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Home , Pieter Bruegel the Elder, The Gloomy Day, Two Monkeys (Bruegel)

BRUEGEL OCTOBER 2, 2018 - JANUARY 13, 2019

At the beginning of October, the will open the first-ever major monograph show dedicated to the greatest Netherlandish painter of the sixteenth century: (c. 1525/30‒1569). The exhibition commemorates the 450th anniversary of his death.

During his lifetime, Pieter Bruegel the Elder was already among the period’s most sought-after artists, with his works achieving exceptionally high prices. Only about forty and sixty prints by him are all that has come down to us. The twelve panels in the Kunsthistorisches Museum are by far the largest collection of Bruegels in the world, a fact we owe to 16th century Habsburg connoisseurs who already appreciated the exceptional quality of his works and strove to acquire these prestigious paintings.

Bruegel revolutionised landscape and genre , and his compositions continue to elicit varied and controversial interpretations. The depth and breadth of his pictorial world and the perceptive powers of observation he employs in his depictions of quotidian life continue to fascinate all who encounter his works. A once-in-a-lifetime exhibition

Museums and private collectors count Bruegel’s works among their most precious and fragile possessions. Most of the panels have never been loaned for an exhibition. By bringing together over 90 works by the master, the exhibition in has assembled for the very first time a comprehensive overview of Bruegel’s oeuvre: comprising around 30 panel paintings (i.e. three- quarters of extant paintings) and almost half of his preserved drawings and prints, the show offers visitors a once-in-a-lifetime opportunity to immerse themselves in the artist’s complex pictorial world, to study his stylistic development and his creative process, and to get to know his method of work, his pictorial humour and his unique narrative powers.

The highlights in the exhibition include, for example, The Haymaking from the Lobkowicz Collections, Prague, View of the Bay of from the Galleria Doria Pamphilij in , from the Staatliche Museen zu , from the Prado in , Dulle Griet from the Museum Mayer van de Berg in , The Tower of Babel from the Museum Boijmans Van Beuningen in , The Adoration of the Magi in the Snow from the Collection Oskar Reinhard 'Am Römerholz' in Winterthur, The Adoration of the Magi from the in London, the drawings The Beekeepers from the Staatliche Museen zu Berlin, and The Painter and the Connoisseur from the in Vienna.

Bruegel’s works will be arranged both chronologically and by theme, allowing visitors to study and appreciate his stylistic development and the impressive variety of his oeuvre. The galleries will showcase both his masterpieces and series and groups reunited for the first time in centuries; in the smaller adjoining rooms we present the findings of recent comprehensive technological analyses, offering profound insights into the works’ evolution. We look at both Bruegel’s artistic beginnings as a draughtsman and graphic artist, and his innovations and vital contributions to the evolution of . One section of the show will focus on his religious works, bringing together numerous masterpieces including The Triumph of Death and Dulle Griet, both especially restored for this exhibition. For the first time, Christ carrying the Cross, his largest panel and one that has also retained its original format, will be on show unframed and displayed so that both its back and front are visible – as though visitors were looking over the painter’s shoulder, seeing and appreciating the fragility of the wooden support and how it was constructed, and the outstanding quality of handling and paint layer, their perfection being one of the reasons Bruegel’s paintings have survived four and a half centuries.

A smaller room showcases works featuring a wealth of miniature- like details and looks at Bruegel’s training as a miniaturist; its focal point will be the first-ever confrontation of both depictions of The Tower of Babel since they were in the collection of Emperor Rudolf II.

A selection of contemporary artefacts depicted in Battle between and Lent invites visitors to appreciate the wealth of details included in these compositions, to comprehend the meaning of the individual scenes, and to appreciate Bruegel’s unrivalled skill in capturing the material quality of depicted objects. We also question the painting’s traditional moralistic interpretation and showcase Bruegel’s perceptiveness as a social critic.

Using Winter Landscape with a Bird Trap and Massacre of the Innocents as our starting point, we look at Bruegel and his workshop.

The final gallery presents Bruegel’s late works, offering a nuanced look at the artist long called 'Peasant Bruegel'. In addition to Peasant Wedding and Peasant Dance, the show includes his 'legacy-painting' The Magpie on the Gallows. The show’s final highlight is the first-ever juxtaposition of The Birdnester and the monumental drawing The Beekeepers.

The Bruegel Research Project

In 2012 and with the support of the Getty Foundation as part of its Panel Paintings Initiative, the Kunsthistorisches Museum began a comprehensive technological analysis of its twelve panel paintings by Pieter Bruegel the Elder. Most recent research studied the Brueghel dynasty, i.e. the works produced by the master’s sons and his workshop, but our scientific focus is firmly on the founder of the dynasty and his creative process. We look at how his panels were constructed, at his brushwork and technique, at the history of materials and the works’ provenance.

Our research project is conceived as an essential component of the study and scholarly research of Bruegel’s oeuvre. Experts on Netherlandish painting meet regularly in Vienna to discuss the latest findings.

The extremely interesting findings of the technological analyses of the panel paintings document and reveal the master’s creative process. X-ray and infrared images, pigment analyses and 3D- photographs of the paintings were produced in the Paintings Conservation Studio of the Kunsthistorisches Museum. These analyses have, for example, revealed little-known drawings beneath the paint layer that have never been studied in depth. Our most recent findings have informed both the exhibition and the catalogue. The technical studies funded by the Getty also help us understand how the wooden supports used by Bruegel have changed over time. This will inform the care of the paintings for the future, including conservation treatment. Even after the exhibition ends, a free website www.insidebruegel.net will for the first time offer profound insights into the paintings of Pieter Bruegel the Elder based on the most recent technological analyses of his works. Here visitors can interact with the master’s pictures using state-of-the-art technology, navigate the collection and study Bruegel’s complex pictorial world in unrivalled detail. www.bruegel2018.at The curators of the exhibition:

Elke Oberthaler: Head of the Paintings Conservation Studio, Picture Gallery, Kunsthistorisches Museum

Sabine Pénot: Curator of Netherlandish and Dutch Paintings, Picture Gallery, Kunsthistorisches Museum

Manfred Sellink: General Director and Head Curator, Koninklijk Museum voor Schone Kunsten (KMSKA), Antwerp, ; Professor of Art History, University of Gent, Belgium

Ron Spronk: Professor of Art History, Queen’s University, Canada; Chair, Radboud Universiteit, Nijmegen, the

Research Assistance Alice Hoppe-Harnoncourt

Lenders

Albertina, Vienna Ashmolean Museum, University of Oxford Bayerische Staatsgemäldesammlungen, , Bibliothèque royale de Belgique / Koninklijke Bibliotheek van België, The , London The Samuel Courtauld Trust, The , London The Trustees of the Chatsworth Settlement Fondation Custodia, Collection Frits Lugt, Paris The Frick Collection, New York Galleria Doria Pamphilj, Trust Doria Pamphilj, Rome Hessisches Landesmuseum, The Lobkowicz Collections, , Musée du , Paris Musées royaux des Beaux-Arts de Belgique / Koninklijke Musea voor Schone Kunsten van België, Brussels Museo Nacional del Prado, Madrid Museum Boijmans Van Beuningen, Rotterdam Museum Mayer van den Bergh, Antwerp The National Gallery, London National Gallery of Art, Washington Upton House, The Bearsted Collection (National Trust) The Phoebus Foundation, Antwerp Rijksmuseum, Swiss Confederation, Federal Office for Culture, Collection Oskar Reinhart ‘Am Römerholz’, Winterthur Staatliche Kunstsammlungen Dresden Staatliche Museen zu Berlin Universiteit Leiden, Prentenkabinet Private Collections

Cooperation Partner

ALMA, Museum Boijmans Van Beuningen, Rotterdam Bokrijk Museum, Genk The Getty Foundation, Los Angeles KIK-IRPA, Brussels Koninklijk Museum voor Schone Kunsten, Antwerp The Metropolitan Museum of Art, New York Queen’s University, Kingston, Ontario , London TU Vienna, Institut für Konstruktionswissenschaften und technische Logistik Universum Digitalis, Brussels Vrije Universiteit Brussel, Brussels Vlaamse Kunstcollectie, Ghent

Exhibition design Tilo Perkmann and architettura21 ZT GmbH, Serenella Zoppolat PRESS PHOTOGRAPHS Press photographs are available in the press section of our website free of charge, for your topical reporting: http://press.khm.at/.

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Haymaking 1565, oak panel, 114 × 158 cm Prague, The Lobkowicz Collections, Lobkowicz Palace, Prague Castle © The Lobkowicz Collections

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) Dulle Griet 1563, panel, 117.4 × 162 cm Antwerp, Museum Mayer van den Bergh © Museum Mayer van den Bergh

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Triumph of Death Probably after 1562, wood 117 × 162 cm Madrid, Museo Nacional del Prado © Museo Nacional del Prado

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) Two Monkeys 1562, oak, 19.8 × 23.3 cm Staatliche Museen zu Berlin, Gemäldegalerie © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Suicide of Saul 1562, oak panel, 33.5 × 55 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) View of the Bay of Naples c. 1563?, panel, 42.2 × 71.2 cm Rome, Galleria Doria Pamphilj © Rome, Galleria Doria Pamphilj Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Battle between Carnival and Lent 1559, oak panel, 118 × 164,5 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) Children’s Games 1560, oak panel, 118 × 161 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) Christ Carrying the Cross 1564, oak panel, 124 × 170 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Tower of Babel 1563, oak panel, 114 × 155 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Tower of Babel after 1563?, oak panel, 59,9 × 74,6 cm Rotterdam, Museum Boijmans Van Beuningen © Museum Boijmans Van Beuningen, Photograph: Studio Tromp, Rotterdam

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Return of the Herd 1565, oak, 117 × 159 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) Peasant Wedding c. 1567, oak panel, 114 × 164 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) Peasant Dance c. 1568, oak panel, 114 × 164 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) 1565, oak panel, 118 × 163 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) Hunters in the Snow 1565, oak panel, 117 × 162 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Adoration of the Magi in the Snow 1563, wood, 35 × 55 cm Swiss Confederation, Federal Office for Culture, Collection Oskar Reinhart ‘Am Römerholz’, Winterthur © Collection Oskar Reinhart ʻAm Römerholzʼ, Winterthur

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Conversion of Saul 1567, oak, 108 × 156 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Birdnester 1568, oak panel, 59.3 x 68.3 cm Kunsthistorisches Museum Vienna, Picture Gallery © KHM-Museumsverband

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Adoration of the Magi 1564, oak panel, 112.1 × 83.9 cm London, The National Gallery © The National Gallery, London 2018

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Beekeepers c. 1568, pen and brown ink, 203 × 309 mm Staatliche Museen zu Berlin, Kupferstichkabinett © Foto: Kupferstichkabinett der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz, Foto: Jörg P. Anders

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Painter and the Connoisseur c. 1565, pen and brown ink, 203 × 309 mm Vienna, Albertina © The Albertina Museum Vienna

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) The Temptation of Saint Anthony c. 1556, pen and brush and brown and greybrown ink 215 (right) / 216 (left) × 326 mm Oxford, The Ashmolean Museum, Bequeathed by Frances Douce, 1834 © Ashmolean Museum, University of Oxford Pieter van der Heyden after Pieter Bruegel the Elder Big Fish Eat Little Fish 1557, engraving, 230 × 296 mm, first state of four Vienna, Albertina © Vienna, Albertina

Pieter Bruegel the Elder (c. 1525/30 Breugel or Antwerp? – 1569 Brussels) View of the Ripa Grande in Rome c. 1555/56, pen and red-brown and dark brown ink, 207 × 283 mm Oxford, The Ashmolean Museum, Bequeathed by Frances Douce, 1834 Chatsworth, The Trustees of the Chatsworth Settlement © Devonshire Collection, Chatsworth Reproduced by permission of Chatsworth Settlement Trustees WEBSITE A comprehensive website offers information on the artist and on the special exhibition incl. everything you need to know when planning your visit and information on the research project. www.bruegel2018.at

SYMPOSIUM The Hand of the Master Materials and Techniques of Pieter Bruegel the Elder December 6 ‒ 8, 2018, Kunsthistorisches Museum Vienna www.bruegelthehandofthemaster2018.org

CATALOGUE

Bruegel. The Hand of the Master (Museum edition) Elke Oberthaler, Sabine Pénot, Manfred Sellink, Ron Spronk, Alice Hoppe-Harnoncourt edited by Sabine Haag Vienna 2018 Paperback, 304 pages € 39,95 ISBN 978-3-99020-175-6 (English)

The printed catalogue is complemented by an e-book containing five essays on Pieter Bruegel the Elder and his artistic oeuvre, focusing on the Bruegel collection of the Kunsthistorisches Museum with particular reference to provenance, conservation history and past art-historical research.

OPENING HOURS AND ENTRANCE FEES Kunsthistorisches Museum Maria-Theresien-Platz 1010 Vienna

MUSEUM OPENING HOURS DURING ‘BRUEGEL’ Open daily from 10 am to 6 pm, Thu until 9 pm Exclusive opening on Friday evenings (entry with the special ticket ‘An evening with Bruegel’) 6.30 pm – 8.30 pm ENTRANCE FEES INCL. TIME SLOT

Adults € 20 Vienna City Card € 19 Concessions € 16 Groups (of 10 or over) € 16 Children and teens under 19 free Skip-the-Line Ticket € 30 Annual ticket € 44* Annual Ticket under 25 € 25* ‘An evening with Bruegel’ € 49 Guided Tours € 4 Audio guide (10 languages) € 5

* Get your free timeslot ticket at every cash desk in the museum upon availability.

Tickets and timeslots can be purchased here: https://shop.khm.at/en/tickets/bruegel

AN EVENING WITH BRUEGEL Every Friday 6.30 pm – 8.30 pm Enjoy an extraordinary evening at the special exhibition Bruegel including a guided tour and a champagne reception. A small gift rounds off a perfect evening at the magnificent Kunsthistorisches Museum Vienna.

GUIDED ENGLISH TOURS Thur 5 pm, Sat 2 pm Duration: approximately 60 minutes Meeting point: Entrance hall Participation with valid ticket to the Bruegel exhibition and ticket for the guided tour

VIDEO

For videos about our exhibitions and series of talks as well as other lectures and interviews please go to the YouTube channel of the Kunsthistorisches Museum: www.youtube.com/user/KHMWien INSTAGRAM UND FACEBOOK Follow us on Instagram and Facebook and get the latest news about the upcoming exhibition and our programme of events and lectures. #kunsthistorischesmuseum #bruegel2018 #flemishfriday PRESS CONTACT Nina Auinger-Sutterlüty, MAS (Head of Press and PR) Mag. Sarah Aistleitner T +43 1 525 24 - 4021 /- 4025 [email protected]

KHM-Museumsverband Wissenschaftliche Anstalt öffentlichen Rechts Burgring 5, 1010 Vienna www.khm.at