General Information Handbook for Students 2020-21
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Bristol Leisure Focus
Hotels Restaurants Pubs Leisure Leisure Property Specialists Investments Bristol Leisure Focus 2015 Bristol, currently European Green Capital, the first UK city to be awarded the accolade, is regularly voted as one of the best places to live in Britain, due to its eclectic and unmistakeable identity. This has led to the city being recognised as the fastest growing hi-tech sector outside of London. Large scale redevelopment of the city centre and surrounding areas and the much needed improvement of the historic waterways is presenting new opportunities and welcoming a host of new arrivals to the city. 1 The eighth largest city in the UK with a population approaching 440,000, Bristol is a vibrant and passionate city that has its own unmistakable identity. Introduction Bristol is the economic capital of the South offices and 250 residential apartments, it Once viewed as a much wasted and West, being home to more than 17,500 offers broad appeal and attracts 17 million neglected asset, Bristol’s waterfront areas businesses, with a third of UK-owned FTSE visitors each year. are benefitting from a series of large scale 100 companies having a significant presence developments bringing life to the waters’ in the city. Bristol was recently attributed as Growth continues with significant edge with schemes such as Finzels Reach the fastest growing hi-tech sector outside of developments underway to improve the and Wapping Wharf offering mixed use London (McKinsey and Co, 2014). city’s transport links. Bristol Airport is developments and waterfront leisure currently in the process of undergoing a opportunities. -
1999 + Credits
1 CARL TOMS OBE FRSA 1927 - 1999 Lorraine’ Parish Church Hall. Mansfield Nottingham Journal review 16th Dec + CREDITS: All work what & where indicated. 1950 August/ Sept - Exhibited 48 designs for + C&C – Cast & Crew details on web site of stage settings and costumes at Mansfield Art Theatricaila where there are currently 104 Gallery. Nottm Eve Post 12/08/50 and also in Nottm references to be found. Journal 12/08/50 https://theatricalia.com/person/43x/carl- toms/past 1952 + Red related notes. 52 - 59 Engaged as assistant to Oliver Messel + Film credits; http://www.filmreference.com/film/2/Carl- 1953 Toms.html#ixzz4wppJE9U2 Designer for the penthouse suite at the Dorchester Hotel. London + Television credits and other work where indicated. 1957: + Denotes local references, other work and May - Apollo de Bellac - awards. Royal Court Theatre, London, ----------------------------------------------------- 57/58 - Beth - The Apollo,Shaftesbuy Ave London C&C 1927: May 29th Born - Kirkby in Ashfield 22 Kingsway. 1958 Local Schools / Colleges: March 3 rd for one week ‘A Breath of Spring. Diamond Avenue Boys School Kirkby. Theatre Royal Nottingham. Designed by High Oakham. Mansfield. Oliver Messel. Assisted by Carl Toms. Mansfield Collage of Art. (14 years old). Programme. Review - The Stage March 6th Lived in the 1940’s with his Uncle and Aunt 58/59 - No Bed for Bacon Bristol Old Vic. who ran a grocery business on Station St C&C Kirkby. *In 1950 his home was reported as being 66 Nottingham Rd Mansfield 1959 *(Nottm Journal Aug 1950) June - The Complaisant Lover Globe Conscripted into Service joining the Royal Theatre, London. -
The Road to Bristol Old Vic
250 YEARS OLD Thank you for being part of one of the most significant anniversaries in the history of British theatre. We’ve done our best to curate a programme worthy of your efforts, inspired by the astonishing creativity of the thousands of artists – from Sarah Siddons to Sally Cookson – who have delighted and entertained you and your forebears over the last 250 years. But at heart, ours is a story of passion, survival and reinvention. All the other theatres producing plays in 1766 have fallen down or been demolished because, at some point in their history, their audiences abandoned them. This one has survived because each time it’s faced disaster, Bristolians from all over the world have given it new life. It happened in 1800, when popular demand led to the ceiling being tipped up and the new gallery being built, increasing the capacity to an eye-watering 1,600. It happened in 1933 when Blanche Rogers initiated the campaign that the old place should be saved and become ‘Bristol’s Old Vic’. It happened in 2007 when Dick Penny held the open meeting (which many of you attended), leading to the Arts Council continuing its vital support for the theatre. And it’s happening throughout this wonderful anniversary, as you carry us towards the final stage of the refurbishment that will set us securely on our adventures over the next 250 years. So as you read about the shows we’re staging and the projects we’re curating during our birthday year, don’t forget to give yourself a warm pat on the back for being the people who are, in the end, responsible for all of it. -
New Plays from the MA Drama Writing Students of 2020 First Published in 2020 by Bristol Old Vic Theatre School All Rights Reserved
New Plays from the MA Drama Writing Students of 2020 First published in 2020 by Bristol Old Vic Theatre School All rights reserved. If you are interested in contacting a writer regarding representation please contact them c/o Bristol Old Vic Theatre School. Application for professional and amateur performance rights should be directed to the author c/o Bristol Old Vic Theatre School. No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the adaptation without the author’s prior written consent. You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or binding or by any means (print, electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. CONTENTS Georgie Bailey, Tadpoles 5 Maddie Beautyman, The Predicament of Living, 31 Emily Glaze, Mute, 47 Jaisal Marmion, West Country Oriental Gentleman, 73 Dan Scott, Orbital Decay, 89 Eva Sinclair, Artificial Flavouring, 117 Abigail Slack, Two Tribes, 135 Jacob P Woods, Pink’s Furniture Store, 151 TADPOLES Georgie Bailey Beware of the pond life, it’s bad yano. Tad’s older, autistic brother Kit is being targeted by the local Estate Boys gang. Deciding to take matters into his own hands, Tad begins a feud with them, leading himself into the jaws of a shady group inhabiting the local pond who offer him protection in exchange for a job, whilst Kit is indoctrinated into a crew of his own: the Toad on the Roads volunteers. -
Lay Clerkships at Bristol Cathedral
Bristol Cathedral Choir L A Y C L E R K S Revised April 2019, TP Lay Clerkships at Bristol Cathedral Bristol Cathedral is one of the city’s most beautiful buildings, containing architecture from the 12th century (most famously in the stunning Chapter House) right through to the 19th (the Nave). It has perfect acoustics for the singing of choral music and is possessed of one of the finest Edwardian Cathedral Organs in the country (built in 1907 by the prestigious firm of J W Walker, and completely restored in 1990). Further information about the Cathedral and its life can be found by visiting bristol-cathedral.co.uk There has been a choir at Bristol Cathedral since its foundation in 1542, and probably since the days of the Augustinians (from 1140). Services are sung six times a week during term time by either the Cathedral Choir (Lay Clerks & Choral Scholars and boys/girls) or the Cathedral Consort. The Choir The Cathedral Choir consists of up to 28 choristers (14 boys and 14 girls), probationary choristers, six Lay Clerks, and four Choral Scholars. The Cathedral Choir encourages singers from the University of Bristol and UWE through the Choral Scholarship scheme. The current pattern for sung worship in the Cathedral (as it affects Lay Clerks) is as follows: Monday, Tuesday rehearsal (4.45pm) for Evensong (5.15 pm) sung by the full Choir Friday rehearsal (4.45pm) for Evensong (5.15pm) sung by the Lay Clerks Saturday rehearsal (2.30pm) for Evensong (3.30pm) sung by the full Choir. There is a Saturday off once a month. -
Central Location City Centre £215,000
Central Location City Centre £215,000 Flat 1, College House , Orchard Street, City Centre, Bristol, BS1 5DX • Open Plan Kitchen/Lounge • Close to Amenities including Cabot Circus and the Colston Hall • Bike Storage • Walking Distance to the BRI, St Michael's Hospital, Bristol • City Centre Location University, Harbourside and Bristol Temple Meads Train Station Situated in a stunning historic Georgian road just off Park Street, this is a well presented one-bedroom ground floor apartment, ideally suited for all that Bristol City Centre has to offer. A collection of boutiques, bars and restaurants can all be found on the adjacent Park Street. Other nearby well-known Bristol landmarks include: Bristol University, Bristol Cathedral, The Hippodrome, Bristol Old Vic Theatre, Bristol Museum and Art Gallery, The Central Library and Brandon Hill Park. The Cabot Circus shopping centre and city centre markets are also a short distance away. If perhaps you prefer to cycle to see the sights in the city centre, there is bike storage available within the communal areas. Approached via a communal hall a split-level entrance hall with window to the side provides an attractive entrance to the flat. The main reception area has been designed in an open plan style with an attractive large sash window accentuating the rooms natural light. The Kitchen/breakfast area has a range of Shaker style wall and base units, integrated oven, hob, extractor fan, dishwasher and stainless steel sink unit. There is space for an under counter fridge and washer/dryer with space for dining table moving into the living area. -
Exposes Flaws in Social Care for the Vulnerable Elderly
H&H Series Thursday, January 25, 2018 29 ETCETERA REVIEW: The Birthday Party, Harold Pinter Theatre ★★★★✩ combination of demanding infant, wild eccentric and Harold Pinter’s notorious hollowed-out victim. When early flop baffled critics and he bangs a toy drum, he audiences alike. Now, we lapses into a manic glee that expect his subversion of the hints at brutality, but his mystery thriller that, as a bullish defence gradually jobbing actor, Pinter was crumbles. playing in rep. But Ian Tom Vaughan-Lawlor Rickson’s starry provides a furiously 60th-anniversary revival paranoid McCann, and proves the play still has the superbly handles the rat-a- power to unsettle. tat interrogation with Stephen Mangan. The latter In a rundown seaside convincingly laces boarding house, Stanley is Goldberg’s garrulous the sole guest of Petey and geniality with menace – Meg – until two sinister even his height becomes a men, Goldberg and McCann, weapon – but loses the come to claim him. Rickson’s intensity, and thus the detailed, naturalistic danger, towards the end. production is supported by Pearl Mackie enlivens the the Quay Brothers’ spot-on thinly written Lulu (purely Fifties design: lace curtains present as a sexual victim), and wallpaper puckering bringing a chipper charisma with damp. and then convincing sense There’s similar care with of trauma. characterisation. Zoë It’s astonishing how Wanamaker and Peter Wight defined Pinter’s voice is so make the marriage feel early on: the musicality of lived-in, Wanamaker hinting place names, muddling of that Meg’s distraction might memory, the absurdities, signal dementia, the latter contradictions and creeping touchingly patient with her dread beneath the mundane. -
Doctor Who and the Politics of Casting Lorna Jowett, University
Doctor Who and the politics of casting Lorna Jowett, University of Northampton Abstract: This article argues that while long-running science fiction series Doctor Who (1963-89; 1996; 2005-) has started to address a lack of diversity in its casting, there are still significant imbalances. Characters appearing in single episodes are more likely to be colourblind cast than recurring and major characters, particularly the title character. This is problematic for the BBC as a public service broadcaster but is also indicative of larger inequalities in the television industry. Examining various examples of actors cast in Doctor Who, including Pearl Mackie who plays companion Bill Potts, the article argues that while steady progress is being made – in the series and in the industry – colourblind casting often comes into tension with commercial interests and more risk-averse decision-making. Keywords: colourblind casting, television industry, actors, inequality, diversity, race, LGBTQ+ 1 Doctor Who and the politics of casting Lorna Jowett The Britain I come from is the most successful, diverse, multicultural country on earth. But here’s my point: you wouldn’t know it if you turned on the TV. Too many of our creative decision-makers share the same background. They decide which stories get told, and those stories decide how Britain is viewed. (Idris Elba 2016) If anyone watches Bill and she makes them feel that there is more of a place for them then that’s fantastic. I remember not seeing people that looked like me on TV when I was little. My mum would shout: ‘Pearl! Come and see. -
General Information Handbook for Students
General information Handbook for Students An Associate School of the University of the West of England 2019/2020 If you have a problem Talk to a member of staff! All staff are committed to helping you complete your studies and you should feel free to talk to any member of staff if you have a problem. They will treat your conversation as confidential and will either offer help to solve the problem or advise you to talk to somebody more able to help with that problem. If you have a problem with In the first instance contact If they are not available Mental health, wellbeing, Julia Heeley Your Personal Tutor or Head of counselling, disability support, Higher Education Course. diagnostic and needs Administration and Student See your Course Handbook for the assessments, Disabled Student Support Manager name of your Personal Tutor. Allowance (DSA), learning Email: [email protected] support, accommodation, council Tel: 0117 980 9247 tax and any other issues which are affecting your studies. Issues with your studies Your Module Leader Your Head of Course including your progress on your Your Personal Tutor Course, assessment, student feedback, course documentation and assessment deadlines and Personal (Extenuating) Circumstances Student Finance including UK/EU Marchia Abokie Simon Payne student loans, US Federal Admissions and Financial Aid Finance Director Loans Administrator Email: [email protected] Email: [email protected] Student Finance including Simon Payne Huw Magill student fee queries, bursaries Finance Director -
Spring 2014 Bristolcivicsociety.Org.Uk
ETTER RISTOL B The Bristol Civic Society magazine B Issue 04 Spring 2014 bristolcivicsociety.org.uk An independent force for a better Bristol Bristol Civic Society, Registered Charity No: 244414 Notes from the Chair ello and welcome to the fourth issue of Better Please see the Annual Review and your invitation to the 2014 Bristol, the Bristol Civic Society magazine which AGM. I hope numerous members and friends will join us on 2 is funded from members' subscriptions. If you May 9 at the AGM when Simon Birch will take over as the are not yet a member and would like to support next Chair of the Society. I will become Vice-Chair for 12 Hthe Society, to receive Better Bristol twice a year, as well as months and look forward to supporting Simon. receive reductions at our regular events, do consider joining us. My two-year tenure as Chair has been interesting to say the least! I have enjoyed the opportunity to introduce new ideas, A warm welcome to new members Chris, Kate, Molly, collaborating with other groups and creating Better Bristol Rhona, Richard, Jayne, Gavin, Alfred, Mary, Tim, Jane, Arne magazine. I have often been disappointed by planning and Richard. decisions and felt frustrated by the length of time it takes for positive change to happen - and no doubt this will continue. I know some of you are already active within the Society which is most encouraging. I hope you will be inspired by The best part though, during the last two years, has been past Society members Dorothy Brown, Frank Kelf and Jerry meeting many interesting people who care so passionately Hicks, who did so much for Bristol's built environment and about the city that we share. -
Poldark’S Pulling Power RTS STUDENT TELEVISION AWARDS 2016 3 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2016 Poldark’s pulling power RTS STUDENT TELEVISION AWARDS 2016 3 JUNE 1:00pm BFI Southbank, London SE1 8XT www.rts.org.uk Journal of The Royal Television Society May 2016 l Volume 53/5 From the CEO I am delighted to one of 2015’s breakout hits, Poldark, insights into the growing importance announce the head- featured as the latest subject of the of analytics in television. I think it’s line speakers at our RTS’s “Anatomy of a hit” strand. fair to say that everyone who attended London Conference The evening was a great success as will have returned to their desks the on 27 September. the four panellists each gave their next day armed with some informa- Steve Burke, CEO of own, unique insight into how the tion that they could act on. NBCUniversal, is our series was brought to the small screen. Thanks to all of those who partici- keynote speaker, and is joined by: I’d like to thank each one of them pated and to the producers of an RTS President Sir Peter Bazalgette; and I am very grateful to Boyd Hilton impressive event, and to Torin Doug- Ofcom CEO Sharon White; Kevin for being such an informed chair. las for chairing with such professional MacLellan, Chair of NBCUniversal Quite a lot of Poldark fans stayed after- poise. International; Tom Mockridge, CEO wards to talk to the panel privately. Inside there is lots to read, but don’t of Virgin Media and David Abraham, It was a genuinely inspiring evening miss Stuart Kemp’s piece on Chan- CEO of Channel 4. -
La La Land | Planet Earth II | I Am Not Your Negro | Blood on the Mountain | Fire at Sea | Confronting ISIS | Tower Scene & Heard
May- June 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 3 IN THIS ISSUE La La Land | Planet Earth II | I Am Not Your Negro | Blood on the Mountain | Fire at Sea | Confronting ISIS | Tower scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review La La Land HHHH breezy romanticism of make-believe through Lionsgate, 128 min., PG- entrancing, unabashedly twinkly musical 13, DVD: $29.99, Blu- numbers choreographed by Mandy Moore ray/DVD Combo: $39.99, (not the pop singer) that are reminiscent of Publisher/Editor: Randy Pitman Apr. 25 Fred Astaire/Ginger Rogers and Gene Kelly/ Opening with a Debbie Reynolds, particularly when the Associate Editor: Jazza Williams-Wood fabulous fantasy song- lovebirds glide into the heavens during the Editorial Assistant: Christopher Pitman and-dance sequence sparkling “City of Stars” at the Griffith Ob- Graphic Designer: Carol Kaufman featuring commuters servatory.