Festival of the Future City

Total Page:16

File Type:pdf, Size:1020Kb

Festival of the Future City Festival of the Future City/ Edited by Andrew Kelly and Melanie Kelly Bristol Cultural Development Partnership Festival of the Future City/ 4 Festival of the Future City/ Festival of the Future City/ 5 Festival of the Future City/ Edited by Andrew Kelly and Melanie Kelly Bristol Cultural Development Partnership 6 Festival of the Future City/ Dedication/ 7 The Festival of the Future City was led by Bristol Cultural Development Partnership (BCDP) as part of the Bristol “ Cities have always been the fireplaces of Festival of Ideas and the Bristol 2015 programme. civilisation, whence light and heat radiates Published by Bristol Cultural Development Partnership (BCDP), Leigh Court, Abbots Leigh, Bristol BS8 3RA out into the dark, cold world.“ Design and typesetting by Qube Design Associates Ltd Theodore Parker, Lessons from the World Printed in England by The Complete Product Company Ltd Printed on FSC certified paper of Matter and the World of Man, 1908/ ©BCDP 2016 We would like to thank all those who have provided “ Cities have the capability of providing illustrative material for this book. They are credited alongside each image where appropriate with the something for everybody, only because, and exception of the Festival of the Future City posters, which were designed by the following BA (Hons) Illustration only when, they are created by everybody.” students at the University of the West of England: Emma Scott (front inside cover), Jack Goddard (page 2), Joseph Jane Jacobs, The Death and Life of Great Jores (page 208), Ruby Hinton (back inside cover). If any image has been incorrectly attributed, please contact American Cities, 1961/ BCDP and a correction will be made in any future edition of this publication. The individual authors retain the copyright of their own work. No part of this publication may be reproduced, stored in a retrieval system, or “A culture, we all know, is made by its cities.“ transmitted, in any form or by any means, without the prior permission of the copyright owner. Derek Walcott, Nobel Lecture, 1992/ The opinions expressed in the individual chapters of this book are the authors’ own and not necessarily those of BCDP. “ It's very important for cities all around the world to reinvent themselves.” Zaha Hadid/ “Cities are the greatest creations of humanity.“ Daniel Libeskind/ 8 Festival of the Future City/ Contents/ 9 Contents/ Foreword/ The Future City: The Challenges, Nature and the City/ 100 City Case Studies/ 144 Phil Gibby 8 The Opportunities/ 70 Nature-Rich Cities/ English Cities: Bradford, Manchester, Introduction/ Cities in the Uncertain World/ Amy O’Beirne 102 Plymouth and Bristol/ Andrew Kelly 10 Rich Pancost and Pru Foster/ 72 John Harris 146 State of Nature/ The Festival Programme/ 14 Delivering Future Cities in a Runaway World: Melissa Harrison 106 Industrial Revolution to Knowledge Revolution: Bristol Conversations/ A Century of Urban Economic Change/ The Future is Urban/ Caroline Bird, Andy Gouldson, Gary Topp 76 The Ecologically Smart City/ Paul Swinney 162 Antonia Layard 18 Melissa Sterry 114 Ambition and Successful City-making/ Cities Back from the Brink: The Case of Detroit/ Charles Landry 80 Chris Dorle 164 City Thinking: Past and Present/ 24 The Arts, Creativity and the City/ 120 The Future of Cities: the Global Perspective/ New Delhi: A Portent of the Future/ Historic Cities: Greek and Roman/ Tim Moonen 84 Arts and the City/ Rana Dasgupta 170 Melanie Kelly 26 Amy O’Beirne 122 Cities and Devolution/ Thinking About Cities – From Africa/ Cities and Ideas in the Ancient World/ Alexandra Jones 86 The Play’s the Thing/ Susan Parnell 174 Amy O’Beirne 34 Clare Reddington 128 Devolution and the Future of Cities/ Future Lagos/ On Utopia/ Amy O’Beirne 88 Poetry and Prose/ 132 Olamide Udoma 176 Darran Anderson 36 Housing and Future Cities/ Bristol Voluntaries/ Imagination and the Megalopolis/ For Cities and Their Critics: Ideas Are Social/ Amy O’Beirne 90 Peter Robinson 132 Gabriella Gómez-Mont 180 Miriam Fitzpatrick 40 Time for a City Perspective on Social Mobility/ Dreamingham/ Bristol Day Provocation/ The Image of the City: Kevin Lynch/ Gavin Kelly 92 Liz Berry 135 Eugene Byrne 184 Melanie Kelly 46 Social Mobility and Future Cities/ Your City/ Will Self’s Bristol Walk/ Jane Jacobs’ Influence in Bristol: Amy O’Beirne 94 Helen Mort 136 Steven Morris 186 Probing the Real World/ Gillian Darley 54 Immigration and Future Cities/ Sumerian Dream Vision of Vertical Gardens/ Amy O’Beirne/ 96 Rachael Boast 137 Conclusions/ 190 Who is the City For?/ Leo Hollis 64 Are Smart Cities Really that Smart?/ The Snail and The Spider/ The Challenge and Complexity of Cities/ Amy O’Beirne 98 Edson Burton 138 Tessa Coombes 192 Our Urban Kinder Scout Moment/ Bradley L Garrett 68 The Nine Trades Welcome You to the The Exceptional Fund Arts Programme City of Refuge/ and Bristol 2015/ WN Herbert 140 Andrew Kelly 196 City/ Notes and Bibliography/ 200 Eimear McBride 141 Author Biographies/ 204 What Are You Wearing Today?/ Ian McMillan 142 10 Festival of the Future City/ Foreword/ 11 Foreword/ Phil Gibby/ The Festival of the Future City was the last of six major projects supported by Arts Council England through an Exceptional Award to put arts and culture right at the heart of Bristol’s year as European Green Capital. From the very beginning Bristol 2015 offered the The final exceptional project, The Festival of the Future opportunity to create an arts and cultural programme of City, gave us a chance to reflect on all of the issues raised such ambition and with such national and international and remember the things that made us smile, made us impact that it would be truly exceptional. question, made us think. That is why Arts Council England made the award of It provided an ambitious intellectual underpinning of £744,564 – our largest ever – to support this exciting year- the year, a conversation with internationally recognised long series of events and activities. artists, writers and thinkers to which the whole city was invited. The programme we supported placed the green agenda on a more creative and contemporary platform to really I can’t think of a better or more important way to round engage everyone – artists, audiences, and particularly off an exciting and inspirational year. children and young people – in celebrating sustainability and future ways of living. Phil Gibby Area Director, South West, Arts Council England Luke Jerram’s eerie flotilla of abandoned fishing boats in Leigh Woods raised questions about the weather, the oceans and climate change. The Bristol Whales made us look at how we treat our oceans and consider the effects of plastic waste. An exhibition of work by one of Britain’s best known landscape artists, Richard Long, connected us with our environment in new ways and using fresh eyes. Arcadia and its world-famous 50-tonne mechanical spider landed in Queen’s Square and used themes of sustainability, transformation and change to spectacular fire-breathing effect. Chicago’s award-winning installation artist Theaster Gates breathed new life into discarded materials and forgotten places to create the magical Sanctum. Opposite page: Festival of the Future City poster design by student Tom Handy, BA (Hons) Illustration, UWE. 12 Festival of the Future City/ Introduction/ 13 Introduction/ Andrew Kelly/ The city and the future of cities have always been events held over the four days with a total of 209 speakers important in our work. We’ve sought inspiration from and 7,423 audience members. This was on top of a cities around the world; looked at what we can learn from series of 69 build-up events in the preceding 18-month cities of the past and imaginary cities; and have been period, which involved 354 speakers and 12,984 audience as keen to involve ourselves in debates about transport, members. planning, leadership and governance as we have been in developing cultural projects. We wanted this to be the largest ever public debate about the city. The festival aimed to: promote comprehensive We were offered a great opportunity in 2015 to bring thinking and discussion about the future of cities; look all this work together. In June 2014 Bristol Cultural at examples of good practice in cities that would help Development Partnership (BCDP) was awarded a major promote a better and more resilient, sustainable and grant of £744,564 for the Bristol 2015 European Green prosperous future for all; examine models for future Capital arts programme. city development; provide a public platform for existing programmes of work – such as InnovateUK, Foresight, The award came from Arts Council England’s Exceptional Future Cities Catapult and Centre for Cities; and ensure Fund for projects that have national and international Bristol is seen as both a good example where future cities importance. Arts Council England (ACE) has worked with work is taking place and a natural place for debate about BCDP ever since we were founded in 1993, alongside future cities. Bristol City Council, Business West, University of Bristol and University of the West of England. BCDP has run It was part of BCDP’s year-round Festival of Ideas. many year-long programmes of work in partnership Established in 2004, the Festival of Ideas emerged out with others including Brunel 200 (2006), celebrating the of Bristol’s bid to be Capital of Culture in 2008. It was bicentenary of the birth of Isambard Kingdom Brunel; inspired by our wish to expand the level of debate BAC100 (2010), marking the centenary of the founding of in the city and to celebrate the work of great writers, Bristol’s aviation industry; and Bristol 2014 (2014) on the commentators and thinkers in and outside Bristol.
Recommended publications
  • General Information Handbook for Students
    General information Handbook for Students An Associate School of the University of the West of England 2019/2020 If you have a problem Talk to a member of staff! All staff are committed to helping you complete your studies and you should feel free to talk to any member of staff if you have a problem. They will treat your conversation as confidential and will either offer help to solve the problem or advise you to talk to somebody more able to help with that problem. If you have a problem with In the first instance contact If they are not available Mental health, wellbeing, Julia Heeley Your Personal Tutor or Head of counselling, disability support, Higher Education Course. diagnostic and needs Administration and Student See your Course Handbook for the assessments, Disabled Student Support Manager name of your Personal Tutor. Allowance (DSA), learning Email: [email protected] support, accommodation, council Tel: 0117 980 9247 tax and any other issues which are affecting your studies. Issues with your studies Your Module Leader Your Head of Course including your progress on your Your Personal Tutor Course, assessment, student feedback, course documentation and assessment deadlines and Personal (Extenuating) Circumstances Student Finance including UK/EU Marchia Abokie Simon Payne student loans, US Federal Admissions and Financial Aid Finance Director Loans Administrator Email: [email protected] Email: [email protected] Student Finance including Simon Payne Huw Magill student fee queries, bursaries Finance Director
    [Show full text]
  • Spring 2014 Bristolcivicsociety.Org.Uk
    ETTER RISTOL B The Bristol Civic Society magazine B Issue 04 Spring 2014 bristolcivicsociety.org.uk An independent force for a better Bristol Bristol Civic Society, Registered Charity No: 244414 Notes from the Chair ello and welcome to the fourth issue of Better Please see the Annual Review and your invitation to the 2014 Bristol, the Bristol Civic Society magazine which AGM. I hope numerous members and friends will join us on 2 is funded from members' subscriptions. If you May 9 at the AGM when Simon Birch will take over as the are not yet a member and would like to support next Chair of the Society. I will become Vice-Chair for 12 Hthe Society, to receive Better Bristol twice a year, as well as months and look forward to supporting Simon. receive reductions at our regular events, do consider joining us. My two-year tenure as Chair has been interesting to say the least! I have enjoyed the opportunity to introduce new ideas, A warm welcome to new members Chris, Kate, Molly, collaborating with other groups and creating Better Bristol Rhona, Richard, Jayne, Gavin, Alfred, Mary, Tim, Jane, Arne magazine. I have often been disappointed by planning and Richard. decisions and felt frustrated by the length of time it takes for positive change to happen - and no doubt this will continue. I know some of you are already active within the Society which is most encouraging. I hope you will be inspired by The best part though, during the last two years, has been past Society members Dorothy Brown, Frank Kelf and Jerry meeting many interesting people who care so passionately Hicks, who did so much for Bristol's built environment and about the city that we share.
    [Show full text]
  • “I Belong Here!”: a Somali Journey Through Bristol I Belong Here!
    “I Belong Here!”: A Somali Journey Through Bristol I Belong Here! This pack is specially designed in consultation with Bristol’s Somali Community. Its aim is to tell some of the stories which make Bristol such an interesting city. Some of these stories show what a contribution immigrants of all religions and backgrounds have made to the city throughout the ages. In this pack you will find: The Walk Cards 1a-24 Bristol Buildings Timeline B1-B6 Timeline of Bristol’s Ethnic Minorities T1-T2 This project is funded by the UK government’s ‘Building a Stronger Britain Together’ programme. “I Belong Here!”: A Journey Through Bristol Project Text © Madge Dresser 2018 I Belong Here! Bristol (Brig Stowe) ‘place of the bridge’ began as an Anglo Saxon village over 1000 years ago and under the Normans grew in importance as a trading port and had a castle, and various religious institutions (most notably St. Augustine’s Abbey). By the 1200s Bristol had a flourishing trade in wool, leather and wine close trading links with Wales, Ireland, Portugal, France, Iceland, Norway and the Mediterranean. It became a County in 1373 and a city in 1542. After that, as trade to Africa, India and the Americas grew, Bristol became very wealthy and for the first half of the 1700s was Britain’s largest port outside London and the nation’s second most important city. Though surpassed by Liverpool, by 1750 it remained an important regional centre. “I Belong Here!”: A Journey Through Bristol Project Text © Madge Dresser 2018 We Belong Here! “I Belong Here!”: A Journey Through Bristol project Photographs © R S Grove 2018 Bristol Cathedral The Cathedral began as a Catholic Abbey in the 1140s at the time of the Crusades and was dedicated to St.
    [Show full text]
  • 2019 Is Proud to Work With
    BRISTOL SHAKESPEARE FESTIVAL 2019 is proud to work with Accessibility Throughout this brochure we have, where possible, made notes on the accessibility at the We continue to work towards making venue for wheelchair users. Please note our The Bristol Shakespeare Festival accessible accessibility grading system below. for all. If you have any access requirements or suggestions, we would love to hear from you; For further information and detailed venue we will try our best to accommodate your descriptions please visit our website, or needs. email [email protected] Signed performance Wheelchair access Please bring picnic blankets and picnics Please email the festival for details Performance involves walking around the venue No wheelchair access Not suitable for those under the < 12 age of 12 WELCOME HELLO AND WELCOME TO THE BRISTOL SHAKESPEARE FESTIVAL 2019! Still going strong after sixteen years, our Following the success of proudly volunteer-run festival welcomes you 2018, the BSF creative team with open arms to lounge in sun-drenched behind the sell-out smash-hit parks, sit in cosy studios, and clamber aboard ‘Hamlet the Musical’ will bring big ships to watch some of the Bard’s greatest the fabulously dark, dangerously works, dazzlingly retold in some of Bristol’s devilish ‘Macbeth the Musical’ to the favourite spaces. Room Above. Secure tickets early to avoid disappointment, you won’t want to miss it! If In keeping with tradition, we have worked you missed Hamlet the Musical last year, you tirelessly to programme a spectrum of can catch it on tour at the Bath Fringe Festival Shakespearean delights from our host of at the end of May and the beginning of June.
    [Show full text]
  • Contents Minster
    Bristol and Region Archaeological Services Excavations at MINSTER HOUSE, BRISTOL, 1992 John Bryant, June 2016 BRSMG 17/1992 BaRAS Archaeological Excavation at the site of MINSTER HOUSE, BRISTOL. Centred on NGR ST 58302 72668 Prepared for Bristol Cathedral BaRAS St Nicholas Church, St Nicholas Street, Bristol, BS1 1UE. Tel: (0117) 903 9010 email: [email protected] www.baras.org.uk Author: John Bryant Approved by: Ian Greig Date Issued: June 2016 CONTENTS List of Illustrations 1. Introduction and Acknowledgements…………………………………………………... 1 2. Minster House - Documentary and Contemporary Visual Sources………………… 3 3. The Excavation - Period Descriptions…..……………………………………………... 12 4. Conclusions………………….…………………………………………………………… 55 5. The Finds……………….………………………………………………………............... 59 1. Pottery 59 2. Chinese Porcelain 68 3. Ceramic Roof Tile 71 4. Roofing Slate 73 5. Stone Roof Tile 74 6. Inscribed Slate 74 7. Floor Tile 75 8. Brick and Tile Kiln Flooring 77 9. Clay Tobacco Pipes 78 10. Animal Bone 81 11. Objects of Bone 92 12. Molluscs 93 13. Objects of Copper Alloy 94 14. Objects of Iron 96 15. Objects of Lead 97 16. Vessel Glass 97 17. Bell Founding 98 18. Coins and Tokens 99 19. Miscellaneous Objects 102 20. Worked Stone 103 6. Bibliography……………………………………………………………………………….. 105 Appendix 1: Extract from the Parliamentary Survey of 1649 Appendix 2: John Taylor’s letter to the Athenæum, reproduced in the Bristol Mercury and Daily Post, Monday May 15th and Saturday May 20th, 1882 Appendix 3: Minster House Context Descriptions Abbreviations AD Anno
    [Show full text]
  • 1 Bristol City Council Byelaws
    BRISTOL CITY COUNCIL BYELAWS (ALTERNATIVE PROCEDURE)(ENGLAND)REGULATIONS 2016 (“The Regulations”) NOTICE OF PROPOSAL TO MAKE BYELAWS FOR PLEASURE GROUNDS, PUBLIC WALKS AND OPEN SPACES TAKE NOTICE THAT 1. Bristol City Council proposes to make those byelaws identified in Schedule 1 and having the effect there described in relation to certain pleasure grounds, public walks and other open spaces (“OS”) within its administrative area held for the purpose of section 164 of the Public Health Act 1875; section 15 of the Open Spaces Act 1906; or sections 12 and 15 of the Open Spaces Act 1906. The said land is more particularly identified in Schedules 2 and 3. 2. The draft of the byelaws, the statement and report prepared under paragraphs 5(2)(c) and 6(2) (c) of the regulations may be inspected free of charge online at https://bristol.citizenspace.com/neighbourhoods/parks-byelaws and at all reasonable hours at the council’s principal office at: Bristol City Council City Hall College Green Bristol, BS1 5TR 3. The documents referred to in paragraph 2 above may be inspected and representations or objections made during the period of 28 days beginning with the date of publication of this notice. Representations or objections may be made in writing to any of the following addresses: Online: https://bristol.citizenspace.com/neighbourhoods/parks-byelaws Email: [email protected] Post: ‘Byelaws’ Bristol Parks Bristol City Council Eastville Depot New Stadium Road Bristol, BS5 6NL 4. One copy of the byelaws can be requested free of charge. Further copies will not be available but copies can be made at Bristol’s Central Library, Deanery Road, City Centre, Bristol, BS1 5TL.
    [Show full text]
  • BIMM Bristol City and Accommodation Guide 2021/22
    Bristol City and Accommodation Guide 2021/22 bimm.ac.uk Contents Welcome Welcome 3 I am so pleased that you are considering joining our wonderful creative community here at BIMM About Bristol 4 Institute Bristol. My Bristol 8 For many of our students, starting at BIMM is a big deal. About BIMM Institute Bristol 12 It can take some adjustment. You might think that doing BIMM Institute Bristol Lecturers 14 what you love every day is easy. It’s not. BIMM Institute Bristol Courses 16 It’s not easy because it matters more. The stakes are higher. The pressure you put on yourself to do well is Your City 20 greater. You’ll have days when you feel like a rock star. Music Resources 22 And you’ll have days when you just can’t get inspired. That is the life of a creative, and that is why it’s easier to take Accommodation Guide 26 these next steps together. Join Us in Bristol 30 I’m a musician, songwriter and performer alongside being a creative arts educator. In fact, you’d be hard pushed to find anyone here that isn’t. Our community of incredible lecturers understand you. They can help you work out who you are, what you excel at, how to tackle the tough stuff, and where you should go next on your journey as a creative professional. I hope you join us for an Open Day to ask us any questions you have about life here at BIMM. And more importantly, to ask our current students about their experiences.
    [Show full text]
  • GRA 2007 Evaluation Report
    An initiative of: Melanie Kelly www.smallislandread.com Andrea Levy on stage in Hull. Small Island Read 2007 Evaluation Report Contents Introduction 5 Key statistics and findings 8 Distributing the books 9 Publicising the project 13 Support material for readers of Small Island 17 Participant response and profile 21 Library readers and reading groups 29 Special events 35 Educational activities 39 Budget 49 Conclusions and recommendations 51 Acknowledgements 59 Readers at the University of Bristol (Laura Thorne). Andrea Levy with local children in Liverpool on launch day. 4 Small Island Read 2007 Evaluation Report Introduction Small Island Read 2007, which ran from 11 January to and its aftermath. It has always been one of the aims of my writing to make the history of African-Caribbean people in this 31 March, was the largest mass-reading project to country more visible and to show their story to be an important have taken place in Britain. It was a community-based part of British history. I hope everyone who takes part in the Small Island Read 2007 really enjoys the experience. initiative drawing together partners from Bristol and Small Island Read 2007 drew upon the success of two previous the South West, Liverpool and the North West, Hull mass-reading projects – Liverpool Reads and the Great Reading and Glasgow. Based upon the collective reading of the Adventure (based in Bristol and, since 2006, covering the whole of the South West) – and brought in partners new to the mass-reading same book at the same time, Small Island Read 2007 phenomenon from Aye Write! Bank of Scotland Book Festival promoted further reading, writing and creative work (Glasgow) and Hull Libraries.
    [Show full text]
  • LGBT History Month Bristol Events February 2013 Outstories Bristol Presents
    LGBT History Month Bristol Events February 2013 OutStories Bristol presents The first exhibition of Bristol’s LGBT History February 2nd ~ March 3rd Opening Times: as M-Shed opening times, closed Mondays. See http://mshed.org A major first for Bristol! Find out how Bristol’s LGBT communities have fought to shape and con- trol their lives since the mid 20th century. The exhibition uses specially recorded interviews with over 40 people, loans from national collections, objects, memorabilia and works of art. Includes contributions by pupil groups at local secondary schools. A Heritage Lottery funded project by OutStories Bristol in partnership with Bristol Museums and Galleries and Bristol Record Office. Free event Accessibility: Accessible Venue; see http://mshed.org/visiting/access/ for details. See separate event listing for details of BSL signed tour on 17th Feb. Contact: [email protected] Launch Party Move Over Darling When: Friday 1st Feb – 5-8pm When: 1st & 2nd Feb 4:30pm and 7pm @ City Hall, College Green BS1 5TJ @ Bristol Old Vic, King Street BS1 4ED LGBT Bristol invite all residents of Bristol to join A walkabout performance by Tom Marshman. us in celebrating the launch of LGBT History Part of Bristol Ferment Fortnight. Made up Month. Come and find out about our Diversity almost entirely of testimonies of the over 60’s in Schools project and meet new and existing about LGBT life in the 50’s, 60’s, 70’s and 80’s LGBT support and social groups. Free event: BUT booking is necessary as Accessibility: Accessible to all venue places are limited Free event: more info - www.lgbtbristol.org.uk Booking: www.bristololdvic.org.uk Contact: 0117 353 4621 or on 0117 987 7877 Bristol LGBT organisations are proud to be part of the annual UK wide celebration of the lives and achievements of the LGBT community.
    [Show full text]
  • Bristol Central Area Plan – Adopted March 2015
    Bristol Central Area Plan Adopted March 2015 Bristol Local Plan – Bristol Central Area Plan – Adopted March 2015 Bristol Local Plan – Bristol Central Area Plan – Adopted March 2015 Bristol Central Area Plan Adopted March 2015 This document is the Publication Version1 of the Bristol Local Plan’s Central Area Plan. It is the version that the council proposes to submit to the Secretary of State for independent examination under the terms of the Planning and Compulsory Purchase Act 2004. The role of this ‘Publication Version’ document is to provide the opportunity for comments, which are known as ‘representations’, to be made before it is submitted to the Secretary of State. The period to make representations runs for 7 weeks from Friday 28th February 2014 to Thursday 17th April 2014. Representations received by the council within that period will be considered by the inspector appointed by the Secretary of State to carry out the examination. The council will summarise the main issues raised by the representations and submit that summary to the Secretary of State. The examination hearings are expected to be held later this year. If the inspector considers the document to be ‘sound’ it is expected that the Central Area Plan will be adopted by the council in early 2015. Representations should relate to the soundness of the Central Area Plan. Representation forms and guidance notes on completing them are available to download on the council’s website (www.bristol.gov.uk/blp). Paper copies are also available from the city’s public libraries, alongside this document. If you would like to speak to someone about the Central Area Plan please contact 0117 903 6725.
    [Show full text]
  • Clifton and Durdham Downs
    BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION CLIFTON AND DURDHAM Price £3.50 2006 DOWNS: A PLACE OF PUBLIC ISSN 1362 7759 RESORT AND RECREATION l No. 119 GERRY NICHOLS THE BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION LOCAL HISTORY PAMPHLETS CLIFTON �ND DURDHAlY[ DOWNS: Hon. General Editor: PETER HARRIS A PLACE OF PUBLIC RESORT Assistant General Editor: NORMA KNIGHT AND RECREATION Editorial Advisor: JOSEPH BETTEY The 442 acres of the Clifton Down and Durdham Down (collectively and colloquially known as the Downs) are one of Bristol's finest assets. They Clifton and Durdham Downs: a Place of Public Resort and Recreation is are an accessible and protected green open space within a mile of the the one hundred and nineteenth pamphlet in this series. heart of the City and truly function as the 'lungs of Bristol'. Those who enjoy these facilities now are indebted to the actions of those citizens of Gerry Nichols has used his retirement after thirty years in the electricity .l generation industry to research local history, particularly relating to the I Bristol who obtained the Clifton and Durdham Downs (Bristol) Act in Redland area and wider railway matters. Having walked dogs on the Downs 1861 to ensure that the Downs 'shall for ever hereafter be kept open and for most of his life, this project has been one where the 'field work' has I unenclosed as a place of public resort'. An earlier pamphlet in this series been undertaken regularly! He is President of Bristol Railway Circle, an described how the Downs Committee ( comprising nominees fromBristol Assistant Librarian of the Stephenson Locomotive Society and is a past City Council and the Society of Merchant Venturers) have managed the churchwarden of Redland Parish Church.
    [Show full text]
  • Bristol Art Weekender
    2–5 May 2014 Bristol Art Weekender Four days celebrating art across the city www.bristolartweekender.co.uk art that hurts Welcome art that stops sleep … something extraordinary has just begun! art that turns hearts inside out This is the first time in Bristol that art organisations and art that whispers artists have come together to stage a weekend celebration art that sings of art across this city. The Weekender is led by arts producer, Situations in collaboration with 16 other arts organisations art that bleeds and artist groups. Over these four days in May, you’ll have art that binds the chance to discover exhibitions by leading and emerging artists, go behind the scenes at over 70 artists studios, explore art that stops a wound new artworks in unexpected locations and attend one-off art that blocks a terror events. We hope that the Weekender might open up new and surprising encounters and lead you to explore our home art that holds city in unexpected ways. art that twists art that blinds falsehood Plan your weekend Tell us what you think Flip to the back pages to tailor your visit to It’s our first year, so we’re testing out with art that dreams the events running throughout the weekend you how this works and we want to hear from a Sunday lecture by Jeremy Deller about what will stay with you, what you’d art that summons shivers at John Wesley’s historic Chapel to a bake rather forget and how we could improve in the temporary pavilion in Lockleaze.
    [Show full text]