Color Knitting: 7 FREE Patterns Using Intarsia, Stranded Knitting, and Fair Isle Knitting Techniques
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Textile Industry Needs Christopher D
The Journal of Cotton Science 21:210–219 (2017) 210 http://journal.cotton.org, © The Cotton Foundation 2017 ENGINEERING & GINNING Textile Industry Needs Christopher D. Delhom, Vikki B. Martin, and Martin K. Schreiner ABSTRACT lthough the immediate customer of the gin is Athe cotton producer, the end user of the ginned The immediate customers of cotton gins are lint is the textile mill, retailers, and eventually the the producers; however, the ultimate customers consumer. Thus, it is essential for the ginner to are textile mills and consumers. The ginner has satisfy both the producers and the textile industry. the challenging task to satisfy both producers and Consequently, the ginner needs to be aware of the the textile industry. Classing and grading systems needs of the textile industry. are intended to assign an economic value to the The intent of the cotton classing and grading bales that relates to textile mill demands and the system is to assign an economic value to the bale that quality of the end product. International textile documents its properties as it relates to the quality of mills currently are the primary consumers of U.S. the end product. Since the last edition of the Cotton cotton lint where it must compete against foreign Ginners Handbook in 1994, the customers of U.S. origins. International textile mills manufacture cotton have changed radically, shifting from primar- primarily ring-spun yarns, whereas domestic mills ily domestic to international mills. International mills manufacture predominantly rotor spun yarns. Pro- have been accustomed primarily to hand-harvested ducers and ginners must produce cottons to satisfy cotton that has been processed at slow ginning all segments of the industry, i.e., domestic and in- rates. -
Simple Crocheted Blanket Materials • Hook – Size G • Yarn – Acrylic Baby
Simple Crocheted Blanket Materials Hook – Size G Yarn – Acrylic Baby Yarn (NO MOHAIR) 140 Stitches for 36”‐38”; 3‐ply – 120 stitches (approx.); 4 –ply – 100 stitches (approx.) Instructions ROW 1 – Chain enough stitches to make string 36‐38” ROW 2 – Double crochet in each chain, starting in 3rd stitch; Chain 3 turn ROW 3 to END – Starting in 2nd DC; continue back and forth until blanket is square. FINISH Tie off end; Weave end of thread into blanket. NO FRINGE PLEASE Option– Single crochet around 4 sides (making 3 S.C. in corner stitch) as a border. Marge’s “Very Easy” Crochet Baby Blanket Materials Baby or Sport Yarn (approximately 6 skeins – 3 ply) G Hook Instructions Row 1 – Chain 140 stitches (36”‐38”) or 100 stitches with 4‐ply Row 2 – DC (Double Crochet) in 4th stitch from end, DC across; at end Ch. 3 Row 3 – DC in 1st DC, continue across row, Ch. 3 at end; Repeat Row 3 until blanket is square Last Row = Tie off end. Weave 2‐3” of yarn into blanket to hide end. Option – Can do a crochet edge around just as a finish. Bev's Stretchy Knit Baby Cap copyright 2001, 2010 Beverly A Qualheim This cap can be made for a boy or girl preemie, and fits from 2- 3 lbs- (4-5 lb) (7-8 lb) babies . It is super fast to knit up and will stretch to fit. 1 oz. of sport or baby yarn - not fingering Size 9 knitting needles (size 5 Canadian and English -5.5 mm) Loosely cast on 36 (44) (50) sts. -
26. Dry Finishing of Wool Fabrics
26. Dry Finishing of Wool Fabrics Mike Pailthorpe Learning objectives By the end of this lecture, you should be able to: • Describe the various methods that are available for the drying of wool fabrics. • Understand the need for conditioning wool fabrics after drying. • Outline the methods used in the brushing of wool fabrics. • Describe the process of shearing. • Outline the principles involved in the decatising of wool fabrics. • Explain the need for the steaming of wool fabrics. Key terms and concepts Drying, conditioning, raising, shearing, singeing, pressing, decatising, steaming, perching. Introduction The so called dry finishing processes for wool fabrics follow on after hydroextraction and scutching, beginning with drying. One of the objects in wool fabric finishing is to dry the fabric only once, thereby making substantial energy savings. Drying is the process of removing water from wool textiles via the application of heat energy. The three methods of transferring heat energy from one object to another are conduction, convection and radiation. However, for a variety of reasons, convection dryers are preferred for wool fabrics, with the stenter being the most widely used drying machine. After drying the wool fabrics must be conditioned to a regain of 14-16% before further processing. Depending upon the finish required, the wool fabrics may then either be shorn to remove surface fibres or brushed to create a pile of surface fibres. The brushed pile may be shorn to cut the pile fibres to a uniform height or to achieve a sculptured pattern. The wool fabrics are then pressed using either flat, rotary or belt presses to achieve the desired appearance, lustre and handle characteristics. -
Knitting Retreat
Sugar Season Retreat Schedule and Class Descriptions FRIDAY EVENING (5:30-9:00): Gather at the Putney Cares Barn at 5:30 p.m. for a relaxed dinner featuring local produce. SATURDAY 9:00 am -12:00 pm Title: Introduction to Vertically Stranded Colorwork Description: Explore various ways that color can be added when contrasting stitches climb vertically from round to round. In this morning session we'll explore its sketchy history. Vertically stranded color work is used in Rovaniemi knitting, as a substitute for duplicate stitch in argyle, and it even appears in a Japanese stitch dictionary. We'll learn how to manage the strands and how to address the stitches so things operate smoothly for you. This is fun to do, and not difficult if only a couple rules are learned early. We'll play with simple zigs and zags, color between lace, and purl-only columns that look like caterpillars. These techniques do not inhibit the elasticity of the fabric. Most students will tackle three motifs during this session. Materials: Yarn will be provided. Handouts provided. To work in the round using worsted weight yarn and a circumference of about eight inches, bring whatever needles you are currently competent and comfortable using—DPN's, two circulars, or one 32" long circular for Magic Loop knitting. Choose one or two sizes smaller than you normally use with worsted weight wool—3.75 or 4mm/US 5 or 6, as we prefer snug stitches; blunt tipped tapestry needle. Homework: None. 12:00 pm – 3:00 pm Lunch at Putney Cares Barn, Tours of the Spinnery, visits to local artisans. -
Basketry and Its Use in a Craft Program
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 8-8-1958 Basketry and Its Use in a Craft Program Teddy G. Potts Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Potts, Teddy G., "Basketry and Its Use in a Craft Program" (1958). Plan B Papers. 116. https://thekeep.eiu.edu/plan_b/116 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. BASKETRY AND ITS USE IN A CRAFT PROGRAM By Taddy G. Potts August 5, 1958 Submitted under Plan B in Partial Fulfillment of the Requirements for the Degree, Master of Science in Education Eastern Illinois University Charleston, Illinois .H. pproved: Date (' I Dr. Robert Sonderman Inat ""ctcr, I. A. 452 TABLE OF CONTENTS CHAPTER PA.GE 1 I. HISTORY • • • • • Ancient people. • • 1 Indian contribution • 2 Modern uses • • • 5 Hobbies and recreation • 5 Schools • • 6 II. MATERIALS AND TOOLS • • • 7 Commonly used materials • • 7 Reed • . • • • • • 7 Raffia • • 8 Other materials • • 9 Basic tools and working equipment • 9 III. METHODS AND TECHNIQUES OF '.VEA VING • 10 General directions • 10 Selection • • 11 Soaking . • • • 11 Shaping • • • • • • • 11 Singeing • • 11 Finishing • • • 12 iieaves • . • • • • 13 Single over and under • 13 Double over and under • 13 Pairing weave • 14 Triple weave • • • 14 Japanese weave • 14 Bottom patterns • • • • • • 14 Hood bases . • 15 Woven bases • • • • 16 Borders . • • • 18 Open border • • 18 Closed border • 19 v. -
DESIGN and MANUFACTURING of a LABORATORY SINGEING MACHINE for COTTON WOVEN FABRICS Uzma Syed1, Awais Khatri1, R
Sci.Int. (Lahore), 23(4),321-323,2011 ISSN 1013-5316; CODEN: SINTE 8 321 DESIGN AND MANUFACTURING OF A LABORATORY SINGEING MACHINE FOR COTTON WOVEN FABRICS Uzma Syed1, Awais Khatri1, R. A. Jhatial2 e-mail: [email protected] 1 Department of Textile Engineering, Mehran University of Engineering and Technology, Jamshoro. 2 National Institute of Science and Technical Education, Islamabad. ABSTRACT: A table top singeing machine was designed for small scale singeing the cotton woven fabric. The machine was comprises of six tension rollers, a burner with adjustable flame angle and runs at the acceptable speed of 10- 30 m min-1. The rollers and burner were made from M.S pipe material. For singeing process trial, a grey fabric sample after manually pre-cleaning was wound on the let-off roller and threaded through the machine rollers up to take-up roller. The flame angle (45o) was adjusted according to the fabric condition (mild or sever singeing). Singeing process was carried out at the speed of 20 m min-1 by turning on the machine drive and the flame. The fabric was continuously released from the let-off roller, passed through the burner flame and wound onto the take-up roller. The singed fluff on the fabric surface was manually removed with brush after singeing. The machine can singe only one side of the fabric and suitable for laboratory scale singeing. Keywords: Singeing Machine, Burner, Flame Angle, Cotton Woven Fabric, Protruding Fibres. INTRODUCTION machine was designed and later manufactured in such a way Singeing is the process of removing protruding fibres from that all the objectives of singeing process could adequately the yarns and/or fabric surface hence improves the efficacy be achieved. -
Free Knitting Pattern: Vann
Free Knitting Pattern Lion Brand® Vanna's Choice® Bart Cardigan and Hat Pattern Number: 80723AD This sweater and hat set uses different colors to create a fun, bright outfit. Free Knitting Pattern from Lion Brand Yarn Lion Brand® Vanna's Choice® Bart Cardigan and Hat Pattern Number: 80723AD SKILL LEVEL: Easy SIZE: 9 mos, 12 mos, 24 months (2 yrs) Finished Chest 20 (22, 25) in. (51 (56, 63.5) cm) buttoned Finished Length 9 1/2 (10 1/2, 11 1/2) in. (24 (26.5, 29) cm) Hat Circumference 16 (17 1/2 , 19 1/2) in. (40.5 (44.5, 49.5) cm) Note: Pattern is written for smallest size with changes for larger sizes in parentheses. When only one number is given, it applies to all sizes. To follow pattern more easily, circle all numbers pertaining to your size before beginning. CORRECTIONS: None as of Nov 12, 2009. To check for later updates, click here. MATERIALS • 860-099 Lion Brand Vanna's Choice Yarn: Linen 2 Balls (A) • 860-109 Lion Brand Vanna's Choice Yarn: Colonial Blue 2 Balls (B) • 860-172 Lion Brand Vanna's Choice Yarn: Kelly Green 1 Ball (C) • Lion Brand Knitting Needles- Size 13 [9 mm] • Lion Brand Stitch Holders • Lion Brand Stitch Markers • Large-Eye Blunt Needles (Set of 6) • Additional Materials 4 buttons, 1 in. (25 mm) diameter GAUGE: 9 sts + 18 rows = 4 in. (10 cm) in Garter st (knit every row) BE SURE TO CHECK YOUR GAUGE. When you match the gauge in a pattern, your project will be the size specified in the pattern and the materials specified in the pattern will be sufficient. -
Civil Society and the State in Democratic East Asia
PROTEST AND SOCIAL MOVEMENTS Chiavacci, (eds) Grano & Obinger Civil Society and the State in Democratic East Asia East Democratic in State the and Society Civil Edited by David Chiavacci, Simona Grano, and Julia Obinger Civil Society and the State in Democratic East Asia Between Entanglement and Contention in Post High Growth Civil Society and the State in Democratic East Asia Protest and Social Movements Recent years have seen an explosion of protest movements around the world, and academic theories are racing to catch up with them. This series aims to further our understanding of the origins, dealings, decisions, and outcomes of social movements by fostering dialogue among many traditions of thought, across European nations and across continents. All theoretical perspectives are welcome. Books in the series typically combine theory with empirical research, dealing with various types of mobilization, from neighborhood groups to revolutions. We especially welcome work that synthesizes or compares different approaches to social movements, such as cultural and structural traditions, micro- and macro-social, economic and ideal, or qualitative and quantitative. Books in the series will be published in English. One goal is to encourage non- native speakers to introduce their work to Anglophone audiences. Another is to maximize accessibility: all books will be available in open access within a year after printed publication. Series Editors Jan Willem Duyvendak is professor of Sociology at the University of Amsterdam. James M. Jasper teaches at the Graduate Center of the City University of New York. Civil Society and the State in Democratic East Asia Between Entanglement and Contention in Post High Growth Edited by David Chiavacci, Simona Grano, and Julia Obinger Amsterdam University Press Published with the support of the Swiss National Science Foundation. -
Free Loom Pattern: Vanna's Choice® Loom Knit Bear
Free Loom Pattern Lion Brand® Vanna's Choice® Loom Knit Bear Pattern Number: L10044 Knit this bear with the Martha Stewart Crafts Lion Brand Yarn Knit & Weave Loom Kit. Free Loom Pattern from Lion Brand Yarn Lion Brand® Vanna's Choice® Loom Knit Bear Pattern Number: L10044 SKILL LEVEL: Easy SIZE: One Size 6 1/2 in. (16.5 cm) tall x 5 1/2 in. (14 cm) wide CORRECTIONS: None as of Aug 9, 2011. To check for later updates, click here. MATERIALS • 860-125 Lion Brand Vanna's Choice Yarn: Taupe 1 Ball (A) • 860-127 Lion Brand Vanna's Choice Yarn: Espresso 1 Ball (B) • Martha Stewart Crafts Lion Brand Yarn Knit & Weave Loom Kit • Additional Materials Fiberfill stuffing 2 black safety eyes, 9 mm GAUGE: Exact gauge is not important to this project STITCH EXPLANATION: Knit 2 stitches together Note: The following explanation only applies when you are knitting 2 stitches together at the end of a row. Move yarn loop from the last working peg to the next to last working peg above existing loop - 2 loops on peg. Knit both loops together to decrease 1 stitch. NOTES: 1. Follow loom manual instructions for SINGLE KNITTING for how to cast on, knit and bind off. 2. For Body, Arms and Legs, the loom is configured into a closed semi-circle for stability. All work will be done on 28-hole semi-circle piece. The curved shape of the semi-circle piece does not affect the shape of the finished knit fabric. 3. Loom can be configured into a variety of shapes to suit your preference. -
Simple Loom Weaving Kit WE GATHER
WE GATHER Simple Loom Weaving Kit WEGATHERGOODS.COM @WEGATHER YOU’RE A WEAVER NOW! You are about to take your place in a long, ancient history of one of the earliest textile techniques ever used by humans. Welcome! Weaving has been part of our human experience for at least 30,000 years and is one of the most important and widespread methods of making cloth, baskets, and other functional and fabulous objects. This Simple Loom Weaving Kit employs many of the same tools and techniques that people have been using for thousands of years. It’s up to you to make them yours! At its most basic, weaving is the interlacing of two sets of perpendicular yarns or linear elements. Woven textiles are generally stable and not very stretchy. They can be thick and rugged, light and delicate, and everything in between. There are countless dierent approaches to weaving, it’s rules and traditions, and some of those are shared in this booklet. Follow those that speak to you and make your own rules where necessary. As you learn and practice, you will find what works best for you. Here are a few suggestions to get you started: •Loom maintenance - Your loom and tools are lovingly cut from birch plywood, which sometimes has the propensity for splintering. If you find this happening, use a fine grit sandpaper to smooth those areas. •Even tension - Weaving is built upon tension. Try to keep this as even as possible, but remember that your goal is function, not perfection. •No knots - You almost never use an actual knot in weaving. -
Bonus Feature: Included in This Article Is Information Fo R Designing a Pillow Using Different Yarns, a Different Pillow Size Or
Bonus Feature: Included in effect making the fabric three dimensional. (see Figures l and 2). Don't use this tech Sometimes the needleworker marks the nique for your Master's swatches. this article is information fabric with dots to indicate where th e gatheri ng stitches will go. Smocking on fo r designing a pillow using knitted fabrics is easier because the rows different yarns, a different and columns of knit stitches make the ideal locations for the gathering stitches more pillow size or a variation of obvious. the pattern. Use smocking in your knitting to cinch in a neckline, waistline, or sleeves. Or use it to ABOUT SMOCKING add a decorative effect. Thought to have originated around the 13th or 14th century, smocking was used in SMOCKING TECHNIQUES peasant garments to gather the yokes and Knitted smocking most often creates a sleeves of loose fi tting garments -smocks. honeycomb effect and is done in a variety Colorful embroidery decorated the gathers of ways. The smocking effect can be applied and often indicated the town o r occupation after a piece is knitted or during the knit of the wearer. The Smocking Arts Guild of ting process. America defines smocking this way: "Deco rative stitchi ng across the tops of pleats. In the embroidery technique, a separate This stitching is used to decorate the surface, strand threaded onto a tapestry needle is to add texture and dimension, and/or as a used to draw columns of fabric together. means to control fullness of the fabric." This technique makes it easy to use a con The gathers are formed into diamond shapes trast color for the connecting stitches and (referred to as honeycombs) or tubes, in work over odd numbered row intervals continued on page 36 ......................... -
English 1 International Glossary of Knitting Terms
International Glossary of Knitting Terms (c) 1996, 1997, 1998, 1999, 2000, 2012 Kim Brody Salazar - compiled with the help of the KnitList and rec.crafts.textiles.yarn - Special thanks to Barbara Maren Winkler and Alexandra Weiker for help with German; to Margarita Anderson for help with Spanish; to Mette Hammer for help with Danish; to Anna Suova for help with Finnish; to Malin Prytz for help with Swedish, to Célia Maria Vassello and Flor of Brazil for help with Portuguese; and to Beeuw van Kuijeren for help with Dutch. Other, Other, Modern Modern Historic, and Historic, and Brazilian American Abbreviation British "Folk" "Folk" British French Italian Spanish Portuguese Portuguese German Dutch Swedish Norwegian Danish Finnish Faroese ? (yarn four-ply Espessura do weight) fingering yarn fio ca. 150m/50g Fio de ? (yarn espessura weight) DK double knitting média Sportwolle acrylic acrylique acrilica acrílico acrílico acrílico Polyacryl acryl akryl akryl Akryl akryyli after después após após, depois nach na efter elter jalkeen novamente, de again ancora nuevamente novamente novo wieder opnieuw igen igen uudestaan semelhante, gleich(e), likadan or ens; paa alike semblable uguale igualmente igualmente parecido ebenso hetzelfd likadant samme maade samanlainen all tous todo todo todo(a)(s) alle alle alla alt; alle kaikki insgesamt, bis kokonaan, all the way todo completo até o fim até o fim zum Ende hela vägen hele vejen loppuun asti allan vegin alpaca alpaga alpaca alpaca alpaca alpaca Alpaka alpaca alpaka alpakka alternativemen alternativamen