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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Mjngay Publishing Company Box 3765 G.P.O
•I IF ALADDIN ~OULD ~~~L(t~K-IN'' AT AARDS If only the wonderful lamp could be placed at the disposal of Mingay Publishing Company Pty. Ltd., HERE it is-the story I promised you last time . .. they could satisfy the demands of their clients who are eagerly awaiting delivery of the Broadcasting . the greatest 8 p.m. line-up in the hist ory of the Edition and Periodical & Miscellaneous Media Edition of the AUSTRALIAN ADVERTISING RATE &. busmess. DATA SERVICE (AARDS). But even the wonders of modern production efficiency have their limits, especially with present·day shortages, controls, lack of material supplies and rehabilitation problems. None the less, every effort is being made to expedite the date. of publication of these two editions of It's a reshuffle of 2UW's night programme to make 8 p.m . on 2UW a ~'must listen" date. Look at the the AARDS Service. shows:- Broadcasting AARDS should be ready next month Mondays: "The Persil Show" with Monte Richardson Subscribers to the AARDS Service have found the Newspaper Edition a definite means of increasing , I efficiency in the planning of space advertising campaigns. Likewise in their respective fields the * Tuesdays: "Opera for the People" Broadcasting Edition and the Periodical & Miscellaneous Media Edition will provide the same efficiency as afforded subsc·ribers by Newspaper AARDS. Wednesdays: "All-Austral ian Hit Parade" ; : Thursdays: "Australia's Amateur Hour" Fridays: "The Telegraph" Sports Parade Place your Subscription now for each edition of the Saturdays: "The Atlantic -Show" with Bob Dyer AUSTRALIAN ADVERTISING RATE J.ND DATA SERVICE Sundays: "The Lux Radio Theatre." '~ "Opera for the People" is just about the finest Subscription to each edition of AARDS is:- musical half-hour you've ever heard. -
Media Tracking List Edition January 2021
AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
Phillip Street Theatre
COLLECTION FINDING AID Phillip Street Theatre Performing Arts Programs and Ephemera (PROMPT) Australian ColleCtion Development The Phillip Street Theatre (sucCeeded by the Phillip Theatre) was a popular and influential commercial Sydney theatre and theatriCal Company of the 1950s and 1960s that beCame well known for its intimate satiriCal revue produCtions. William Orr was the Company’s founding DireCtor of ProduCtions, and EriC DuCkworth was General Manager. After taking over the MerCury Theatre in Phillip Street, William Orr re- opened it as the Phillip Street Theatre in 1954, presenting a series of “Phillip Street Revues” and children's musicals, including Top of the Bill and Hit and Run (both 1954), Willow Pattern Plate (1957), Cross Section (1957-58), Ride on a Broomstick (1959), Mistress Money (1960). These featured many noted Australian performers, many who later went on to beCome well known film, theatre and television personalities, inCluding Gordon Chater, Margot Lee, Barry Creyton, Jill Perryman, Noeline Brown, Robina Beard, Judi Farr, Kevin Miles, Charles "Bud" Tingwell, Ray Barrett, Ruth CraCknell, June Salter, John Meillon, Barry Humphries, Reg Livermore, Peter Phelps, and Gloria Dawn. The Phillip Street Theatre was demolished at the time of Out on a Limb with Bobby Limb and Dawn Lake in 1961, and the Company moved to the Australian Hall at 150 Elizabeth Street, near Liverpool Street. The Company's name was then shortened to the Phillip Theatre in reCognition of this move. Content Printed materials in the PROMPT ColleCtion include programs and printed ephemera such as broChures, leaflets, tiCkets, etC. Theatre programs are taken as the prime doCumentary evidenCe of a performanCe at the Phillip Street Theatre. -
Cricket Memorabilia Society Postal Auction Closing at Noon 10
CRICKET MEMORABILIA SOCIETY POSTAL AUCTION CLOSING AT NOON 10th JULY 2020 Conditions of Postal Sale The CMS reserves the right to refuse items which are damaged or unsuitable, or we have doubts about authenticity. Reserves can be placed on lots but must be agreed with the CMS. They should reflect realistic values/expectations and not be the “highest price” expected. The CMS will take 7% of the price realised, the vendor 93% which will normally be paid no later than 6 weeks after the auction. The CMS will undertake to advertise the memorabilia for auction on its website no later than 3 weeks prior to the closing date of the auction. Bids will only be accepted from CMS members. Postal bids must be in writing or e-mail by the closing date and time shown above. Generally, no item will be sold below 10% of the lower estimate without reference to the vendor.. Thus, an item with a £10-15 estimate can be sold for £9, but not £8, without approval. The incremental scale for the acceptance of bids is as follows: £2 increments up to £20, then £20/22/25/28/30 up to £50, then £5 increments to £100 and £10 increments above that. So, if there are two postal bids at £25 and £30, the item will go to the higher bidder at £28. Should there be two identical bids, the first received will win. Bids submitted between increments will be accepted, thus a £52 bid will not be rounded either up or down. Items will be sent to successful postal bidders the week after the auction and will be sent by the cheapest rate commensurate with the value and size of the item. -
FAA-Industry-Smiles Turner Submission
THE CLASH BETWEEN IDEALISM AND REALITY A SUBMISSION to the SENATE ECONOMICS LEGISLATION COMMITTEE INQUIRY into the Consumer Credit and Corporations Legislation Amendment (Enhancements) Bill 2011: formerly the Exposure Draft entitled the National Consumer Credit Protection Amendment (Enhancements) Bill 2011 from the FINANCIERS’ ASSOCIATION OF AUSTRALIA / INDUSTRY / SMILES TURNER DELEGATION Consultants: Phillip Smiles LL.B., B.Ec., M.B.A., Dip.Ed. Lyn Turner M.A., Dip.Drama Smiles Turner Ph: (02) 9975 4244 Fax: (02) 9975 6877 Email: [email protected] © Smiles Turner, November 2011 1 “You certainly, in a modern economy can’t regulate interest rates. That’s economics discarded for the last 30 years.” - Prime Minister Julia Gillard, 4 November 2010, Today Show, TCN Channel 9 © Smiles Turner, November 2011 2 INDEX Content Page Executive Summary 4 About this Submission 11 Section 1 - Market Characteristics and Supply Realities 14 If the Bill Proceeds to Enactment Unchanged 14 Section 2 - The Delegation’s Simple Alternative 24 Section 3 - A Detailed Analysis of the Current Bill 30 Section 32A 49 Section 4 - Explanatory Memorandum and RIS Deficient 57 Concerns in Regard to the Explanatory Memorandum 57 An Analysis of the Regulation Impact Statement 65 A Major Government Study Ignored by Treasury 76 An Analysis of the Minister’s Second Reading Speech 77 Section 5 - Non-Commercial Alternatives Grossly Inadequate 81 Decisions Demanding Alternatives, Without Timely Research 81 Not-for -profit, Non-commercial Credit Opportunities 82 Other Possible -
Changing Stations
1 CHANGING STATIONS FULL INDEX 100 Top Tunes 190 2GZ Junior Country Service Club 128 1029 Hot Tomato 170, 432 2HD 30, 81, 120–1, 162, 178, 182, 190, 192, 106.9 Hill FM 92, 428 247, 258, 295, 352, 364, 370, 378, 423 2HD Radio Players 213 2AD 163, 259, 425, 568 2KM 251, 323, 426, 431 2AY 127, 205, 423 2KO 30, 81, 90, 120, 132, 176, 227, 255, 264, 2BE 9, 169, 423 266, 342, 366, 424 2BH 92, 146, 177, 201, 425 2KY 18, 37, 54, 133, 135, 140, 154, 168, 189, 2BL 6, 203, 323, 345, 385 198–9, 216, 221, 224, 232, 238, 247, 250–1, 2BS 6, 302–3, 364, 426 267, 274, 291, 295, 297–8, 302, 311, 316, 345, 2CA 25, 29, 60, 87, 89, 129, 146, 197, 245, 277, 354–7, 359–65, 370, 378, 385, 390, 399, 401– 295, 358, 370, 377, 424 2, 406, 412, 423 2CA Night Owls’ Club 2KY Swing Club 250 2CBA FM 197, 198 2LM 257, 423 2CC 74, 87, 98, 197, 205, 237, 403, 427 2LT 302, 427 2CH 16, 19, 21, 24, 29, 59, 110, 122, 124, 130, 2MBS-FM 75 136, 141, 144, 150, 156–7, 163, 168, 176–7, 2MG 268, 317, 403, 426 182, 184–7, 189, 192, 195–8, 200, 236, 238, 2MO 259, 318, 424 247, 253, 260, 263–4, 270, 274, 277, 286, 288, 2MW 121, 239, 426 319, 327, 358, 389, 411, 424 2NM 170, 426 2CHY 96 2NZ 68, 425 2Day-FM 84, 85, 89, 94, 113, 193, 240–1, 243– 2NZ Dramatic Club 217 4, 278, 281, 403, 412–13, 428, 433–6 2OO 74, 428 2DU 136, 179, 403, 425 2PK 403, 426 2FC 291–2, 355, 385 2QN 76–7, 256, 425 2GB 9–10, 14, 18, 29, 30–2, 49–50, 55–7, 59, 2RE 259, 427 61, 68–9, 84, 87, 95, 102–3, 107–8, 110–12, 2RG 142, 158, 262, 425 114–15, 120–2, 124–7, 129, 133, 136, 139–41, 2SM 54, 79, 84–5, 103, 119, 124, -
Commercial Radio
FINALISTS FOR 2019 AUSTRALIAN COMMERCIAL RADIO AWARDS (ACRAs) Please note: Category Finalists are denoted with the following letters: Country>Provincial>Non-Metropolitan>Metropolitan>Syndication/Production Company BEST ON-AIR TEAM – METRO FM The Kyle & Jackie O Show; Kyle Sandilands & Jackie Henderson, KIIS 106.5, Sydney NSW, Australian Radio Network M Kate, Tim & Marty; Kate Ritchie, Tim Blackwell & Marty Sheargold Nova Network, NOVA Entertainment M Chrissie, Sam & Browny Chrissie Swan, Sam Pang, Jonathan Brown & Dean Thomas, Nova 100, Melbourne VIC, NOVA Entertainment M Jonesy & Amanda; Brendan Jones & Amanda Keller, WSFM, Sydney NSW, Australian Radio Network M Fifi, Fev & Byron; Fifi Box, Brendan Fevola & Byron Cooke, 101.9 The Fox, Melbourne VIC, Southern Cross Austereo M Kennedy Molloy; Jane Kennedy & Mick Molloy, Triple M Network, Southern Cross Austereo M BEST ON-AIR TEAM – METRO AM Afternoons with Erin Molan & Natalie Peters; Erin Molan & Natalie Peters, 2GB, Sydney NSW, Macquarie Media Limited M Breakfast with David Penberthy & Will Goodings; David Penberthy & Will Goodings, 5AA, Adelaide SA, NOVA Entertainment M Drive with Mark Allen & David Schwartz; Mark Allen & David Schwartz, Macquarie Sports Radio, Melbourne VIC, Macquarie Media Limited M Ray Hadley's Continuous Call Team; 2GB, Sydney NSW, Macquarie Media Limited M Laurel, Gary & Mark; Laurel Edwards, Gary Clare & Mark Hine, 4KQ, Brisbane QLD, Australian Radio Network M BEST ON-AIR TEAM COUNTRY AND PROVINCIAL Monkey in the Morning; Matt Monk, Lachi Rooke & Danielle Keilar, -
Honey Month Special
HONEY MONTH SPECIAL May was deemed to be Honey Month here in Australia. A Committee was set up by the Australian Honey Bee Industry Council (AHBIC) to celebrate the month. The aim was to educate the public on not only honey but the beekeeping industry in general. It was thought that you might like to see the reports but in by some of the States on their activities. I think you will agree there was a lot of hard work that went into the displays and events. Will there be one next year? This will be raised at the AHBIC AGM to be held on 9 July, 2014 in Melbourne. Page 1 of 12 WESTERN AUSTRALIA Honey Month 2014 in West Australia was a great success as we currently launch into its fourth year. This year our Honey Month included a Honey Festival, A Slow Food Long Table Autumn Brunch and SciTech displays. Each year our Honey Festival evolves and takes on new ground. This year we had perfect weather which enabled us to reconfigure tents and traffic flow. The overall effect was great and we thought it was our best festival to date. We received more funding this year (as we get better at drafting forms to raise money) for the main event, “The Honey Festival” 4 May. The City of Swan and Capilano were our two newest donators this year which enabled us to make the festival more professional. We included some new ideas and had a band playing for most of the day to bring a festive note to the day. -
(Negative No.) (Print Available) Organisation Photograph Title Or
ON 192 PXA 739 Organisation Photograph title or subject Date (Negative no.) (Print available) 1-7 Radio 2UE Anne Richards, WA OIdfield, Todd Duncan, Will Mahoney, Evie 2/7/46 Hayes, Bebe Scott 8-22 JCW "Follow the girls" Joy Nicholson, Mr Carpenter 17/9/46 23-30 Radio 2UE "Follow the girls" Bebe de Roland, Lois Green, Freddie Carpenter, NZ 3/10/46 group 31-119 JCW "Follow the girls" Title card, Theatre Royal, Ormonde Douglas, 1946 Keating-Murray, stage sets 120-132 120-122, 124- JCW Bebe de Roland in "Follow the girls" 1946 132 133-148 135-141 JCW "Follow the girls" Ormonde Douglas, Shirley Rivett, Arthur Taylor, Don 1946 Nicol 149-151 JCW at 2UE Elliot & Ritchard with E Wahlquist, Brian & Marge 152-157 JCW Lois Green 158 JCW Neville Dunn "Smilin' thru" 159-160 JCW-Legacy Madge Elliot, Shirley Everingham, Lois Green, Lorna King, Gloria Club Lynch, Don Nicol 161 JCW Ron Folkard 162-167 JCW "As you like it" 168-181 JCW "Follow the girls" Don Nicol, Bebe de Roland, Shirley Anderson, 1946 Ormonde Douglas 182-214 JCW-Borovansky "Gay Rosalinda" Tara Barry, Max Oldaker, Cyril Ritchard, Edna Busse, 2/1947 Serge Bousloff and others 215 JCW Architectural drawing of planned His Majesty's Theatre 216 JCW-Borovansky "Gay Rosalinda" Title card 2/1947 217 JCW Irene Bevans 218-219, 223 219, 223 JCW Muriel Howard 220-222 JCW-Borovansky "Gay Rosalinda" Max Oldaker 224-241 233-236, 239- ." " Tamara, Lorna King, Muriel Howard 2/1947 241 242 JCW Henry Mienouski 25/3/47 243-246 243-246 JCW-Borovansky Muriel Howard 9/4/47 247-254 247-254 JCW-Borovansky Tara