faesi Revoluzzer auf dem Lindenhof -
To Examine the Horrors of Trench Warfare
TRENCH WARFARE Objective: To examine the horrors of trench warfare. What problems faced attacking troops? What was Trench Warfare? Trench Warfare was a type of fighting during World War I in which both sides dug trenches that were protected by mines and barbed wire Cross-section of a front-line trench How extensive were the trenches? An aerial photograph of the opposing trenches and no-man's land in Artois, France, July 22, 1917. German trenches are at the right and bottom, British trenches are at the top left. The vertical line to the left of centre indicates the course of a pre-war road. What was life like in the trenches? British trench, France, July 1916 (during the Battle of the Somme) What was life like in the trenches? French soldiers firing over their own dead What were trench rats? Many men killed in the trenches were buried almost where they fell. These corpses, as well as the food scraps that littered the trenches, attracted rats. Quotes from soldiers fighting in the trenches: "The rats were huge. They were so big they would eat a wounded man if he couldn't defend himself." "I saw some rats running from under the dead men's greatcoats, enormous rats, fat with human flesh. My heart pounded as we edged towards one of the bodies. His helmet had rolled off. The man displayed a grimacing face, stripped of flesh; the skull bare, the eyes devoured and from the yawning mouth leapt a rat." What other problems did soldiers face in the trenches? Officers walking through a flooded communication trench. -
Program of the 76Th Annual Meeting
PROGRAM OF THE 76 TH ANNUAL MEETING March 30−April 3, 2011 Sacramento, California THE ANNUAL MEETING of the Society for American Archaeology provides a forum for the dissemination of knowledge and discussion. The views expressed at the sessions are solely those of the speakers and the Society does not endorse, approve, or censor them. Descriptions of events and titles are those of the organizers, not the Society. Program of the 76th Annual Meeting Published by the Society for American Archaeology 900 Second Street NE, Suite 12 Washington DC 20002-3560 USA Tel: +1 202/789-8200 Fax: +1 202/789-0284 Email: [email protected] WWW: http://www.saa.org Copyright © 2011 Society for American Archaeology. All rights reserved. No part of this publication may be reprinted in any form or by any means without prior permission from the publisher. Program of the 76th Annual Meeting 3 Contents 4................ Awards Presentation & Annual Business Meeting Agenda 5………..….2011 Award Recipients 11.................Maps of the Hyatt Regency Sacramento, Sheraton Grand Sacramento, and the Sacramento Convention Center 17 ................Meeting Organizers, SAA Board of Directors, & SAA Staff 18 ............... General Information . 20. .............. Featured Sessions 22 ............... Summary Schedule 26 ............... A Word about the Sessions 28…………. Student Events 29………..…Sessions At A Glance (NEW!) 37................ Program 169................SAA Awards, Scholarships, & Fellowships 176................ Presidents of SAA . 176................ Annual Meeting Sites 178................ Exhibit Map 179................Exhibitor Directory 190................SAA Committees and Task Forces 194…….…….Index of Participants 4 Program of the 76th Annual Meeting Awards Presentation & Annual Business Meeting APRIL 1, 2011 5 PM Call to Order Call for Approval of Minutes of the 2010 Annual Business Meeting Remarks President Margaret W. -
Klirnt and Schiele Stephan Kleinschuster May 6, 1997 AR592
The Evolution of Expressionism In Turn-of-the-Century Vienna: Klirnt and Schiele Stephan Kleinschuster May 6, 1997 AR592 1 1 Until 1897, Classicism in Viennese high art had served as a mimetic construct of the elite society who were both art's staunchest supporters and the purveyors of moral and philosophical values that served as it's staple of judgment. In the following years, from 1898 to 1918, were revolutions of both natures, political and philosophical. The artistic transformation from the Classicism of the Habsburg Monarchy to the expressionism of the Cafe "Nihilism" could be seen most obviously in two of Vienna's foremost artists of the time, Gustav Klimt and Egon Schiele. This paper seeks to compare and contrast the works of these two artists who seem to crystallize the moral, social, political, and artistic upheaval of early Twentieth Century Vienna. It lS fitting that Gustav Klimt and Egon Schiele died six months from one another, both of the Spanish influenza, and both in 1918. It is important to note that even though stylistic variables call for their ultimate contrast, they loved and admired one another, and they both stood for the values that defined Secessionism. Their proximity in philosophy makes it all the more profound to discover their differences. In Klimt came classical objectivity housed in a contemporary conceptual framework. In Schiele came the shift to brutal subjectivity that pushed the limits of this framework. Even though, as will be discussed, the similarity of the subject matter seems to remain a constant, the execution becomes the variable upon which the change becomes dependent. -
German Ecocriticism an Overview
Citation for published version: Goodbody, A 2014, German ecocriticism: an overview. in G Garrard (ed.), The Oxford Handbook of Ecocriticism. Oxford Handbooks of Literature, Oxford University Press, Oxford, U. K., pp. 547-559. Publication date: 2014 Document Version Early version, also known as pre-print Link to publication University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 ‘German Ecocriticism: An Overview’1 Axel Goodbody (for Oxford Handbook of Ecocriticism, ed. Greg Garrard) The contrast between the largely enthusiastic response to ecocriticism in the Anglophone academy and its relative invisibility in the German-speaking world is a puzzle. Why has it yet to gain wider recognition as a field of literary study in Germany, Austria and Switzerland, countries in whose philosophy and cultural tradition nature features so prominently, whose people are shown by international surveys of public opinion to show a high degree of environmental concern, and where environmental issues rank consistently high on the political agenda? One reason may be that German scientists, political thinkers and philosophers have been pioneers in ecology since Humboldt and Haeckel, and non-fiction books have served as the primary medium of public debate on environmental issues in Germany. -
Programm Colloquium Ab/From 05.10. 2010, 11.00 – 12.30 Am (Stand/Version: 28.07.2011)
Programm Colloquium Lichtenberg-Kolleg 2010/11 Programm Colloquium ab/from 05.10. 2010, 11.00 – 12.30 am (Stand/Version: 28.07.2011) Im Colloquium wird den jeweiligen Vortragenden die Wahl der Sprache überlassen. Die Fellows benutzen Deutsch oder Englisch, je nachdem welche Sprache sie am besten beherrschen. Alle Fellows verstehen Englisch, die meisten auch Deutsch. Der Titel des jeweiligen Vortrags gibt an, in welcher Sprache dieser gehalten wird. Speakers in the colloquium choose the language of the presentation. The fellows use German or English, depending on which language they know best. All Fellows understand English, most fellows understand German. The title of the presentation indicates the language that is used. 05.10.2010 Introduction of Fellows and Associates and their research projects. Tour of the Historic Observatory 12.10.2010 Dr. Camilla Adang (Senior Lecturer in Arabic and Islamic Studies at Tel Aviv University/Israel; Fellow Lichtenberg-Kolleg 2010/11): Burning books in the medieval Islamic West: The actors and their motives Introduction and Chair: Prof. Dr. Dagmar Coester-Waltjen (Lichtenberg-Kolleg, Göttingen) 19.10.2010 Prof. Jason Mittell (Associate Professor of American Studies and Film & Media Culture, Middlebury College, VT/USA, Invited Fellow Lichtenberg-Kolleg 2011/12): Media Studies as an Inter-discipline Introduction and Chair: Prof. Dr. Frank Kelleter (American Studies, Göttingen) 26.10.2010 Dr. Fabienne Jourdan (Centre Lenain de Tillemont, CNRS/Université Paris IV/Frankreich; Fellow Lichtenberg-Kolleg 2010/11): Das Übel und das Böse bei Platon und im Platonismus des 1. bis 3. Jahrhunderts n. Chr. Vorstellung des Forschungsprojekts und Überlegungen über die Begriffs- und Themenprobleme Vorstellung und Moderation: Jun. -
Mass Culture and Individuality in Hermann Broch’S Late Works
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sunderland University Institutional Repository MASS CULTURE AND INDIVIDUALITY IN HERMANN BROCH’S LATE WORKS JANET PEARSON A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy. APRIL 2015 i Abstract Mass Culture and Individuality in Hermann Broch’s Late Works Janet Pearson This thesis explores Hermann Broch’s thought regarding the relationship between the individual and the mass, in an age of mass-culture. Broch, an Austrian-Jewish intellectual, who emigrated to America in 1938, discussed ideas upon this theme in theoretical essays, including a theory of mass hysteria (Massenwahntheorie) as well as his fictional The Death of Virgil (Der Tod des Vergil). In the study, the analysis of his theoretical work shows that Broch’s views regarding the masses differ from those of other theorists contemporary to him (Le Bon, Freud and Canetti), in that they are closely linked to his theory of value. It also establishes that his ideas about individuality reach back to the earliest philosophers, and that he perceived this dimension of human existence to be changing, through the development of ‘ego- consciousness’. Building upon this, the textual analysis of the Virgil demonstrates that Broch finds similarities between his own era and the age of Augustus, but also indicates that the concept of individuality portrayed in the work goes beyond that discussed in his theoretical writing and points towards a new role for art in the post-industrial age. -
The Significance of the Ancient Standing Stones, Villages, Tombs on Orkney Island
The Proceedings of the International Conference on Creationism Volume 5 Print Reference: Pages 561-572 Article 43 2003 The Significance of the Ancient Standing Stones, Villages, Tombs on Orkney Island Lawson L. Schroeder Philip L. Schroeder Bryan College Follow this and additional works at: https://digitalcommons.cedarville.edu/icc_proceedings DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Browse the contents of this volume of The Proceedings of the International Conference on Creationism. Recommended Citation Schroeder, Lawson L. and Schroeder, Philip L. (2003) "The Significance of the Ancient Standing Stones, Villages, Tombs on Orkney Island," The Proceedings of the International Conference on Creationism: Vol. 5 , Article 43. Available at: https://digitalcommons.cedarville.edu/icc_proceedings/vol5/iss1/43 THE SIGNIFICANCE OF THE ANCIENT STANDING STONES, VILLAGES AND TOMBS FOUND ON THE ORKNEY ISLANDS LAWSON L. SCHROEDER, D.D.S. PHILIP L. SCHROEDER 5889 MILLSTONE RUN BRYAN COLLEGE STONE MOUNTAIN, GA 30087 P. O. BOX 7484 DAYTON, TN 37321-7000 KEYWORDS: Orkney Islands, ancient stone structures, Skara Brae, Maes Howe, broch, Ring of Brodgar, Standing Stones of Stenness, dispersion, Babel, famine, Ice Age ABSTRACT The Orkney Islands make up an archipelago north of Scotland. -
Staging Memory: the Drama Inside the Language of Elfriede Jelinek
Studies in 20th & 21st Century Literature Volume 31 Issue 1 Austrian Literature: Gender, History, and Article 13 Memory 1-1-2007 Staging Memory: The Drama Inside the Language of Elfriede Jelinek Gita Honegger Arizona State University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Honegger, Gita (2007) "Staging Memory: The Drama Inside the Language of Elfriede Jelinek," Studies in 20th & 21st Century Literature: Vol. 31: Iss. 1, Article 13. https://doi.org/10.4148/2334-4415.1653 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Staging Memory: The Drama Inside the Language of Elfriede Jelinek Abstract This essay focuses on Jelinek's problematic relationship to her native Austria, as it is reflected in some of her most recent plays: Ein Sportstück (A Piece About Sports), In den Alpen (In the Alps) and Das Werk (The Plant). Taking her acceptance speech for the 2004 Nobel Prize for Literature as a starting point, my essay explores Jelinek's unique approach to her native language, which carries both the burden of historic guilt and the challenge of a distinguished, if tortured literary legacy. Furthermore, I examine the performative force of her language. Jelinek's "Dramas" do not unfold in action and dialogue, rather, they are embedded in the grammar itself. -
University of Bradford Ethesis
University of Bradford eThesis This thesis is hosted in Bradford Scholars – The University of Bradford Open Access repository. Visit the repository for full metadata or to contact the repository team © University of Bradford. This work is licenced for reuse under a Creative Commons Licence. THE NEOLITHIC AND LATE IRON AGE POTTERY FROM POOL, SANDAY, ORKNEY An archaeological and technological consideration of coarse pottery manufacture at the Neolithic and Late Iron Age site of Pool, Orkney, incorporating X-Ray Fluorescence, Inductively Coupled Plasma Spectrometric and Petrological Analyses 2 Volumes Volume 1 Ann MACSWEEN submitted for the degree of Doctor of Philosophy Department of Archaeological Sciences University of Bradford 1990 ABSTRACT Ann MacSween The Neolithic and Late Iron Age Pottery from Pool, Sanday, Orkney: An archaeological and technological consideration of coarse pottery manufacture at the Iron Age site of Pool, Orkney, incorporating X-Ray Fluorescence, Inductively Coupled Plasma Spectrometric and Petrological Analyses Key Words: Neolithic; Iron Age; Orkney; pottery; X-ray Fluorescence; Inductively Coupled Plasma Spectrometry; Petrological Analysis The Neolithic and late Iron Age pottery from the settlement site of Pool, Sanday, Orkney, was studied on two levels. Firstly, a morphological and tech- nological study was carried out to establish a se- quence for the site. Secondly an assessment was made of the usefulness of X-ray Fluorescence Analysis, In- ductively Coupled Plasma Spectrometry and Petrological analysis to coarse ware studies, using the Pool assem- blage as a case study. Recording of technological and typological attributes allowed three phases of Neolithic pottery to be iden- tified. The earliest phase included sherds of Unstan Ware.