Aping the Nobility
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Portland Daily Press: November 19,1864
PORTLAND DAILY PRESS. VOLUME IV. PORTLAND, SATURDAT MORNING. NOVEMBER 1864 19. WHOLE NO 7B9 1'OETLAND ! generally and universally understood wbat DAILY PRESS, the country la now engaged in. We have as CLOTHING. MERCHANDISE. BUS i OHM all will miscellaneous! BUSINESS CAEDS. BU T.OIXiNLAlf, Editor, agree, a free government where every K!Sb(JAliD&>. M1SCEUL AN man KO US. has a right to oe with other published at Se. 88* EXCHANGE HTBKKT.by equal every To Grocers. | man. In this great this form of gov- H. struggle, m DUDS OUAOALOVPB MOLASSBS,a Maine REMOVAL !' EDWARD BURGIN~ **. A. A CO. Women t, and of is FTiTmD GOODS! 1 7 A Bonnet Notice to KC8TEH I every Aurnan for Stip farm right, AIU nice article letaiins. Forsalebv 30S Bleachery, WHOLKSALK DIALBII Owaeri, j endangered if our enemies succeed. Tnere is Oct 8t—2m C. C. MITCHELL k SON. Congree Street, —MMit— more ran Involved in the contest than Is realized PORTLAND NATHAN to*ylaav Daily rasas!* published atfcS.OO • P. B. MAINE. GOULD, ileal and p*r v«ar. by every one; there is involved in this strug FROSTt Apples. Corn, ¥\onr, Sliinpintr Merchants! f hr :& aiusStatm Pcmbai* pubilshod every Thnrt gle the question whether your children aod Choice Appples, jiut reoeired and Merchant Tailor, d iy :nornia*,ai SH.00 per annum, in *2.26 Ivleroliant 200 l°r Straw, Lace & Bonnets Alio, Ground Book Salt. advance; my children shall tr.e we \ Leghorn rams-ed If witoin Mi mouth*; and 611.50,if enjoy privileges Tailor, to N«. 131 Middle street, where he U w. -
Bruegel Notes Writing of the Novel Began October 20, 1998
Rudy Rucker, Notes for Ortelius and Bruegel, June 17, 2011 The Life of Bruegel Notes Writing of the novel began October 20, 1998. Finished first fully proofed draft on May 20, 2000 at 107,353 words. Did nothing for a year and seven months. Did revisions January 9, 2002 - March 1, 2002. Did additional revisions March 18, 2002. Latest update of the notes, September 7, 2002 64,353 Words. Table of Contents Table of Contents .................................................................................................... 1 Timeline .................................................................................................................. 9 Painting List .......................................................................................................... 10 Word Count ........................................................................................................... 12 Title ....................................................................................................................... 13 Chapter Ideas ......................................................................................................... 13 Chapter 1. Bruegel. Alps. May, 1552. Mountain Landscape. ....................... 13 Chapter 2. Bruegel. Rome. July, 1553. The Tower of Babel. ....................... 14 Chapter 3. Ortelius. Antwerp. February, 1556. The Battle Between Carnival and Lent......................................................................................................................... 14 Chapter 4. Bruegel. Antwerp. February, -
130 NAPIER I (Naper, Napper) [Alington, Scott, Sturt] SCOTLAND
130 List of Parliamentary Families NAPIER I (Naper, Napper) [Alington, Scott, Sturt] SCOTLAND & ENGLAND Baron Napier and Ettrick (1627- S and 1872- UK) Origins: The founder of the family made a fortune in the wool trade. Provost of Edinburgh 1403. His son, a merchant adventurer and courtier, was Kted 1452. Began purchasing estates in the 1530s. One family member fought at Flodden and another at Pinkie. Master of the Mint 1576. First [MP 1471 for Edinburgh]. Another [MP 1463, also for Edinburgh]. 1. Alexander Napier – [Stirlingshire 1690-1700] 2. Francis Napier – [Stirling Burgh 1698-1702] 3. Sir Charles Napier – Marylebone 1841-47 Southwark 1855-60 4. Sir Joseph Napier 1 Bt – Dublin University 1848-58 5. Mark Napier – Roxburghshire 1892-95 Seats: Thirlestane Castle (House, Tower), Selkirkshire (built late 16th c., rebuilt 1816- 20, remod. 1872, demolished 1965); Merchistoun (Merchiston) (Hall), Edinburghshire (purch. and built 1436, add. 16th c., remod. 18th c., sold 1914, later a school) Estates: Bateman 6991 (S) 2316 Titles: Baronet 1627-83; 1637- ; 1867- Peers: [2 peers 1660-86] 2 Scottish Rep peers 1796-1806 1807-23 1824-32 3 peers 1872- 1945 1 Ld Lt 18th-19 th 1 KT 19th Notes: John Napier of Merchistoun invented logarithms. 1, 2, 8, 9, and 10 Barons and seventeen others in ODNB. Scott Origins: Sir William Scott 2 Bt of Thirlestane married the daughter of the 5 Baron Napier. Their son took the name Napier and inherited the Barony and Thirlestane. The Scotts were cadets of the Scotts of Harden (see Home). Granted arms 1542 and acquired estates in the first half of the 16th century. -
MINUTES of the 69 MEETING of AYNHO HISTORY SOCIETY HELD at the VILLAGE HALL, AYNHO on WEDNESDAY 25 JUNE 2014 Present
MINUTES OF THE 69th MEETING OF AYNHO HISTORY SOCIETY HELD AT THE VILLAGE HALL, AYNHO ON WEDNESDAY 25th JUNE 2014 Present: - Peter Cole - Secretary. There were apologies from Rupert Clark due to work commitments 1. Chairman and Treasurer's Report In Rupert’s absence Peter reported that Middleton Cheney is holding a photographic exhibition on Saturday 19th July from 2pm to 4.30pm in All Saints Church, entitled “The Village – Then and Now”. There will be about 50 photos of Middleton Cheney taken between 1900 and 1930, accompanied by photos of the same view taken today. 2. Royal Mistresses Roger Powell The talk covers the period from 1509 to the present day, and concentrates on people who were royal mistresses for at least ten years. Indeed one was a mistress for 36 years. In many cases from a psychological point of view she was not just an object of desire but she more or less became a second wife, and sometimes even a mother to the king. The origin of the role in the early days of the Middle Ages derives from the many loveless royal marriages, as for kings the main reason for a marriage was to secure or maintain an alliance to build his empire or strengthen his position against enemies. Once a queen had given the king one or two heirs, he would forget or even abandon her and take a mistress. In England a royal mistress did not become a feature of court society until the 17th century. In France they had been around in the mid-1600s, but it took a while before England followed suit. -
11. the Decline of the Spanish Nobility: Credit and Administration (1790-1850)1
11. The decline of the Spanish nobility: Credit and administration (1790-1850)1 Ricardo ROBLEDO Were all the proprietors of land only stewards to the public, must not necessity force them to practise all the arts of oppression used by stewards, where the absence or negligence of the proprietor render them secure against injury?2 I. Introduction More than two centuries have passed since Jovellanos complained about the high price of land in Spain due to the fact that trade in that commodity was scarce. He proposed free trade as a solution: ‘La Inglaterra, donde el precio de las tierras es medio y donde, sin embargo, florece la agricultura, ofrece el mejor ejemplo y la mayor prueba de esta verdad’ (In England, land is cheaper, and yet agriculture is flourishing. This is the best example and proof that what I am saying is true) (Jovellanos, 1820: 83). The forming of the land market meant, obviously, that the wealth of the nobility and the church had to be eliminated or significantly reduced. This process gained momentum towards the end of the eighteenth century and was very important in the mid-nineteenth century. Historians are more familiar with the sale of church wealth than the sale of land and goods belonging to the nobility. However, the crisis of the aristocracy and the question of its continuity or adaptation has still become a point of historiographical reference in Spain, going beyond the study of elites to question aspects of agrarian growth or even the extent of democratic development, as has happened also elsewhere 3. -
'A Vile and Abject Woman': Noble Mistresses, Legal Power, and the Family in Early Modern Spain
Grand Valley State University ScholarWorks@GVSU Peer Reviewed Articles History Department 7-2007 'A Vile and Abject Woman': Noble Mistresses, Legal Power, and the Family in Early Modern Spain Grace E. Coolidge Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/hst_articles Part of the History Commons ScholarWorks Citation Coolidge, Grace E., "'A Vile and Abject Woman': Noble Mistresses, Legal Power, and the Family in Early Modern Spain" (2007). Peer Reviewed Articles. 6. https://scholarworks.gvsu.edu/hst_articles/6 This Article is brought to you for free and open access by the History Department at ScholarWorks@GVSU. It has been accepted for inclusion in Peer Reviewed Articles by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. “A VILE AND ABJECT WOMAN”: NOBLE MISTRESSES, LEGAL POWER, AND THE FAMILY IN EARLY MODERN SPAIN Grace E. Coolidge Mistresses of Spanish noblemen between 1360 and 1600 occupied a place within the Spanish patriarchy where concerns about gender and class intersected, revealing contradictions between the ideals of honor, the moral injunctions of Catholic doctrine, and the practical needs of noble families. Mistresses occupied a flexible space in the Spanish patriarchy where a woman’s social status, her ability to produce male heirs, and her ability to use the legal system to her advantage shaped her experience as a mistress and made her more likely to dis- rupt or change the inheritance processes of noble families. Concentrating on noble mistresses reveals that Spanish society had ambiguities about issues of morality, honor, status, and gender that allowed both male and female Spaniards to manipulate social attitudes as skillfully as they manipulated the law. -
Saudi Arabia in Transition from Defense to Offense, but How to Score?
v BELFER CENTER PAPER Saudi Arabia in Transition From Defense to Offense, But How to Score? Karen Elliott House SENIOR FELLOW PAPER JULY 2017 Belfer Center for Science and International Affairs Harvard Kennedy School 79 JFK Street Cambridge, MA 02138 www.belfercenter.org Statements and views expressed in this report are solely those of the author and do not imply endorsement by Harvard University, Harvard Kennedy School, or the Belfer Center for Science and International Affairs. Design & Layout by Andrew Facini Cover photo and opposite page 1: Deputy Crown Prince Mohammed bin Salman arrives at the Hangzhou Exhibition Center to participate in G20 Summit, Sunday, Sept. 4, 2016 in Hangzhou, China. (Etienne Oliveau/Pool Photo via AP) Copyright 2017, President and Fellows of Harvard College Printed in the United States of America BELFER CENTER PAPER Saudi Arabia in Transition From Defense to Offense, But How to Score? Karen Elliott House SENIOR FELLOW PAPER JUNE 2017 About the Author Karen Elliott House is a senior fellow at the Belfer Center and author of “On Saudi Arabia: Its People, Past, Religion, Fault Lines—and Future,” published by Knopf in 2012. During a 32 year career at The Wall Street Journal she served as diplomatic correspondent, foreign editor and finally as Publisher of the paper. She won a Pulitzer Prize for International Reporting in 1984 for her coverage of the Middle East. She is chairman of the RAND Corporation. Her April 2016 report on Saudi Arabia, “Uneasy Lies the Head that Wears a Crown,” can be found at the Belfer Center’s website: http://www.belfercenter.org/publication/uneasy-lies-head-wears-crown The author, above, in rural Jizan Province in April 2009 with an elderly farmer and some of his 35 children (from three wives) and 30 grandchildren. -
Titles – a Primer
Titles – A Primer The Society of Scottish Armigers, INC. Information Leaflet No. 21 Titles – A Primer The Peerage – There are five grades of the peerage: 1) Duke, 2) Marquess, 3) Earl, 4) Viscount and 5) Baron (England, GB, UK)/Lord of Parliament (Scotland). Over the centuries, certain customs and traditions have been established regarding styles and forms of address; they follow below: a. Duke & Duchess: Formal style: "The Most Noble the Duke of (title); although this is now very rare; the style is more usually, “His Grace the Duke of (Hamilton), and his address is, "Your Grace" or simply, "Duke” or “Duchess.” The eldest son uses one of his father's subsidiary titles as a courtesy. Younger sons use "Lord" followed by their first name (e.g., Lord David Scott); daughters are "Lady" followed by their first name (e.g., Lady Christina Hamilton); in conversation, they would be addressed as Lord David or Lady Christina. The same rules apply to eldest son's sons and daughters. The wife of a younger son uses”Lady” prior to her husbands name, (e.g. Lady David Scot) b. Marquess & Marchioness: Formal style: "The Most Honourable the Marquess/Marchioness (of) (title)" and address is "My Lord" or e.g., "Lord “Bute.” Other rules are the same as dukes. The eldest son, by courtesy, uses one of his father’s subsidiary titles. Wives of younger sons as for Dukes. c. Earl & Countess: Formal style: "The Right Honourable the Earl/Countess (of) (title)” and address style is the same as for a marquess. The eldest son uses one of his father's subsidiary titles as a courtesy. -
Born Prince & Princesses
DUNFERMLINE – BORN PRINCE & PRINCESSES 2 DUNFERMLINE – BORN PRINCE & PRINCESSES BY J. B. MACKIE, F.J.I., Author of “Life and Work of Duncan McLaren.” “Modern Journalism.” “Margaret Queen and Saint.” & Dunfermline; DUNFERMLINE Journal Printing Works. 3 RUINS OF THE ABBEY CHOIR, AULD KIRK, & DUNFERMLINE. CIRCA A.D. 1570. (From Old Sketches and Plans.) 4 PREFACE. ____ These Sketches were written for the Dunfermline Journal for the purpose of quickening local interest and pride in the history of the ancient city. They are now published in book form in the hope that they may prove not an unwelcome addition to the historical memorials cherished by lovers of Dunfermline at home and abroad, and be found helpful to the increasing number of visitors, attracted by the fame of the city, so greatly enhanced within recent years by the more than princely benefactors of one of its devoted sons. J. B. M. Dunfermline, November, 1910. 5 Contents. _______ Chapter 1. - The Children of the Tower. Page 6 II. Edgar the Peaceable. 11 III. Alexander the Fierce. 15 IV. David “the Sair Sanct.” 23 V. Queen Matilda. 29 VI. Prince William and the Empress 35 Matilda. VII. Mary of Boulogne and her Daughter. 40 VIII. James I. 45 IX Elizabeth of Bohemia, “Queen of Hearts.” 54 X Charles I. 61 6 DUNFERMLINE BORN PRINCES AND PRINCESSES . CHAPTER 1 THE BIRTHPLAE OF ROYALTY – MALCOLM AND MARGARET’S FAMILY. Dunfermline has frequently been spoken and written about as a burial place of Scottish Royalty. In the eleventh century the centre of ecclesiastical power was transferred from Iona to Dunfermline, after the Culdee leadership had been overpowered by the authority of the Roman Church, and King Malcolm and Queen Margaret had made the seat of their Court the leading centre of religious worship. -
Music in the Courts of the Spanish Nobility 173
Love or liberality? Music in the Courts of the Spanish Nobility 173 Chapter 5 Love or liberality? Music in the Courts of the Spanish Nobility Roberta Freund Schwartz The role of music among the Spanish high nobility during the reign of the Catholic Monarchs remains somewhat elusive. Due to the extensive destruc- tion of family archives by natural disasters, theft, wars, neglect, transfer, and dispersal, few, if any, of the libraries and archives of Spain’s noble households survive intact, and many contain distressingly few records from this period.1 Thus, compared to institutions like the royal chapels and major cathedrals, relatively little is known about the musical establishments of these courts. However, the information that can be gleaned indicates that members of the high nobility were important patrons of musicians, played a key role in popu- larizing the vihuela, and, particularly after the death of Ferdinand in 1516, were the primary supporters of indigenous secular music. It is also the case that their patronage of music was rather different to that of other European nobles—and for a number of reasons. The turbulent transition of Spain from a collection of independent king- doms to a more or less unified nation under a pair of strong monarchs created a noble estate in the service of, rather than in competition with, the Crown. Most of the Iberian high nobility was created during the fifteenth century, when warring rival factions solicited allies by granting titles and lands to powerful vassals. By the time that Ferdinand and Isabel married in 1469, the number of noble dynasties had increased dramatically, and the Catholic Monarchs awarded even more to their allies during the war of succession over Isabel’s ascendancy to the throne. -
The Story of the Duke of Zhou
Indiana University, History G380 – class text readings – Spring 2010 – R. Eno 1.6 THE STORY OF THE DUKE OF ZHOU Next to Confucius himself, the greatest hero of ancient China, as viewed through the perspective of the later Confucian tradition, was a man known as the Duke of Zhou, one of the founders of the Zhou Dynasty. The Duke of Zhou is celebrated for two reasons. The first concerns his formidable political achievements. The texts tell us that two years after the conquest of the Shang, the Zhou conqueror King Wu died, leaving only one very young son to succeed him. While it was the Shang custom to pass the throne from older to younger brother within one generation, the tradition of the Zhou people had been that their throne should pass only from father to son. Upon the death of King Wu, his younger brother, the Duke of Zhou, seized power, claiming that it was his intention to preside only as an emergency measure until his nephew came of age and could properly receive the Mandate of Heaven. A number of the other brothers believed instead that the Duke was seizing the throne in the manner of former Shang kings and they raised a rebellion. The Duke not only put down the rebellion, but followed this forceful confirmation of his claim to ultimate power by actually doing what he had promised all along – when his nephew, the future King Cheng, came of age, the Duke ceded to him full authority to rule and retired to an advisory role. This sacrifice of power on the Duke’s part immeasurably enhanced the stature of the Zhou throne and the religious power of the concept of Heaven’s mandate. -
Bruegel's Via Crucis
BRUEGEL’S VIA CRUCIS: (VISUAL) EXPERIENCE AND THE PROBLEM OF INTERPRETATION Geoff Lehman Conference: What is Liberal Education For? St. John’s College, Santa Fe, New Mexico October 18, 2014 Introduction: Visual Pedagogy This talk will focus on the close reading of a painting, Pieter Bruegel the Elder’s Via Crucis, or, Carrying of the Cross (figure 1), with the idea of suggesting how such sustained engagement with a single work of art over the course of one or several class sessions in a seminar, or even as the basis for an entire course, poses similar challenges and has a similar pedagogical value as the close reading of texts. I will also briefly indicate the rich dialogue between Bruegel’s picture and a number of major Renaissance texts. My simple mention of these texts can in no way do justice to them, but I merely hope to suggest ways that a work of visual art can function meaningfully as part of an interdisciplinary course built around close reading and discussion of texts. In addition, as an image that is self-reflexive in a characteristically Renaissance fashion, the picture explicitly directs the viewer towards the problem of interpretation and suggests the framework within which that interpretive process operates. In other words, I would like to argue that the picture itself teaches. And I will mainly do this (due to lack of time) simply by going through some of the problems of interpretation to which the picture calls our attention. This interpretative problem, as Bruegel’s Via Crucis presents it, is 2 effectively that of finding a middle way between absolute truth and complete absence of determinate meaning; it is an understanding of the interpretive act as directed by, and actively responsive to, its object, in a way that for that very reason is also open and multivalent in its mode of address.