FOAM OR FIBER? a Comparison of Fill Material for Outdoor Cushioning
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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Choosing the Proper Short Cut Fiber for Your Nonwoven Web
Choosing The Proper Short Cut Fiber for Your Nonwoven Web ABSTRACT You have decided that your web needs a synthetic fiber. There are three important factors that have to be considered: generic type, diameter, and length. In order to make the right choice, it is important to know the chemical and physical characteristics of the numerous man-made fibers, and to understand what is meant by terms such as denier and denier per filament (dpf). PROPERTIES Denier Denier is a property that varies depending on the fiber type. It is defined as the weight in grams of 9,000 meters of fiber. The current standard of denier is 0.05 grams per 450 meters. Yarn is usually made up of numerous filaments. The denier of the yarn divided by its number of filaments is the denier per filament (dpf). Thus, denier per filament is a method of expressing the diameter of a fiber. Obviously, the smaller the denier per filament, the more filaments there are in the yarn. If a fairly closed, tight web is desired, then lower dpf fibers (1.5 or 3.0) are preferred. On the other hand, if high porosity is desired in the web, a larger dpf fiber - perhaps 6.0 or 12.0 - should be chosen. Here are the formulas for converting denier into microns, mils, or decitex: Diameter in microns = 11.89 x (denier / density in grams per milliliter)½ Diameter in mils = diameter in microns x .03937 Decitex = denier x 1.1 The following chart may be helpful. Our stock fibers are listed along with their density and the diameter in denier, micron, mils, and decitex for each: Diameter Generic Type -
Yarn Numbering Systems
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 TRI 1014 YARN NUMBERING SYSTEMS © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. TABLE OF CONTENTS Page INTRODUCTION 1 DIRECT SYSTEMS 1 INDIRECT SYSTEMS 2 CONVERSION 4 PLIED YARNS 4 YARN DIAMETER 5 YARN NUMBERING SYSTEMS - TABLE 1 6 CONVERSION FACTORS - TABLE 2 7 YARN NUMBERING SYSTEMS INTRODUCTION Textiles are often sold on a weight basis and consequently it is natural to express the size of "thickness" of a yarn in terms of weight (or mass). There are two basic ways in which this may be done. These are: (a) by saying how much a given length of yarn weighs, or (b) by saying what length of yarn one would have in a given weight. Generally these are known as the direct and indirect systems of yarn numbering, respectively. In other words: Weight(or mass) Direct yarn number = Length Length Indirect yarn number = Weight(or mass) It will be noted that one is the inverse of the other. In the first case, the number gets larger as the yarn or strand gets coarser. In the second case, the number gets smaller as the yarn or strand gets coarser. Each system has its advantages and disadvantages and each has found areas in which, by custom, it is used. It so happens that because long, thin strands are usually involved, the length figures are usually large and the weight figures are small. Consequently, the yarn numbers would get impossibly large or impossibly small unless special units are used. -
Average Weight of Common Household Furniture
AVERAGE WEIGHT OF COMMON HOUSEHOLD FURNITURE Average Weight Average Weight FURNITURE TYPE (EMPTY) FURNITURE TYPE (EMPTY) Armoire (Large) 200 Bed Headboard (Full) 40 Armoire (Medium) 150 Bed Headboard (King) 55 Armoire (Small) 100 Bed Headboard (Queen) 45 Baby Changing Table 50 Bed Headboard (Twin) 20 Baby Crib (Frame) 40 Bed Rails 10 Baby Crib (Mattress) 15 Bench (Wooden) 75 Baby High Chair 30 Bicycle 25 Baby Play Pen 60 Book Case (Large) 100 Baby Stroller 25 Book Case (Medium) 75 Bar 175 Book Case (Small) 25 Bar Stool 15 Boxes 40 Bed - Double (Box Spring) 60 Boxspring (Full Size) 60 Bed - Double (Footboard) 25 Boxspring (Queen Size) 75 Bed - Double (Headboard) 40 Boxspring (Twin Size) 50 Bed - Double (Mattress/Pillow Top) 75 Breakfront 200 Bed - Double (Mattress/Standard) 60 Buffet 125 Bed - Double (Set of Rails) 10 Cabinet (Curio) 150 Bed - Queen Size (Boxspring) 75 Cabinet (w/ Glass) 100 Bed - Queen Size (Footboard) 35 Cabinet (Wooden) 125 Bed - Queen Size (Headboard) 45 Carpet (Rolled) 125 Bed - Queen Size (Mattress/Pillow Top) 100 Chair ( Recliner) 125 Bed - Queen Size (Mattress/Standard) 75 Chair (Desk) 35 Bed - Queen Size (Set Rails) 10 Chair (Dining/Arms) 20 Bed - Twin Size (Boxspring) 50 Chair (Dining/No Arms) 15 Bed - Twin Size (Footboard) 15 Chair (Glider) 85 Bed - Twin Size (Headboard) 20 Chair (Occasional) 75 Bed - Twin Size (Mattress/Pillow Top) 75 Chair (Open Arm) 15 Bed - Twin Size (Mattress/Standard) 50 Chair (Overstuffed) 85 Bed - Twin Size (Set of Rails) 10 Chair (Papasan) 50 Bed Footboard (Full) 25 Chair (Rocker) 20 Bed Footboard (King) 45 Chair (Straight Back) 35 Bed Footboard (Queen) 35 Chair (Wing) 75 Bed Footboard (Twin) 15 Chaise Lounge 100 Bed Frame (Metal) 25 Chest 75 CONTINUED . -
Investigation of the Mechanical Properties of a Carbon Fibre-Reinforced Nylon Filament for 3D Printing
machines Article Investigation of the Mechanical Properties of a Carbon Fibre-Reinforced Nylon Filament for 3D Printing Flaviana Calignano 1,* , Massimo Lorusso 2 , Ignanio Roppolo 3 and Paolo Minetola 1 1 Department of Management and Production Engineering, Politecnico di Torino, Corso Duca degli Abruzzi 24, 10129 Turin, Italy; [email protected] 2 Istituto Italiano di Tecnologia, Center for Sustainable Future Technologies IIT@Polito, Corso Trento 21, 10129 Turin, Italy; [email protected] 3 Department of Applied Science and Technology, Politecnico di Torino, Corso Duca degli Abruzzi 24, 10129 Turin, Italy; [email protected] * Correspondence: fl[email protected]; Tel.: +39-011-090-7218 Received: 19 July 2020; Accepted: 2 September 2020; Published: 4 September 2020 Abstract: Additive manufacturing (i.e., 3D printing) has rapidly developed in recent years. In the recent past, many researchers have highlighted the development of in-house filaments for fused filament fabrication (FFF), which can extend the corresponding field of application. Due to the limited mechanical properties and deficient functionality of printed polymer parts, there is a need to develop printable polymer composites that exhibit high performance. This study analyses the actual mechanical characteristics of parts fabricated with a low-cost printer from a carbon fibre-reinforced nylon filament. The results show that the obtained values differ considerably from the values presented in the datasheets of various filament suppliers. Moreover, the hardness and tensile strength are influenced by the building direction, the infill percentage, and the thermal stresses, whereas the resilience is affected only by the building direction. Furthermore, the relationship between the mechanical properties and the filling factor is not linear. -
Fill Your Products with Confidence. Insideinside Beautiful
insideinside beautiful... beautiful... Fill your products with confidence. insideinside beautiful... beautiful... American Down & Feather: designed to deliver. A second generation family business that are experts in custom manufacturing of high quality products for the Interior Design, Sleep, Hospitality, Upholstery and Workroom industries. With over 20 years of experience, you can count on us for the finest in pillows, cut foam, comforters, bed toppers, fills, bulk materials and more. Plus, most importantly, a great vendor relationship designed to deliver. All our products are Made in the U.S.A. at our facility in Henderson, Colorado. americandownandfeather.com WHY AMERICAN DOWN & FEATHER? • Offering the best in personalized service is one of the top • We use 230 thread count for all our down proof ticking and reasons our customers keep coming back. products vs. more widely used 180 thread count. • We work directly with interior • We offer upholstery supplies designers and industry “Great product, and bulk materials at professionals but can also wholesale prices. drop ship to your clients. great price, and • No minimum order • We specialize in Custom prompt shipping! quantities are required; 5 day and Standard Cushions, You can be sure turnaround on most orders. Comforters, Throw Pillows, Sleep you will have Pillows, Mattress Toppers, Cut • Our products are featured Foam and more. my business inside beautiful homes, lodges, hotels and B&B’s throughout Colorado and the USA. • Choose from diverse types in the future” of fill and blends including, -Sam Stubbs organic and allergy resistant No minimum materials, Polyester, Polysilk™ and Kapok. • We offer designer quality down and 2-4 centimeter feathers order quantities sourced primarily in the USA; ethically harvested and often are required! cleansed as many as 7x’s. -
Technical Product Guide
strength in materials Technical Product Guide www.agy.com Table of Contents Corporate Overview AGY provides the best quality, highest performance, and broadest range of glass fiber yarns, rovings and chop products to Corporate Overview .............................1 a wide variety of markets and end uses. Although founded as an independent entity Glass Fiber Manufacturing ...................2 in 1998, AGY has a 50+ year history of serving the composites industry. Nomenclature ......................................3 Globally, AGY has over 600 employees Conversion Tables ...............................6 involved in production, sales, distribution and development of our products. Our AGY Glass Yarns .................................8 world headquarters, technology center and manufacturing facility are located in Aiken, AGY Glass Rovings ...........................14 SC U.S.A. AGY Chopped Glass ..........................16 We also have commercial and administrative offices in Lyon, France, and AGY Packaging Specificaions ............18 a commercial office in Shanghai, China. AGY Sizing Systems ..........................20 Typical Fiber Properties .....................26 Glossary of Terms ..............................28 strength in materials 1 Glass Fiber Manufacturing Glass Fiber Nomenclature AGY glass fibers are made from molten glass. The viscous liquid is General drawn through tiny holes at the base of the furnace to form hair-like Glass fiber yarns are typically identified by either an inch-pound based system (U.S. customary system) or a TEX/metric system (based on the SI*/metric system). filaments. A protective sizing, applied as the filament cools and This section gives a brief description of glass fiber yarn nomenclature, including hardens, helps prevent abrasion during additional processing and comparisons of the two systems (see table on page 4). A more comprehensive makes the glass compatible with various resin systems. -
The History of Naturally Colored Cotton JULIA BARATTA
The History of Naturally Colored Cotton JULIA BARATTA otton’s colorful history began many was part of later U.S. history, centuries ago and in far-flung regions and that it has a small role in agriculture today. of the world. The original cultivars C Through the years, nat- were developed more than 5,000 years ago urally colored cotton has by the people of South and Central America, appeared primarily as a last- while other varieties were found to be indig- ditch effort to meet a need. During World War II (1939–1945), enous to Africa and Asia. There are also a for example, there was a shortage of number of references to cotton being grown dyes, so green and brown cotton was grown in India, China, Russia, Mexico, and Egypt. and used. Because the fibers had not been bred for At some point, naturally colored cotton length, after the war, naturally colored cotton fell out of favor again. made its entrance into America, probably In 1982, Sally Fox was working for a cotton during the seventeenth century. breeder when she found a bag of brown cotton Historically in America, white cotton was con- and seeds. The cotton, which had come from the sidered “king,” while naturally colored cotton was U.S. Department of Agriculture, had been part of discussed only as legend. In my research for this an effort to promote growing naturally colored article, I found few who had heard or read that fiber. Sally Fox’s more than twenty years of work slaves were sometimes allowed to grow natu- in the world of naturally colored cottons is ongo- rally colored cotton because of its “deficiencies”: ing: She began with that small bag and has built a shorter staple, or length of fiber, which made it a reputation for growing high-quality, longer-sta- more difficult to spin into usable thread, as well pled cotton of reddish-brown and shades of green. -
Nylon Fiber Types Available in the North America Commercial Specified Market
Nylon Fiber Types Available in the North America Commercial Specified Market Combined Fiber Mill Nylon type 6 Nylon type 6,6 (N6 and N6,6 or other) Atlas | Masland Contract Aquafil Econyl® Antron® (includes Avant) Unbranded EarthSmart® refreshfiber® Ultron® Universal XTI® Bentley Antron® Ultron® Universal XTI® Engineered Floors EF Contract Encore® SD Ultima® J+J Flooring Encore® SD Ultima® Ultron® Encore® BCF Unbranded Pentz Commercial Encore® SD Ultima® Flooring Interface Aquafil Econyl® Antron® Universal Mannington Commercial Aquafil Econyl® Antron® Mannington Quantum Mannington Quantum™ Ultron® Unbranded Milliken and Company Aquafil Econyl® Antron® Universal WearOn® Shaw Industries Group Patcraft Eco Solution Q® Antron® Eco Solution Q® SD Solution Q Shaw Contract Eco Solution Q® Antron® Eco Solution Q® SD Solution Q Tarkett Dynex® Antron® TDX Dynex® SD TDX XTI® The Mohawk Group Colorstrand® SD Antron® Colorstrand® Duracolor® Tricor Premium Fortis™ Specify Antron® Fiber Running Line Styles with Antron® Fiber Fiber Name Polymer Type Cross Section Dye Methods Antron® Lumena™ / Lumena DNA™ Nylon type 6,6 Four-hole Hollow Filament Solution Dye Antron® Lumena™ Glimmers Nylon type 6,6 Delta Single-Hole Filament Solution Dye Antron® Legacy™ Nylon type 6,6 Four-hole Hollow Filament White Dye Aquafil Econyl® Nylon type 6 Trilobal Solution Dye Colorstrand® Varied Trilobal Combination Duracolor® Tricor Premium Nylon type 6 Modified Delta Single-Hole Solution Dye Filament Duracolor® Premium Varied polymers Various fiber shapes Solution Dye, Combination -
Fiber™ Material Data Sheet
Fiber™ Continuous Fiber 3D printing Fiber™ Material data sheet Fiber™ prints with two printheads—one dedicated to a continuous fiber prepreg tape; one dedicated to chopped fiber-reinforced filament. Designed for versatility, the printer supports a wide range of both chopped fiber filament and continuous fiber composites to enable a broad set of applications from consumer electronics to automotive. MATERIALS PEKK + Carbon Fiber PEEK + Carbon Fiber PEKK is characterized by its high tensile and compression strength, PEEK is characterized by exceptional mechanical properties, high resistance to chemical abrasion, and ability to withstand high resistance to surface abrasion, and is inherently flame retardant. When temperatures (above 250 °C). When reinforced with carbon fiber, resulting combined with continuous carbon fiber, the resulting composite is strong, parts are exceptionally durable and well-suited for extreme environments stiff, and boasts a high fatigue level—making it great for high-wear including high-temperature applications. manufacturing jigs and fixtures. Continuous µAFP tape Continuous µAFP tape Chopped FFF filament Chopped FFF filament Nylon 6 (PA6) + Carbon Fiber Nylon 6 (PA6)+ Fiberglass Our Nylon 6 (PA6) with carbon fiber reinforcement is safe for operations Fiberglass-reinforced nylon is a low-cost material which renders where ESD compliance is required. With a tensile strength 30x stronger lightweight, high-strength and corrosion-resistant parts—making it a than ABS, PA6 + CF is an excellent material for jigs, fixtures, and end-of- great match for sporting goods or marine applications, where parts are arm tooling, including those used in electronics manufacturing. exposed to the elements and have a low target cost per part. -
Get the Look! HOME STUDIO Curly Shag Rug • 5'X 7' 129.99
F A L L 2 0 1 0 Get the look! HOmE stuDIO Curly shag rug • 5'x 7' 129.99 lInEns-n-tHIngs Red ottoman with castors 59.99 Chenille cushion 29.99 Throw 29.99 HOmE stuDIO Bonded leather dining chair, red fieryfinds 99.99 Red hot. Fire hot. There’s nothing quiet about red. When it comes to adding colour look no further than our hot red accents. Perfect for that added shock of colour that adds drama to any home décor. Cotton velvet floor Oblong vases umBRa cushion 29.99 • 7" - 12" Mosh frames Accent 19.99 7.99 - 9.99 24.99 HOmE stuDIO Fiesta tab-top window • 52" x 84" ea 63.99 2pk Wamsutta T300 Bamboo stripe duvet cover with 2 shams 2 STYLICIOUSFall2010 Queen set 129.99 STYLICIOUSFall2010 3 Buffalo check throw 29.99 Coordinating cushion 19.99 HOmE stuDIO Flannel plaid Wood bench sheet set 30"x17½"x9" 19.99 89.99 umBRa Starburst clock 149.99 Wood single candle holder 16.99 Wood triple candle holder naturalBring the beauty that is mother nature indoors to accent designyour home. Introduce warm, 29.99 smooth accent pieces to any room décor! gluCKstEInHOmE Wood table Flannel plaid bedding lamp Queen Duvet Cover 49.99 99.99 Multi check rug • 2’x3’ – 7’11”x10’4” 39.99 - 379.99 HOmE stuDIO Faux leather storage ottoman 129.99 Wood bowl 39.99 Curly willow branches 19.99 4 STYLICIOUSFall2010 STYLICIOUSFall2010 5 Add luxury and “elegance to your feel bedroom with the Prestige Collection. With refi ned pleating texture Prestige coordinate bedding detail punctuated by new Set includes duvet cover and 2 shams thoughtfully selected colours, the Prestige Queen or King duvet cover set . -
Textile Printing
TEXTILE PRINTING ® ® 1 Textile Printing 1.0 Introduction The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized continuous dyeing. In ancient times, people sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. 1.1 History of Printing The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. The early Egyptians also used ink-carved designs on the ends of wooden cylinders to print on fabrics as early as 400 AD.