List of Works by Pieter Bruegel the Elder in the Exhibtion

Total Page:16

File Type:pdf, Size:1020Kb

List of Works by Pieter Bruegel the Elder in the Exhibtion LIST OF WORKS BY PIETER BRUEGEL THE ELDER IN THE EXHIBTION PAINTINGS THE DRUNK CAST INTO THE PIGSTY 1557 Private Collection THE BATTLE BETWEEN CARNIVAL AND LENT 1559 Vienna, Kunsthistorisches Museum CHILDREN’S GAMES 1560 Vienna, Kunsthistorisches Museum TWO MONKEYS 1562 Berlin, Staatliche Museen zu Berlin THE SUICIDE OF SAUL 1562 Vienna, Kunsthistorisches Museum THE TRIUMPH OF DEATH after 1562 Madrid, Museo Nacional del Prado DULLE GRIET 1563 Antwerp, Museum Mayer van den Bergh THE TOWER OF BABEL 1563 Vienna, Kunsthistorisches Museum THE ADORATION OF THE MAGI IN THE SNOW 1563 Sammlung Oskar Reinhart 'Am Römerholz', Winterthur VIEW OF THE BAY OF NAPLES c. 1563 Rom, Galleria Doria Pamphilj THE DEATH OF THE VIRGIN 1563/65 Banbury, Upton House, The Bearsted Collection THE TOWER OF BABEL after 1563 Rotterdam, Museum Boijmans Van Beuningen THE ADORATION OF THE MAGI 1564 London, The National Gallery CHRIST CARRYING THE CROSS 1564 Vienna, Kunsthistorisches Museum Wien WINTER LANDSCAPE WITH A BIRD TRAP 1565 Brussels, Musées royaux des Beaux-Arts de Belgique / Koninklijke Musea voor Schone Kunsten van België THE GLOOMY DAY (EARLY SPRING) 1565 Vienna, Kunsthistorisches Museum HAYMAKING 1565 Prague, The Lobkowicz Collections THE RETURN OF THE HERD (AUTUMN) 1565 Vienna, Kunsthistorisches Museum THE HUNTERS IN THE SNOW (WINTER) 1565 Vienna, Kunsthistorisches Museum THE CONVERSION OF SAUL 1567 Vienna, Kunsthistorisches Museum PEASANT WEDDING c. 1567 Vienna, Kunsthistorisches Museum THE MAGPIE ON THE GALLOWS 1568 Darmstadt, Hessisches Landesmuseum THREE SOLDIERS 1568 New York, The Frick Collection BEGGARS 1568 Paris, Musée du Louvre THE BIRDNESTER 1568 Vienna, Kunsthistorisches Museum HEAD OF A PEASANT WOMAN c. 1568 Munich, Bayerische Staatsgemäldesammlungen, Alte Pinakothek PEASANT DANCE c. 1568 Vienna, Kunsthistorisches Museum DRAWINGS PATH THROUGH A VILLAGE 1552 Leiden, Universiteit Leiden LANDSCAPE WITH A FORTIFIED CITY 1553 London, The British Museum MOUNTAIN LANDSCAPE 1553 Paris, Musée du Louvre LANDSCAPE WITH SAINT JEROME 1553 Washington, National Gallery of Art LANDSCAPE AFTER CAMPAGNOLA 1554 Berlin, Staatliche Museen zu Berlin LANDSCAPE WITH CATTLE AND A VILLAGE c. 1554 Antwerp, The Phoebus Foundation LANDSCAPE WITH BEARS c. um 1554 London, The British Museum BROOK WITH A FISHERMAN AND A WATERMILL c. 1554 Brussels, Bibliothèque royale de Belgique / Koninklijke Musea voor Schone Kunsten van België PEASANTS AND CATTLE NEAR A FARMHOUSE c. 1554 Washington, National Gallery of Art WOODED LANDSCAPE WITH RIVER VALLEY AND TRAVELLERS c. 1554 Private Collection VIEW OF THE RIPA GRANDE IN ROME c. 1555/56 Chatsworth, The Trustees of the Chatsworth Settlement THE TEMPTATION OF SAINT ANTHONY c. 1556 Oxford, The Ashmolean Museum, University of Oxford PRIDE (SUPERBIA) 1557 Paris, Fondation Custodia, Collection Frits Lugt EVERYMAN (ELCK) c. 1558 London, The British Museum FAITH (FIDES) 1559 Amsterdam, Rijksmuseum PRUDENCE (PRUDENTIA) 1559 Brussels, Musées royaux des Beaux-Arts de Belgique / Koninklijke Musea voor Schone Kunsten van België JUSTICE (JUSTITIA) 1559 Brussels, Bibliothèque Royale de Belgique KERMIS AT HOBOKEN 1559 London, The Courtauld Gallery CHARITY (CARITAS) 1559 Rotterdam, Museum Boijmans Van Beuningen THE HARE HUNT 1560 Paris, Fondation Custodia, Collection Frits Lugt TEMPERANCE (TEMPERANTIA) 1560 Rotterdam, Museum Boijmans Van Beuningen RIVER VALLEY VIEWED FROM A HILL c. 1560/62 Rotterdam, Museum Boijmans Van Beuningen THE FALL OF THE MAGICIAN HERMOGENES 1564 Amsterdam, Rijksmuseum THE GOOSEHERD 1565 Dresden, Staatliche Kunstsammlungen Dresden THE BAGPIPE PLAYER c. 1565 Washington, National Gallery of Art THE PAINTER AND THE CONNOISSEUR c. 1566 Vienna, Albertina THE BEEKEEPERS 1568 Berlin, Staatliche Museen, Kupferstichkabinett PRINTS LARGE ALPINE LANDSCAPE 1555/56 Vienna, Albertina VIEW OF THE TIBER, NEAR TIVOLI (PROSPECTUS TYBURTINUS) 1555/56 Vienna, Albertina THE PENITENT MAGDALENE (MAGDALENA POENITENS) 1555/56 Vienna, Albertina THE BELGIAN WAGON (PLAUSTRUM BELGICUM) 1555/56 Vienna, Albertina RUSTIC SOLICITUDE (SOLICITUDO RUSTICA) 1555/56 Vienna, Albertina WOODED REGION (PAGUS NEMOROSUS) 1555/56 Vienna, Albertina SOLDIERS AT REST (MILITES REQUIESCENTES) 1555/56 Vienna, Albertina THE TEMPTATION OF SAINT ANTHONY 1556 Vienna, Albertina BIG FISH EAT LITTLE FISH 1557 Vienna, Albertina PRIDE (SUPERBIA) 1558 Vienna, Albertina ANGER (IRA) 1558 Vienna, Albertina ENVY (INVIDIA) 1558 Vienna, Albertina GREED (AVARITIA) 1558 Vienna, Albertina SLOTH (DESIDIA) 1558 Vienna, Albertina GLUTTONY (GULA) 1558 Vienna, Albertina LUST (LUXURIA) 1558 Vienna, Albertina THE LAST JUDGEMENT 1558 Vienna, Albertina THE ALCHEMIST 1558 Vienna, Albertina SKATERS BEFORE THE GATE OF ST GEORGE 1558 Vienna, Albertina CHARITY (CARITAS) 1559 Vienna, Albertina FAITH (FIDES) 1559 or shortly after Vienna, Albertina HOPE (SPES) 1559 or shortly after Vienna, Albertina JUSTICE (JUSTITIA) 1559 or shortly after Vienna, Albertina PRUDENCE (PRUDENTIA) 1559 or shortly after Vienna, Albertina FORTITUDE (FORTITUDO) 1560 or shortly after Vienna, Albertina TEMPERANCE (TEMPERANTIA) 1560 or shortly after Vienna, Albertina THE HARE HUNT 1560 Paris, Fondation Custodia, Frits Lugt Collection NAVAL BATTLE IN THE STRAIT OF MESSINA 1561 Vienna, Albertina ARMED THREE-MASTER WITH DAEDALUS AND ICARUS c. 1561/65 Vienna, Albertina ARMED FOUR-MASTER PUTTING OUT TO SEA c. 1561/65 Vienna, Albertina THE RESURRECTION OF CHRIST c. 1562/63 Vienna, Albertina THE DIRTY BRIDE OR THE WEDDING OF MOPSUS AND NISA 1570 Vienna, Albertina THE DEATH OF THE VIRGIN 1574 Vienna, Albertina.
Recommended publications
  • Pieter Bruegel's the Beekeepers| Protestants, Catholics, Birds, and Bees| Beehive Rustling on the Low Plains of Flanders
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2004 Pieter Bruegel's The Beekeepers| Protestants, Catholics, birds, and bees| Beehive rustling on the low plains of Flanders Edgar W. Smith The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Smith, Edgar W., "Pieter Bruegel's The Beekeepers| Protestants, Catholics, birds, and bees| Beehive rustling on the low plains of Flanders" (2004). Graduate Student Theses, Dissertations, & Professional Papers. 3222. https://scholarworks.umt.edu/etd/3222 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. a; Maureen and Mike MANSFIELD LIBRARY The University of Montana Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. **Flease check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not grant permission Author's Signature:_____ Date:__________________ Y Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 PIETER BRUEGEL’S THE BEEKEEPERS PROTESTANTS, CATHOLICS, BIRDS, AND BEES: Beehive Rustling on the Low Plains of Flanders by Edgar Smith B.A.
    [Show full text]
  • Pieter Bruegel the Elder
    THE BEST OF PIETER BRUEGEL THE ELDER BRUEGEL AT THE KUNSTHISTORISCHES MUSEUM It was the most successful exhibition ever hosted by the Kunsthistorisches Museum Vienna: “Bruegel – Once in a Lifetime” made history. On show from October 2018 through January 2019, the world’s largest-ever exhibition of works by Pieter Bruegel the Elder (c. 1525/30-1569), complete with sensational loans, presented three-quarters of the Flemish master’s extant paintings and around half of his surviving drawings and prints. Only about 40 paintings by him have come down to us, and 29 of them were displayed in Vienna. For all who have missed this extraordinary exhibition or who want to experience Bruegel again, his most important works, “The Best of Bruegel”, are always on show in the Picture Gallery of the Kunsthistorisches Museum. During his lifetime, Pieter Bruegel the Elder was already among the period’s most sought-after artists, with his works achieving exceptionally high prices. Only about forty paintings and sixty prints by him are all that has come down to us. The Kunsthistorisches Museum Vienna houses twelve works by him, and thus the world’s largest and most important collection of paintings by Pieter Bruegel the Elder. This fact is owed to 16th century Habsburg connoisseurs who already appreciated the exceptional quality of his works and strove to acquire these prestigious paintings. Among Bruegel’s masterpieces at the Kunsthistorisches Museum are celebrated panels like “Peasant Wedding”, “Children’s Games”, “Hunters in the Snow” and, of course, “The Tower of Babel”. These and other important paintings by Bruegel are displayed in the aptly named “Bruegel Gallery” (Gallery X) of the Picture Gallery.
    [Show full text]
  • Bruegel Notes Writing of the Novel Began October 20, 1998
    Rudy Rucker, Notes for Ortelius and Bruegel, June 17, 2011 The Life of Bruegel Notes Writing of the novel began October 20, 1998. Finished first fully proofed draft on May 20, 2000 at 107,353 words. Did nothing for a year and seven months. Did revisions January 9, 2002 - March 1, 2002. Did additional revisions March 18, 2002. Latest update of the notes, September 7, 2002 64,353 Words. Table of Contents Table of Contents .................................................................................................... 1 Timeline .................................................................................................................. 9 Painting List .......................................................................................................... 10 Word Count ........................................................................................................... 12 Title ....................................................................................................................... 13 Chapter Ideas ......................................................................................................... 13 Chapter 1. Bruegel. Alps. May, 1552. Mountain Landscape. ....................... 13 Chapter 2. Bruegel. Rome. July, 1553. The Tower of Babel. ....................... 14 Chapter 3. Ortelius. Antwerp. February, 1556. The Battle Between Carnival and Lent......................................................................................................................... 14 Chapter 4. Bruegel. Antwerp. February,
    [Show full text]
  • Vienna Guide
    April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established.
    [Show full text]
  • EXHIBITION: the Temptations of James Ensor Works from 1888 to 1940
    EXHIBITION: The temptations of James Ensor Works from 1888 to 1940 Samuel Vanhoegaerden Gallery is pleased to show at Brafa 2020 an extraordinary collection of works by James Ensor gathered for the first time James Ensor, Ballerines muées en marguerites, huile sur toile, 1936 James ENSOR, genius and founder of modern art James Ensor is one of Belgium's most important artists, belonging in the same list as Van Eyck, Rubens, Bruegel and Magritte. His works are of great rarity (he painted only around 850 works) and a large portion of them have already found a place in the world's largest museums. Ensor's importance cannot be overestimated. His name appears in all works on modern art and he was groundbreaking in his manner of painting. James Ensor paved the way for the emergence of Expressionism, Dada ism and Surrealism, among others, and even today, artists like Pierre Alechinsky and Luc Tuymans are indebted to his work. Over the years, the art market has increasingly realized just how decisive Ensor was for art history, and he is increasingly appreciated internationally. Already during his lifetime, and to this day, exhibitions of his works continue to be held in the worl d's most important museums (the latest including the MOMA, the Getty Museum and the Musée d'Orsay) and research into his work continues to expand. The market for his paintings and drawings is slowly drying up as these works find their way to museum collections, and with the few available paintings remaining family-owned. James Ensor's work is timeless and continues to amaze and delight every generation.
    [Show full text]
  • View Full Itinerary
    Citizen Diplomat Excursion to Central Europe September 25-October 7, 2021 Implementation of this tour is contingent on the public health situation in the included countries, and the itinerary may be adjusted to accommodate public health requirements and recommendations. The final decision on whether the trip will take place will be made no later than July 15th, and we will refund 100% of trip deposits if WorldDenver decides to cancel due to local health conditions or travel restrictions. Join Karen de Bartolomé, WorldDenver’s Founding Executive Director, in exploring the heart of Central Europe, with stops in Hungary, Slovakia, and Austria for thirteen days! After flying into Budapest, travelers will cruise on the Danube River, ride a train to Bratislava, explore Vienna, experience a Slovakian winery, traverse the Slovakian countryside, and visit the mountains of Tatra National Park (sister park to Rocky Mountain NP). Along the way, you will have the chance to meet officials, learn about a millennium of history, engage in citizen diplomacy, and experience the sights, sounds, and tastes of the exceptionally rich culture of this region with fellow WorldDenver members and citizen diplomats. Itinerary at a Glance Saturday, Sept. 25 (Day 1) – Arrival in Budapest Sunday, Sept. 26 (Day 2) – Danube Bend tour Monday, Sept. 27 (Day 3) – Full-day Budapest city tour Tuesday, Sept. 28 (Day 4) – Transfer to Bratislava by train, free afternoon in Bratislava Wednesday, Sept. 29 (Day 5) – Half-day tour of Bratislava Thursday, Sept. 30 (Day 6) – Day-trip to Vienna Friday, Oct. 1 (Day 7) – Half-day wine tour outside Bratislava Saturday, Oct.
    [Show full text]
  • CCS 2016 Venue Guide
    ACM CCS 2016 - Venue Guide Contents Venue Overview ............................................................................................................................................ 2 Directions (to CCS 2016 Conference Venue) ................................................................................................ 3 Conference Venue................................................................................................................................................ 3 How to get to the Conference Venue ................................................................................................................... 4 Directions (airport – city center) ................................................................................................................. 8 Vienna Sightseeing Map .................................................................................................................................... 13 Welcome to Vienna! .......................................................................................................................................... 14 About Vienna ..................................................................................................................................................... 16 The Culinary Side of Vienna .............................................................................................................................. 18 Tips from a Local ..............................................................................................................................................
    [Show full text]
  • Brancusi Journey – a Revival of a Paradoxical Modern European Tradition
    Horizons for sustainability „Constantin Brâncuşi” University of Târgu-Jiu, Issue /2020 BRANCUSI JOURNEY – A REVIVAL OF A PARADOXICAL MODERN EUROPEAN TRADITION Lavinia TOMESCU1 ABSTRACT. THIS ARTICLE PRESENTS A POSSIBLE EUROPEAN CULTURAL ROUTE AND THE TOURIST CIRCUIT ON BRÂNCUȘI'S TRACKS IN PARIS. CONSTANTIN BRANCUSI REPRESENTS THE COMMON CATALYST, THE FORCE VECTOR FOR THE ENTIRE ROMANIAN SPIRITUALITY, THE EXPONENT OF THE ROMANIAN CULTURE BASED ON THE TRADITIONAL AUTHENTIC. ROMANIANS EVERYWHERE FIND THEIR IDENTITY IN THE WORK OF THE SYMBOL OF THE TRADITIONAL ROMANIAN SPIRITUALITY, CONSTANTIN BRANCUSI, AS A BINDER OF THE RECONNECTION TO THE ORIGINS OF THE TRADITIONAL ROMANIAN CULTURE. CULTURAL ITINERARIES ARE CONSIDERED AN ELEMENT OF INNOVATION IN WHICH THEY SHOULD SUPPORT THE PROMOTION OF THE EUROPEAN IDENTITY AND THE COMMON HERITAGE. CULTURAL ROUTES ARE ITINERARIES THAT GATHER TOGETHER IMPORTANT ELEMENTS OF HERITAGE, WHICH STAND AS TESTIMONY AND ILLUSTRATE SPECIFIC PERIODS AND EVENTS OF EUROPEAN HISTORY. THEY ARE CHARACTERIZED BY MOBILITY AND ALSO IMPLY AN INTANGIBLE AND SPATIAL DYNAMIC THAT THE CULTURAL LANDSCAPE DOES NOT POSSESS, WHICH IS MORE STATIC AND LIMITED IN NATURE. BRÂNCUȘI ROUTE IS THE ITINERARY THAT HE TRAVELED ON FOOT FROM HOBIȚA FROM GORJ TO PARIS. KEYWORDS: ITINERARY, SCULPTOR, BRÂNCUȘI, TOURIST CIRCUIT, CULTURAL ROUTE. INTRODUCTION The European Cultural Route Constantin Brâncuşi - The road to artistic metamorphosis can be a true bridge between Eastern Europe and Western Europe. This route is deeply rooted in the traditions and common European cultural heritage, uniting places with a deep spiritual significance. The greatest sculptor of the 20th century, Constantin Brâncuşi, a central figure in the modern artistic movement is considered the parent of modern sculpture.
    [Show full text]
  • Download Press Release
    Exhibition facts Press conference 13 September 2012, 10:00am Opening 13 September 2012, 6:30pm Duration 14 September 2012 – 6 January 2013 Venue Bastion hall Curators Marie Luise Sternath and Eva Michel Catalogue Emperor Maximilian I and the Age of Dürer Edited by Eva Michel and Maria Luise Sternath, Prestel Publishing Autors: Manfred Hollegger, Eva Michel, Thomas Schauerte, Larry Silver, Werner Telesko, Elisabeth Thobois a.o. The catalogue is available in German and English at the Albertina Shop and at www.albertina.at for 32 € (German version) and 35 € (English version) Contact Albertinaplatz 1, A-1010 Vienna T +43 (0)1 534 83–0 [email protected] , www.albertina.at Museum hours daily 10:00am–6:00pm, Wednesdays 10:00am–9:00pm Press contact Mag. Verena Dahlitz (department head) T +43 (0)1 534 83-510, M +43 (0)699 121 78 720, [email protected] Mag. Barbara Simsa T +43 (0)1 534 83-512, M +43 (0)699 109 81 743, [email protected] Sarah Wulbrandt T +43 (0)1 534 83-511, M +43 (0)699 121 78 731, [email protected] The Albertina’s partners Exhibition sponsors Media partner Emperor Maximilian I and the Age of Dürer 14 September 2012 to 6 January 2013 Emperor Maximilian I was a "media emperor", who spared no efforts for the representation of his person and to secure his posthumous fame. He employed the best artists and made use of the most modern media of his time. Many of the most outstanding works produced for the propaganda and commemoration of Emperor Maximilian I are preserved in the Albertina.
    [Show full text]
  • Programmfolder Hofburg Innsbruck
    The Imperial Palace Vienna at a Glance Imperial Palace Vienna Since its creation in the 13th century, the Imperial Palace Vienna has been subject to constant modification. As a consequence, it has be- come a reflection of the many cultural, political, social, and economic developments throughout Austria’s history. Today, the Swiss Yard (Schweizerhof) represents the oldest part of the building complex. It dates back to the time of Emperor Frederick II of the House of Hohenstaufen. Over the centuries, the rectangular palace of the Late Medieval Period was reconstructed, adapted, expanded, and connected to its adjacent buildings until it eventually became the building complex that, today, constitutes the Imperial Palace Vienna. Dreaming of an Imperial Forum, Emperor Franz Joseph I initiated the last large extension in the second half of the 19th century. Ho- wever, his dream never fully came true. Only Maria-Theresien-Squa- re (Maria- Theresien-Platz) with its two world-famous museums, the youngest wing of the Imperial Palace Vienna – New Castle (Neue Burg) – and St. Michael‘s Gate (Michaelertor) with its sumptuous cupola were to be completed. In its present form the Imperial Palace Vienna, which is situated in the heart of the city, covers an area of more than 300,000 m2 and fulfils a wide array of roles. Hofburg Info Center The recently created Hofburg Info Center nestles between the youngest wing of the Imperial Palace Vienna – New Castle (Neue Burg) – Weltmuseum Wien and the Austrian National Library. Its aim is to provide visitors with all the information they need about the institutions located in the area as well as its history.
    [Show full text]
  • Bruegel's Via Crucis
    BRUEGEL’S VIA CRUCIS: (VISUAL) EXPERIENCE AND THE PROBLEM OF INTERPRETATION Geoff Lehman Conference: What is Liberal Education For? St. John’s College, Santa Fe, New Mexico October 18, 2014 Introduction: Visual Pedagogy This talk will focus on the close reading of a painting, Pieter Bruegel the Elder’s Via Crucis, or, Carrying of the Cross (figure 1), with the idea of suggesting how such sustained engagement with a single work of art over the course of one or several class sessions in a seminar, or even as the basis for an entire course, poses similar challenges and has a similar pedagogical value as the close reading of texts. I will also briefly indicate the rich dialogue between Bruegel’s picture and a number of major Renaissance texts. My simple mention of these texts can in no way do justice to them, but I merely hope to suggest ways that a work of visual art can function meaningfully as part of an interdisciplinary course built around close reading and discussion of texts. In addition, as an image that is self-reflexive in a characteristically Renaissance fashion, the picture explicitly directs the viewer towards the problem of interpretation and suggests the framework within which that interpretive process operates. In other words, I would like to argue that the picture itself teaches. And I will mainly do this (due to lack of time) simply by going through some of the problems of interpretation to which the picture calls our attention. This interpretative problem, as Bruegel’s Via Crucis presents it, is 2 effectively that of finding a middle way between absolute truth and complete absence of determinate meaning; it is an understanding of the interpretive act as directed by, and actively responsive to, its object, in a way that for that very reason is also open and multivalent in its mode of address.
    [Show full text]
  • Bruegel the Hand of the Master
    BRUEGEL THE HAND OF THE MASTER The 450th Anniversary Edition BRUEGEL THE HAND OF THE MASTER Essays in Context Edited by Alice Hoppe-Harnoncourt, Elke Oberthaler, Sabine Pénot, Manfred Sellink and Ron Spronk CONTENTS 8 Introduction: 96 Pieter Bruegel the Elder and 210 Dendroarchaeology of the Panels ESSAYS FROM THE VIENNA EXHIBITION E-BOOK (2018) Bruegel between 2019 and 2069 Flemish Book Illumination by Pieter Bruegel the Elder in the Stefan Weppelmann Till-Holger Borchert Kunsthistorisches Museum, Vienna Pascale Fraiture 336 Leading the Eye and Staging the Composition. Some Remarks 12 Pieter Bruegel: A Preliminary 114 Traces of Lost Pieter Bruegel on Pieter Bruegel the Elder’s Reconstruction of his Network Paintings Revealed through 228 Bruegel’s Panel Paintings in Vienna: Compositional Techniques Jan Van der Stock Derivative Paintings, Phantom Some Remarks on their Research, Manfred Sellink Copies and Dealer Practices Construction and Condition 30 ‘Die 4. Jahrs Zeiten, fecit der alte Ingrid Hopfner and Georg Prast Hans J. van Miegroet 358 The Rediscovery of Pieter Bruegel Brueghel.’ The Changing Story the Elder. The Pioneers of Bruegel of Bruegel’s Cycle of the Seasons 124 Observations on the Genesis of 248 Survey of the Bruegel Paintings Scholarship in Belgium and Vienna in the Imperial Collection Pieter Bruegel the Elder’s of the Kunsthistorisches Museum Sabine Pénot Alice Hoppe-Harnoncourt The Conversion of Saul and the from a Technological Point of View Sabine Stanek, Václav Pitthard, Katharina Uhlir, Examination of Two Copies Martina Griesser and Elke Oberthaler 372 Antwerp – Brussels – Prague – 46 Functions of Drawings Christina Currie and Dominique Allart Vienna.
    [Show full text]