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Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
The Style Council Gold Mp3, Flac, Wma
The Style Council Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Reggae / Funk / Soul / Pop Album: Gold Country: Philippines Released: 2006 Style: Brit Pop, Soul, Mod MP3 version RAR size: 1256 mb FLAC version RAR size: 1691 mb WMA version RAR size: 1494 mb Rating: 4.2 Votes: 503 Other Formats: DMF MP1 DXD MP4 APE DMF MIDI Tracklist Hide Credits You're The Best Thing 1.01 Written By – Paul Weller A Stones Throw Away 1.02 Written By – Paul Weller Have You Ever Had It Blue 1.03 Written By – Paul Weller Blue Cafe 1.04 Written By – Paul Weller Money Go Round (Parts 1 & 2) 1.05 Written By – Paul Weller Headstart For Happiness 1.06 Written By – Paul Weller My Ever Changing Moods 1.07 Written By – Paul Weller Here's One That Got Away 1.08 Written By – Paul Weller Long Hot Summer 1.09 Written By – Paul Weller Internationalists 1.10 Written By – Mick Talbot, Paul Weller Man Of Great Promise 1.11 Written By – Paul Weller Our Favorite Shop 1.12 Written By – Mick Talbot The Lodgers 1.13 Written By – Mick Talbot, Paul Weller Walls Come Tumbling Down 1.14 Written By – Paul Weller The Cost Of Loving 1.15 Written By – Paul Weller Wanted 1.16 Written By – Mick Talbot, Paul Weller The Paris Match 1.17 Written By – Paul Weller The Big Boss Groove 1.18 Written By – Mick Talbot, Paul Weller It Didn't Matter 2.01 Written By – Paul Weller, Paul Weller The Whole Point Of No Return 2.02 Written By – Paul Weller Speak Like A Child 2.03 Written By – Paul Weller Why I Went Mising 2.04 Written By – Paul Weller A Solid Bond In Your Heart -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Gun Control to Major Tom: an Analysis of Failed Gun Regulations and the Terrorist Watchlist Paolo G
University of Massachusetts Law Review Volume 12 | Issue 2 Article 3 Gun Control to Major Tom: An Analysis of Failed Gun Regulations and the Terrorist Watchlist Paolo G. Corso Follow this and additional works at: http://scholarship.law.umassd.edu/umlr Part of the National Security Law Commons, and the Second Amendment Commons Recommended Citation Corso, Paolo G. () "Gun Control to Major Tom: An Analysis of Failed Gun Regulations and the Terrorist Watchlist," University of Massachusetts aL w Review: Vol. 12 : Iss. 2 , Article 3. Available at: http://scholarship.law.umassd.edu/umlr/vol12/iss2/3 This Note is brought to you for free and open access by Scholarship Repository @ University of Massachusetts chooS l of Law. It has been accepted for inclusion in University of Massachusetts Law Review by an authorized editor of Scholarship Repository @ University of Massachusetts chooS l of Law. Gun Control to Major Tom: An Analysis of Failed Gun Regulations and the Terrorist Watchlist Paolo G. Corso 12 U. MASS. L. REV. 376 ABSTRACT As a division of the Federal Bureau of Investigation’s National Security Branch, the Terrorist Screening Center maintains the Terrorist Watchlist, a central database for identifying individuals known or suspected to engage in terrorism or terrorist activities. Subsumed under the Terrorist Watchlist is the No Fly List, which prohibits individuals from boarding commercial aircrafts in and out of the United States. Placement on either list presumes named individuals as a potential threat to U.S. national security, yet there is no restriction preventing them from legally purchasing firearms. Following a mass shooting at an Orlando nightclub in June of 2016, which was perpetrated by an individual recently removed from the Terrorist Watchlist, the Senate proposed two gun control measures specifically aimed at preventing individuals on the Terrorist Watchlist from purchasing firearms. -
A Du Lt Eng Agem En T C Alen D Ar
2018 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Bold burgandy text indicates a live link. African-American LGBTQ+ Pride Month Summer Library Program 1 2 Click on the links Music Appreciation Month • Check out GLBT Book Month • Pick two regular programs (e.g. to discover more National Say Something • Celebrate the deep and vital resources and ideas. a book club or a family program) Libraries Rock! Use Spotify information. For Nice Day to crowdsource a “sounds of more programming contributions of African American to “music-fy” in celebration of Offer a passive Kindness • Family program idea: Celebrate summer” song playlist to share ideas, visit musicians and music traditions with Libraries Rock! this summer. Rocks activity for all ages Pride Month with an inclusive Drag in the library or online. ideas.demco.com/ a month-long multimedia display. to complete. Queen story hour or find one near category/blog/. Get started with a topical booklist. you that the library can promote. 3 4 5 6 7 8 9 National Garden Week (June 3 – 9) Today is World Environment National Drive-In Movie Day In honor of Great Outdoors On this day in 1888, the Poet and civil rights activist Movie release: Ocean’s Work with a local master Day. Share a list of new Celebrate with a special Month, try a Walk and Talk baseball poem “Casey Nikki Giovanni was born Eight, a spin-off of the gardening group to host an nature/environmental books, Drive-In Family Movie Night. Book Discussion. Do as a at the Bat” was printed on this day in 1943. -
PRESSEMITTEILUNG 23.10.2019 Paul Weller: the Modfather Is Back!
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 23.10.2019 Paul Weller: The Modfather is back! Einer „der größten britischen Songwriter der letzten 30 Jahre“ (BBC) wird Deutschland im Mai 2020 für vier Konzerte in Hamburg, Berlin, Köln und Frankfurt beehren und eine Kollektion aus seinem schier unerschöpflichen Fundus an grandiosen Songs präsentieren. Doch es sind nicht nur die Songs, die Paul Weller „neben David Bowie zu der weit verzweigtesten, langanhaltendsten und stets nach vorne blickenden Karriere“ (The Daily Telegraph) verhalf. Es ist auch seine Meinungsstärke, seine klare politische Positionierung sowie seine Neugier darauf, immer wieder neue musikalische Felder zu erschließen. Ob mit seiner New Wave-/Mod-Band The Jam, mit der er zwischen 1976 und 1982 ein kraftvolles, musikalisch anspruchsvolles Gegengewicht zum parallel aufkeimenden Punkrock anbot; ob mit The Style Council, mit denen er die restlichen 80er-Jahre über die wohl wertvollste Version eines 80er-Edelpop manifestierte; oder ob als Solokünstler, als der er in den vergangenen drei Jahrzehnten nicht weniger als 19 Alben in den britischen Top Ten platzieren konnte, von denen es ganze 12 sogar unter die Top 3 schafften: Stets ging es Paul Weller nicht in erster Instanz darum, Hits abzuliefern, sondern sich und sein Songwriting immer wieder neu zu entdecken. Dass er dabei mehrfach neue Trends und Strömungen initiierte – etwa auch, als er 1996 mit dem Album „Heavy Soul“ eine Rückkehr zu rohen, direkten Aufnahmen ohne Overdubs und technische Tricks einläutete, ein Trend, der beispielsweise den Weg für das Garagerock-Revival Ende der 90er anbahnte und letztlich bis heute anhält –, muss man dabei als wunderbaren Nebeneffekt beschreiben. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Fanfiction Dilemma: Is It Copyright Infringement Or Fair Use? Table Of
Fanfiction Dilemma: Is it Copyright Infringement or Fair Use? Table of Contents I. Introduction ...................................................................................................................................... 1 II. Background on Copyright Law .......................................................................................................... 1 A. What is Required for a Copyright?....................................................................................................2 B. What is Not Covered by Copyright?..................................................................................................2 C. What Does an Author get for Creating his or her New Work? .........................................................3 D. Copyright Infringement.....................................................................................................................4 i. Copying .................................................................................................................................................. 4 ii. Substantial Similarity............................................................................................................................. 4 iii. Improper Appropriation........................................................................................................................ 5 E. Fair Use ......................................................................................................................................... 5 III. Background on Fanfiction ................................................................................................................ -
David Bowie's New Look Tops Concert Series for Year Bydalekasler but Maybe Bowie's Best Song Tuesday Night, and Cer- Staff Writer
B-S Syracuse Herald-Journal, Wednesday, September 7, 1983 ENTERTAINMENT Review — Music David Bowie's new look tops concert series for year ByDaleKasler But maybe Bowie's best song Tuesday night, and cer- Staff Writer . tainly one of the best he's ever done, was the har- rowing "Ashes to Ashes," from 1980's "Scary Monsters" David Bowie trotted out the personas Tuesday night album. Trapped on a moving platform surrounded by a at the Carrier Dome. No, not so much the Ziggy Stardust curtain of light, Bowie sang about picking up the pieces and Thin White Duke characters. Rather, he brought of his life. out Bowie the actor, Bowie the director, Bowie the "Major Tom" is still part of his act thinker and, most importantly, Bowie the rock 'n' roll "We know Major Tom's a junkie," he sang over Earl star. Slick's percolating guitar — and then moved into his The ultimate musical chameleon, the British star ran very first single, "Space Oddity," the eerie 1969 hit through a spirited set of rock and funk stitched together about Major Tom, the alienated astronaut. Bowie was with dramatic staging that made the two-hour concert reminding the audience of where he's been, and it something to look at as much as something to hear. With isn't quite as simple as the chorus in "Let's Dance." only a couple of exceptions, the show was an energy- In addition to the customary state-of-the-art lighting charged tribute to Bowie's 17-year career. that has become almost mandatory at these big shows, The Dome was a stop on Bowie's first concert tour in Bowie put on perhaps the most meticulously choreo- five years, the massive "Serious Moonlight Tour" that graphed rock concert ever. -
A Sale of Football & Sporting Memorabilia
SSppoorrttiinngg MMeemmoorryyss WWoorrllddwwiiddee AAuuccttiioonnss LLttdd PPrreesseenntt…….. AA SSaallee ooff FFoooottbbaallll && SSppoorrttiinngg MMeemmoorraabbiilliiaa LLIIVVEE AAUUCCTTIIOONN NNUUMMBBEERR 2299 At Holy Souls Social Club, opposite Midland School Wear, Acocks Green, Birmingham, B27 6BP Wednesday 7th August, 2019 – 12.15pm Photographs of all lots are available online at the-saleroom.com 11 Rectory Gardens, Castle Bromwich, Birmingham, B36 9DG Telephone: 0121 684 8282 Fax: 0121 285 2825 E-mail: [email protected] Visit: www.sportingmemorys.com 1 Terms & Conditions Date Of Sale The sale will commence at 12.15pm on Wednesday 7th August 2019. Venue The venue is the Holy Souls Social Club, opposite Midland School Wear, Acocks Green, Birmingham, B27 7BP Location The club is located on the Warwick Road, between Birmingham (5miles) and Solihull (3miles). The entrance to the club is via a drive way, located between the Holy Souls Church and Ibrahims Restaurant, opposite Midland School Wear shop. Clients requiring local accomodation are recommended to use the Best Western Westley Hotel, which is just 0.4miles from the venue. Plenty of other hotels are also located in Solihull/Birmingham area, to suit all varying budgets. Viewing Arrangements Viewing will take place as detailed on the opposite page. As the more valuable items are being stored at the local bank, viewing at any other time will be by arrangement with Sporting Memorys Worldwide Auctions Ltd Registration It is requested that all clients register before entering the viewing room. Auctioneers The Auctioneers conducting the sale are Trevor Vennett-Smith and Tim Davidson. Please note they are only acting for Sporting Memorys Worldwide Auctions on the sale day. -
RCA Consolidated Series, Continued
RCA Discography Part 18 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Consolidated Series, Continued 2500 RCA Red Seal ARL 1 2501 – The Romantic Flute Volume 2 – Jean-Pierre Rampal [1977] (Doppler) Concerto In D Minor For 2 Flutes And Orchestra (With Andraìs Adorjaìn, Flute)/(Romberg) Concerto For Flute And Orchestra, Op. 17 2502 CPL 1 2503 – Chet Atkins Volume 1, A Legendary Performer – Chet Atkins [1977] Ain’tcha Tired of Makin’ Me Blue/I’ve Been Working on the Guitar/Barber Shop Rag/Chinatown, My Chinatown/Oh! By Jingo! Oh! By Gee!/Tiger Rag//Jitterbug Waltz/A Little Bit of Blues/How’s the World Treating You/Medley: In the Pines, Wildwood Flower, On Top of Old Smokey/Michelle/Chet’s Tune APL 1 2504 – A Legendary Performer – Jimmie Rodgers [1977] Sleep Baby Sleep/Blue Yodel #1 ("T" For Texas)/In The Jailhouse Now #2/Ben Dewberry's Final Run/You And My Old Guitar/Whippin' That Old T.B./T.B. Blues/Mule Skinner Blues (Blue Yodel #8)/Old Love Letters (Bring Memories Of You)/Home Call 2505-2509 (no information) APL 1 2510 – No Place to Fall – Steve Young [1978] No Place To Fall/Montgomery In The Rain/Dreamer/Always Loving You/Drift Away/Seven Bridges Road/I Closed My Heart's Door/Don't Think Twice, It's All Right/I Can't Sleep/I've Got The Same Old Blues 2511-2514 (no information) Grunt DXL 1 2515 – Earth – Jefferson Starship [1978] Love Too Good/Count On Me/Take Your Time/Crazy Feelin'/Crazy Feeling/Skateboard/Fire/Show Yourself/Runaway/All Nite Long/All Night Long APL 1 2516 – East Bound and Down – Jerry -
Off the Record
14 Arts Manitou Messenger March 8, 1984 off the record by J.A. Nelson boisterous and ironically op vey. They are ultimately op musical commentaries against of optimism in the song. timistic "Read About It" ac timistic, and they believe that we the injustices of social and This feeling of optimism is Midnight Oil's latest album, cuses the press of camouflaging are not too far gone to change political systems. Three months carried into the next song which 10,9,8,7,6,5,4,3,2,1, came out in the issues and complains that the our situation. "Not much after they disbanded, Weller got starts out with uplifting guitar Australia in 1982 and was the people do not make an effort to time/But time to trv." together with Mick Talbot and strumming and a voice that biggest seller of 1983 in find the truth: "Nothing ever The Style Council projects a formed the Style Council; their seems to brim with joy. Australia. The group was form happens/Nothing really mat message in their new album that first single, "Speak Like a "Headstart for Happiness" ex ed in 1978 by Peter Garret, who ters/No one ever tells me, so is similar to that which 1 found Child," came out about a year emplifies the beliefs of the is a product of the protest and what am I to know?" There is in 10,9...I: We must begin to ago. In the Style Council, group: We have been given a unrest of the 1960s. Midnight also the desperate pleading of a take responsibility for the pro Weller retained his strong feel chance to start again and to let Oil was originally popular with man on the edge of insanity, in blems in the world and the ings against injustice, but he love and understanding take the beach crowd in southern "Only the Strong," in which possibility of nuclear war.