Pilling on Wool Fi Hers
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A Comparison of the ICI Pillbox and The
Deakin Research Online This is the published version: McGregor, Bruce A. 2006, A comparison of the ICI Pillbox and the Random Tumble Methods is assessing pilling and appearance change of worsted spun cashmere and cashmere- wool blend knitwear, International journal of sheep and wool science, vol. 54, no. 3, pp. 66- 73. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30024577 Reproduced with the kind permissions of the copyright owner. Copyright : 2006, University of New England International Journal of Sheep and Wool Science Volume 54, Issue 3 2006 Article 5 A Comparison Of The ICI Pillbox And The Random Tumble Methods Is Assessing Pilling And Appearance Change Of Worsted Spun Cashmere And Cashmere-Wool Blend Knitwear Bruce A. McGregor∗ ∗Primary Industries Research Victoria, [email protected] Copyright c 2006 International Journal of Sheep and Wool Science. All rights reserved. A Comparison Of The ICI Pillbox And The Random Tumble Methods Is Assessing Pilling And Appearance Change Of Worsted Spun Cashmere And Cashmere-Wool Blend Knitwear∗ Bruce A. McGregor Abstract This study evaluated the differences between two international test methods on the assessment of pilling and appearance change of worsted spun cashmere and superfine wool knitwear and their blends. Differences between the standard ICI Pill Box Method and the Random Tumble Method were found in both the significance and magnitude of resistance to pilling and appearance change and the amount of fabric mass loss of worsted spun cashmere and cashmere superfine wool blend knit fabrics. The ICI Pill Box Method differentiated to a greater extent the effects of wool type and blend ratio of cashmere and wool compared with the Random Tumble Method. -
Textile Industry Needs Christopher D
The Journal of Cotton Science 21:210–219 (2017) 210 http://journal.cotton.org, © The Cotton Foundation 2017 ENGINEERING & GINNING Textile Industry Needs Christopher D. Delhom, Vikki B. Martin, and Martin K. Schreiner ABSTRACT lthough the immediate customer of the gin is Athe cotton producer, the end user of the ginned The immediate customers of cotton gins are lint is the textile mill, retailers, and eventually the the producers; however, the ultimate customers consumer. Thus, it is essential for the ginner to are textile mills and consumers. The ginner has satisfy both the producers and the textile industry. the challenging task to satisfy both producers and Consequently, the ginner needs to be aware of the the textile industry. Classing and grading systems needs of the textile industry. are intended to assign an economic value to the The intent of the cotton classing and grading bales that relates to textile mill demands and the system is to assign an economic value to the bale that quality of the end product. International textile documents its properties as it relates to the quality of mills currently are the primary consumers of U.S. the end product. Since the last edition of the Cotton cotton lint where it must compete against foreign Ginners Handbook in 1994, the customers of U.S. origins. International textile mills manufacture cotton have changed radically, shifting from primar- primarily ring-spun yarns, whereas domestic mills ily domestic to international mills. International mills manufacture predominantly rotor spun yarns. Pro- have been accustomed primarily to hand-harvested ducers and ginners must produce cottons to satisfy cotton that has been processed at slow ginning all segments of the industry, i.e., domestic and in- rates. -
Ohio Hardwood Furniture Fabric Grade Sheet Comfort Design Furniture
Ohio Hardwood Furniture Fabric Grade Sheet Comfort Design Furniture COMFORT DESIGN GRADE SHEET S-STATIONARY FALL 2016 M-MOTION ALPHABETICAL P-PILLOW CLEAN RESTR CTRY ST NEW FABRIC DESCRIPTION CONTENT % GRD * GRP CODE CODE CATEGORY ORG FDM PILL C ABBY CHARCOAL Cotton 100 BB 300 S RESTR S,P USA C+ RST to M styles C ABBY RAIN Cotton 100 BB 300 S RESTR S,P USA RST to M styles ACCRINGTON DAISY Polyester 100 T 200 S RESTR S,P PAK B- PILL RST to M styles AKANA LEMONGRASS Polyester 42 FF 300 S RESTR S,P TUR C+ PILL RST to CHAIRS, OTTOMANS, PILLOWS Cotton 58 ALLSPICE MIST Polyester 23 FF 300 WS ALL S,M,P USA N Polyurethane 77 AMADEUS PHEASANT Polyester 100 PP 500 WS ALL S,M,P CHI C+ PILL RST to CHAIRS, OTTOMANS, PILLOWS on M styles 0 C NEW ANGIA ADMIRAL Polyester 100 BBB 600 S RESTR S,P CHI N PILL RST to CHAIRS, OTTOMANS, PILLOWS C NEW ANGIA LINEN Polyester 100 BBB 600 S RESTR S,P CHI N PILL RST to CHAIRS, OTTOMANS, PILLOWS C ANTIQUITY CHARCOAL Cotton 100 V 200 S RESTR S,P USA C ANTIQUITY CLOUD Cotton 100 V 200 S RESTR S,P USA C ANTIQUITY CREAM Cotton 100 V 200 S RESTR S,P USA C ANTIQUITY GREYSTONE Cotton 100 V 200 S RESTR S,P USA C ANTIQUITY INDIGO Cotton 100 V 200 S RESTR S,P USA C+ APREA DOE Polyester 52 II 400 S RESTR S,M,P CHI B- PILL RST to CHAIRS, OTTOMANS, PILLOWS on M styles Rayon 48 ARDMORE NIGHT Polyester 100 X 200 S ALL S,M,P CHI C+ ARTBAND SEAGLASS Polyester 100 JJ 400 S RESTR S,P CHI N PILL RST to CHAIRS, OTTOMANS, PILLOWS on M styles Polyester 100 C NEW ASHCOMBE ADMIRAL Cotton 70 FFF 700 S ALL S,M,P CHI N PILL RST to CHAIRS, OTTOMANS, -
Textile Quality Standards
Materials Textiles Quality Control Standards and Testing Procedures At Herman Miller, all materials undergo testing. Initial testing is done when a new product, process, or supplier is accepted. These tests lead to the development of quality standards, which our suppliers take responsibility for meeting. Quality is checked at suppliers, as materials are received in our facilities, and throughout production. All Herman Miller textiles are tested for their ability to stand up to the kind of wear they are likely to get in actual use, including fire retardancy, elongation, strength, and color transfer. Qualities such as surface texture, pattern, ability to absorb or reflect light, ability to conform to product, and ability to respond within an environment when placed next to woods, laminates, glass, carpeting, painted surfaces, or other textiles are also taken into consideration. When possible, our test procedures conform to the methods Flame resistance established by the American Society for Testing and Materials Fabric’s ability to resist burning (ASTM). Herman Miller strives to meet and exceed all industry Note: Test is dictated by the intended end use for the fabric. standards pertaining to our products. Application Passes The Association for Contract Textiles (ACT) has developed five symbols that assure contract fabrics perform to industry Woven Upholstery Vertical Flame Test - California standards and pass all applicable testing. These symbols Technical Bulletin 117-2013 are included on all Herman Miller textile swatch cards where applicable: Panels and Upholstered Walls Tunnel Test - ASTM E 84 (unadhered method) Flame resistance Fabric’s ability to resist burning Vertical Flame Test: Fabric is mounted in a vertical holder and exposed to an open Crocking resistance Fabric’s colorfastness and ability to retain color is flame for a specified amount of time. -
26. Dry Finishing of Wool Fabrics
26. Dry Finishing of Wool Fabrics Mike Pailthorpe Learning objectives By the end of this lecture, you should be able to: • Describe the various methods that are available for the drying of wool fabrics. • Understand the need for conditioning wool fabrics after drying. • Outline the methods used in the brushing of wool fabrics. • Describe the process of shearing. • Outline the principles involved in the decatising of wool fabrics. • Explain the need for the steaming of wool fabrics. Key terms and concepts Drying, conditioning, raising, shearing, singeing, pressing, decatising, steaming, perching. Introduction The so called dry finishing processes for wool fabrics follow on after hydroextraction and scutching, beginning with drying. One of the objects in wool fabric finishing is to dry the fabric only once, thereby making substantial energy savings. Drying is the process of removing water from wool textiles via the application of heat energy. The three methods of transferring heat energy from one object to another are conduction, convection and radiation. However, for a variety of reasons, convection dryers are preferred for wool fabrics, with the stenter being the most widely used drying machine. After drying the wool fabrics must be conditioned to a regain of 14-16% before further processing. Depending upon the finish required, the wool fabrics may then either be shorn to remove surface fibres or brushed to create a pile of surface fibres. The brushed pile may be shorn to cut the pile fibres to a uniform height or to achieve a sculptured pattern. The wool fabrics are then pressed using either flat, rotary or belt presses to achieve the desired appearance, lustre and handle characteristics. -
Sanmar Glossary of Terms August 2019 1X1 Rib Knit. This Narrow Rib
SanMar Glossary of Terms August 2019 1x1 Rib Knit. This narrow rib has a soft, fine hand and retains its slim fit. 2x1 Rib Knit. Textured rib knit with a comfortable stretch—made to be worn alone or layered. 2-Way Zipper. A zipper with two zipper pulls so the garment can be unzipped from either direction. 3-in-1 Jacket. A jacket that consists of two jacket layers that zip together. You can wear either jacket layer separately, or zip them together for extra warmth and weather protection. 4-Needle Stitching. A finish commonly used on a sleeve or bottom hem that uses four needles to create parallel rows of visible stitching, giving the garment a cleaner, more finished look, as well as adding durability. 4-Way Stretch. A fabric that stretches both on the crosswise and lengthwise grains of the fabric. Also called mechanical stretch, except mechanical stretch doesn’t use spandex or other stretch yarns. Air Jet Yarn. A type of open-end spinning that uses a stationary tube in which jets of air are directed to cause fibers to twist thereby forming a yarn. This process definitely influences the soft hand feel of the fabric while maintaining excellent resistance to pilling. Airlume Combed and Ring Spun Cotton (BELLA+CANVAS). 100% Airlume combed and ring spun cotton, 32 singles. BELLA+CANVAS removes 2.5x more impurities than standard ring spun cotton and uses only long cotton staples, which means there are less stray fibers when the yarn is spun, resulting in a smoother print surface. All-Weather Microfiber. -
Basketry and Its Use in a Craft Program
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 8-8-1958 Basketry and Its Use in a Craft Program Teddy G. Potts Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Potts, Teddy G., "Basketry and Its Use in a Craft Program" (1958). Plan B Papers. 116. https://thekeep.eiu.edu/plan_b/116 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. BASKETRY AND ITS USE IN A CRAFT PROGRAM By Taddy G. Potts August 5, 1958 Submitted under Plan B in Partial Fulfillment of the Requirements for the Degree, Master of Science in Education Eastern Illinois University Charleston, Illinois .H. pproved: Date (' I Dr. Robert Sonderman Inat ""ctcr, I. A. 452 TABLE OF CONTENTS CHAPTER PA.GE 1 I. HISTORY • • • • • Ancient people. • • 1 Indian contribution • 2 Modern uses • • • 5 Hobbies and recreation • 5 Schools • • 6 II. MATERIALS AND TOOLS • • • 7 Commonly used materials • • 7 Reed • . • • • • • 7 Raffia • • 8 Other materials • • 9 Basic tools and working equipment • 9 III. METHODS AND TECHNIQUES OF '.VEA VING • 10 General directions • 10 Selection • • 11 Soaking . • • • 11 Shaping • • • • • • • 11 Singeing • • 11 Finishing • • • 12 iieaves • . • • • • 13 Single over and under • 13 Double over and under • 13 Pairing weave • 14 Triple weave • • • 14 Japanese weave • 14 Bottom patterns • • • • • • 14 Hood bases . • 15 Woven bases • • • • 16 Borders . • • • 18 Open border • • 18 Closed border • 19 v. -
Facts About Clothing
FACTS ABOUT CLOTHING A Guide for Cotton Boll and Consumer Jamboree - Facts about Clothing o judge clothing you need some basic knowl- content. To reduce confusion, the law establishes 21 Tedge. A garment performs according to what it’s generic or family names of textile fibers. If you learn made of and how it’s made. You need to know about the generic names, you won’t need to remember the the fibers from which fabric is made, fabric hundreds of trade names. For example, polyester is a construction, color and design on fabric and fabric generic fiber classification; Dacron, Kodel and finishes. You also need to know about care labels. Fortrel are all manufacturers’ trade names for their A general knowledge of construction methods polyester fibers. helps you recognize quality and also predict Each label must give the following information. durability. Design features also determine how suit- I The generic or family name of the fiber. able a garment is for a person or a particular use. I The name of the manufacturer or a registered This manual provides the basics on fiber content, identification number or trade mark. fabric construction, color and design, fabric finishes, seam construction, care labels and general criteria I The percent of each fiber in the fabric listed in (reasons) for garment selection. It’s a lot to learn, but order of its predominance by weight. If a remember – you aren’t just learning for a contest – particular fiber is five percent or less, it may be you’re learning for a lifetime of smart choices. -
Cashemere, Wool, Silk, Cotton, Linen, Viscose Acétate, Polyester, Mohair, Leather, Angora
Care guide cashemere, wool, silk, cotton, linen, viscose acétate, polyester, mohair, leather, angora.. MAINTENANCE TIPS ba&sh recommends you follow these tips and to preserve the original look of your items. Each type of product requires special care; details are provided on the product’s care label. We recommend you follow the ins- tructions on the care label for optimal maintenance of your ba&sh items. PRÉPARATION••••••• Firstly, sorting colours is essential. Whites should be separated from co- lours, and pastels separated from darker colours, in order to avoid greying whites and dark stains bleeding onto lighter colours. Next, we recommend sorting clothes according to their washing tempera- ture, as indicated on their composition label. You can group together so-called delicate items (lace, silk, micro fibre ...) to wash then together. For some items, we recommend turning them over. This is essential for: velvets, items with prints, embroidery, transfers, fantasy knitwear, all pre- washed fabrics such as jeans. More generally, this technique is recom- mended to protect garments from fading, felting, wear or pilling for deli- cate materials. It can therefore be applied to all clothing. For delicate materials, the garment can be put in a cotton bag for washing, or a washing bag to protect it. Dry cleaning is recommended for padded garments (coats or jackets). Dry cleaning is more appropriate for this type of garment. More generally, dry cleaning is recommended for delicate materials and/or items. If you purchased coordinates, try to wash them together to limit colour differences. WASHING••••••• For the first few washes of your new clothes, we recommend you wash them separately to prevent any dye-bleeding. -
Fabrics Grading
Fabric Catalog 2019 Sylvester Alexander 526 10th St. Blvd. NW Hickory, NC 28601 (P/F)828-838-1099 Cleaning Codes W- Spot clean with soap and water: Clean this fabric with the foam only of a water-based cleaning agent to remove overall soil. Many household cleaning solvents are harmful to the color and life of the fabric. Cleaning by a professional furniture cleaning service only is recommended. To prevent overall soil, frequent vacuuming or light brushing to remove dust and grim is recommended. S- Solvent clean only: Clean this fabric with pure solvents (petroleum distillate-based products, Energine, Carbona, or similar products may be used) in a well-ventilated room. Cleaning by professional furniture cleaning service only is recommended. Caution: Carbon Tetrachloride, as is it is highly toxic. To prevent overall soil, frequent vacuuming or light brushing to remove dust and grime is recommended. WS- Solvent or spot clean: Clean this fabric with the foam only of a water-based cleaning agent or with a pure solvent in a well-ventilated room (petroleum distillate-based products, Energine, Carbona, or similar products may be used). Cleaning by a professional furniture cleaning service is recommended. To prevent overall soil, frequent vacuuming or light brushing to remove dust and grime is recommended. X- Clean this fabric only by vacuuming or light brushing to prevent accumulation of dust or grime. Water-based foam or solvent based cleaning agents of any kind may cause excessive shrinking or fading. Resilience TX- Every Resilience TX fabric is tested and ensured not to pill or fuzz up like an old sweater. -
DESIGN and MANUFACTURING of a LABORATORY SINGEING MACHINE for COTTON WOVEN FABRICS Uzma Syed1, Awais Khatri1, R
Sci.Int. (Lahore), 23(4),321-323,2011 ISSN 1013-5316; CODEN: SINTE 8 321 DESIGN AND MANUFACTURING OF A LABORATORY SINGEING MACHINE FOR COTTON WOVEN FABRICS Uzma Syed1, Awais Khatri1, R. A. Jhatial2 e-mail: [email protected] 1 Department of Textile Engineering, Mehran University of Engineering and Technology, Jamshoro. 2 National Institute of Science and Technical Education, Islamabad. ABSTRACT: A table top singeing machine was designed for small scale singeing the cotton woven fabric. The machine was comprises of six tension rollers, a burner with adjustable flame angle and runs at the acceptable speed of 10- 30 m min-1. The rollers and burner were made from M.S pipe material. For singeing process trial, a grey fabric sample after manually pre-cleaning was wound on the let-off roller and threaded through the machine rollers up to take-up roller. The flame angle (45o) was adjusted according to the fabric condition (mild or sever singeing). Singeing process was carried out at the speed of 20 m min-1 by turning on the machine drive and the flame. The fabric was continuously released from the let-off roller, passed through the burner flame and wound onto the take-up roller. The singed fluff on the fabric surface was manually removed with brush after singeing. The machine can singe only one side of the fabric and suitable for laboratory scale singeing. Keywords: Singeing Machine, Burner, Flame Angle, Cotton Woven Fabric, Protruding Fibres. INTRODUCTION machine was designed and later manufactured in such a way Singeing is the process of removing protruding fibres from that all the objectives of singeing process could adequately the yarns and/or fabric surface hence improves the efficacy be achieved. -
Performance Ofspeciality Hair Fibers Blended Wool Fabrics
© 2019 JETIR May 2019, Volume 6, Issue 5www.jetir.org (ISSN-2349-5162) Performance ofspeciality hair fibers blended wool fabrics Asma khan1 Radha Kashyap2 D B Shakyawar 2 Research scholar1, Professor2, Principle scientist2 Department of Fashion and Textile design1 IIS Deemed to be University Jaipur Rajasthan India1 Textile manufacturing and Textile chemistry2 Central Sheep and Wool Research Institute Avikanagar Tonk Rajasthan2 Abstract Performance enhancement is worth requirement of woolen apparel.The fabric performance divided in several criteria. These are aesthetic, durability, appearance and care properties. This property directly affects the quality of pure wool and blendedwool fabrics.The study was focused on performance of speciality hair fibers blending in wool/polyester fabrics.The several properties related to performance of wool fabrics are i.e. drapability, tensile strength, pilling and felt shrinkage.Drapability is related aesthetic and tensile strength is related to durability. Similarly pilling is related to performance retention property and felt shrinkage is care property of wool fabric.The results of drapability of wool and wool blended fabrics indicating that drape behaviour of WNP (Wool: Nylon: Pashmina) fabric is poor than other fabrics. While CW(Commercial wool) and WPA(Wool:Polyester:Angora) fabrics have better drapability than that of WPP(Wool:Polyester:Pashmina) and WNP(Australian merino wool:Nylon:Pashmina) fabrics.WPP has adequate drapability and suitable for women’s wear garments. The tensile strength of WPA has higher as compare to CW, WNP and WPP.Blending of angora in wool/polyester increases the tensile strength as compare to blending of pashmina and Australian merino.Pilling tendency of CW and WNP fabrics is higher and ranked lowest followed by WPP and WPA fabrics.