Cotton: from Field to Fabric
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Care Label Recommendations
CARE LABEL RECOMMENDATIONS RECOMMENDED CARE FOR APPAREL PRODUCTS Fiber content, fabric construction, color, product construction, finish applications and end use are all considered when determining recommended care. Following are recommended care instructions for Nordstrom Products, however; the product must be tested to confirm that the care label is suitable. GARMENT/ CONSTRUCTION/ FIBER CONTENT FABRICATION CARE LABEL Care ABREVIATION EMBELLISHMENTS Knits and Sweaters Acetate/Acetate Blends Knits / Sweaters K & S Dry Clean Only DCO Acrylic Sweater K & S Machine Wash Cold, Gentle Cycle With Like Colors Only Non-Chlorine Bleach If Needed MWC GC WLC ONCBIN TDL RP CIIN Tumble Dry Low, Remove Promptly Cool Iron If Needed Acrylic Gentle Or Open Construction, Chenille K & S Turn Garment Inside Out Or Loosely Knit Machine Wash Cold, Gentle Cycle With Like Colors TGIO MWC GC WLC ONCBIN R LFTD CIIN Only Non-Chlorine Bleach If Needed Reshape, Lay Flat To Dry Cool Iron If Needed Acrylic / Rayon Blends Sweaters / Gentle Or Open K & S Professionally Dry Clean Construction, Chenille Or Loosely Knit Short Cycle, No Steam PDC SC NS Acrylic / Wool Blends Sweaters with Embelishments K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed, No Wring Or Twist Reshape, Lay Flat To Dry Cool Iron If Needed HWC S ONCBIN NWOT R LFTD CIIN DNID Do Not Iron Decoration Acrylic / Wool Blends Sweaters K & S Hand Wash Cold, Separately Only Non-Chlorine Bleach If Needed Roll In Towel To Remove Excess Moisture Reshape, Lay Flat To Dry HWC S ONCBIN RITTREM -
Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Choosing the Proper Short Cut Fiber for Your Nonwoven Web
Choosing The Proper Short Cut Fiber for Your Nonwoven Web ABSTRACT You have decided that your web needs a synthetic fiber. There are three important factors that have to be considered: generic type, diameter, and length. In order to make the right choice, it is important to know the chemical and physical characteristics of the numerous man-made fibers, and to understand what is meant by terms such as denier and denier per filament (dpf). PROPERTIES Denier Denier is a property that varies depending on the fiber type. It is defined as the weight in grams of 9,000 meters of fiber. The current standard of denier is 0.05 grams per 450 meters. Yarn is usually made up of numerous filaments. The denier of the yarn divided by its number of filaments is the denier per filament (dpf). Thus, denier per filament is a method of expressing the diameter of a fiber. Obviously, the smaller the denier per filament, the more filaments there are in the yarn. If a fairly closed, tight web is desired, then lower dpf fibers (1.5 or 3.0) are preferred. On the other hand, if high porosity is desired in the web, a larger dpf fiber - perhaps 6.0 or 12.0 - should be chosen. Here are the formulas for converting denier into microns, mils, or decitex: Diameter in microns = 11.89 x (denier / density in grams per milliliter)½ Diameter in mils = diameter in microns x .03937 Decitex = denier x 1.1 The following chart may be helpful. Our stock fibers are listed along with their density and the diameter in denier, micron, mils, and decitex for each: Diameter Generic Type -
Yarn Numbering Systems
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 TRI 1014 YARN NUMBERING SYSTEMS © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. TABLE OF CONTENTS Page INTRODUCTION 1 DIRECT SYSTEMS 1 INDIRECT SYSTEMS 2 CONVERSION 4 PLIED YARNS 4 YARN DIAMETER 5 YARN NUMBERING SYSTEMS - TABLE 1 6 CONVERSION FACTORS - TABLE 2 7 YARN NUMBERING SYSTEMS INTRODUCTION Textiles are often sold on a weight basis and consequently it is natural to express the size of "thickness" of a yarn in terms of weight (or mass). There are two basic ways in which this may be done. These are: (a) by saying how much a given length of yarn weighs, or (b) by saying what length of yarn one would have in a given weight. Generally these are known as the direct and indirect systems of yarn numbering, respectively. In other words: Weight(or mass) Direct yarn number = Length Length Indirect yarn number = Weight(or mass) It will be noted that one is the inverse of the other. In the first case, the number gets larger as the yarn or strand gets coarser. In the second case, the number gets smaller as the yarn or strand gets coarser. Each system has its advantages and disadvantages and each has found areas in which, by custom, it is used. It so happens that because long, thin strands are usually involved, the length figures are usually large and the weight figures are small. Consequently, the yarn numbers would get impossibly large or impossibly small unless special units are used. -
Textile Industry Needs Christopher D
The Journal of Cotton Science 21:210–219 (2017) 210 http://journal.cotton.org, © The Cotton Foundation 2017 ENGINEERING & GINNING Textile Industry Needs Christopher D. Delhom, Vikki B. Martin, and Martin K. Schreiner ABSTRACT lthough the immediate customer of the gin is Athe cotton producer, the end user of the ginned The immediate customers of cotton gins are lint is the textile mill, retailers, and eventually the the producers; however, the ultimate customers consumer. Thus, it is essential for the ginner to are textile mills and consumers. The ginner has satisfy both the producers and the textile industry. the challenging task to satisfy both producers and Consequently, the ginner needs to be aware of the the textile industry. Classing and grading systems needs of the textile industry. are intended to assign an economic value to the The intent of the cotton classing and grading bales that relates to textile mill demands and the system is to assign an economic value to the bale that quality of the end product. International textile documents its properties as it relates to the quality of mills currently are the primary consumers of U.S. the end product. Since the last edition of the Cotton cotton lint where it must compete against foreign Ginners Handbook in 1994, the customers of U.S. origins. International textile mills manufacture cotton have changed radically, shifting from primar- primarily ring-spun yarns, whereas domestic mills ily domestic to international mills. International mills manufacture predominantly rotor spun yarns. Pro- have been accustomed primarily to hand-harvested ducers and ginners must produce cottons to satisfy cotton that has been processed at slow ginning all segments of the industry, i.e., domestic and in- rates. -
Investigation of the Mechanical Properties of a Carbon Fibre-Reinforced Nylon Filament for 3D Printing
machines Article Investigation of the Mechanical Properties of a Carbon Fibre-Reinforced Nylon Filament for 3D Printing Flaviana Calignano 1,* , Massimo Lorusso 2 , Ignanio Roppolo 3 and Paolo Minetola 1 1 Department of Management and Production Engineering, Politecnico di Torino, Corso Duca degli Abruzzi 24, 10129 Turin, Italy; [email protected] 2 Istituto Italiano di Tecnologia, Center for Sustainable Future Technologies IIT@Polito, Corso Trento 21, 10129 Turin, Italy; [email protected] 3 Department of Applied Science and Technology, Politecnico di Torino, Corso Duca degli Abruzzi 24, 10129 Turin, Italy; [email protected] * Correspondence: fl[email protected]; Tel.: +39-011-090-7218 Received: 19 July 2020; Accepted: 2 September 2020; Published: 4 September 2020 Abstract: Additive manufacturing (i.e., 3D printing) has rapidly developed in recent years. In the recent past, many researchers have highlighted the development of in-house filaments for fused filament fabrication (FFF), which can extend the corresponding field of application. Due to the limited mechanical properties and deficient functionality of printed polymer parts, there is a need to develop printable polymer composites that exhibit high performance. This study analyses the actual mechanical characteristics of parts fabricated with a low-cost printer from a carbon fibre-reinforced nylon filament. The results show that the obtained values differ considerably from the values presented in the datasheets of various filament suppliers. Moreover, the hardness and tensile strength are influenced by the building direction, the infill percentage, and the thermal stresses, whereas the resilience is affected only by the building direction. Furthermore, the relationship between the mechanical properties and the filling factor is not linear. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Technical Product Guide
strength in materials Technical Product Guide www.agy.com Table of Contents Corporate Overview AGY provides the best quality, highest performance, and broadest range of glass fiber yarns, rovings and chop products to Corporate Overview .............................1 a wide variety of markets and end uses. Although founded as an independent entity Glass Fiber Manufacturing ...................2 in 1998, AGY has a 50+ year history of serving the composites industry. Nomenclature ......................................3 Globally, AGY has over 600 employees Conversion Tables ...............................6 involved in production, sales, distribution and development of our products. Our AGY Glass Yarns .................................8 world headquarters, technology center and manufacturing facility are located in Aiken, AGY Glass Rovings ...........................14 SC U.S.A. AGY Chopped Glass ..........................16 We also have commercial and administrative offices in Lyon, France, and AGY Packaging Specificaions ............18 a commercial office in Shanghai, China. AGY Sizing Systems ..........................20 Typical Fiber Properties .....................26 Glossary of Terms ..............................28 strength in materials 1 Glass Fiber Manufacturing Glass Fiber Nomenclature AGY glass fibers are made from molten glass. The viscous liquid is General drawn through tiny holes at the base of the furnace to form hair-like Glass fiber yarns are typically identified by either an inch-pound based system (U.S. customary system) or a TEX/metric system (based on the SI*/metric system). filaments. A protective sizing, applied as the filament cools and This section gives a brief description of glass fiber yarn nomenclature, including hardens, helps prevent abrasion during additional processing and comparisons of the two systems (see table on page 4). A more comprehensive makes the glass compatible with various resin systems. -
26. Dry Finishing of Wool Fabrics
26. Dry Finishing of Wool Fabrics Mike Pailthorpe Learning objectives By the end of this lecture, you should be able to: • Describe the various methods that are available for the drying of wool fabrics. • Understand the need for conditioning wool fabrics after drying. • Outline the methods used in the brushing of wool fabrics. • Describe the process of shearing. • Outline the principles involved in the decatising of wool fabrics. • Explain the need for the steaming of wool fabrics. Key terms and concepts Drying, conditioning, raising, shearing, singeing, pressing, decatising, steaming, perching. Introduction The so called dry finishing processes for wool fabrics follow on after hydroextraction and scutching, beginning with drying. One of the objects in wool fabric finishing is to dry the fabric only once, thereby making substantial energy savings. Drying is the process of removing water from wool textiles via the application of heat energy. The three methods of transferring heat energy from one object to another are conduction, convection and radiation. However, for a variety of reasons, convection dryers are preferred for wool fabrics, with the stenter being the most widely used drying machine. After drying the wool fabrics must be conditioned to a regain of 14-16% before further processing. Depending upon the finish required, the wool fabrics may then either be shorn to remove surface fibres or brushed to create a pile of surface fibres. The brushed pile may be shorn to cut the pile fibres to a uniform height or to achieve a sculptured pattern. The wool fabrics are then pressed using either flat, rotary or belt presses to achieve the desired appearance, lustre and handle characteristics. -
The History of Naturally Colored Cotton JULIA BARATTA
The History of Naturally Colored Cotton JULIA BARATTA otton’s colorful history began many was part of later U.S. history, centuries ago and in far-flung regions and that it has a small role in agriculture today. of the world. The original cultivars C Through the years, nat- were developed more than 5,000 years ago urally colored cotton has by the people of South and Central America, appeared primarily as a last- while other varieties were found to be indig- ditch effort to meet a need. During World War II (1939–1945), enous to Africa and Asia. There are also a for example, there was a shortage of number of references to cotton being grown dyes, so green and brown cotton was grown in India, China, Russia, Mexico, and Egypt. and used. Because the fibers had not been bred for At some point, naturally colored cotton length, after the war, naturally colored cotton fell out of favor again. made its entrance into America, probably In 1982, Sally Fox was working for a cotton during the seventeenth century. breeder when she found a bag of brown cotton Historically in America, white cotton was con- and seeds. The cotton, which had come from the sidered “king,” while naturally colored cotton was U.S. Department of Agriculture, had been part of discussed only as legend. In my research for this an effort to promote growing naturally colored article, I found few who had heard or read that fiber. Sally Fox’s more than twenty years of work slaves were sometimes allowed to grow natu- in the world of naturally colored cottons is ongo- rally colored cotton because of its “deficiencies”: ing: She began with that small bag and has built a shorter staple, or length of fiber, which made it a reputation for growing high-quality, longer-sta- more difficult to spin into usable thread, as well pled cotton of reddish-brown and shades of green. -
Nylon Fiber Types Available in the North America Commercial Specified Market
Nylon Fiber Types Available in the North America Commercial Specified Market Combined Fiber Mill Nylon type 6 Nylon type 6,6 (N6 and N6,6 or other) Atlas | Masland Contract Aquafil Econyl® Antron® (includes Avant) Unbranded EarthSmart® refreshfiber® Ultron® Universal XTI® Bentley Antron® Ultron® Universal XTI® Engineered Floors EF Contract Encore® SD Ultima® J+J Flooring Encore® SD Ultima® Ultron® Encore® BCF Unbranded Pentz Commercial Encore® SD Ultima® Flooring Interface Aquafil Econyl® Antron® Universal Mannington Commercial Aquafil Econyl® Antron® Mannington Quantum Mannington Quantum™ Ultron® Unbranded Milliken and Company Aquafil Econyl® Antron® Universal WearOn® Shaw Industries Group Patcraft Eco Solution Q® Antron® Eco Solution Q® SD Solution Q Shaw Contract Eco Solution Q® Antron® Eco Solution Q® SD Solution Q Tarkett Dynex® Antron® TDX Dynex® SD TDX XTI® The Mohawk Group Colorstrand® SD Antron® Colorstrand® Duracolor® Tricor Premium Fortis™ Specify Antron® Fiber Running Line Styles with Antron® Fiber Fiber Name Polymer Type Cross Section Dye Methods Antron® Lumena™ / Lumena DNA™ Nylon type 6,6 Four-hole Hollow Filament Solution Dye Antron® Lumena™ Glimmers Nylon type 6,6 Delta Single-Hole Filament Solution Dye Antron® Legacy™ Nylon type 6,6 Four-hole Hollow Filament White Dye Aquafil Econyl® Nylon type 6 Trilobal Solution Dye Colorstrand® Varied Trilobal Combination Duracolor® Tricor Premium Nylon type 6 Modified Delta Single-Hole Solution Dye Filament Duracolor® Premium Varied polymers Various fiber shapes Solution Dye, Combination -
Basketry and Its Use in a Craft Program
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 8-8-1958 Basketry and Its Use in a Craft Program Teddy G. Potts Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Potts, Teddy G., "Basketry and Its Use in a Craft Program" (1958). Plan B Papers. 116. https://thekeep.eiu.edu/plan_b/116 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. BASKETRY AND ITS USE IN A CRAFT PROGRAM By Taddy G. Potts August 5, 1958 Submitted under Plan B in Partial Fulfillment of the Requirements for the Degree, Master of Science in Education Eastern Illinois University Charleston, Illinois .H. pproved: Date (' I Dr. Robert Sonderman Inat ""ctcr, I. A. 452 TABLE OF CONTENTS CHAPTER PA.GE 1 I. HISTORY • • • • • Ancient people. • • 1 Indian contribution • 2 Modern uses • • • 5 Hobbies and recreation • 5 Schools • • 6 II. MATERIALS AND TOOLS • • • 7 Commonly used materials • • 7 Reed • . • • • • • 7 Raffia • • 8 Other materials • • 9 Basic tools and working equipment • 9 III. METHODS AND TECHNIQUES OF '.VEA VING • 10 General directions • 10 Selection • • 11 Soaking . • • • 11 Shaping • • • • • • • 11 Singeing • • 11 Finishing • • • 12 iieaves • . • • • • 13 Single over and under • 13 Double over and under • 13 Pairing weave • 14 Triple weave • • • 14 Japanese weave • 14 Bottom patterns • • • • • • 14 Hood bases . • 15 Woven bases • • • • 16 Borders . • • • 18 Open border • • 18 Closed border • 19 v.