DOCSLIB.ORG

Simple Loom Weaving Kit WE GATHER

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Simple Loom Weaving Kit WE GATHER WE GATHER Simple Loom Weaving Kit WEGATHERGOODS.COM @WEGATHER YOU’RE A WEAVER NOW! You are about to take your place in a long, ancient history of one of the earliest textile techniques ever used by humans. Welcome! Weaving has been part of our human experience for at least 30,000 years and is one of the most important and widespread methods of making cloth, baskets, and other functional and fabulous objects. This Simple Loom Weaving Kit employs many of the same tools and techniques that people have been using for thousands of years. It’s up to you to make them yours! At its most basic, weaving is the interlacing of two sets of perpendicular yarns or linear elements. Woven textiles are generally stable and not very stretchy. They can be thick and rugged, light and delicate, and everything in between. There are countless dierent approaches to weaving, it’s rules and traditions, and some of those are shared in this booklet. Follow those that speak to you and make your own rules where necessary. As you learn and practice, you will find what works best for you. Here are a few suggestions to get you started: •Loom maintenance - Your loom and tools are lovingly cut from birch plywood, which sometimes has the propensity for splintering. If you find this happening, use a fine grit sandpaper to smooth those areas. •Even tension - Weaving is built upon tension. Try to keep this as even as possible, but remember that your goal is function, not perfection. •No knots - You almost never use an actual knot in weaving. To change or add weft yarns, simply overlap the new and the old by about an inch in the same shed. •Mind your selvedges - Try to keep your selvedges straight and parallel with the vertical sides of your loom. •Experimentation - Weaving on a frame loom is exible. Feel free to change the orientation of your loom at will, making the bottom of your weaving the top and turning the top to the bottom. This type of weaving is low stakes - take some risks! •Troubleshooting - Always follow the yarn. It will tell you where it wants to go and lead you out of “mistake” situations. •Perspective - You can always start again! Weaving is a process that can oer meditative and creative possibilities. There is no requirement for perfection, and the stakes are so low in this type of weaving that there’s almost no harm in setting your loom down, taking a break, and starting again when you’re ready. LET’S GET GOING! The following pages include images and descriptions of all of the necessary steps you need to get weaving, as well as several dierent techniques that experiment with structure and texture. You may choose to follow these as written or blaze your own trail. There are dozens more techniques to discover if you’d like to continue with your own research. Perhaps you’ll even invent your own techniques! If, at any point, you have a question, email [email protected] and we’ll do our best to guide you. WEGATHERGOODS.COM 2 TAPESTRY NEEDLE WEAVING NEEDLE SHED STICK FRAME LOOM Get to know your tools. Your kit comes with a simple small With the warping method used on this loom, you’ll find that frame loom, which has been prepared with 100% natural there are essentially two sets of warp yarns - one on the cotton warp yarns. The shed stick, weaving needle, and front of the loom, and one on the back. A piece of cardstock tapestry needle are used to help you move the weft, or has been placed in order to visually separate these sets so cross-wise, yarns through the vertical warp yarns. that you can weave only the front set of warp yarns. Start by threading the weaving needle. Cut a length of yarn Pull that end about 2/3 of the way down the length of the no longer than your wingspan and thread one end of the other tail. yarn through the eye of the wooden needle. WEGATHERGOODS.COM 3 Start weaving using the plain weave structure, the most Pull the weft yarn all the way through the weaving until basic of weaving patterns. Starting at either selvedge, use there is just a 3-4 inch tail left at the starting point. the tip of the weaving needle to guide the yarn under one warp yarn and then over the next, then under and over, and so forth, until you reach the other selvedge Beat your first pick of weft in place using your fingers. Using your fingers, weave the tail of weft yarn into the warp by guiding it over the first warp yarn and then under the next, following this pattern for about 5-6 warp yarns. The yarn should be traveling opposite of the way the first pick moved through the warp yarn. You’ll clip the remaining tail when you’re finished with your weaving. WEGATHERGOODS.COM 4 Release a bit of yarn from the weaving needle and use it to As you work, mind your selvedges. With each pick, hold the create the next pick of weft. Guide it under the first warp weft yarn at the selvedge to keep it from pulling too tightly. yarn and over the next, following this pattern all the way Create a weaver’s angle with each pick by placing the weft to the other side of the loom. This pick should be traveling yarn at a 30-45 degree angle through the weft prior to opposite of the way the first pick moved through the warp beating. This allows extra space for the weft to successfully yarn. It will overlap the tucked tail. move through the warp and prevents draw-in. You can use your fingers or the tip of the weaving needle to Continue weaving, alternating the over-under pattern with press, or beat, the weft down into the weaving. each pick. WEGATHERGOODS.COM 5 USING THE SHED STICK: The shed stick holds the opening Bring the shed stick across the loom so that each end of between two sets of warp yarns and makes for more the shed stick rests on the sidebar of the loom. Flip the eicient weaving. The instructions outline how to use the shed stick on its side to open up the shed. The tension of shed stick with the plain weave structure. However, the the warp yarns will keep it temporarily in place. Guide the shed stick can be adapted to aid in any weave structure you weft through the newly-opened shed, moving it through choose. Guide the pointed end of the shed stick into the the warp at the widest part of the shed, which should be warp, following the over-under sequence that you will be closest to the shed stick. using on the next pick Angle and beat the weft as usual. Flip the shed stick again so Weave the next pick normally without the use of the shed that it is at in the warp. Push it up to the top of your loom. stick. When you’re ready to open the shed again, ip the shed stick back on its edge and follow the previous instructions. WEGATHERGOODS.COM 6 CHANGING YARNS: When you’re ready to end a yarn, clip it so that there is a 3-4 inch tail left. Use your fingers to weave that tail as if it were the next pick. Weaving through 5-6 warp JOIN TECHNIQUES: Use the slit join and the modified slit yarns should be enough. Push the remainder of the tail behind join (on following pages) to create curves and small shapes, the warp yarns. Thread your next yarn through the weaving needle. Weave the new yarn into the warp by following the and to place dierent colors or textures next to each other. movement of the tail of the previous yarn and continuing all the way to the other selvedge. Where the previous tail shows, the new yarn should stack directly on top of it. The tails of both yarns should overlap by about an inch, with both short tails dangling from the back of the weaving. Use plain weave to work two yarns at a time, coming from Imagine these two yarns “meeting” and then “separating.” opposite sides of the loom. almost as if they are each weaving on their own set of warp yarns. WEGATHERGOODS.COM 7 The modified slit join uses the same priciple, just changing Continue to meet and separate, making sure that none of where the meeting point for the two yarns is located with the warp yarns is left unclaimed. every new set of picks. If one of the yarns is thicker than the other, you may want Finger weave any tails in as you come to the end of a length to build one color section with more or less picks than the of yarn. other in order to create an even horizontal edge to the weaving. WEGATHERGOODS.COM 8 RYA KNOTS: Fun and quirky, rya knots create textural Cut through the bundle of wound yarn in one spot to create interest and can look like short little us or long owing tassels. They can be placed at any time during weaving or multiple short pieces of the same length. You can always cut can be added after a weaving is finished. Rya knots are often this new bundle of cut yarns into still shorter lengths if you placed along the bottom of a piece for hanging fringe.
Load more

Recommended publications
  • Discovery of Bilaterian-Type Through-Guts in Cloudinomorphs from the Terminal Ediacaran Period
    ARTICLE https://doi.org/10.1038/s41467-019-13882-z OPEN Discovery of bilaterian-type through-guts in cloudinomorphs from the terminal Ediacaran Period James D. Schiffbauer 1,2*, Tara Selly 1,2*, Sarah M. Jacquet 1, Rachel A. Merz3, Lyle L. Nelson4, Michael A. Strange5, Yaoping Cai6 & Emily F. Smith 4 The fossil record of the terminal Ediacaran Period is typified by the iconic index fossil Cloudina and its relatives. These tube-dwellers are presumed to be primitive metazoans, but resolving 1234567890():,; their phylogenetic identity has remained a point of contention. The root of the problem is a lack of diagnostic features; that is, phylogenetic interpretations have largely centered on the only available source of information—their external tubes. Here, using tomographic analyses of fossils from the Wood Canyon Formation (Nevada, USA), we report evidence of recog- nizable soft tissues within their external tubes. Although alternative interpretations are plausible, these internal cylindrical structures may be most appropriately interpreted as digestive tracts, which would be, to date, the earliest-known occurrence of such features in the fossil record. If this interpretation is correct, their nature as one-way through-guts not only provides evidence for establishing these fossils as definitive bilaterians but also has implications for the long-debated phylogenetic position of the broader cloudinomorphs. 1 Department of Geological Sciences, University of Missouri, Columbia, MO 65211, USA. 2 X-ray Microanalysis Core, University of Missouri, Columbia, MO 65211, USA. 3 Biology Department, Swarthmore College, Swarthmore, PA 19081, USA. 4 Department of Earth and Planetary Sciences, Johns Hopkins University, Baltimore, MD 21218, USA.
    [Show full text]
  • Study on Improving the Production Rate by Rapier Looms in Textile Industry Aby Chummar, Soni Kuriakose, George Mathew
    ISSN: 2277-3754 ISO 9001:2008 Certified International Journal of Engineering and Innovative Technology (IJEIT) Volume 2, Issue 7, January 2013 Study on Improving the Production Rate by Rapier Looms in Textile Industry Aby Chummar, Soni Kuriakose, George Mathew the company. It is mainly manufactured by the shuttle looms. Abstract— In India the textile industry is growing very fast. Conventional shuttle looms are mainly used during the Most of the earlier established textile industries are using weaving process in the industry. All these shuttle looms are conventional shuttle looms for the production of the cloth. But the too old. In these present conventional shuttle looms, it is advancement in the technology made the textile industry more competitive. The effective usage of the new methods of the necessary to pass a shuttle weighing around half a kilogram weaving technology, which is more energy efficient, makes the through the warp shed to insert a length of weft yarn which production more economical. It is found out that the usage of the weighs only few grams. The shuttle has to be accelerated conventional looms badly affects the cloth production. This study rapidly at the starting of picking cycle and also to be focuses on identifying the problems associated with the low decelerated, stopped abruptly at the opposite end. This production by the shuttle loom and suggesting suitable methods process creates heavy noise and shock and consumes by which these problems can be reduced. considerable energy. Beat-up is done by slay motion which again weighs a few hundred kilograms. The wear life of the Index Terms—Greige Fabric Picks, Rapier Loom, Shuttle Loom.
    [Show full text]
  • History of Weaving
    A Woven World Teaching Youth Diversity through Weaving Joanne Roueche, CFCS USU Extension, Davis County History of Weaving •Archaeologists believe that basket weaving and weaving were the earliest crafts •Weaving in Mesopotamia in Turkey dates back as far as 7000 to 8000 BC •Sealed tombs in Egypt have evidence of fabrics dating back as far as 5000 BC •Evidence of a weavers workshop found in an Egyptian tomb 19th Century BC •Ancient fabrics from the Hebrew world date back as early as 3000 BC History of Weaving (continued) •China – the discovery of silk in the 27th Century BCE •Swiss Lake Dwellers – woven linen scraps 5000 BCE •Early Peruvian textiles and weaving tools dating back to 5800 BCE •The Zapotecs were weaving in Oaxaca as early as 500 BC Weavers From Around the World Master weaver Jose Cotacachi in his studio in Peguche, Ecuador. Jose’s studio is about two and a half miles from Otavalo. Weavers making and selling their fabrics at the Saturday market in Otavalo, Ecuador. This tiny cottage on the small island of Mederia, Portugal is filled with spinning and weaving. Weavers selling their fabrics at an open market in Egypt. The painting depicts making linen cloth, spinning and warping a loom. (Painting in the Royal Ontario Museum.) Malaysian weavers making traditional Songket – fabric woven with gold or silver weft threads. A local Tarahumara Indian weaving on a small backstrap loom at the train station in Los Mochis. Weavers In Our Neighborhood George Aposhian learned Armenian pile carpets from his father and grandparents who immigrated to Salt Lake City in the early 1900’s.
    [Show full text]
  • Weaving Technology: Advances and Challenges Ii
    Volume3, Issue 1, Summer 2003 WEAVING TECHNOLOGY: ADVANCES AND CHALLENGES II Abdelfattah M. Seyam College of Textiles, N. C. State University Raleigh, NC, USA ABSTRACT This paper reviews the recent advances in weaving industry and addresses the challenges that face the weaving industry. The paper sheds the light on how the weaving machine manufacturers and woven fabric producers might strengthen the weaving industry by further advance the technology and taking advantages of the current and new advances in weaving technologies. KEYWORDS: Weaving, Automation, Jacquard, Pattern Change. INTRODUCTION and how the weaving machine manufacturers and woven fabric producers Recently weaving machine producers might strengthen the weaving industry by introduced to the woven fabric further advance the technology and taking manufacturers a sizeable number of advantages of the current and new advances technological advances. Examples of such in weaving technologies and supporting advances are higher speeds than seen before, systems. a higher level of automation, a new Jacquard shedding concept, waste reduction, and on- ADVANCES IN WEAVING line quality monitoring. These advances may enable the developed nations to drastically Weaving Speeds lower the labor cost and may be able to At recent machinery shows (ITMA’ 99, compete in the commodity fabric markets. ATME-I’ 2001), weaving machine Despite these significant development in manufacturers showed a broad range of weaving, weavers in the developed and machines with higher speed and rate of developing nations are faced with serious filling insertion (RFI) than seen before. The competition from other fabric forming fabric quality, which is significantly systems such as needlepunching and impacted by efficiency, is a must for the hydroentanglement nonwoven technologies.
    [Show full text]
  • E Mb R O Id Erie's
    ) 12 TITE OMAHA DAILY BEE: FJITDAY, ATOIL 24. 1903. n xt a n es n n n sa m n m m j a ti 6 Friday Is Remnant Day 1 li.iL.0V.?W,:,:.:1 V Valnes Offer IlrlnK This Ad Mb Omaha's rnre Food Center. jjjj I v y I ed Yon 'II Find P With Yoir. il Yon Can't Du- rry la a Restaurant on 2d Floor i i mm ( Itrm Where dainty meals are served R plicate Else on Monry Paver N dm NEW WHITE GOODS at moderate prices. U trhcre. TMB RKLIABL.R STOftS for You. PRETTY NEW WASH FABRICS Open 7 a. m. Closes 7 p. m. J? ' ' AN KOLA COFFEE. Go on Sale Friday in Basement If 'you are paying 35c a pound jv for your coffee and not getting $ In the Famous Domestic Room Ankola you are not getting your O Bargain Friday in the Wide Lingerie Cloth, the finest and most desirable, cloth money's worth. 25,000 yards of Mill Lengths and Remnants from our Rcady-to-We- ar made for undermuslins and lingerie dresses. r FISH DEPARTMENT Cools Dept. High Grade Wash Goods and White Goods Departments. Daby Halibut, lb. .. .12 Vic Regular 25c value, Friday off the bolt; at, yard. .16 2v Brings These Two Rattling 50c AND 39c WASH GOODS 12iac, 15c, 19c . AND 25c Fresh Lake Trout, lb 17Vcsg 9 V to Pretty Plaid and Striped Voiles with mercerized embroid Fine Fresh Croppies, lb 14cJJ Good Bargains V YARD WASH GOODS, YD., Fancy Cod Fish, (middles) lb.lScy v 10c 5c Ib.-lOcJ- Arnold's Printed Sllka, 60c value; 6,000 In Mill Lengths ered effects that are new.
    [Show full text]
  • “Direct Pattern on Loom”-An Innovative Method of Garment Construction
    Science ile & xt Ukey et al., J Textile Sci Eng 2013, 3:2 e E T n f g i DOI: 10.4172/2165-8064.1000131 o n l e a e n r r i n u Journal of Textile Science & Engineering g o J ISSN: 2165-8064 Research Article OpeOpen nAccess Access “Direct Pattern on Loom”-An Innovative Method of Garment Construction Pravin Ukey*, P V Kadole and Sarika Borikar Department of Textiles (Fashion Technology) DKTE’s Textile & Engineering Institute, Ichalkaranji, (M.S) India Abstract The impact of the fast fashion phenomenon is seen both in apparel and textile manufactures since the manufacturing time of apparels is considered as the most potential factor in reducing the overall time of the fashion cycle. In addition to the need for reduction in lead time, there is an increase in levels of quality expectations, resulting in higher cost of manufacture. Hence, in the present scenario, for high fashion garments, there is a need for technology which can minimize lead time and fabric losses, in addition to the production of garments as per the requirement of the customers in a short span of time. A DPOL (Direct Pattern on Loom) method for weaving fabric in the shape of garment panels (pieces) finished at the edges that could considerably reduce fabric loss and lead time is developed by using the electronic jacquard weaving machine. The main aim of the project is to study the feasibility of the production of Direct pattern on Loom especially on jacquard and to check the lead time required with conventional and this modern method.
    [Show full text]
  • Simple Crocheted Blanket Materials • Hook – Size G • Yarn – Acrylic Baby
    Simple Crocheted Blanket Materials Hook – Size G Yarn – Acrylic Baby Yarn (NO MOHAIR) 140 Stitches for 36”‐38”; 3‐ply – 120 stitches (approx.); 4 –ply – 100 stitches (approx.) Instructions ROW 1 – Chain enough stitches to make string 36‐38” ROW 2 – Double crochet in each chain, starting in 3rd stitch; Chain 3 turn ROW 3 to END – Starting in 2nd DC; continue back and forth until blanket is square. FINISH Tie off end; Weave end of thread into blanket. NO FRINGE PLEASE Option– Single crochet around 4 sides (making 3 S.C. in corner stitch) as a border. Marge’s “Very Easy” Crochet Baby Blanket Materials Baby or Sport Yarn (approximately 6 skeins – 3 ply) G Hook Instructions Row 1 – Chain 140 stitches (36”‐38”) or 100 stitches with 4‐ply Row 2 – DC (Double Crochet) in 4th stitch from end, DC across; at end Ch. 3 Row 3 – DC in 1st DC, continue across row, Ch. 3 at end; Repeat Row 3 until blanket is square Last Row = Tie off end. Weave 2‐3” of yarn into blanket to hide end. Option – Can do a crochet edge around just as a finish. Bev's Stretchy Knit Baby Cap copyright 2001, 2010 Beverly A Qualheim This cap can be made for a boy or girl preemie, and fits from 2- 3 lbs- (4-5 lb) (7-8 lb) babies . It is super fast to knit up and will stretch to fit. 1 oz. of sport or baby yarn - not fingering Size 9 knitting needles (size 5 Canadian and English -5.5 mm) Loosely cast on 36 (44) (50) sts.
    [Show full text]
  • Textile Periods in Ancient Peru: Ii Paracas Caverns and the Grand Necropolis
    TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M O';EALE- UNRERSITY OF CFORNIA PUBLTICATIONS IN EwasN AROOY AND ETENOLOG#Y Volnme 39, No. 2, pp. 14>202, plates 1-6, 20 figures in text ,, ,, .. vE \ . # :. UNIVERSITY 0t CALIP6RNIA PRESS BERKELEY AND tOS ANGBLES 1942 TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M. O'NEALE UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY Or CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOGY AND ETHNOLOGY EDITORS: A. L. KRoEBER, R. H. LoWIE, T. D. MCCowN, R. L. OLSON Volume 39, No. 2, pp. 143-202, plates 1-5, 20 figures in text Submitted by editors March 12, 1941 Issued October 23, 1942 Price, 75 cents UNIVESITY OF CALIFORNIA PRESS BERKELEY, CALIFORNIA CAM1BRDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERIOA CONTENTS PAGE METHOD AND MATERIAL ..................................................... 143 Revisions . ............................................................... 144 Paracas time periods: Caverns and Necropolis ................................ 145 TRAITS COMMON TO ALL PERIODS .............................................. 148 Paracas yarns . .......................................................... 149 Paracas loom types ....................................................... 151 Technical processes at Paracas ............................................. 152 Warp-weft techniques ................................................... 152 Plain weaves ................. ......................................
    [Show full text]
  • What Toyota Has to Say About Wussy-Boys
    What Toyota has to say about wussy-boys How could you doubt the manliness of Japanese men? Yes, I know, poor kid– Kamenashi Kazuya is Secret Garden’s posterchild for all that is confused and confusing in Japan. For the past several months my interest in gender issues in Japanese pop culture have had me following this topic of Soushokukei Danshi Nikushokukei Jyou, translated: Herbivore guys, carnivore girls. “Soushokukei danshi” describes a “trend” of ‘herbivore men’, or a group of young men (typically classified as being metrosexual) who are rejecting the typical guidelines of masculinity, and embracing an alternative style. It’s a type of Otomen syndrome, as it were, for anyone who has read the manga/seen the drama. Otomen follows the story of a young man who, on the outside appears to be a manly-man, but who secretly loves sewing, crochet, stuffed animals, strawberry parfaits and baking beautiful cakes. Soushokukei danshi have been described as being more “family oriented”, and being uninterested in women and dating. Next in line are the carnivorous girls, beautiful, intelligent, ambitious young women displaying all of the characteristics it seems the men should be displaying: charisma, confidence, focus, and guts. These go-getters have been described by the soushokukei danshi as being “scary” (I’m shaking in my boots already…). The typical dynamic spelled out by this phenomenon is a type of gender- role-reversal, where the herbivorous guys seem unable to get up the manly gumption to go after girls, but prefer to wait for the carnivorous beauty (as long as he’s not scared of her, that is) to hunt him down and snatch him up in one fell swoop (sounds okay to me…).
    [Show full text]
  • Toward Eliminating Pre-Consumer Emissions of Microplastics from the Textile Industry
    Toward eliminating pre-consumer emissions of microplastics from the textile industry Photo credit: Mark Godfrey Photo credit: Devan King Abstract There is growing global awareness that microfibers are, we know enough to take microplastics are a potentially harmful action now to reduce the flows of these pollutant in oceans, freshwater, soil and air. materials into natural systems like rivers While there are many important sources of and oceans. The elimination of pre- microplastic pollution, we now know the consumer microfiber pollution will require textile lifecycle of manufacturing, use and changes along all stages of the textile disposal is a major emission pathway of supply chain. These changes include: microplastics. Microplastics emitted during a textile’s lifecycle are referred to as 1. Better understanding the relative microfibers or ‘fiber fragments.’ To date, emissions of microfibers at each much of the attention has focused on the manufacturing step (from fiber to yarn shedding, washing and disposal of to fabric to garment). synthetic textiles by consumers. 2. Developing microfiber control technologies and codifying best However, this is only part of the picture practices. and ignores microfiber leakage during the manufacturing and processing of these 3. Scaling these solutions to Tier 1, 2 and 3 materials. We estimate that pre-consumer suppliers via a combination of textile manufacturing releases 0.12 million regulatory and brand or retailer-led metric tons (MT) per year of synthetic action. microfibers into the environment – a similar 4. Continuing to raise industry, order of magnitude to that of the consumer government and consumer awareness use phase (laundering). That would mean of the topic.
    [Show full text]
  • Guts Teacher Guide
    Teacher Handbook Eastern MT Area Health Education Center 123 S. 27th St. Billings, MT 59101 406-247-3379 Use Log Please log your use of this curriculum box so that we can track the number of students impacted by the curriculum. Thank you! Teacher School Grade # of Time spent Comments Name students with box contents Background for the teacher… Background for digestion: Before we investigate the many different problems individuals can have with digestion, here’s how normal digestion works - What Is Digestion? Digestion is the complex process of turning the food you eat into the energy you need to survive. The digestive tract (or gut) is a long twisting tube that starts at the mouth and ends at the anus. It is made up of a series of muscles that coordinate the movement of food and other cells that produce enzymes and hormones to aid in the breakdown of food. For the purpose of this curriculum, we have focused our reference to “guts” primarily on the following 7 organs: small intestine, large intestine, stomach, liver, pancreas, appendix, and gall bladder. If you choose to use lesson extensions or further research with students, the other aspects of the digestive process can be investigated. Stop 1: The Mouth -The mouth is the beginning of the digestive system, and, in fact, digestion starts here before you even take the first bite of a meal. The smell of food triggers the salivary glands in your mouth to secrete saliva, causing your mouth to water. When you actually taste the food, saliva increases. Once you start chewing and breaking the food down into pieces small enough to be digested other mechanisms come into play.
    [Show full text]
  • The PMA Technique: Finally! a Breakthrough for Visionaries and Go Getters!
    powered by Great Ideas to Improve Your Life 950,000 Subscribers ...and Growing The PMA Technique: Finally! A Breakthrough for Visionaries and Go Getters! By Jacob Korthuis A New Human Awareness Transforming our inner drives and belief systems is the key to revolutionizing our personal reflections regarding health, self-improvement, relationships and behavior. For too long, we were not aware enough of the power and value of our inner environment and especially how to change negative beliefs and behavior into positive proactive energy. Now, through the groundbreaking Progressive Mental Alignment® (PMA) Technique, this tool is available to you. The PMA belief system transformation technique is based on the discovery of a new phenomenon called “Bad Clusters.” These clusters serve as subconscious neurophysiologic jamming stations, placing a negative sabotaging influence on more than 75% of our thoughts, belief systems, decisions, and behaviors. We all experience their effects when we’re suddenly taken out of our flow, or when insignificant things abruptly disturb our good mood and productivity. Everybody has these bad clusters in their subconscious. They work like computer viruses on all your operating systems. They also imprison large amounts of energy that would otherwise be freed for proactive use. We all carry a certain amount of emotional burdens in our backpack. But we don’t want constantly to be reminded of this misery. “You have to leave the past alone,” is a commonly heard expression. The recent discovery of bad clusters clearly shows that you may decide to leave the past alone, but the past won’t leave you alone as long as those bad clusters remain undetected! These particular hidden elements of the past make you sick and sabotage your behavior.
    [Show full text]